Les Misérables by Victor Hugo

CHAPTER IV—A ROSE IN MISERY

2541 words  |  Chapter 282

[Illustration: Rose in Misery] A very young girl was standing in the half-open door. The dormer window of the garret, through which the light fell, was precisely opposite the door, and illuminated the figure with a wan light. She was a frail, emaciated, slender creature; there was nothing but a chemise and a petticoat upon that chilled and shivering nakedness. Her girdle was a string, her head ribbon a string, her pointed shoulders emerged from her chemise, a blond and lymphatic pallor, earth-colored collar-bones, red hands, a half-open and degraded mouth, missing teeth, dull, bold, base eyes; she had the form of a young girl who has missed her youth, and the look of a corrupt old woman; fifty years mingled with fifteen; one of those beings which are both feeble and horrible, and which cause those to shudder whom they do not cause to weep. Marius had risen, and was staring in a sort of stupor at this being, who was almost like the forms of the shadows which traverse dreams. The most heart-breaking thing of all was, that this young girl had not come into the world to be homely. In her early childhood she must even have been pretty. The grace of her age was still struggling against the hideous, premature decrepitude of debauchery and poverty. The remains of beauty were dying away in that face of sixteen, like the pale sunlight which is extinguished under hideous clouds at dawn on a winter’s day. That face was not wholly unknown to Marius. He thought he remembered having seen it somewhere. “What do you wish, Mademoiselle?” he asked. The young girl replied in her voice of a drunken convict:— “Here is a letter for you, Monsieur Marius.” She called Marius by his name; he could not doubt that he was the person whom she wanted; but who was this girl? How did she know his name? Without waiting for him to tell her to advance, she entered. She entered resolutely, staring, with a sort of assurance that made the heart bleed, at the whole room and the unmade bed. Her feet were bare. Large holes in her petticoat permitted glimpses of her long legs and her thin knees. She was shivering. She held a letter in her hand, which she presented to Marius. Marius, as he opened the letter, noticed that the enormous wafer which sealed it was still moist. The message could not have come from a distance. He read:— MY AMIABLE NEIGHBOR, YOUNG MAN: I have learned of your goodness to me, that you paid my rent six months ago. I bless you, young man. My eldest daughter will tell you that we have been without a morsel of bread for two days, four persons and my spouse ill. If I am not deseaved in my opinion, I think I may hope that your generous heart will melt at this statement and the desire will subjugate you to be propitious to me by daigning to lavish on me a slight favor. I am with the distinguished consideration which is due to the benefactors of humanity,— JONDRETTE. P.S. My eldest daughter will await your orders, dear Monsieur Marius. This letter, coming in the very midst of the mysterious adventure which had occupied Marius’ thoughts ever since the preceding evening, was like a candle in a cellar. All was suddenly illuminated. This letter came from the same place as the other four. There was the same writing, the same style, the same orthography, the same paper, the same odor of tobacco. There were five missives, five histories, five signatures, and a single signer. The Spanish Captain Don Alvarès, the unhappy Mistress Balizard, the dramatic poet Genflot, the old comedian Fabantou, were all four named Jondrette, if, indeed, Jondrette himself were named Jondrette. Marius had lived in the house for a tolerably long time, and he had had, as we have said, but very rare occasion to see, to even catch a glimpse of, his extremely mean neighbors. His mind was elsewhere, and where the mind is, there the eyes are also. He had been obliged more than once to pass the Jondrettes in the corridor or on the stairs; but they were mere forms to him; he had paid so little heed to them, that, on the preceding evening, he had jostled the Jondrette girls on the boulevard, without recognizing them, for it had evidently been they, and it was with great difficulty that the one who had just entered his room had awakened in him, in spite of disgust and pity, a vague recollection of having met her elsewhere. Now he saw everything clearly. He understood that his neighbor Jondrette, in his distress, exercised the industry of speculating on the charity of benevolent persons, that he procured addresses, and that he wrote under feigned names to people whom he judged to be wealthy and compassionate, letters which his daughters delivered at their risk and peril, for this father had come to such a pass, that he risked his daughters; he was playing a game with fate, and he used them as the stake. Marius understood that probably, judging from their flight on the evening before, from their breathless condition, from their terror and from the words of slang which he had overheard, these unfortunate creatures were plying some inexplicably sad profession, and that the result of the whole was, in the midst of human society, as it is now constituted, two miserable beings who were neither girls nor women, a species of impure and innocent monsters produced by misery. Sad creatures, without name, or sex, or age, to whom neither good nor evil were any longer possible, and who, on emerging from childhood, have already nothing in this world, neither liberty, nor virtue, nor responsibility. Souls which blossomed out yesterday, and are faded to-day, like those flowers let fall in the streets, which are soiled with every sort of mire, while waiting for some wheel to crush them. Nevertheless, while Marius bent a pained and astonished gaze on her, the young girl was wandering back and forth in the garret with the audacity of a spectre. She kicked about, without troubling herself as to her nakedness. Occasionally her chemise, which was untied and torn, fell almost to her waist. She moved the chairs about, she disarranged the toilet articles which stood on the commode, she handled Marius’ clothes, she rummaged about to see what there was in the corners. “Hullo!” said she, “you have a mirror!” And she hummed scraps of vaudevilles, as though she had been alone, frolicsome refrains which her hoarse and guttural voice rendered lugubrious. An indescribable constraint, weariness, and humiliation were perceptible beneath this hardihood. Effrontery is a disgrace. Nothing could be more melancholy than to see her sport about the room, and, so to speak, flit with the movements of a bird which is frightened by the daylight, or which has broken its wing. One felt that under other conditions of education and destiny, the gay and over-free mien of this young girl might have turned out sweet and charming. Never, even among animals, does the creature born to be a dove change into an osprey. That is only to be seen among men. Marius reflected, and allowed her to have her way. She approached the table. “Ah!” said she, “books!” A flash pierced her glassy eye. She resumed, and her accent expressed the happiness which she felt in boasting of something, to which no human creature is insensible:— “I know how to read, I do!” She eagerly seized a book which lay open on the table, and read with tolerable fluency:— “—General Bauduin received orders to take the château of Hougomont which stands in the middle of the plain of Waterloo, with five battalions of his brigade.” She paused. “Ah! Waterloo! I know about that. It was a battle long ago. My father was there. My father has served in the armies. We are fine Bonapartists in our house, that we are! Waterloo was against the English.” She laid down the book, caught up a pen, and exclaimed:— “And I know how to write, too!” She dipped her pen in the ink, and turning to Marius:— “Do you want to see? Look here, I’m going to write a word to show you.” And before he had time to answer, she wrote on a sheet of white paper, which lay in the middle of the table: “The bobbies are here.” Then throwing down the pen:— “There are no faults of orthography. You can look. We have received an education, my sister and I. We have not always been as we are now. We were not made—” Here she paused, fixed her dull eyes on Marius, and burst out laughing, saying, with an intonation which contained every form of anguish, stifled by every form of cynicism:— “Bah!” And she began to hum these words to a gay air:— “J’ai faim, mon père.” Pas de fricot. J’ai froid, ma mère. Pas de tricot. Grelotte, Lolotte! Sanglote, Jacquot!” I am hungry, father. I have no food. I am cold, mother. I have no clothes. Lolotte! Shiver, Sob, Jacquot!” She had hardly finished this couplet, when she exclaimed:— “Do you ever go to the play, Monsieur Marius? I do. I have a little brother who is a friend of the artists, and who gives me tickets sometimes. But I don’t like the benches in the galleries. One is cramped and uncomfortable there. There are rough people there sometimes; and people who smell bad.” Then she scrutinized Marius, assumed a singular air and said:— “Do you know, Mr. Marius, that you are a very handsome fellow?” And at the same moment the same idea occurred to them both, and made her smile and him blush. She stepped up to him, and laid her hand on his shoulder: “You pay no heed to me, but I know you, Mr. Marius. I meet you here on the staircase, and then I often see you going to a person named Father Mabeuf who lives in the direction of Austerlitz, sometimes when I have been strolling in that quarter. It is very becoming to you to have your hair tumbled thus.” She tried to render her voice soft, but only succeeded in making it very deep. A portion of her words was lost in the transit from her larynx to her lips, as though on a piano where some notes are missing. Marius had retreated gently. “Mademoiselle,” said he, with his cool gravity, “I have here a package which belongs to you, I think. Permit me to return it to you.” And he held out the envelope containing the four letters. She clapped her hands and exclaimed:— “We have been looking everywhere for that!” Then she eagerly seized the package and opened the envelope, saying as she did so:— “Dieu de Dieu! how my sister and I have hunted! And it was you who found it! On the boulevard, was it not? It must have been on the boulevard? You see, we let it fall when we were running. It was that brat of a sister of mine who was so stupid. When we got home, we could not find it anywhere. As we did not wish to be beaten, as that is useless, as that is entirely useless, as that is absolutely useless, we said that we had carried the letters to the proper persons, and that they had said to us: ‘Nix.’ So here they are, those poor letters! And how did you find out that they belonged to me? Ah! yes, the writing. So it was you that we jostled as we passed last night. We couldn’t see. I said to my sister: ‘Is it a gentleman?’ My sister said to me: ‘I think it is a gentleman.’” In the meanwhile she had unfolded the petition addressed to “the benevolent gentleman of the church of Saint-Jacques-du-Haut-Pas.” “Here!” said she, “this is for that old fellow who goes to mass. By the way, this is his hour. I’ll go and carry it to him. Perhaps he will give us something to breakfast on.” Then she began to laugh again, and added:— “Do you know what it will mean if we get a breakfast today? It will mean that we shall have had our breakfast of the day before yesterday, our breakfast of yesterday, our dinner of to-day, and all that at once, and this morning. Come! Parbleu! if you are not satisfied, dogs, burst!” This reminded Marius of the wretched girl’s errand to himself. He fumbled in his waistcoat pocket, and found nothing there. The young girl went on, and seemed to have no consciousness of Marius’ presence. “I often go off in the evening. Sometimes I don’t come home again. Last winter, before we came here, we lived under the arches of the bridges. We huddled together to keep from freezing. My little sister cried. How melancholy the water is! When I thought of drowning myself, I said to myself: ‘No, it’s too cold.’ I go out alone, whenever I choose, I sometimes sleep in the ditches. Do you know, at night, when I walk along the boulevard, I see the trees like forks, I see houses, all black and as big as Notre Dame, I fancy that the white walls are the river, I say to myself: ‘Why, there’s water there!’ The stars are like the lamps in illuminations, one would say that they smoked and that the wind blew them out, I am bewildered, as though horses were breathing in my ears; although it is night, I hear hand-organs and spinning-machines, and I don’t know what all. I think people are flinging stones at me, I flee without knowing whither, everything whirls and whirls. You feel very queer when you have had no food.” And then she stared at him with a bewildered air. By dint of searching and ransacking his pockets, Marius had finally collected five francs sixteen sous. This was all he owned in the world for the moment. “At all events,” he thought, “there is my dinner for to-day, and to-morrow we will see.” He kept the sixteen sous, and handed the five francs to the young girl. She seized the coin. “Good!” said she, “the sun is shining!” And, as though the sun had possessed the property of melting the avalanches of slang in her brain, she went on:— “Five francs! the shiner! a monarch! in this hole! Ain’t this fine! You’re a jolly thief! I’m your humble servant! Bravo for the good fellows! Two days’ wine! and meat! and stew! we’ll have a royal feast! and a good fill!” She pulled her chemise up on her shoulders, made a low bow to Marius, then a familiar sign with her hand, and went towards the door, saying:— “Good morning, sir. It’s all right. I’ll go and find my old man.” As she passed, she caught sight of a dry crust of bread on the commode, which was moulding there amid the dust; she flung herself upon it and bit into it, muttering:— “That’s good! it’s hard! it breaks my teeth!” Then she departed.

Chapters

1. Chapter 1 2. CHAPTER XIV—WHAT HE THOUGHT 3. CHAPTER XIII—LITTLE GERVAIS 4. CHAPTER IX—A MERRY END TO MIRTH 5. CHAPTER III—THE LARK 6. CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE 7. CHAPTER II—HOW JEAN MAY BECOME CHAMP 8. CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR 9. CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED 10. CHAPTER V—A SUITABLE TOMB 11. CHAPTER XIX—THE BATTLE-FIELD AT NIGHT 12. CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF 13. CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY 14. CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR 15. CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION 16. CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY 17. CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT 18. CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT 19. CHAPTER XI—END OF THE PETIT-PICPUS 20. CHAPTER VIII—FAITH, LAW 21. CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ 22. CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T 23. CHAPTER IX—CLOISTERED 24. CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF 25. CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE 26. CHAPTER XIII—LITTLE GAVROCHE 27. CHAPTER VIII—TWO DO NOT MAKE A PAIR 28. CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A 29. CHAPTER VIII—MARBLE AGAINST GRANITE 30. CHAPTER VI—RES ANGUSTA 31. CHAPTER VI—THE SUBSTITUTE 32. CHAPTER IX—ECLIPSE 33. CHAPTER IV—COMPOSITION OF THE TROUPE 34. CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN 35. CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE 36. CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH 37. CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO 38. CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS 39. CHAPTER IV—AN APPARITION TO MARIUS 40. CHAPTER VIII—THE CHAIN-GANG 41. CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A 42. CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY 43. CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE 44. CHAPTER III—THE VICISSITUDES OF FLIGHT 45. CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE 46. CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING 47. CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH 48. CHAPTER III—M. MABEUF 49. CHAPTER V—ORIGINALITY OF PARIS 50. CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S 51. CHAPTER VI—RECRUITS 52. CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE 53. CHAPTER III—THE EXTREME EDGE 54. CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ 55. CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES 56. CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL 57. CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT 58. CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE 59. CHAPTER XXIV—PRISONER 60. CHAPTER VI—FUTURE PROGRESS 61. CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS 62. CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS 63. CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, 64. CHAPTER XII—THE GRANDFATHER 65. CHAPTER I 66. CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC 67. CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A 68. CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN 69. CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND 70. CHAPTER IV—THE IMMORTAL LIVER 71. CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN 72. CHAPTER IV—ATTRACTION AND EXTINCTION 73. CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S 74. CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES 75. CHAPTER I—M. MYRIEL 76. CHAPTER II—M. MYRIEL BECOMES M. WELCOME 77. 1712. This palace was a genuine seignorial residence. Everything about 78. CHAPTER III—A HARD BISHOPRIC FOR A GOOD BISHOP 79. CHAPTER IV—WORKS CORRESPONDING TO WORDS 80. CHAPTER V—MONSEIGNEUR BIENVENU MADE HIS CASSOCKS LAST TOO LONG 81. CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM 82. CHAPTER VII—CRAVATTE 83. CHAPTER VIII—PHILOSOPHY AFTER DRINKING 84. CHAPTER IX—THE BROTHER AS DEPICTED BY THE SISTER 85. CHAPTER X—THE BISHOP IN THE PRESENCE OF AN UNKNOWN LIGHT 86. CHAPTER XI—A RESTRICTION 87. CHAPTER XII—THE SOLITUDE OF MONSEIGNEUR WELCOME 88. CHAPTER XIII—WHAT HE BELIEVED 89. CHAPTER XIV—WHAT HE THOUGHT 90. CHAPTER I—THE EVENING OF A DAY OF WALKING 91. CHAPTER II—PRUDENCE COUNSELLED TO WISDOM. 92. CHAPTER III—THE HEROISM OF PASSIVE OBEDIENCE. 93. CHAPTER IV—DETAILS CONCERNING THE CHEESE-DAIRIES OF PONTARLIER. 94. CHAPTER V—TRANQUILLITY 95. CHAPTER VI—JEAN VALJEAN 96. CHAPTER VII—THE INTERIOR OF DESPAIR 97. CHAPTER VIII—BILLOWS AND SHADOWS 98. CHAPTER IX—NEW TROUBLES 99. CHAPTER X—THE MAN AROUSED 100. CHAPTER XI—WHAT HE DOES 101. CHAPTER XII—THE BISHOP WORKS 102. CHAPTER XIII—LITTLE GERVAIS 103. CHAPTER I—THE YEAR 1817 104. CHAPTER II—A DOUBLE QUARTETTE 105. CHAPTER III—FOUR AND FOUR 106. CHAPTER IV—THOLOMYÈS IS SO MERRY THAT HE SINGS A SPANISH DITTY 107. CHAPTER V—AT BOMBARDA’S 108. CHAPTER VI—A CHAPTER IN WHICH THEY ADORE EACH OTHER 109. CHAPTER VII—THE WISDOM OF THOLOMYÈS 110. CHAPTER VIII—THE DEATH OF A HORSE 111. CHAPTER IX—A MERRY END TO MIRTH 112. CHAPTER I—ONE MOTHER MEETS ANOTHER MOTHER 113. CHAPTER II—FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES 114. CHAPTER III—THE LARK 115. CHAPTER I—THE HISTORY OF A PROGRESS IN BLACK GLASS TRINKETS 116. CHAPTER II—MADELEINE 117. CHAPTER III—SUMS DEPOSITED WITH LAFFITTE 118. CHAPTER IV—M. MADELEINE IN MOURNING 119. CHAPTER V—VAGUE FLASHES ON THE HORIZON 120. CHAPTER VI—FATHER FAUCHELEVENT 121. CHAPTER VII—FAUCHELEVENT BECOMES A GARDENER IN PARIS 122. CHAPTER VIII—MADAME VICTURNIEN EXPENDS THIRTY FRANCS ON MORALITY 123. CHAPTER IX—MADAME VICTURNIEN’S SUCCESS 124. CHAPTER X—RESULT OF THE SUCCESS 125. CHAPTER XI—CHRISTUS NOS LIBERAVIT 126. CHAPTER XII—M. BAMATABOIS’S INACTIVITY 127. CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE 128. CHAPTER I—THE BEGINNING OF REPOSE 129. CHAPTER II—HOW JEAN MAY BECOME CHAMP 130. CHAPTER I—SISTER SIMPLICE 131. CHAPTER II—THE PERSPICACITY OF MASTER SCAUFFLAIRE 132. CHAPTER III—A TEMPEST IN A SKULL 133. CHAPTER IV—FORMS ASSUMED BY SUFFERING DURING SLEEP 134. CHAPTER V—HINDRANCES 135. CHAPTER VI—SISTER SIMPLICE PUT TO THE PROOF 136. CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR 137. CHAPTER VIII—AN ENTRANCE BY FAVOR 138. CHAPTER IX—A PLACE WHERE CONVICTIONS ARE IN PROCESS OF FORMATION 139. CHAPTER X—THE SYSTEM OF DENIALS 140. CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED 141. CHAPTER I—IN WHAT MIRROR M. MADELEINE CONTEMPLATES HIS HAIR 142. CHAPTER II—FANTINE HAPPY 143. CHAPTER III—JAVERT SATISFIED 144. CHAPTER IV—AUTHORITY REASSERTS ITS RIGHTS 145. CHAPTER V—A SUITABLE TOMB 146. CHAPTER I—WHAT IS MET WITH ON THE WAY FROM NIVELLES 147. CHAPTER II—HOUGOMONT 148. CHAPTER III—THE EIGHTEENTH OF JUNE, 1815 149. CHAPTER IV—A 150. CHAPTER V—THE QUID OBSCURUM OF BATTLES 151. CHAPTER VI—FOUR O’CLOCK IN THE AFTERNOON 152. CHAPTER VII—NAPOLEON IN A GOOD HUMOR 153. CHAPTER VIII—THE EMPEROR PUTS A QUESTION TO THE GUIDE LACOSTE 154. CHAPTER IX—THE UNEXPECTED 155. CHAPTER X—THE PLATEAU OF MONT-SAINT-JEAN 156. CHAPTER XI—A BAD GUIDE TO NAPOLEON; A GOOD GUIDE TO BÜLOW 157. CHAPTER XII—THE GUARD 158. CHAPTER XIII—THE CATASTROPHE 159. CHAPTER XIV—THE LAST SQUARE 160. CHAPTER XV—CAMBRONNE 161. CHAPTER XVI—QUOT LIBRAS IN DUCE? 162. CHAPTER XVII—IS WATERLOO TO BE CONSIDERED GOOD? 163. CHAPTER XVIII—A RECRUDESCENCE OF DIVINE RIGHT 164. CHAPTER XIX—THE BATTLE-FIELD AT NIGHT 165. CHAPTER I—NUMBER 24,601 BECOMES NUMBER 9,430 166. CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF THE 167. CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY 168. CHAPTER I—THE WATER QUESTION AT MONTFERMEIL 169. CHAPTER II—TWO COMPLETE PORTRAITS 170. CHAPTER III—MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER 171. CHAPTER IV—ENTRANCE ON THE SCENE OF A DOLL 172. CHAPTER V—THE LITTLE ONE ALL ALONE 173. CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE’S INTELLIGENCE 174. CHAPTER VII—COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK 175. CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR 176. CHAPTER IX— THÉNARDIER AND HIS MANŒUVRES 177. CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION WORSE 178. CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY 179. CHAPTER I—MASTER GORBEAU 180. CHAPTER II—A NEST FOR OWL AND A WARBLER 181. CHAPTER III—TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE 182. CHAPTER IV—THE REMARKS OF THE PRINCIPAL TENANT 183. CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT 184. CHAPTER I—THE ZIGZAGS OF STRATEGY 185. CHAPTER II—IT IS LUCKY THAT THE PONT D’AUSTERLITZ BEARS CARRIAGES 186. CHAPTER III—TO WIT, THE PLAN OF PARIS IN 1727 187. CHAPTER IV—THE GROPINGS OF FLIGHT 188. CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS 189. CHAPTER VI—THE BEGINNING OF AN ENIGMA 190. CHAPTER VII—CONTINUATION OF THE ENIGMA 191. CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS 192. CHAPTER IX—THE MAN WITH THE BELL 193. CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT 194. episode of the thousand-franc bill. She had seen it! She had handled 195. CHAPTER I—NUMBER 62 RUE PETIT-PICPUS 196. CHAPTER II—THE OBEDIENCE OF MARTIN VERGA 197. CHAPTER III—AUSTERITIES 198. CHAPTER IV—GAYETIES 199. CHAPTER V—DISTRACTIONS 200. CHAPTER VI—THE LITTLE CONVENT 201. CHAPTER VII—SOME SILHOUETTES OF THIS DARKNESS 202. CHAPTER VIII—POST CORDA LAPIDES 203. CHAPTER IX—A CENTURY UNDER A GUIMPE 204. CHAPTER X—ORIGIN OF THE PERPETUAL ADORATION 205. CHAPTER XI—END OF THE PETIT-PICPUS 206. CHAPTER I—THE CONVENT AS AN ABSTRACT IDEA 207. CHAPTER II—THE CONVENT AS AN HISTORICAL FACT 208. CHAPTER III—ON WHAT CONDITIONS ONE CAN RESPECT THE PAST 209. CHAPTER IV—THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES 210. CHAPTER V—PRAYER 211. CHAPTER VI—THE ABSOLUTE GOODNESS OF PRAYER 212. CHAPTER VII—PRECAUTIONS TO BE OBSERVED IN BLAME 213. CHAPTER VIII—FAITH, LAW 214. CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT 215. CHAPTER II—FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY 216. CHAPTER III—MOTHER INNOCENTE 217. CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ 218. CHAPTER V—IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL 219. CHAPTER VI—BETWEEN FOUR PLANKS 220. CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T LOSE 221. CHAPTER VIII—A SUCCESSFUL INTERROGATORY 222. CHAPTER IX—CLOISTERED 223. CHAPTER I—PARVULUS 224. CHAPTER II—SOME OF HIS PARTICULAR CHARACTERISTICS 225. CHAPTER III—HE IS AGREEABLE 226. CHAPTER IV—HE MAY BE OF USE 227. CHAPTER V—HIS FRONTIERS 228. CHAPTER VI—A BIT OF HISTORY 229. CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF 230. CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE 231. CHAPTER IX—THE OLD SOUL OF GAUL 232. CHAPTER X—ECCE PARIS, ECCE HOMO 233. CHAPTER XI—TO SCOFF, TO REIGN 234. CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE 235. CHAPTER XIII—LITTLE GAVROCHE 236. CHAPTER I—NINETY YEARS AND THIRTY-TWO TEETH 237. CHAPTER II—LIKE MASTER, LIKE HOUSE 238. CHAPTER III—LUC-ESPRIT 239. CHAPTER IV—A CENTENARIAN ASPIRANT 240. CHAPTER V—BASQUE AND NICOLETTE 241. CHAPTER VI—IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN 242. CHAPTER VII—RULE: RECEIVE NO ONE EXCEPT IN THE EVENING 243. CHAPTER VIII—TWO DO NOT MAKE A PAIR 244. CHAPTER I—AN ANCIENT SALON 245. CHAPTER II—ONE OF THE RED SPECTRES OF THAT EPOCH 246. 1794. Pontmercy fought at Spire, at Worms, at Neustadt, at Turkheim, at 247. CHAPTER III—REQUIESCANT 248. introduction into history of M. le Marquis de Bonaparte, 249. CHAPTER IV—END OF THE BRIGAND 250. CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A 251. CHAPTER VI—THE CONSEQUENCES OF HAVING MET A WARDEN 252. CHAPTER VII—SOME PETTICOAT 253. CHAPTER VIII—MARBLE AGAINST GRANITE 254. CHAPTER I—A GROUP WHICH BARELY MISSED BECOMING HISTORIC 255. CHAPTER II—BLONDEAU’S FUNERAL ORATION BY BOSSUET 256. CHAPTER III—MARIUS’ ASTONISHMENTS 257. CHAPTER IV—THE BACK ROOM OF THE CAFÉ MUSAIN 258. CHAPTER V—ENLARGEMENT OF HORIZON 259. CHAPTER VI—RES ANGUSTA 260. CHAPTER I—MARIUS INDIGENT 261. CHAPTER II—MARIUS POOR 262. CHAPTER III—MARIUS GROWN UP 263. CHAPTER IV—M. MABEUF 264. CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY 265. CHAPTER VI—THE SUBSTITUTE 266. CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES 267. CHAPTER II—LUX FACTA EST 268. CHAPTER III—EFFECT OF THE SPRING 269. CHAPTER IV—BEGINNING OF A GREAT MALADY 270. CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON 271. CHAPTER VI—TAKEN PRISONER 272. CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES 273. CHAPTER VIII—THE VETERANS THEMSELVES CAN BE HAPPY 274. CHAPTER IX—ECLIPSE 275. CHAPTER I—MINES AND MINERS 276. CHAPTER II—THE LOWEST DEPTHS 277. CHAPTER III—BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE 278. CHAPTER IV—COMPOSITION OF THE TROUPE 279. CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN 280. CHAPTER II—TREASURE TROVE 281. CHAPTER III—QUADRIFRONS 282. CHAPTER IV—A ROSE IN MISERY 283. CHAPTER V—A PROVIDENTIAL PEEP-HOLE 284. CHAPTER VI—THE WILD MAN IN HIS LAIR 285. CHAPTER VII—STRATEGY AND TACTICS 286. CHAPTER VIII—THE RAY OF LIGHT IN THE HOVEL 287. CHAPTER IX—JONDRETTE COMES NEAR WEEPING 288. CHAPTER X—TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR 289. CHAPTER XI—OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS 290. CHAPTER XII—THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE 291. CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE 292. CHAPTER XIV—IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER 293. CHAPTER XV—JONDRETTE MAKES HIS PURCHASES 294. CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH 295. CHAPTER XVII—THE USE MADE OF MARIUS’ FIVE-FRANC PIECE 296. CHAPTER XVIII—MARIUS’ TWO CHAIRS FORM A VIS-A-VIS 297. CHAPTER XIX—OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS 298. CHAPTER XX—THE TRAP 299. CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS 300. CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO 301. CHAPTER I—WELL CUT 302. CHAPTER II—BADLY SEWED 303. CHAPTER III—LOUIS PHILIPPE 304. CHAPTER IV—CRACKS BENEATH THE FOUNDATION 305. CHAPTER V—FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES 306. CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS 307. CHAPTER I—THE LARK’S MEADOW 308. CHAPTER II—EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS 309. CHAPTER III—APPARITION TO FATHER MABEUF 310. CHAPTER IV—AN APPARITION TO MARIUS 311. CHAPTER I—THE HOUSE WITH A SECRET 312. CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD 313. 1831. The municipal information collected at that time had even reached 314. CHAPTER III—FOLIIS AC FRONDIBUS 315. CHAPTER IV—CHANGE OF GATE 316. CHAPTER V—THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR 317. CHAPTER VI—THE BATTLE BEGUN 318. CHAPTER VII—TO ONE SADNESS OPPOSE A SADNESS AND A HALF 319. CHAPTER VIII—THE CHAIN-GANG 320. CHAPTER I—A WOUND WITHOUT, HEALING WITHIN 321. CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A 322. CHAPTER I—SOLITUDE AND THE BARRACKS COMBINED 323. CHAPTER II—COSETTE’S APPREHENSIONS 324. CHAPTER III—ENRICHED WITH COMMENTARIES BY TOUSSAINT 325. CHAPTER IV—A HEART BENEATH A STONE 326. CHAPTER V—COSETTE AFTER THE LETTER 327. CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY 328. CHAPTER I—THE MALICIOUS PLAYFULNESS OF THE WIND 329. CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE 330. CHAPTER III—THE VICISSITUDES OF FLIGHT 331. CHAPTER I—ORIGIN 332. CHAPTER II—ROOTS 333. CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS 334. CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE 335. CHAPTER I—FULL LIGHT 336. CHAPTER II—THE BEWILDERMENT OF PERFECT HAPPINESS 337. CHAPTER III—THE BEGINNING OF SHADOW 338. CHAPTER IV—A CAB RUNS IN ENGLISH AND BARKS IN SLANG 339. CHAPTER V—THINGS OF THE NIGHT 340. CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING 341. CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH 342. CHAPTER I—JEAN VALJEAN 343. CHAPTER II—MARIUS 344. CHAPTER III—M. MABEUF 345. CHAPTER I—THE SURFACE OF THE QUESTION 346. CHAPTER II—THE ROOT OF THE MATTER 347. CHAPTER III—A BURIAL; AN OCCASION TO BE BORN AGAIN 348. CHAPTER IV—THE EBULLITIONS OF FORMER DAYS 349. CHAPTER V—ORIGINALITY OF PARIS 350. CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S 351. CHAPTER II—GAVROCHE ON THE MARCH 352. CHAPTER III—JUST INDIGNATION OF A HAIR-DRESSER 353. CHAPTER IV—THE CHILD IS AMAZED AT THE OLD MAN 354. CHAPTER V—THE OLD MAN 355. CHAPTER VI—RECRUITS 356. CHAPTER I—HISTORY OF CORINTHE FROM ITS FOUNDATION 357. CHAPTER II—PRELIMINARY GAYETIES 358. CHAPTER III—NIGHT BEGINS TO DESCEND UPON GRANTAIRE 359. CHAPTER IV—AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP 360. CHAPTER V—PREPARATIONS 361. CHAPTER VI—WAITING 362. CHAPTER VII—THE MAN RECRUITED IN THE RUE DES BILLETTES 363. CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE 364. CHAPTER I—FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS 365. CHAPTER II—AN OWL’S VIEW OF PARIS 366. CHAPTER III—THE EXTREME EDGE 367. CHAPTER I—THE FLAG: ACT FIRST 368. CHAPTER II—THE FLAG: ACT SECOND 369. CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ CARBINE 370. CHAPTER IV—THE BARREL OF POWDER 371. CHAPTER V—END OF THE VERSES OF JEAN PROUVAIRE 372. CHAPTER VI—THE AGONY OF DEATH AFTER THE AGONY OF LIFE 373. CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES 374. CHAPTER I—A DRINKER IS A BABBLER 375. CHAPTER II—THE STREET URCHIN AN ENEMY OF LIGHT 376. CHAPTER III—WHILE COSETTE AND TOUSSAINT ARE ASLEEP 377. CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL 378. CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF 379. CHAPTER II—WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE 380. CHAPTER III—LIGHT AND SHADOW 381. CHAPTER IV—MINUS FIVE, PLUS ONE 382. CHAPTER V—THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE 383. CHAPTER VI—MARIUS HAGGARD, JAVERT LACONIC 384. CHAPTER VII—THE SITUATION BECOMES AGGRAVATED 385. CHAPTER VIII—THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY 386. CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT 387. CHAPTER X—DAWN 388. CHAPTER XI—THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE 389. CHAPTER XII—DISORDER A PARTISAN OF ORDER 390. 1832. Captain Fannicot, a bold and impatient bourgeois, a sort of 391. CHAPTER XIII—PASSING GLEAMS 392. CHAPTER XIV—WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS 393. CHAPTER XV—GAVROCHE OUTSIDE 394. CHAPTER XVI—HOW FROM A BROTHER ONE BECOMES A FATHER 395. CHAPTER XVII—MORTUUS PATER FILIUM MORITURUM EXPECTAT 396. CHAPTER XVIII—THE VULTURE BECOME PREY 397. CHAPTER XIX—JEAN VALJEAN TAKES HIS REVENGE 398. CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE 399. CHAPTER XXI—THE HEROES 400. CHAPTER XXII—FOOT TO FOOT 401. CHAPTER XXIII—ORESTES FASTING AND PYLADES DRUNK 402. CHAPTER XXIV—PRISONER 403. CHAPTER I—THE LAND IMPOVERISHED BY THE SEA 404. CHAPTER II—ANCIENT HISTORY OF THE SEWER 405. CHAPTER III—BRUNESEAU 406. CHAPTER IV 407. CHAPTER V—PRESENT PROGRESS 408. CHAPTER VI—FUTURE PROGRESS 409. 1806. All sorts of obstacles hindered this operation, some peculiar to 410. CHAPTER I—THE SEWER AND ITS SURPRISES 411. CHAPTER II—EXPLANATION 412. CHAPTER III—THE “SPUN” MAN 413. CHAPTER IV—HE ALSO BEARS HIS CROSS 414. CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS 415. CHAPTER VI—THE FONTIS 416. CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS 417. CHAPTER VIII—THE TORN COAT-TAIL 418. CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, 419. CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE 420. CHAPTER XI—CONCUSSION IN THE ABSOLUTE 421. CHAPTER XII—THE GRANDFATHER 422. CHAPTER I 423. CHAPTER I—IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN 424. CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC 425. CHAPTER III—MARIUS ATTACKED 426. 7. Ah! There we have it! Ah! so you want her! Well, you shall have her. 427. CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A 428. CHAPTER V—DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY 429. CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN 430. CHAPTER VII—THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS 431. CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND 432. CHAPTER I—THE 16TH OF FEBRUARY, 1833 433. CHAPTER II—JEAN VALJEAN STILL WEARS HIS ARM IN A SLING 434. CHAPTER III—THE INSEPARABLE 435. CHAPTER IV—THE IMMORTAL LIVER 68 436. CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN 437. CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN 438. CHAPTER I—THE LOWER CHAMBER 439. CHAPTER II—ANOTHER STEP BACKWARDS 440. CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET 441. CHAPTER IV—ATTRACTION AND EXTINCTION 442. CHAPTER I—PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY 443. CHAPTER II—LAST FLICKERINGS OF A LAMP WITHOUT OIL 444. CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S 445. CHAPTER IV—A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING 446. CHAPTER V—A NIGHT BEHIND WHICH THERE IS DAY 447. CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES

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