Les Misérables by Victor Hugo

CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING

2094 words  |  Chapter 340

COSETTE HIS ADDRESS While this sort of a dog with a human face was mounting guard over the gate, and while the six ruffians were yielding to a girl, Marius was by Cosette’s side. Never had the sky been more studded with stars and more charming, the trees more trembling, the odor of the grass more penetrating; never had the birds fallen asleep among the leaves with a sweeter noise; never had all the harmonies of universal serenity responded more thoroughly to the inward music of love; never had Marius been more captivated, more happy, more ecstatic. But he had found Cosette sad; Cosette had been weeping. Her eyes were red. This was the first cloud in that wonderful dream. Marius’ first word had been: “What is the matter?” And she had replied: “This.” Then she had seated herself on the bench near the steps, and while he tremblingly took his place beside her, she had continued:— “My father told me this morning to hold myself in readiness, because he has business, and we may go away from here.” Marius shivered from head to foot. When one is at the end of one’s life, to die means to go away; when one is at the beginning of it, to go away means to die. For the last six weeks, Marius had little by little, slowly, by degrees, taken possession of Cosette each day. As we have already explained, in the case of first love, the soul is taken long before the body; later on, one takes the body long before the soul; sometimes one does not take the soul at all; the Faublas and the Prudhommes add: “Because there is none”; but the sarcasm is, fortunately, a blasphemy. So Marius possessed Cosette, as spirits possess, but he enveloped her with all his soul, and seized her jealously with incredible conviction. He possessed her smile, her breath, her perfume, the profound radiance of her blue eyes, the sweetness of her skin when he touched her hand, the charming mark which she had on her neck, all her thoughts. Therefore, he possessed all Cosette’s dreams. He incessantly gazed at, and he sometimes touched lightly with his breath, the short locks on the nape of her neck, and he declared to himself that there was not one of those short hairs which did not belong to him, Marius. He gazed upon and adored the things that she wore, her knot of ribbon, her gloves, her sleeves, her shoes, her cuffs, as sacred objects of which he was the master. He dreamed that he was the lord of those pretty shell combs which she wore in her hair, and he even said to himself, in confused and suppressed stammerings of voluptuousness which did not make their way to the light, that there was not a ribbon of her gown, not a mesh in her stockings, not a fold in her bodice, which was not his. Beside Cosette he felt himself beside his own property, his own thing, his own despot and his slave. It seemed as though they had so intermingled their souls, that it would have been impossible to tell them apart had they wished to take them back again.—“This is mine.” “No, it is mine.” “I assure you that you are mistaken. This is my property.” “What you are taking as your own is myself.”—Marius was something that made a part of Cosette, and Cosette was something which made a part of Marius. Marius felt Cosette within him. To have Cosette, to possess Cosette, this, to him, was not to be distinguished from breathing. It was in the midst of this faith, of this intoxication, of this virgin possession, unprecedented and absolute, of this sovereignty, that these words: “We are going away,” fell suddenly, at a blow, and that the harsh voice of reality cried to him: “Cosette is not yours!” Marius awoke. For six weeks Marius had been living, as we have said, outside of life; those words, _going away!_ caused him to re-enter it harshly. He found not a word to say. Cosette merely felt that his hand was very cold. She said to him in her turn: “What is the matter?” He replied in so low a tone that Cosette hardly heard him:— “I did not understand what you said.” She began again:— “This morning my father told me to settle all my little affairs and to hold myself in readiness, that he would give me his linen to put in a trunk, that he was obliged to go on a journey, that we were to go away, that it is necessary to have a large trunk for me and a small one for him, and that all is to be ready in a week from now, and that we might go to England.” “But this is outrageous!” exclaimed Marius. It is certain, that, at that moment, no abuse of power, no violence, not one of the abominations of the worst tyrants, no action of Busiris, of Tiberius, or of Henry VIII., could have equalled this in atrocity, in the opinion of Marius; M. Fauchelevent taking his daughter off to England because he had business there. He demanded in a weak voice:— “And when do you start?” “He did not say when.” “And when shall you return?” “He did not say when.” Marius rose and said coldly:— “Cosette, shall you go?” Cosette turned toward him her beautiful eyes, all filled with anguish, and replied in a sort of bewilderment:— “Where?” “To England. Shall you go?” “Why do you say _you_ to me?” “I ask you whether you will go?” “What do you expect me to do?” she said, clasping her hands. “So, you will go?” “If my father goes.” “So, you will go?” Cosette took Marius’ hand, and pressed it without replying. “Very well,” said Marius, “then I will go elsewhere.” Cosette felt rather than understood the meaning of these words. She turned so pale that her face shone white through the gloom. She stammered:— “What do you mean?” Marius looked at her, then raised his eyes to heaven, and answered: “Nothing.” When his eyes fell again, he saw Cosette smiling at him. The smile of a woman whom one loves possesses a visible radiance, even at night. “How silly we are! Marius, I have an idea.” “What is it?” “If we go away, do you go too! I will tell you where! Come and join me wherever I am.” Marius was now a thoroughly roused man. He had fallen back into reality. He cried to Cosette:— “Go away with you! Are you mad? Why, I should have to have money, and I have none! Go to England? But I am in debt now, I owe, I don’t know how much, more than ten louis to Courfeyrac, one of my friends with whom you are not acquainted! I have an old hat which is not worth three francs, I have a coat which lacks buttons in front, my shirt is all ragged, my elbows are torn, my boots let in the water; for the last six weeks I have not thought about it, and I have not told you about it. You only see me at night, and you give me your love; if you were to see me in the daytime, you would give me a sou! Go to England! Eh! I haven’t enough to pay for a passport!” He threw himself against a tree which was close at hand, erect, his brow pressed close to the bark, feeling neither the wood which flayed his skin, nor the fever which was throbbing in his temples, and there he stood motionless, on the point of falling, like the statue of despair. He remained a long time thus. One could remain for eternity in such abysses. At last he turned round. He heard behind him a faint stifled noise, which was sweet yet sad. It was Cosette sobbing. She had been weeping for more than two hours beside Marius as he meditated. He came to her, fell at her knees, and slowly prostrating himself, he took the tip of her foot which peeped out from beneath her robe, and kissed it. She let him have his way in silence. There are moments when a woman accepts, like a sombre and resigned goddess, the religion of love. “Do not weep,” he said. She murmured:— “Not when I may be going away, and you cannot come!” He went on:— “Do you love me?” She replied, sobbing, by that word from paradise which is never more charming than amid tears:— “I adore you!” He continued in a tone which was an indescribable caress:— “Do not weep. Tell me, will you do this for me, and cease to weep?” “Do you love me?” said she. He took her hand. “Cosette, I have never given my word of honor to any one, because my word of honor terrifies me. I feel that my father is by my side. Well, I give you my most sacred word of honor, that if you go away I shall die.” In the tone with which he uttered these words there lay a melancholy so solemn and so tranquil, that Cosette trembled. She felt that chill which is produced by a true and gloomy thing as it passes by. The shock made her cease weeping. “Now, listen,” said he, “do not expect me to-morrow.” “Why?” “Do not expect me until the day after to-morrow.” “Oh! Why?” “You will see.” “A day without seeing you! But that is impossible!” “Let us sacrifice one day in order to gain our whole lives, perhaps.” And Marius added in a low tone and in an aside:— “He is a man who never changes his habits, and he has never received any one except in the evening.” “Of what man are you speaking?” asked Cosette. “I? I said nothing.” “What do you hope, then?” “Wait until the day after to-morrow.” “You wish it?” “Yes, Cosette.” She took his head in both her hands, raising herself on tiptoe in order to be on a level with him, and tried to read his hope in his eyes. Marius resumed:— “Now that I think of it, you ought to know my address: something might happen, one never knows; I live with that friend named Courfeyrac, Rue de la Verrerie, No. 16.” He searched in his pocket, pulled out his penknife, and with the blade he wrote on the plaster of the wall:— _“16 Rue de la Verrerie.”_ In the meantime, Cosette had begun to gaze into his eyes once more. “Tell me your thought, Marius; you have some idea. Tell it to me. Oh! tell me, so that I may pass a pleasant night.” “This is my idea: that it is impossible that God should mean to part us. Wait; expect me the day after to-morrow.” “What shall I do until then?” said Cosette. “You are outside, you go, and come! How happy men are! I shall remain entirely alone! Oh! How sad I shall be! What is it that you are going to do to-morrow evening? tell me.” “I am going to try something.” “Then I will pray to God and I will think of you here, so that you may be successful. I will question you no further, since you do not wish it. You are my master. I shall pass the evening to-morrow in singing that music from _Euryanthe_ that you love, and that you came one evening to listen to, outside my shutters. But day after to-morrow you will come early. I shall expect you at dusk, at nine o’clock precisely, I warn you. Mon Dieu! how sad it is that the days are so long! On the stroke of nine, do you understand, I shall be in the garden.” “And I also.” And without having uttered it, moved by the same thought, impelled by those electric currents which place lovers in continual communication, both being intoxicated with delight even in their sorrow, they fell into each other’s arms, without perceiving that their lips met while their uplifted eyes, overflowing with rapture and full of tears, gazed upon the stars. When Marius went forth, the street was deserted. This was the moment when Éponine was following the ruffians to the boulevard. While Marius had been dreaming with his head pressed to the tree, an idea had crossed his mind; an idea, alas! that he himself judged to be senseless and impossible. He had come to a desperate decision.

Chapters

1. Chapter 1 2. CHAPTER XIV—WHAT HE THOUGHT 3. CHAPTER XIII—LITTLE GERVAIS 4. CHAPTER IX—A MERRY END TO MIRTH 5. CHAPTER III—THE LARK 6. CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE 7. CHAPTER II—HOW JEAN MAY BECOME CHAMP 8. CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR 9. CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED 10. CHAPTER V—A SUITABLE TOMB 11. CHAPTER XIX—THE BATTLE-FIELD AT NIGHT 12. CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF 13. CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY 14. CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR 15. CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION 16. CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY 17. CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT 18. CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT 19. CHAPTER XI—END OF THE PETIT-PICPUS 20. CHAPTER VIII—FAITH, LAW 21. CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ 22. CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T 23. CHAPTER IX—CLOISTERED 24. CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF 25. CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE 26. CHAPTER XIII—LITTLE GAVROCHE 27. CHAPTER VIII—TWO DO NOT MAKE A PAIR 28. CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A 29. CHAPTER VIII—MARBLE AGAINST GRANITE 30. CHAPTER VI—RES ANGUSTA 31. CHAPTER VI—THE SUBSTITUTE 32. CHAPTER IX—ECLIPSE 33. CHAPTER IV—COMPOSITION OF THE TROUPE 34. CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN 35. CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE 36. CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH 37. CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO 38. CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS 39. CHAPTER IV—AN APPARITION TO MARIUS 40. CHAPTER VIII—THE CHAIN-GANG 41. CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A 42. CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY 43. CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE 44. CHAPTER III—THE VICISSITUDES OF FLIGHT 45. CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE 46. CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING 47. CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH 48. CHAPTER III—M. MABEUF 49. CHAPTER V—ORIGINALITY OF PARIS 50. CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S 51. CHAPTER VI—RECRUITS 52. CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE 53. CHAPTER III—THE EXTREME EDGE 54. CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ 55. CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES 56. CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL 57. CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT 58. CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE 59. CHAPTER XXIV—PRISONER 60. CHAPTER VI—FUTURE PROGRESS 61. CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS 62. CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS 63. CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, 64. CHAPTER XII—THE GRANDFATHER 65. CHAPTER I 66. CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC 67. CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A 68. CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN 69. CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND 70. CHAPTER IV—THE IMMORTAL LIVER 71. CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN 72. CHAPTER IV—ATTRACTION AND EXTINCTION 73. CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S 74. CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES 75. CHAPTER I—M. MYRIEL 76. CHAPTER II—M. MYRIEL BECOMES M. WELCOME 77. 1712. This palace was a genuine seignorial residence. Everything about 78. CHAPTER III—A HARD BISHOPRIC FOR A GOOD BISHOP 79. CHAPTER IV—WORKS CORRESPONDING TO WORDS 80. CHAPTER V—MONSEIGNEUR BIENVENU MADE HIS CASSOCKS LAST TOO LONG 81. CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM 82. CHAPTER VII—CRAVATTE 83. CHAPTER VIII—PHILOSOPHY AFTER DRINKING 84. CHAPTER IX—THE BROTHER AS DEPICTED BY THE SISTER 85. CHAPTER X—THE BISHOP IN THE PRESENCE OF AN UNKNOWN LIGHT 86. CHAPTER XI—A RESTRICTION 87. CHAPTER XII—THE SOLITUDE OF MONSEIGNEUR WELCOME 88. CHAPTER XIII—WHAT HE BELIEVED 89. CHAPTER XIV—WHAT HE THOUGHT 90. CHAPTER I—THE EVENING OF A DAY OF WALKING 91. CHAPTER II—PRUDENCE COUNSELLED TO WISDOM. 92. CHAPTER III—THE HEROISM OF PASSIVE OBEDIENCE. 93. CHAPTER IV—DETAILS CONCERNING THE CHEESE-DAIRIES OF PONTARLIER. 94. CHAPTER V—TRANQUILLITY 95. CHAPTER VI—JEAN VALJEAN 96. CHAPTER VII—THE INTERIOR OF DESPAIR 97. CHAPTER VIII—BILLOWS AND SHADOWS 98. CHAPTER IX—NEW TROUBLES 99. CHAPTER X—THE MAN AROUSED 100. CHAPTER XI—WHAT HE DOES 101. CHAPTER XII—THE BISHOP WORKS 102. CHAPTER XIII—LITTLE GERVAIS 103. CHAPTER I—THE YEAR 1817 104. CHAPTER II—A DOUBLE QUARTETTE 105. CHAPTER III—FOUR AND FOUR 106. CHAPTER IV—THOLOMYÈS IS SO MERRY THAT HE SINGS A SPANISH DITTY 107. CHAPTER V—AT BOMBARDA’S 108. CHAPTER VI—A CHAPTER IN WHICH THEY ADORE EACH OTHER 109. CHAPTER VII—THE WISDOM OF THOLOMYÈS 110. CHAPTER VIII—THE DEATH OF A HORSE 111. CHAPTER IX—A MERRY END TO MIRTH 112. CHAPTER I—ONE MOTHER MEETS ANOTHER MOTHER 113. CHAPTER II—FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES 114. CHAPTER III—THE LARK 115. CHAPTER I—THE HISTORY OF A PROGRESS IN BLACK GLASS TRINKETS 116. CHAPTER II—MADELEINE 117. CHAPTER III—SUMS DEPOSITED WITH LAFFITTE 118. CHAPTER IV—M. MADELEINE IN MOURNING 119. CHAPTER V—VAGUE FLASHES ON THE HORIZON 120. CHAPTER VI—FATHER FAUCHELEVENT 121. CHAPTER VII—FAUCHELEVENT BECOMES A GARDENER IN PARIS 122. CHAPTER VIII—MADAME VICTURNIEN EXPENDS THIRTY FRANCS ON MORALITY 123. CHAPTER IX—MADAME VICTURNIEN’S SUCCESS 124. CHAPTER X—RESULT OF THE SUCCESS 125. CHAPTER XI—CHRISTUS NOS LIBERAVIT 126. CHAPTER XII—M. BAMATABOIS’S INACTIVITY 127. CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE 128. CHAPTER I—THE BEGINNING OF REPOSE 129. CHAPTER II—HOW JEAN MAY BECOME CHAMP 130. CHAPTER I—SISTER SIMPLICE 131. CHAPTER II—THE PERSPICACITY OF MASTER SCAUFFLAIRE 132. CHAPTER III—A TEMPEST IN A SKULL 133. CHAPTER IV—FORMS ASSUMED BY SUFFERING DURING SLEEP 134. CHAPTER V—HINDRANCES 135. CHAPTER VI—SISTER SIMPLICE PUT TO THE PROOF 136. CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR 137. CHAPTER VIII—AN ENTRANCE BY FAVOR 138. CHAPTER IX—A PLACE WHERE CONVICTIONS ARE IN PROCESS OF FORMATION 139. CHAPTER X—THE SYSTEM OF DENIALS 140. CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED 141. CHAPTER I—IN WHAT MIRROR M. MADELEINE CONTEMPLATES HIS HAIR 142. CHAPTER II—FANTINE HAPPY 143. CHAPTER III—JAVERT SATISFIED 144. CHAPTER IV—AUTHORITY REASSERTS ITS RIGHTS 145. CHAPTER V—A SUITABLE TOMB 146. CHAPTER I—WHAT IS MET WITH ON THE WAY FROM NIVELLES 147. CHAPTER II—HOUGOMONT 148. CHAPTER III—THE EIGHTEENTH OF JUNE, 1815 149. CHAPTER IV—A 150. CHAPTER V—THE QUID OBSCURUM OF BATTLES 151. CHAPTER VI—FOUR O’CLOCK IN THE AFTERNOON 152. CHAPTER VII—NAPOLEON IN A GOOD HUMOR 153. CHAPTER VIII—THE EMPEROR PUTS A QUESTION TO THE GUIDE LACOSTE 154. CHAPTER IX—THE UNEXPECTED 155. CHAPTER X—THE PLATEAU OF MONT-SAINT-JEAN 156. CHAPTER XI—A BAD GUIDE TO NAPOLEON; A GOOD GUIDE TO BÜLOW 157. CHAPTER XII—THE GUARD 158. CHAPTER XIII—THE CATASTROPHE 159. CHAPTER XIV—THE LAST SQUARE 160. CHAPTER XV—CAMBRONNE 161. CHAPTER XVI—QUOT LIBRAS IN DUCE? 162. CHAPTER XVII—IS WATERLOO TO BE CONSIDERED GOOD? 163. CHAPTER XVIII—A RECRUDESCENCE OF DIVINE RIGHT 164. CHAPTER XIX—THE BATTLE-FIELD AT NIGHT 165. CHAPTER I—NUMBER 24,601 BECOMES NUMBER 9,430 166. CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF THE 167. CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY 168. CHAPTER I—THE WATER QUESTION AT MONTFERMEIL 169. CHAPTER II—TWO COMPLETE PORTRAITS 170. CHAPTER III—MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER 171. CHAPTER IV—ENTRANCE ON THE SCENE OF A DOLL 172. CHAPTER V—THE LITTLE ONE ALL ALONE 173. CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE’S INTELLIGENCE 174. CHAPTER VII—COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK 175. CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR 176. CHAPTER IX— THÉNARDIER AND HIS MANŒUVRES 177. CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION WORSE 178. CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY 179. CHAPTER I—MASTER GORBEAU 180. CHAPTER II—A NEST FOR OWL AND A WARBLER 181. CHAPTER III—TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE 182. CHAPTER IV—THE REMARKS OF THE PRINCIPAL TENANT 183. CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT 184. CHAPTER I—THE ZIGZAGS OF STRATEGY 185. CHAPTER II—IT IS LUCKY THAT THE PONT D’AUSTERLITZ BEARS CARRIAGES 186. CHAPTER III—TO WIT, THE PLAN OF PARIS IN 1727 187. CHAPTER IV—THE GROPINGS OF FLIGHT 188. CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS 189. CHAPTER VI—THE BEGINNING OF AN ENIGMA 190. CHAPTER VII—CONTINUATION OF THE ENIGMA 191. CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS 192. CHAPTER IX—THE MAN WITH THE BELL 193. CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT 194. episode of the thousand-franc bill. She had seen it! She had handled 195. CHAPTER I—NUMBER 62 RUE PETIT-PICPUS 196. CHAPTER II—THE OBEDIENCE OF MARTIN VERGA 197. CHAPTER III—AUSTERITIES 198. CHAPTER IV—GAYETIES 199. CHAPTER V—DISTRACTIONS 200. CHAPTER VI—THE LITTLE CONVENT 201. CHAPTER VII—SOME SILHOUETTES OF THIS DARKNESS 202. CHAPTER VIII—POST CORDA LAPIDES 203. CHAPTER IX—A CENTURY UNDER A GUIMPE 204. CHAPTER X—ORIGIN OF THE PERPETUAL ADORATION 205. CHAPTER XI—END OF THE PETIT-PICPUS 206. CHAPTER I—THE CONVENT AS AN ABSTRACT IDEA 207. CHAPTER II—THE CONVENT AS AN HISTORICAL FACT 208. CHAPTER III—ON WHAT CONDITIONS ONE CAN RESPECT THE PAST 209. CHAPTER IV—THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES 210. CHAPTER V—PRAYER 211. CHAPTER VI—THE ABSOLUTE GOODNESS OF PRAYER 212. CHAPTER VII—PRECAUTIONS TO BE OBSERVED IN BLAME 213. CHAPTER VIII—FAITH, LAW 214. CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT 215. CHAPTER II—FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY 216. CHAPTER III—MOTHER INNOCENTE 217. CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ 218. CHAPTER V—IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL 219. CHAPTER VI—BETWEEN FOUR PLANKS 220. CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T LOSE 221. CHAPTER VIII—A SUCCESSFUL INTERROGATORY 222. CHAPTER IX—CLOISTERED 223. CHAPTER I—PARVULUS 224. CHAPTER II—SOME OF HIS PARTICULAR CHARACTERISTICS 225. CHAPTER III—HE IS AGREEABLE 226. CHAPTER IV—HE MAY BE OF USE 227. CHAPTER V—HIS FRONTIERS 228. CHAPTER VI—A BIT OF HISTORY 229. CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF 230. CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE 231. CHAPTER IX—THE OLD SOUL OF GAUL 232. CHAPTER X—ECCE PARIS, ECCE HOMO 233. CHAPTER XI—TO SCOFF, TO REIGN 234. CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE 235. CHAPTER XIII—LITTLE GAVROCHE 236. CHAPTER I—NINETY YEARS AND THIRTY-TWO TEETH 237. CHAPTER II—LIKE MASTER, LIKE HOUSE 238. CHAPTER III—LUC-ESPRIT 239. CHAPTER IV—A CENTENARIAN ASPIRANT 240. CHAPTER V—BASQUE AND NICOLETTE 241. CHAPTER VI—IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN 242. CHAPTER VII—RULE: RECEIVE NO ONE EXCEPT IN THE EVENING 243. CHAPTER VIII—TWO DO NOT MAKE A PAIR 244. CHAPTER I—AN ANCIENT SALON 245. CHAPTER II—ONE OF THE RED SPECTRES OF THAT EPOCH 246. 1794. Pontmercy fought at Spire, at Worms, at Neustadt, at Turkheim, at 247. CHAPTER III—REQUIESCANT 248. introduction into history of M. le Marquis de Bonaparte, 249. CHAPTER IV—END OF THE BRIGAND 250. CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A 251. CHAPTER VI—THE CONSEQUENCES OF HAVING MET A WARDEN 252. CHAPTER VII—SOME PETTICOAT 253. CHAPTER VIII—MARBLE AGAINST GRANITE 254. CHAPTER I—A GROUP WHICH BARELY MISSED BECOMING HISTORIC 255. CHAPTER II—BLONDEAU’S FUNERAL ORATION BY BOSSUET 256. CHAPTER III—MARIUS’ ASTONISHMENTS 257. CHAPTER IV—THE BACK ROOM OF THE CAFÉ MUSAIN 258. CHAPTER V—ENLARGEMENT OF HORIZON 259. CHAPTER VI—RES ANGUSTA 260. CHAPTER I—MARIUS INDIGENT 261. CHAPTER II—MARIUS POOR 262. CHAPTER III—MARIUS GROWN UP 263. CHAPTER IV—M. MABEUF 264. CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY 265. CHAPTER VI—THE SUBSTITUTE 266. CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES 267. CHAPTER II—LUX FACTA EST 268. CHAPTER III—EFFECT OF THE SPRING 269. CHAPTER IV—BEGINNING OF A GREAT MALADY 270. CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON 271. CHAPTER VI—TAKEN PRISONER 272. CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES 273. CHAPTER VIII—THE VETERANS THEMSELVES CAN BE HAPPY 274. CHAPTER IX—ECLIPSE 275. CHAPTER I—MINES AND MINERS 276. CHAPTER II—THE LOWEST DEPTHS 277. CHAPTER III—BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE 278. CHAPTER IV—COMPOSITION OF THE TROUPE 279. CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN 280. CHAPTER II—TREASURE TROVE 281. CHAPTER III—QUADRIFRONS 282. CHAPTER IV—A ROSE IN MISERY 283. CHAPTER V—A PROVIDENTIAL PEEP-HOLE 284. CHAPTER VI—THE WILD MAN IN HIS LAIR 285. CHAPTER VII—STRATEGY AND TACTICS 286. CHAPTER VIII—THE RAY OF LIGHT IN THE HOVEL 287. CHAPTER IX—JONDRETTE COMES NEAR WEEPING 288. CHAPTER X—TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR 289. CHAPTER XI—OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS 290. CHAPTER XII—THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE 291. CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE 292. CHAPTER XIV—IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER 293. CHAPTER XV—JONDRETTE MAKES HIS PURCHASES 294. CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH 295. CHAPTER XVII—THE USE MADE OF MARIUS’ FIVE-FRANC PIECE 296. CHAPTER XVIII—MARIUS’ TWO CHAIRS FORM A VIS-A-VIS 297. CHAPTER XIX—OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS 298. CHAPTER XX—THE TRAP 299. CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS 300. CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO 301. CHAPTER I—WELL CUT 302. CHAPTER II—BADLY SEWED 303. CHAPTER III—LOUIS PHILIPPE 304. CHAPTER IV—CRACKS BENEATH THE FOUNDATION 305. CHAPTER V—FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES 306. CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS 307. CHAPTER I—THE LARK’S MEADOW 308. CHAPTER II—EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS 309. CHAPTER III—APPARITION TO FATHER MABEUF 310. CHAPTER IV—AN APPARITION TO MARIUS 311. CHAPTER I—THE HOUSE WITH A SECRET 312. CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD 313. 1831. The municipal information collected at that time had even reached 314. CHAPTER III—FOLIIS AC FRONDIBUS 315. CHAPTER IV—CHANGE OF GATE 316. CHAPTER V—THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR 317. CHAPTER VI—THE BATTLE BEGUN 318. CHAPTER VII—TO ONE SADNESS OPPOSE A SADNESS AND A HALF 319. CHAPTER VIII—THE CHAIN-GANG 320. CHAPTER I—A WOUND WITHOUT, HEALING WITHIN 321. CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A 322. CHAPTER I—SOLITUDE AND THE BARRACKS COMBINED 323. CHAPTER II—COSETTE’S APPREHENSIONS 324. CHAPTER III—ENRICHED WITH COMMENTARIES BY TOUSSAINT 325. CHAPTER IV—A HEART BENEATH A STONE 326. CHAPTER V—COSETTE AFTER THE LETTER 327. CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY 328. CHAPTER I—THE MALICIOUS PLAYFULNESS OF THE WIND 329. CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE 330. CHAPTER III—THE VICISSITUDES OF FLIGHT 331. CHAPTER I—ORIGIN 332. CHAPTER II—ROOTS 333. CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS 334. CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE 335. CHAPTER I—FULL LIGHT 336. CHAPTER II—THE BEWILDERMENT OF PERFECT HAPPINESS 337. CHAPTER III—THE BEGINNING OF SHADOW 338. CHAPTER IV—A CAB RUNS IN ENGLISH AND BARKS IN SLANG 339. CHAPTER V—THINGS OF THE NIGHT 340. CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING 341. CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH 342. CHAPTER I—JEAN VALJEAN 343. CHAPTER II—MARIUS 344. CHAPTER III—M. MABEUF 345. CHAPTER I—THE SURFACE OF THE QUESTION 346. CHAPTER II—THE ROOT OF THE MATTER 347. CHAPTER III—A BURIAL; AN OCCASION TO BE BORN AGAIN 348. CHAPTER IV—THE EBULLITIONS OF FORMER DAYS 349. CHAPTER V—ORIGINALITY OF PARIS 350. CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S 351. CHAPTER II—GAVROCHE ON THE MARCH 352. CHAPTER III—JUST INDIGNATION OF A HAIR-DRESSER 353. CHAPTER IV—THE CHILD IS AMAZED AT THE OLD MAN 354. CHAPTER V—THE OLD MAN 355. CHAPTER VI—RECRUITS 356. CHAPTER I—HISTORY OF CORINTHE FROM ITS FOUNDATION 357. CHAPTER II—PRELIMINARY GAYETIES 358. CHAPTER III—NIGHT BEGINS TO DESCEND UPON GRANTAIRE 359. CHAPTER IV—AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP 360. CHAPTER V—PREPARATIONS 361. CHAPTER VI—WAITING 362. CHAPTER VII—THE MAN RECRUITED IN THE RUE DES BILLETTES 363. CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE 364. CHAPTER I—FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS 365. CHAPTER II—AN OWL’S VIEW OF PARIS 366. CHAPTER III—THE EXTREME EDGE 367. CHAPTER I—THE FLAG: ACT FIRST 368. CHAPTER II—THE FLAG: ACT SECOND 369. CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ CARBINE 370. CHAPTER IV—THE BARREL OF POWDER 371. CHAPTER V—END OF THE VERSES OF JEAN PROUVAIRE 372. CHAPTER VI—THE AGONY OF DEATH AFTER THE AGONY OF LIFE 373. CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES 374. CHAPTER I—A DRINKER IS A BABBLER 375. CHAPTER II—THE STREET URCHIN AN ENEMY OF LIGHT 376. CHAPTER III—WHILE COSETTE AND TOUSSAINT ARE ASLEEP 377. CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL 378. CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF 379. CHAPTER II—WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE 380. CHAPTER III—LIGHT AND SHADOW 381. CHAPTER IV—MINUS FIVE, PLUS ONE 382. CHAPTER V—THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE 383. CHAPTER VI—MARIUS HAGGARD, JAVERT LACONIC 384. CHAPTER VII—THE SITUATION BECOMES AGGRAVATED 385. CHAPTER VIII—THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY 386. CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT 387. CHAPTER X—DAWN 388. CHAPTER XI—THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE 389. CHAPTER XII—DISORDER A PARTISAN OF ORDER 390. 1832. Captain Fannicot, a bold and impatient bourgeois, a sort of 391. CHAPTER XIII—PASSING GLEAMS 392. CHAPTER XIV—WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS 393. CHAPTER XV—GAVROCHE OUTSIDE 394. CHAPTER XVI—HOW FROM A BROTHER ONE BECOMES A FATHER 395. CHAPTER XVII—MORTUUS PATER FILIUM MORITURUM EXPECTAT 396. CHAPTER XVIII—THE VULTURE BECOME PREY 397. CHAPTER XIX—JEAN VALJEAN TAKES HIS REVENGE 398. CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE 399. CHAPTER XXI—THE HEROES 400. CHAPTER XXII—FOOT TO FOOT 401. CHAPTER XXIII—ORESTES FASTING AND PYLADES DRUNK 402. CHAPTER XXIV—PRISONER 403. CHAPTER I—THE LAND IMPOVERISHED BY THE SEA 404. CHAPTER II—ANCIENT HISTORY OF THE SEWER 405. CHAPTER III—BRUNESEAU 406. CHAPTER IV 407. CHAPTER V—PRESENT PROGRESS 408. CHAPTER VI—FUTURE PROGRESS 409. 1806. All sorts of obstacles hindered this operation, some peculiar to 410. CHAPTER I—THE SEWER AND ITS SURPRISES 411. CHAPTER II—EXPLANATION 412. CHAPTER III—THE “SPUN” MAN 413. CHAPTER IV—HE ALSO BEARS HIS CROSS 414. CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS 415. CHAPTER VI—THE FONTIS 416. CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS 417. CHAPTER VIII—THE TORN COAT-TAIL 418. CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, 419. CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE 420. CHAPTER XI—CONCUSSION IN THE ABSOLUTE 421. CHAPTER XII—THE GRANDFATHER 422. CHAPTER I 423. CHAPTER I—IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN 424. CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC 425. CHAPTER III—MARIUS ATTACKED 426. 7. Ah! There we have it! Ah! so you want her! Well, you shall have her. 427. CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A 428. CHAPTER V—DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY 429. CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN 430. CHAPTER VII—THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS 431. CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND 432. CHAPTER I—THE 16TH OF FEBRUARY, 1833 433. CHAPTER II—JEAN VALJEAN STILL WEARS HIS ARM IN A SLING 434. CHAPTER III—THE INSEPARABLE 435. CHAPTER IV—THE IMMORTAL LIVER 68 436. CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN 437. CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN 438. CHAPTER I—THE LOWER CHAMBER 439. CHAPTER II—ANOTHER STEP BACKWARDS 440. CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET 441. CHAPTER IV—ATTRACTION AND EXTINCTION 442. CHAPTER I—PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY 443. CHAPTER II—LAST FLICKERINGS OF A LAMP WITHOUT OIL 444. CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S 445. CHAPTER IV—A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING 446. CHAPTER V—A NIGHT BEHIND WHICH THERE IS DAY 447. CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES

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