Les Misérables by Victor Hugo

CHAPTER II—HOUGOMONT

2668 words  |  Chapter 147

Hougomont,—this was a funereal spot, the beginning of the obstacle, the first resistance, which that great wood-cutter of Europe, called Napoleon, encountered at Waterloo, the first knot under the blows of his axe. It was a château; it is no longer anything but a farm. For the antiquary, Hougomont is _Hugomons_. This manor was built by Hugo, Sire of Somerel, the same who endowed the sixth chaplaincy of the Abbey of Villiers. The traveller pushed open the door, elbowed an ancient calash under the porch, and entered the courtyard. The first thing which struck him in this paddock was a door of the sixteenth century, which here simulates an arcade, everything else having fallen prostrate around it. A monumental aspect often has its birth in ruin. In a wall near the arcade opens another arched door, of the time of Henry IV., permitting a glimpse of the trees of an orchard; beside this door, a manure-hole, some pickaxes, some shovels, some carts, an old well, with its flagstone and its iron reel, a chicken jumping, and a turkey spreading its tail, a chapel surmounted by a small bell-tower, a blossoming pear-tree trained in espalier against the wall of the chapel—behold the court, the conquest of which was one of Napoleon’s dreams. This corner of earth, could he but have seized it, would, perhaps, have given him the world likewise. Chickens are scattering its dust abroad with their beaks. A growl is audible; it is a huge dog, who shows his teeth and replaces the English. The English behaved admirably there. Cooke’s four companies of guards there held out for seven hours against the fury of an army. Hougomont viewed on the map, as a geometrical plan, comprising buildings and enclosures, presents a sort of irregular rectangle, one angle of which is nicked out. It is this angle which contains the southern door, guarded by this wall, which commands it only a gun’s length away. Hougomont has two doors,—the southern door, that of the château; and the northern door, belonging to the farm. Napoleon sent his brother Jérôme against Hougomont; the divisions of Foy, Guilleminot, and Bachelu hurled themselves against it; nearly the entire corps of Reille was employed against it, and miscarried; Kellermann’s balls were exhausted on this heroic section of wall. Bauduin’s brigade was not strong enough to force Hougomont on the north, and the brigade of Soye could not do more than effect the beginning of a breach on the south, but without taking it. The farm buildings border the courtyard on the south. A bit of the north door, broken by the French, hangs suspended to the wall. It consists of four planks nailed to two cross-beams, on which the scars of the attack are visible. The northern door, which was beaten in by the French, and which has had a piece applied to it to replace the panel suspended on the wall, stands half-open at the bottom of the paddock; it is cut squarely in the wall, built of stone below, of brick above which closes in the courtyard on the north. It is a simple door for carts, such as exist in all farms, with the two large leaves made of rustic planks: beyond lie the meadows. The dispute over this entrance was furious. For a long time, all sorts of imprints of bloody hands were visible on the door-posts. It was there that Bauduin was killed. The storm of the combat still lingers in this courtyard; its horror is visible there; the confusion of the fray was petrified there; it lives and it dies there; it was only yesterday. The walls are in the death agony, the stones fall; the breaches cry aloud; the holes are wounds; the drooping, quivering trees seem to be making an effort to flee. This courtyard was more built up in 1815 than it is to-day. Buildings which have since been pulled down then formed redans and angles. The English barricaded themselves there; the French made their way in, but could not stand their ground. Beside the chapel, one wing of the château, the only ruin now remaining of the manor of Hougomont, rises in a crumbling state,—disembowelled, one might say. The château served for a dungeon, the chapel for a block-house. There men exterminated each other. The French, fired on from every point,—from behind the walls, from the summits of the garrets, from the depths of the cellars, through all the casements, through all the air-holes, through every crack in the stones,—fetched fagots and set fire to walls and men; the reply to the grape-shot was a conflagration. In the ruined wing, through windows garnished with bars of iron, the dismantled chambers of the main building of brick are visible; the English guards were in ambush in these rooms; the spiral of the staircase, cracked from the ground floor to the very roof, appears like the inside of a broken shell. The staircase has two stories; the English, besieged on the staircase, and massed on its upper steps, had cut off the lower steps. These consisted of large slabs of blue stone, which form a heap among the nettles. Half a score of steps still cling to the wall; on the first is cut the figure of a trident. These inaccessible steps are solid in their niches. All the rest resembles a jaw which has been denuded of its teeth. There are two old trees there: one is dead; the other is wounded at its base, and is clothed with verdure in April. Since 1815 it has taken to growing through the staircase. A massacre took place in the chapel. The interior, which has recovered its calm, is singular. The mass has not been said there since the carnage. Nevertheless, the altar has been left there—an altar of unpolished wood, placed against a background of roughhewn stone. Four whitewashed walls, a door opposite the altar, two small arched windows; over the door a large wooden crucifix, below the crucifix a square air-hole stopped up with a bundle of hay; on the ground, in one corner, an old window-frame with the glass all broken to pieces—such is the chapel. Near the altar there is nailed up a wooden statue of Saint Anne, of the fifteenth century; the head of the infant Jesus has been carried off by a large ball. The French, who were masters of the chapel for a moment, and were then dislodged, set fire to it. The flames filled this building; it was a perfect furnace; the door was burned, the floor was burned, the wooden Christ was not burned. The fire preyed upon his feet, of which only the blackened stumps are now to be seen; then it stopped,—a miracle, according to the assertion of the people of the neighborhood. The infant Jesus, decapitated, was less fortunate than the Christ. The walls are covered with inscriptions. Near the feet of Christ this name is to be read: _Henquinez_. Then these others: _Conde de Rio Maior Marques y Marquesa de Almagro (Habana)_. There are French names with exclamation points,—a sign of wrath. The wall was freshly whitewashed in 1849. The nations insulted each other there. It was at the door of this chapel that the corpse was picked up which held an axe in its hand; this corpse was Sub-Lieutenant Legros. On emerging from the chapel, a well is visible on the left. There are two in this courtyard. One inquires, Why is there no bucket and pulley to this? It is because water is no longer drawn there. Why is water not drawn there? Because it is full of skeletons. The last person who drew water from the well was named Guillaume van Kylsom. He was a peasant who lived at Hougomont, and was gardener there. On the 18th of June, 1815, his family fled and concealed themselves in the woods. The forest surrounding the Abbey of Villiers sheltered these unfortunate people who had been scattered abroad, for many days and nights. There are at this day certain traces recognizable, such as old boles of burned trees, which mark the site of these poor bivouacs trembling in the depths of the thickets. Guillaume van Kylsom remained at Hougomont, “to guard the château,” and concealed himself in the cellar. The English discovered him there. They tore him from his hiding-place, and the combatants forced this frightened man to serve them, by administering blows with the flats of their swords. They were thirsty; this Guillaume brought them water. It was from this well that he drew it. Many drank there their last draught. This well where drank so many of the dead was destined to die itself. After the engagement, they were in haste to bury the dead bodies. Death has a fashion of harassing victory, and she causes the pest to follow glory. The typhus is a concomitant of triumph. This well was deep, and it was turned into a sepulchre. Three hundred dead bodies were cast into it. With too much haste perhaps. Were they all dead? Legend says they were not. It seems that on the night succeeding the interment, feeble voices were heard calling from the well. This well is isolated in the middle of the courtyard. Three walls, part stone, part brick, and simulating a small, square tower, and folded like the leaves of a screen, surround it on all sides. The fourth side is open. It is there that the water was drawn. The wall at the bottom has a sort of shapeless loophole, possibly the hole made by a shell. This little tower had a platform, of which only the beams remain. The iron supports of the well on the right form a cross. On leaning over, the eye is lost in a deep cylinder of brick which is filled with a heaped-up mass of shadows. The base of the walls all about the well is concealed in a growth of nettles. This well has not in front of it that large blue slab which forms the table for all wells in Belgium. The slab has here been replaced by a cross-beam, against which lean five or six shapeless fragments of knotty and petrified wood which resemble huge bones. There is no longer either pail, chain, or pulley; but there is still the stone basin which served the overflow. The rain-water collects there, and from time to time a bird of the neighboring forests comes thither to drink, and then flies away. One house in this ruin, the farmhouse, is still inhabited. The door of this house opens on the courtyard. Upon this door, beside a pretty Gothic lock-plate, there is an iron handle with trefoils placed slanting. At the moment when the Hanoverian lieutenant, Wilda, grasped this handle in order to take refuge in the farm, a French sapper hewed off his hand with an axe. The family who occupy the house had for their grandfather Guillaume van Kylsom, the old gardener, dead long since. A woman with gray hair said to us: “I was there. I was three years old. My sister, who was older, was terrified and wept. They carried us off to the woods. I went there in my mother’s arms. We glued our ears to the earth to hear. I imitated the cannon, and went _boum! boum!_” A door opening from the courtyard on the left led into the orchard, so we were told. The orchard is terrible. It is in three parts; one might almost say, in three acts. The first part is a garden, the second is an orchard, the third is a wood. These three parts have a common enclosure: on the side of the entrance, the buildings of the château and the farm; on the left, a hedge; on the right, a wall; and at the end, a wall. The wall on the right is of brick, the wall at the bottom is of stone. One enters the garden first. It slopes downwards, is planted with gooseberry bushes, choked with a wild growth of vegetation, and terminated by a monumental terrace of cut stone, with balustrade with a double curve. It was a seignorial garden in the first French style which preceded Le Nôtre; to-day it is ruins and briars. The pilasters are surmounted by globes which resemble cannon-balls of stone. Forty-three balusters can still be counted on their sockets; the rest lie prostrate in the grass. Almost all bear scratches of bullets. One broken baluster is placed on the pediment like a fractured leg. It was in this garden, further down than the orchard, that six light-infantry men of the 1st, having made their way thither, and being unable to escape, hunted down and caught like bears in their dens, accepted the combat with two Hanoverian companies, one of which was armed with carbines. The Hanoverians lined this balustrade and fired from above. The infantry men, replying from below, six against two hundred, intrepid and with no shelter save the currant-bushes, took a quarter of an hour to die. One mounts a few steps and passes from the garden into the orchard, properly speaking. There, within the limits of those few square fathoms, fifteen hundred men fell in less than an hour. The wall seems ready to renew the combat. Thirty-eight loopholes, pierced by the English at irregular heights, are there still. In front of the sixth are placed two English tombs of granite. There are loopholes only in the south wall, as the principal attack came from that quarter. The wall is hidden on the outside by a tall hedge; the French came up, thinking that they had to deal only with a hedge, crossed it, and found the wall both an obstacle and an ambuscade, with the English guards behind it, the thirty-eight loopholes firing at once a shower of grape-shot and balls, and Soye’s brigade was broken against it. Thus Waterloo began. Nevertheless, the orchard was taken. As they had no ladders, the French scaled it with their nails. They fought hand to hand amid the trees. All this grass has been soaked in blood. A battalion of Nassau, seven hundred strong, was overwhelmed there. The outside of the wall, against which Kellermann’s two batteries were trained, is gnawed by grape-shot. This orchard is sentient, like others, in the month of May. It has its buttercups and its daisies; the grass is tall there; the cart-horses browse there; cords of hair, on which linen is drying, traverse the spaces between the trees and force the passer-by to bend his head; one walks over this uncultivated land, and one’s foot dives into mole-holes. In the middle of the grass one observes an uprooted tree-bole which lies there all verdant. Major Blackmann leaned against it to die. Beneath a great tree in the neighborhood fell the German general, Duplat, descended from a French family which fled on the revocation of the Edict of Nantes. An aged and falling apple-tree leans far over to one side, its wound dressed with a bandage of straw and of clayey loam. Nearly all the apple-trees are falling with age. There is not one which has not had its bullet or its biscayan.6 The skeletons of dead trees abound in this orchard. Crows fly through their branches, and at the end of it is a wood full of violets. Bauduin killed, Foy wounded, conflagration, massacre, carnage, a rivulet formed of English blood, French blood, German blood mingled in fury, a well crammed with corpses, the regiment of Nassau and the regiment of Brunswick destroyed, Duplat killed, Blackmann killed, the English Guards mutilated, twenty French battalions, besides the forty from Reille’s corps, decimated, three thousand men in that hovel of Hougomont alone cut down, slashed to pieces, shot, burned, with their throats cut,—and all this so that a peasant can say to-day to the traveller: _Monsieur, give me three francs, and if you like, I will explain to you the affair of Waterloo!_

Chapters

1. Chapter 1 2. CHAPTER XIV—WHAT HE THOUGHT 3. CHAPTER XIII—LITTLE GERVAIS 4. CHAPTER IX—A MERRY END TO MIRTH 5. CHAPTER III—THE LARK 6. CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE 7. CHAPTER II—HOW JEAN MAY BECOME CHAMP 8. CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR 9. CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED 10. CHAPTER V—A SUITABLE TOMB 11. CHAPTER XIX—THE BATTLE-FIELD AT NIGHT 12. CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF 13. CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY 14. CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR 15. CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION 16. CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY 17. CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT 18. CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT 19. CHAPTER XI—END OF THE PETIT-PICPUS 20. CHAPTER VIII—FAITH, LAW 21. CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ 22. CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T 23. CHAPTER IX—CLOISTERED 24. CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF 25. CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE 26. CHAPTER XIII—LITTLE GAVROCHE 27. CHAPTER VIII—TWO DO NOT MAKE A PAIR 28. CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A 29. CHAPTER VIII—MARBLE AGAINST GRANITE 30. CHAPTER VI—RES ANGUSTA 31. CHAPTER VI—THE SUBSTITUTE 32. CHAPTER IX—ECLIPSE 33. CHAPTER IV—COMPOSITION OF THE TROUPE 34. CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN 35. CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE 36. CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH 37. CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO 38. CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS 39. CHAPTER IV—AN APPARITION TO MARIUS 40. CHAPTER VIII—THE CHAIN-GANG 41. CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A 42. CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY 43. CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE 44. CHAPTER III—THE VICISSITUDES OF FLIGHT 45. CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE 46. CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING 47. CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH 48. CHAPTER III—M. MABEUF 49. CHAPTER V—ORIGINALITY OF PARIS 50. CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S 51. CHAPTER VI—RECRUITS 52. CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE 53. CHAPTER III—THE EXTREME EDGE 54. CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ 55. CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES 56. CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL 57. CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT 58. CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE 59. CHAPTER XXIV—PRISONER 60. CHAPTER VI—FUTURE PROGRESS 61. CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS 62. CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS 63. CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, 64. CHAPTER XII—THE GRANDFATHER 65. CHAPTER I 66. CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC 67. CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A 68. CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN 69. CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND 70. CHAPTER IV—THE IMMORTAL LIVER 71. CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN 72. CHAPTER IV—ATTRACTION AND EXTINCTION 73. CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S 74. CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES 75. CHAPTER I—M. MYRIEL 76. CHAPTER II—M. MYRIEL BECOMES M. WELCOME 77. 1712. This palace was a genuine seignorial residence. Everything about 78. CHAPTER III—A HARD BISHOPRIC FOR A GOOD BISHOP 79. CHAPTER IV—WORKS CORRESPONDING TO WORDS 80. CHAPTER V—MONSEIGNEUR BIENVENU MADE HIS CASSOCKS LAST TOO LONG 81. CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM 82. CHAPTER VII—CRAVATTE 83. CHAPTER VIII—PHILOSOPHY AFTER DRINKING 84. CHAPTER IX—THE BROTHER AS DEPICTED BY THE SISTER 85. CHAPTER X—THE BISHOP IN THE PRESENCE OF AN UNKNOWN LIGHT 86. CHAPTER XI—A RESTRICTION 87. CHAPTER XII—THE SOLITUDE OF MONSEIGNEUR WELCOME 88. CHAPTER XIII—WHAT HE BELIEVED 89. CHAPTER XIV—WHAT HE THOUGHT 90. CHAPTER I—THE EVENING OF A DAY OF WALKING 91. CHAPTER II—PRUDENCE COUNSELLED TO WISDOM. 92. CHAPTER III—THE HEROISM OF PASSIVE OBEDIENCE. 93. CHAPTER IV—DETAILS CONCERNING THE CHEESE-DAIRIES OF PONTARLIER. 94. CHAPTER V—TRANQUILLITY 95. CHAPTER VI—JEAN VALJEAN 96. CHAPTER VII—THE INTERIOR OF DESPAIR 97. CHAPTER VIII—BILLOWS AND SHADOWS 98. CHAPTER IX—NEW TROUBLES 99. CHAPTER X—THE MAN AROUSED 100. CHAPTER XI—WHAT HE DOES 101. CHAPTER XII—THE BISHOP WORKS 102. CHAPTER XIII—LITTLE GERVAIS 103. CHAPTER I—THE YEAR 1817 104. CHAPTER II—A DOUBLE QUARTETTE 105. CHAPTER III—FOUR AND FOUR 106. CHAPTER IV—THOLOMYÈS IS SO MERRY THAT HE SINGS A SPANISH DITTY 107. CHAPTER V—AT BOMBARDA’S 108. CHAPTER VI—A CHAPTER IN WHICH THEY ADORE EACH OTHER 109. CHAPTER VII—THE WISDOM OF THOLOMYÈS 110. CHAPTER VIII—THE DEATH OF A HORSE 111. CHAPTER IX—A MERRY END TO MIRTH 112. CHAPTER I—ONE MOTHER MEETS ANOTHER MOTHER 113. CHAPTER II—FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES 114. CHAPTER III—THE LARK 115. CHAPTER I—THE HISTORY OF A PROGRESS IN BLACK GLASS TRINKETS 116. CHAPTER II—MADELEINE 117. CHAPTER III—SUMS DEPOSITED WITH LAFFITTE 118. CHAPTER IV—M. MADELEINE IN MOURNING 119. CHAPTER V—VAGUE FLASHES ON THE HORIZON 120. CHAPTER VI—FATHER FAUCHELEVENT 121. CHAPTER VII—FAUCHELEVENT BECOMES A GARDENER IN PARIS 122. CHAPTER VIII—MADAME VICTURNIEN EXPENDS THIRTY FRANCS ON MORALITY 123. CHAPTER IX—MADAME VICTURNIEN’S SUCCESS 124. CHAPTER X—RESULT OF THE SUCCESS 125. CHAPTER XI—CHRISTUS NOS LIBERAVIT 126. CHAPTER XII—M. BAMATABOIS’S INACTIVITY 127. CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE 128. CHAPTER I—THE BEGINNING OF REPOSE 129. CHAPTER II—HOW JEAN MAY BECOME CHAMP 130. CHAPTER I—SISTER SIMPLICE 131. CHAPTER II—THE PERSPICACITY OF MASTER SCAUFFLAIRE 132. CHAPTER III—A TEMPEST IN A SKULL 133. CHAPTER IV—FORMS ASSUMED BY SUFFERING DURING SLEEP 134. CHAPTER V—HINDRANCES 135. CHAPTER VI—SISTER SIMPLICE PUT TO THE PROOF 136. CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR 137. CHAPTER VIII—AN ENTRANCE BY FAVOR 138. CHAPTER IX—A PLACE WHERE CONVICTIONS ARE IN PROCESS OF FORMATION 139. CHAPTER X—THE SYSTEM OF DENIALS 140. CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED 141. CHAPTER I—IN WHAT MIRROR M. MADELEINE CONTEMPLATES HIS HAIR 142. CHAPTER II—FANTINE HAPPY 143. CHAPTER III—JAVERT SATISFIED 144. CHAPTER IV—AUTHORITY REASSERTS ITS RIGHTS 145. CHAPTER V—A SUITABLE TOMB 146. CHAPTER I—WHAT IS MET WITH ON THE WAY FROM NIVELLES 147. CHAPTER II—HOUGOMONT 148. CHAPTER III—THE EIGHTEENTH OF JUNE, 1815 149. CHAPTER IV—A 150. CHAPTER V—THE QUID OBSCURUM OF BATTLES 151. CHAPTER VI—FOUR O’CLOCK IN THE AFTERNOON 152. CHAPTER VII—NAPOLEON IN A GOOD HUMOR 153. CHAPTER VIII—THE EMPEROR PUTS A QUESTION TO THE GUIDE LACOSTE 154. CHAPTER IX—THE UNEXPECTED 155. CHAPTER X—THE PLATEAU OF MONT-SAINT-JEAN 156. CHAPTER XI—A BAD GUIDE TO NAPOLEON; A GOOD GUIDE TO BÜLOW 157. CHAPTER XII—THE GUARD 158. CHAPTER XIII—THE CATASTROPHE 159. CHAPTER XIV—THE LAST SQUARE 160. CHAPTER XV—CAMBRONNE 161. CHAPTER XVI—QUOT LIBRAS IN DUCE? 162. CHAPTER XVII—IS WATERLOO TO BE CONSIDERED GOOD? 163. CHAPTER XVIII—A RECRUDESCENCE OF DIVINE RIGHT 164. CHAPTER XIX—THE BATTLE-FIELD AT NIGHT 165. CHAPTER I—NUMBER 24,601 BECOMES NUMBER 9,430 166. CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF THE 167. CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY 168. CHAPTER I—THE WATER QUESTION AT MONTFERMEIL 169. CHAPTER II—TWO COMPLETE PORTRAITS 170. CHAPTER III—MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER 171. CHAPTER IV—ENTRANCE ON THE SCENE OF A DOLL 172. CHAPTER V—THE LITTLE ONE ALL ALONE 173. CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE’S INTELLIGENCE 174. CHAPTER VII—COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK 175. CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR 176. CHAPTER IX— THÉNARDIER AND HIS MANŒUVRES 177. CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION WORSE 178. CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY 179. CHAPTER I—MASTER GORBEAU 180. CHAPTER II—A NEST FOR OWL AND A WARBLER 181. CHAPTER III—TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE 182. CHAPTER IV—THE REMARKS OF THE PRINCIPAL TENANT 183. CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT 184. CHAPTER I—THE ZIGZAGS OF STRATEGY 185. CHAPTER II—IT IS LUCKY THAT THE PONT D’AUSTERLITZ BEARS CARRIAGES 186. CHAPTER III—TO WIT, THE PLAN OF PARIS IN 1727 187. CHAPTER IV—THE GROPINGS OF FLIGHT 188. CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS 189. CHAPTER VI—THE BEGINNING OF AN ENIGMA 190. CHAPTER VII—CONTINUATION OF THE ENIGMA 191. CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS 192. CHAPTER IX—THE MAN WITH THE BELL 193. CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT 194. episode of the thousand-franc bill. She had seen it! She had handled 195. CHAPTER I—NUMBER 62 RUE PETIT-PICPUS 196. CHAPTER II—THE OBEDIENCE OF MARTIN VERGA 197. CHAPTER III—AUSTERITIES 198. CHAPTER IV—GAYETIES 199. CHAPTER V—DISTRACTIONS 200. CHAPTER VI—THE LITTLE CONVENT 201. CHAPTER VII—SOME SILHOUETTES OF THIS DARKNESS 202. CHAPTER VIII—POST CORDA LAPIDES 203. CHAPTER IX—A CENTURY UNDER A GUIMPE 204. CHAPTER X—ORIGIN OF THE PERPETUAL ADORATION 205. CHAPTER XI—END OF THE PETIT-PICPUS 206. CHAPTER I—THE CONVENT AS AN ABSTRACT IDEA 207. CHAPTER II—THE CONVENT AS AN HISTORICAL FACT 208. CHAPTER III—ON WHAT CONDITIONS ONE CAN RESPECT THE PAST 209. CHAPTER IV—THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES 210. CHAPTER V—PRAYER 211. CHAPTER VI—THE ABSOLUTE GOODNESS OF PRAYER 212. CHAPTER VII—PRECAUTIONS TO BE OBSERVED IN BLAME 213. CHAPTER VIII—FAITH, LAW 214. CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT 215. CHAPTER II—FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY 216. CHAPTER III—MOTHER INNOCENTE 217. CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ 218. CHAPTER V—IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL 219. CHAPTER VI—BETWEEN FOUR PLANKS 220. CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T LOSE 221. CHAPTER VIII—A SUCCESSFUL INTERROGATORY 222. CHAPTER IX—CLOISTERED 223. CHAPTER I—PARVULUS 224. CHAPTER II—SOME OF HIS PARTICULAR CHARACTERISTICS 225. CHAPTER III—HE IS AGREEABLE 226. CHAPTER IV—HE MAY BE OF USE 227. CHAPTER V—HIS FRONTIERS 228. CHAPTER VI—A BIT OF HISTORY 229. CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF 230. CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE 231. CHAPTER IX—THE OLD SOUL OF GAUL 232. CHAPTER X—ECCE PARIS, ECCE HOMO 233. CHAPTER XI—TO SCOFF, TO REIGN 234. CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE 235. CHAPTER XIII—LITTLE GAVROCHE 236. CHAPTER I—NINETY YEARS AND THIRTY-TWO TEETH 237. CHAPTER II—LIKE MASTER, LIKE HOUSE 238. CHAPTER III—LUC-ESPRIT 239. CHAPTER IV—A CENTENARIAN ASPIRANT 240. CHAPTER V—BASQUE AND NICOLETTE 241. CHAPTER VI—IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN 242. CHAPTER VII—RULE: RECEIVE NO ONE EXCEPT IN THE EVENING 243. CHAPTER VIII—TWO DO NOT MAKE A PAIR 244. CHAPTER I—AN ANCIENT SALON 245. CHAPTER II—ONE OF THE RED SPECTRES OF THAT EPOCH 246. 1794. Pontmercy fought at Spire, at Worms, at Neustadt, at Turkheim, at 247. CHAPTER III—REQUIESCANT 248. introduction into history of M. le Marquis de Bonaparte, 249. CHAPTER IV—END OF THE BRIGAND 250. CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A 251. CHAPTER VI—THE CONSEQUENCES OF HAVING MET A WARDEN 252. CHAPTER VII—SOME PETTICOAT 253. CHAPTER VIII—MARBLE AGAINST GRANITE 254. CHAPTER I—A GROUP WHICH BARELY MISSED BECOMING HISTORIC 255. CHAPTER II—BLONDEAU’S FUNERAL ORATION BY BOSSUET 256. CHAPTER III—MARIUS’ ASTONISHMENTS 257. CHAPTER IV—THE BACK ROOM OF THE CAFÉ MUSAIN 258. CHAPTER V—ENLARGEMENT OF HORIZON 259. CHAPTER VI—RES ANGUSTA 260. CHAPTER I—MARIUS INDIGENT 261. CHAPTER II—MARIUS POOR 262. CHAPTER III—MARIUS GROWN UP 263. CHAPTER IV—M. MABEUF 264. CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY 265. CHAPTER VI—THE SUBSTITUTE 266. CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES 267. CHAPTER II—LUX FACTA EST 268. CHAPTER III—EFFECT OF THE SPRING 269. CHAPTER IV—BEGINNING OF A GREAT MALADY 270. CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON 271. CHAPTER VI—TAKEN PRISONER 272. CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES 273. CHAPTER VIII—THE VETERANS THEMSELVES CAN BE HAPPY 274. CHAPTER IX—ECLIPSE 275. CHAPTER I—MINES AND MINERS 276. CHAPTER II—THE LOWEST DEPTHS 277. CHAPTER III—BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE 278. CHAPTER IV—COMPOSITION OF THE TROUPE 279. CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN 280. CHAPTER II—TREASURE TROVE 281. CHAPTER III—QUADRIFRONS 282. CHAPTER IV—A ROSE IN MISERY 283. CHAPTER V—A PROVIDENTIAL PEEP-HOLE 284. CHAPTER VI—THE WILD MAN IN HIS LAIR 285. CHAPTER VII—STRATEGY AND TACTICS 286. CHAPTER VIII—THE RAY OF LIGHT IN THE HOVEL 287. CHAPTER IX—JONDRETTE COMES NEAR WEEPING 288. CHAPTER X—TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR 289. CHAPTER XI—OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS 290. CHAPTER XII—THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE 291. CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE 292. CHAPTER XIV—IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER 293. CHAPTER XV—JONDRETTE MAKES HIS PURCHASES 294. CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH 295. CHAPTER XVII—THE USE MADE OF MARIUS’ FIVE-FRANC PIECE 296. CHAPTER XVIII—MARIUS’ TWO CHAIRS FORM A VIS-A-VIS 297. CHAPTER XIX—OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS 298. CHAPTER XX—THE TRAP 299. CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS 300. CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO 301. CHAPTER I—WELL CUT 302. CHAPTER II—BADLY SEWED 303. CHAPTER III—LOUIS PHILIPPE 304. CHAPTER IV—CRACKS BENEATH THE FOUNDATION 305. CHAPTER V—FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES 306. CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS 307. CHAPTER I—THE LARK’S MEADOW 308. CHAPTER II—EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS 309. CHAPTER III—APPARITION TO FATHER MABEUF 310. CHAPTER IV—AN APPARITION TO MARIUS 311. CHAPTER I—THE HOUSE WITH A SECRET 312. CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD 313. 1831. The municipal information collected at that time had even reached 314. CHAPTER III—FOLIIS AC FRONDIBUS 315. CHAPTER IV—CHANGE OF GATE 316. CHAPTER V—THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR 317. CHAPTER VI—THE BATTLE BEGUN 318. CHAPTER VII—TO ONE SADNESS OPPOSE A SADNESS AND A HALF 319. CHAPTER VIII—THE CHAIN-GANG 320. CHAPTER I—A WOUND WITHOUT, HEALING WITHIN 321. CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A 322. CHAPTER I—SOLITUDE AND THE BARRACKS COMBINED 323. CHAPTER II—COSETTE’S APPREHENSIONS 324. CHAPTER III—ENRICHED WITH COMMENTARIES BY TOUSSAINT 325. CHAPTER IV—A HEART BENEATH A STONE 326. CHAPTER V—COSETTE AFTER THE LETTER 327. CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY 328. CHAPTER I—THE MALICIOUS PLAYFULNESS OF THE WIND 329. CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE 330. CHAPTER III—THE VICISSITUDES OF FLIGHT 331. CHAPTER I—ORIGIN 332. CHAPTER II—ROOTS 333. CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS 334. CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE 335. CHAPTER I—FULL LIGHT 336. CHAPTER II—THE BEWILDERMENT OF PERFECT HAPPINESS 337. CHAPTER III—THE BEGINNING OF SHADOW 338. CHAPTER IV—A CAB RUNS IN ENGLISH AND BARKS IN SLANG 339. CHAPTER V—THINGS OF THE NIGHT 340. CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING 341. CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH 342. CHAPTER I—JEAN VALJEAN 343. CHAPTER II—MARIUS 344. CHAPTER III—M. MABEUF 345. CHAPTER I—THE SURFACE OF THE QUESTION 346. CHAPTER II—THE ROOT OF THE MATTER 347. CHAPTER III—A BURIAL; AN OCCASION TO BE BORN AGAIN 348. CHAPTER IV—THE EBULLITIONS OF FORMER DAYS 349. CHAPTER V—ORIGINALITY OF PARIS 350. CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S 351. CHAPTER II—GAVROCHE ON THE MARCH 352. CHAPTER III—JUST INDIGNATION OF A HAIR-DRESSER 353. CHAPTER IV—THE CHILD IS AMAZED AT THE OLD MAN 354. CHAPTER V—THE OLD MAN 355. CHAPTER VI—RECRUITS 356. CHAPTER I—HISTORY OF CORINTHE FROM ITS FOUNDATION 357. CHAPTER II—PRELIMINARY GAYETIES 358. CHAPTER III—NIGHT BEGINS TO DESCEND UPON GRANTAIRE 359. CHAPTER IV—AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP 360. CHAPTER V—PREPARATIONS 361. CHAPTER VI—WAITING 362. CHAPTER VII—THE MAN RECRUITED IN THE RUE DES BILLETTES 363. CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE 364. CHAPTER I—FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS 365. CHAPTER II—AN OWL’S VIEW OF PARIS 366. CHAPTER III—THE EXTREME EDGE 367. CHAPTER I—THE FLAG: ACT FIRST 368. CHAPTER II—THE FLAG: ACT SECOND 369. CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ CARBINE 370. CHAPTER IV—THE BARREL OF POWDER 371. CHAPTER V—END OF THE VERSES OF JEAN PROUVAIRE 372. CHAPTER VI—THE AGONY OF DEATH AFTER THE AGONY OF LIFE 373. CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES 374. CHAPTER I—A DRINKER IS A BABBLER 375. CHAPTER II—THE STREET URCHIN AN ENEMY OF LIGHT 376. CHAPTER III—WHILE COSETTE AND TOUSSAINT ARE ASLEEP 377. CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL 378. CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF 379. CHAPTER II—WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE 380. CHAPTER III—LIGHT AND SHADOW 381. CHAPTER IV—MINUS FIVE, PLUS ONE 382. CHAPTER V—THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE 383. CHAPTER VI—MARIUS HAGGARD, JAVERT LACONIC 384. CHAPTER VII—THE SITUATION BECOMES AGGRAVATED 385. CHAPTER VIII—THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY 386. CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT 387. CHAPTER X—DAWN 388. CHAPTER XI—THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE 389. CHAPTER XII—DISORDER A PARTISAN OF ORDER 390. 1832. Captain Fannicot, a bold and impatient bourgeois, a sort of 391. CHAPTER XIII—PASSING GLEAMS 392. CHAPTER XIV—WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS 393. CHAPTER XV—GAVROCHE OUTSIDE 394. CHAPTER XVI—HOW FROM A BROTHER ONE BECOMES A FATHER 395. CHAPTER XVII—MORTUUS PATER FILIUM MORITURUM EXPECTAT 396. CHAPTER XVIII—THE VULTURE BECOME PREY 397. CHAPTER XIX—JEAN VALJEAN TAKES HIS REVENGE 398. CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE 399. CHAPTER XXI—THE HEROES 400. CHAPTER XXII—FOOT TO FOOT 401. CHAPTER XXIII—ORESTES FASTING AND PYLADES DRUNK 402. CHAPTER XXIV—PRISONER 403. CHAPTER I—THE LAND IMPOVERISHED BY THE SEA 404. CHAPTER II—ANCIENT HISTORY OF THE SEWER 405. CHAPTER III—BRUNESEAU 406. CHAPTER IV 407. CHAPTER V—PRESENT PROGRESS 408. CHAPTER VI—FUTURE PROGRESS 409. 1806. All sorts of obstacles hindered this operation, some peculiar to 410. CHAPTER I—THE SEWER AND ITS SURPRISES 411. CHAPTER II—EXPLANATION 412. CHAPTER III—THE “SPUN” MAN 413. CHAPTER IV—HE ALSO BEARS HIS CROSS 414. CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS 415. CHAPTER VI—THE FONTIS 416. CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS 417. CHAPTER VIII—THE TORN COAT-TAIL 418. CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, 419. CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE 420. CHAPTER XI—CONCUSSION IN THE ABSOLUTE 421. CHAPTER XII—THE GRANDFATHER 422. CHAPTER I 423. CHAPTER I—IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN 424. CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC 425. CHAPTER III—MARIUS ATTACKED 426. 7. Ah! There we have it! Ah! so you want her! Well, you shall have her. 427. CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A 428. CHAPTER V—DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY 429. CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN 430. CHAPTER VII—THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS 431. CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND 432. CHAPTER I—THE 16TH OF FEBRUARY, 1833 433. CHAPTER II—JEAN VALJEAN STILL WEARS HIS ARM IN A SLING 434. CHAPTER III—THE INSEPARABLE 435. CHAPTER IV—THE IMMORTAL LIVER 68 436. CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN 437. CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN 438. CHAPTER I—THE LOWER CHAMBER 439. CHAPTER II—ANOTHER STEP BACKWARDS 440. CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET 441. CHAPTER IV—ATTRACTION AND EXTINCTION 442. CHAPTER I—PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY 443. CHAPTER II—LAST FLICKERINGS OF A LAMP WITHOUT OIL 444. CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S 445. CHAPTER IV—A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING 446. CHAPTER V—A NIGHT BEHIND WHICH THERE IS DAY 447. CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES

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