1901. Zeller died in Baden near Vienna on August 17, 1898.

_Der Obersteiger_ (_The Master Miner_)—book by M. West and L. Held—received its première in Vienna on January 5, 1894. The setting is a salt-mining district of Austria in or about 1840. Martin instigates a strike among the miners, for which he is deprived of his job. To support himself he organizes a band of musicians from among the miners and tours the country. Eventually Martin returns to his mining town where he finally manages to regain his job and to win Nelly, with whom he has always been in love. The most popular song in the operetta is Martin’s air with chorus, “_Wo sie war, die Muellerin_,” and its most delightful waltz is “_Trauet nie dem blossen schein_.” _Der Vogelhaendler_ (_The Bird-Seller_), once again with a book by M. West and L. Held, was first heard in Vienna on January 10, 1891; but in 1933 it was presented in a new version in Munich adapted by Quedenfelt, Brugmann and Bauckner. In the Rhine Palatinate in the 18th century, Adam, a wandering bird-seller, is in love with Christel, but she refuses to consider marriage unless he gets a permanent job. He gets that job on the estate of the Elector Palatine at which point Christel is all too willing to give up a projected marriage with Count Stanislaus for the sake of her beloved Adam. The lovable melodies from this operetta—in the best traditions of Suppé and Johann Strauss II—have made it a favorite not only in Germany and Austria, but also throughout the rest of Europe, in North and South America, and in South Africa. Among the musical highlights of this operetta are the waltz “_Schau mir nur recht ins Gesicht_”; the “Nightingale Song” (“_Wie mein Ahn’l zwanzig Jahr_”); the pert march tune “_Kaempfe nie mit Frau’n_”; and Christel’s sprightly air, “_Ich bin die Christel von der Post_.” Karl Michael Ziehrer Karl Michael Ziehrer, beloved Viennese composer of waltzes and operettas, was born in Vienna on May 2, 1843. He was completely self-taught in music. In 1863 he formed a café-house orchestra with which he toured Austria and Germany, often featuring his own dance pieces and marches. He later expanded this orchestra into an ensemble numbering fifty players with which he gave a series of successful concerts of semi-classical music in Vienna. In 1907 he became music director of the court balls. After World War I he suffered extreme poverty, his personal fortune having been lost with the collapse of the Hapsburg monarchy. He died in want and obscurity in Vienna on November 14, 1922. Ziehrer wrote more than five hundred popular pieces for orchestra, including numerous marches and waltzes. His waltzes were particularly favored, many of these in the style of Johann Strauss II. Some are still extensively played. Probably the most famous of all his waltzes is Wiener Maedchen (“Vienna Maidens”), which must rank with Lehár’s “Merry Widow Waltz” as one of the most popular such dances produced in Vienna since the time of Johann Strauss II. Its first melody sounds like a Schubert Laendler, with the peasant vigor of its rhythm and its robust tune; but the main subject is a soaring waltz in the finest traditions of Viennese café-house music. The following are other famous Ziehrer waltzes: “_Alt Wien_” (“Old Vienna”), “_Faschingskinder_” (“Carnival Children”), and “_Wiener Buerger_” (“Viennese Citizens”), all three of which come closest among his works in assuming the structural outlines and the melodic identity of the Johann Strauss waltz classics. Also popular are the “_Donauwalzer_” (“Waltzes from the Danube”) and “_Evatochter_” (“Daughter of Eve”). Ziehrer’s most famous operetta is _Die Landestreicher_ (_The Vagabonds_)—book by L. Krenn and C. Lindau, first performed in Vienna on July 26, 1899. In upper Bavaria two tramps—Fliederbusch and his wife Bertha—manage to live by their wits. Disguised respectively as Prince Gilka and a dancer they visit a famous resort hotel and are involved in numerous adventures. By managing to retrieve a supposedly valuable lost necklace for the Prince they finally win his favor and enter his service. Of particular interest is the captivating waltz at the end of the first act, “_Sei gepriesen, du lauschige Nacht_.” From several of Ziehrer’s other operettas there come other delightful waltzes, notably “_Samt und Seide_” from _Der Fremdenfuehrer_ (1902) and “_Hereinspaziert_” from _Der Schatzmeister_ (1904). An Alphabetical Listing of the Lighter Classics in Music “_Abendlied_” (Schumann) _Abendsterne_ (Lanner) _Acceleration Waltzes_ (Johann Strauss II) _Acclamations_ (Waldteufel) “_Ach, ich hab’ sie ja nur die Schulter gekuesst_” (Milloecker), see _The Beggar Student_ _Adagio pathétique_ (Godard) “_Addio_” (Tosti) “_Addio all madre_” (Mascagni), see _Cavalleria Rusticana_ “_Addio del passato_” (Verdi), see _La Traviata_ “_Addio fiorito asil_” (Puccini), see _Madama Butterfly_ _Adoration_ (Borowski) _L’Africaine_: Selections (Meyerbeer) _Agnus Dei_ (Bizet) “_Ah! che la morte ognora_,” or “_Miserere_” (Verdi), see _Il Trovatore_ “_Ah, fors è lui_” (Verdi), see _La Traviata_ “_Ah Sweet Mystery of Life_” (Herbert), see _Naughty Marietta_ _Aida_: Overture, Ballet Music, and Selections (Verdi) “_Ai nostri monti_” (Verdi) see _Il Trovatore_ _Air_, or _Air on the G String_ (Bach) _Al fresco_ (Herbert) “_Allia marcia_” (Sibelius), see _Karelia Suite_ “_Allmaecht’ge Jungfrau_,” or “Elisabeth’s Prayer” (Wagner), see _Tannhaeuser_ Alley Tunes (Guion) “Almost Like Being in Love” (Loewe), see _Brigadoon_ _Alsatian Scenes_ (Massenet) “_Als Bueblein klein_” (Nicolai), see _The Merry Wives of Windsor_ _Alt Wien_ (Godowsky) _Alt Wien_ (Ziehrer) _Amelia_ (Lumbye) _American Fantasia_ (Herbert) _American Salute_: “When Johnny Comes Marching Home” (Gould) _American Suite_ (Cadman) _American Symphonette No. 2_ (Gould) “_Am Meer_” (Schubert) _An American in Paris_ (Gershwin) _Andalucia_ (Lecuona) _Andaluza_ (Granados), see _Spanish Dances_ _Andante cantabile_ (Tchaikovsky) _Andante religioso_ (Halvorsen) _Andantino_ (Kreisler) _An der schoenen blauen Donau_ (Johann Strauss II), see _The Blue Danube_ “_An die Musik_” (Schubert) “The Angelus” (Herbert) _Anitra’s Dance_ (Grieg), see _Peer Gynt Suite_, No. 1 _Annen-Polka_ (Johann Strauss II) _Anvil Chorus_ (Verdi), see “_Vedi, le fosche notturne spoglie_,” _Il Trovatore_ _Apache Dance_ (Offenbach) “_Après un rêve_” (Fauré) _Aquarellen_ (Josef Strauss) _Arabian Dance_ (Tchaikovsky), see _Nutcracker Suite_ _Arkansas Traveler_ (Guion) _L’Arlésienne_, Suite Nos. 1 and 2 (Bizet) “_El Arreglito_” (Yradier) _Artist’s Life_ (Johann Strauss II) _Ascot Gavotte_ (Loewe), see _My Fair Lady_ _Ase’s Death_ (Grieg), see _Peer Gynt Suite_, No. 1 _As You Like It_: Dances (German) “At Dawning” (Cadman) “_A te questo rosario_” (Ponchielli), see _La Gioconda_ _Aubade provençale_ (Kreisler) “_Auf dem Wasser zu singen_” (Schubert) _Aufforderung zum Tanz_ (Weber), see _Invitation to the Dance_ “_Auf Fluegeln des Gesanges_” (Mendelssohn), see “On Wings of Song” “_Au mont Venus_” (Offenbach), see _La Belle Hélène_ Austrian National Anthem (Haydn), see “_Gott erhalte Franz den Kaiser_” _Autumn Song_ (Tchaikovsky), see _The Months_ “_Ave Maria_” (Gounod) “_Ave Maria_” (Schubert) “_Ay Chiquita_” (Yradier) _Babes in Toyland_: Selections (Herbert) Bacchanale, from _The Queen of Sheba_ (Karl Goldmark) Bacchanale, from _Samson and Delilah_ (Saint-Saëns) Bacchanale, from _Tannhaeuser_ (Wagner) _Bahn-Frei Polka_ (Eduard Strauss) “Bali H’ai” (Rodgers), see _South Pacific_ _Ballabile_ (Verdi), see _Aida_ “_Ballade vom angenehmen Leben_” (Weill), see “The Ballad of Pleasant Living,” _The Three-Penny Opera_ “Ballad of Herne the Hunter” (Nicolai), see _The Merry Wives of Windsor_ “The Ballad of Pleasant Living” (Weill), see _The Three-Penny Opera_ _Ballatella_, or “Bird Song” (Leoncavallo), see “_Stridono lassu_” _Pagliacci_ _Ballet Égyptien_ (Luigini) Ballet Music from _Rosamunde_ (Schubert) _Ballet Suite_ (Gluck-Mottl), see Gluck _The Banjo_ (Gottschalk) _Barbara-Song_ (Weill), see _The Three-Penny Opera_ _The Barber of Seville_: Overture and Selections (Rossini) _Barcarolle_ from _The Tales of Hoffmann_ (Offenbach) _Bartered Bride_: Overture and Selections (Smetana) _Le Baruffe Chiozzotte_, Overture (Sinigaglia) _The Bat_ (Johann Strauss II), see _Die Fledermaus_ _Bavarian Dances_ (Elgar) “Beautiful Dreamer” (Foster) _Beautiful Galathea_, Overture (Suppé) “_Die beiden Grenadiere_” (Schumann) _The Beggar Student_: Selections (Milloecker) “_Bella figlia dell’ amore_,” Quartet (Verdi), see _Rigoletto_ _La Belle Hélène_: Selections (Offenbach) _Berceuse_ from _Jocelyn_ (Godard) _Berceuse_ (Järnefelt) “Bess, You Is My Woman Now” (Gershwin), see _Porgy and Bess_ _Der Bettelstudent_ (Milloecker), see _The Beggar Student_ _Big Ben_ (Rose) “Bill” (Kern), see _Show Boat_ _Bird Song_, “_Stridono lassu_” (Leoncavallo), see _Pagliacci_ “_Bist du’s, lachendes Glueck_” (Lehár), see _The Count of Luxembourg_ _Black, Brown and Beige_ (Ellington) _The Black Domino_: Overture (Auber) “Blow High, Blow Low” (Rodgers), see _Carousel_ _The Blue Danube_ (Johann Strauss II) “Blue Heaven” (Romberg), see _The Desert Song_ _Blue Tango_ (Anderson) _La Bohème_: Selections (Puccini) _The Bohemian Girl_: Selections (Balfe) _Bolero_ (Moszkowski) _Bolero_ (Ravel) _Boris Godunov_: Polonaise (Mussorgsky) _Bridal Procession_ (Rimsky-Korsakov), see _Le Coq d’or_ _Brigadoon_: Selections (Loewe) _Brigg Fair_ (Grainger) “Brightly Dawns Our Wedding Day” (Sullivan), see _The Mikado_ _Brindisi_ (Verdi), see “_Libiamo, Libiamo_,” _La Traviata_ _Bugler’s Holiday_ (Anderson) “The Bully’s Ballad” (Weill), see _The Three-Penny Opera_ _Caecilien_ (Johann Strauss II) _Cakewalk_ (Gottschalk-Kay), see Gottschalk _Caliph of Bagdad_: Overture (Boieldieu) “_La Calunnia_” (Rossini), see _The Barber of Seville_ “Camptown Races” (Foster) _The Canary_ (Mozart), see _German Dances_ Can-Can (Offenbach), see _La Belle Hélène_, _Orpheus in the Underworld_ “Canon Song” (Weill), see _The Three-Penny Opera_ “Can’t Help Lovin’ That Man” (Kern), see _Show Boat_ “_Cantique Noël_” (Adam) “_Canto Siboney_” (Lecuona) _Canzonetta_ (Sibelius) _Capriccio espagnol_ (Rimsky-Korsakov), see _Spanish Caprice_ _Caprice Basque_ (Sarasate) _Caprice Viennois_ (Kreisler) “Card Song” (Bizet), see _Carmen_ “Carefully on Tip-Toe Stealing” (Sullivan), see _Pinafore_ _Carmen_: Preludes and Selections (Bizet) _Carnaval à Paris_ (Svendsen), see _Carnival in Paris_ _Carnival of Animals_ (Saint-Saëns) _Carnival Overture_ (Glazunov) “_Caro nome_” (Verdi), see _Rigoletto_ _Carousel_: Selections (Rodgers) _Carousel Waltz_ (Rodgers), see _Carousel_ _Casse-noisette_ (Tchaikovsky), see _Nutcracker Suite_ “_Casta diva_” (Bellini), see _Norma_ _Catalonia_ (Albéniz) _Catfish Row_ (Gershwin), see _Porgy and Bess_ _Cavalleria Rusticana_: Selections (Mascagni) _Caucasian Sketches_ (Ippolitov-Ivanov) _Cavatina_ (Raff) “_Celeste Aida_” (Verdi), see _Aida_ _Central Park_ (Goldman) _Champagne Galop_ (Lumbye) _Chanson bohème_ (Bizet), see _Carmen_ _Chanson Louis XIII et Pavane_ (Kreisler) _Chanson sans paroles_ (Tchaikovsky), see _Song Without Words_ _Chanson triste_ (Tchaikovsky) “_Che gelida manina_” (Puccini), see _La Bohème_ _Children’s Corner_ (Debussy) _Children’s Dance_ (German), see _As You Like It_ _Children’s Games_ (Bizet) _Children’s March_ (Goldman) _Children’s March_ (Grainger) _Children’s Symphony_ (McDonald) _Chimes of Normandy_: Selections (Planquette) _The Chocolate Soldier_: Selections (Straus) “Chorus of Swords” (Gounod), see _Faust_ _Christmas Festival_ (Anderson) _Le Cid_: Ballet Music (Massenet) “Cider Song” (Planquette), see _The Chimes of Normandy_ “_Cielo e mar_” (Ponchielli), see _La Gioconda_ _Circus Day_ (Taylor) _Clair de lune_ (Debussy) “Climbing Over Rocky Mountain” (Sullivan), see _Pirates of Penzance_ _Les Cloches de Corneville_ (Planquette), see _The Chimes of Normandy_ _Clog Dance_ (Lortzing), see _Czar and Carpenter_ _Cockaigne Overture_ (Elgar) “Cockeyed Optimist” (Rodgers), see _South Pacific_ _Colas Breugnon_: Overture (Kabalevsky) _The Comedians_ (Kabalevsky) _Comedy Overture on Negro Themes_ (Gilbert) “Come Friends Who Plough the Sea” (Sullivan), see _Pirates of Penzance_ “Come, Sweet Death” (Bach) “_La Comparasa_” (Lecuona) “Come to Me, Bend to Me” (Loewe), see _Brigadoon_ _Concert Polka_ (Lumbye) Concerto in F (Gershwin) “_Connais-tu le pays?_” (Thomas) see _Mignon_ _Les Contes d’Hoffmann_ (Offenbach), see _Tales of Hoffmann_ _Contredanses_ (Beethoven) _Contretaenze_ (Mozart), see _Country Dances_ _Conversation Piece_: Selections (Coward) _Coppélia_: Suite (Delibes) _Le Coq d’or_: _Bridal Procession_, _Hymn to the Sun_ (Rimsky-Korsakov) _La Coquette_ (Borowski) _Córdoba_ (Albéniz) _Cornish Rhapsody_ (Bath) _Coronation March_ (Meyerbeer), see _Le Prophète_ _El Corpus en Seville_ (Albéniz), see _Fête-Dieu à Seville_ _Cottilon_ (Benjamin) _Countess Maritza_: Selections (Kálmán) _The Count of Luxembourg:_ Selections (Lehár) _Country Dance_ (German), see _Henry VIII_ _Country Dances_ (Mozart) _Country Gardens_ (Grainger) _Cowboy Rhapsody_ (Gould) “Cradle Song” (Brahms) _The Crown Jewels_: Overture (Auber) _Cuban Overture_ (Gershwin) _Le Cygne_ (Saint-Saëns), see _The Swan_, _Carnival of Animals_ _Czar and Carpenter_: Selections (Lortzing) _Czardas_ (Delibes), see _Coppélia_ _Die Czardasfuerstin_ (Kálmán), see _The Gypsy Princess_ _Czar und Zimmermann_ (Lortzing), see _Czar and Carpenter_ _Dagger Dance_ (Herbert) “_Da geh’ ich zu Maxim_” (Lehár), see _The Merry Widow_ _La Dame blanche_: Overture (Boieldieu) _Damnation of Faust_: Selections (Berlioz) “_D’amor sull’ ali rosee_” (Verdi), see _Il Trovatore_ _Dance in Place Congo_ (Gilbert) _Dance of the Blessed Spirits_ (Gluck) _Dance of the Buffoons_ (Rimsky-Korsakov) _Dance of the Camorristi_ (Wolf-Ferrari), see _The Jewels of the Madonna_ _Dance of the Chinese Girls_ (Glière), see _The Red Poppy_ _Dance of the Comedians_ (Smetana), see _The Bartered Bride_ _Dance of the Flutes_ (Tchaikovsky), see _Nutcracker Suite_ _Dance of the Moorish Slaves_ (Verdi), see _Aida_ _Dance of the Rose Girls_ (Khatchaturian), see _Gayane_ _Dance of the Spanish Onion_ (Rose) _Dance of the Sugarplum Fairy_ (Tchaikovsky), see _Nutcracker Suite_ _Dance of the Sylphs_ (Berlioz), see _Damnation of Faust_ _Dance of the Tumblers_ (Rimsky-Korsakov), see _Dance of the Buffoons_ _Dance of the Waves_ (Catalani), see _The Loreley_ _Dance of the Wheat_ (Ginastera), see Dances from _Estancia_ _Dancers of Mardi Gras_ (Cadman) Dances from _Estancia_: _Dance of the Wheat_ (Ginastera) “Dancing Will Keep You Young” (Romberg), see _Maytime_ _Danse macabre_ (Saint-Saëns) _Danse nègre_ (Scott) _Danza della ore_ (Ponchielli), see _Dance of the Hours_, _La Gioconda_ _Daughter of the Regiment_: Overture (Donizetti) “Dawn of Love” (Friml), see _The Firefly_ “Death and the Maiden” (Schubert), see “_Der Tod und das Maedchen_” “Deep in My Heart” (Romberg), see _The Student Prince_ “De Glory Road” (Wolfe) “_Dein ist mein ganzes Herz_” (Lehár), see _The Land of Smiles_ _Delirien_ (Josef Strauss) _The Deluge_ (Saint-Saëns) “_De’ miei bollenti spiriti_” (Verdi), see _Rigoletto_ “_Deserto sulla terra_” (Verdi), see _Il Trovatore_ _The Desert Song_: Selections (Romberg) _Deutsche Taenze_ (Beethoven), see _German Dances_ _Deutsche Taenze_ (Mozart) see _German Dances_ _Les Diamants de la couronne_ (Auber), see _The Crown Jewels_ _Dichter und Bauer_, _Overture_ (Suppé), see _Poet and Peasant_ “_Dich teurer Halle_” (Wagner), see _Tannhaeuser_ “_Di Provenza il mar_” (Verdi), see _La Traviata_ “_Di quella pira_” (Verdi), see _Il Trovatore_ “_Dis moi Venus_” (Offenbach), see _La Belle Hélène_ _Divertissement_ (Ibert) _Doctrinen_ (Eduard Strauss) _Dolly_ (Fauré) _Dolores_ (Waldteufel) _Le Domino noir_ (Auber), see _The Black Domino_ _Donaulieder_ (Johann Strauss I) “Donkey Serenade” (Friml) _Donna Diana_: Overture (Rezniček) “_La donne è mobile_” (Verdi) see _Rigoletto_ _Donnerwetter_ (Mozart), see _Country Dances_ _Don Pasquale_: Overture (Donizetti) _Dorfschwalben aus Oesterreich_ (Josef Strauss) _Dream Pantomime_ (Humperdinck), see _Hansel and Gretel_ _Dream Pictures_ (Lumbye) _Die Dreigroschenoper_ (Weill), see _The Three-Penny Opera_ “Drinking Song” (Romberg), see _The Student Prince_ “_Du bist die Ruh_” (Schubert) “The Duke of Plaza-Toro” (Sullivan), see _The Gondoliers_ “_Du and Du_” (Johann Strauss II), see _Die Fledermaus_ _Dynamiden_ (Josef Strauss) “_Ecco ridente in cielo_” (Rossini), see _The Barber of Seville_ _Eight Russian Folk Songs_ (Liadov) _Ein Morgen, ein Mittag, ein Abend in Wien_ (Suppé), see _Morning, Noon and Night in Vienna_ _Einzugmarsch_ (Johann Strauss II), see _The Gypsy Baron_ _El Capitan_ (Sousa) _Electrophor-Polka_ (Johann Strauss II) _Élégie_ (Massenet), see _Les Érynnies_ _Elegy_ (Tchaikovsky), see _Serenade for Strings_ _L’Elisir d’amore_: Selections (Donizetti) “Elisabeth’s Prayer” (Wagner), see “_Allmacht’ge Jungfrau_,” _Tannhaeuser_ “_E lucevan le stelle_” (Puccini), see _Tosca_ _Embassy Waltz_ (Loewe), see _My Fair Lady_ _Emperor Waltz_ (Johann Strauss II) _En bateau_ (Debussy), see _Petite suite_ “The End of a Perfect Day” (Bond) “Entry March” (Johann Strauss II), see _The Gypsy Baron_ “_Der Erlkoenig_” (Schubert) _Les Érynnies_ (Massenet) _Escapade_ (Rose) _España_ (Chabrier) _España_ (Waldteufel) “_Estrellita_” (Ponce) _Estudianta_ (Waldteufel) Etudes (Chopin), see also _Revolutionary Etude_ _Evatochter_ (Ziehrer) _Evening in the Tivoli_ (Lumbye) “_Evening Song_” (Schumann), see “_Abendlied_” _Explosions Polka_ (Johann Strauss II) _Facsimile_: Suite (Bernstein) _The Fair at Sorochinsk_: Hopak (Mussorgsky) “Fair Is the Rose as the Bright May Day” (Sullivan), see _Ruddigore_ “Fair Moon to Thee I Sing” (Sullivan), see _Pinafore_ _Family Album_ (Gould) _Fancy Free_: Suite (Bernstein) _Fantasia and Fugue on Oh, Susanna_ (Caillet) _Fantasia on Greensleeves_ (Vaughan Williams) Fantaisie-Impromptu in C-sharp minor (Chopin) “The Farmer and the Cowman” (Rodgers), see _Oklahoma!_ _Faschingskinder_ (Ziehrer) _Faust_: Selections (Gounod) _Fête-Dieu à Seville_ (Albéniz) _Fiddle Faddle_ (Anderson) _La Fileuse_ (Raff) _La Fille aux cheveux de lin_ (Debussy), see _The Girl With the Flaxen Hair_ _La Fille de Mme. Angot_: Selections (Lecocq) _Fingal’s Cave_, or _Hebrides_, Overture (Mendelssohn) _Finlandia_ (Sibelius) _The Firefly_: Selections (Friml) _Die Fledermaus_: Overture, Selections (Johann Strauss II) _Der fliegende Hollaender_ (Wagner), see _The Flying Dutchman_ _Flight of the Bumble Bee_ (Rimsky-Korsakov) “Flower Song” (Bizet), see _Carmen_ “The Flowers that Bloom in the Spring” (Sullivan), see _The Mikado_ _The Flying Dutchman_: Overture, Selections (Wagner) “Fold Your Flapping Wings” (Sullivan), see _Iolanthe_ “_Die Forelle_” (Schubert) “For I am a Pirate King” (Sullivan), see _Pirates of Penzance_ “For Everyone Who Feels Inclined” (Sullivan), see _The Gondoliers_ “For He is an Englishman” (Sullivan), see _Pinafore_ “For the Merriest Fellows are We” (Sullivan), see _The Gondoliers_ _Fortune Teller_: Selections (Herbert) _La Forza del destino_: Overture (Verdi) _Four Centuries_ (Coates) _Fra Diavolo_: Selections (Auber) _Frasquita Serenade_ (Herbert) “French Marching Song” (Romberg), see _The Desert Song_ _French Military March_ (Saint-Saëns), see _Suite algérienne_ “_Freudig begruessen_” (Wagner), see _Tannhaeuser_ _Friedrich-Karl March_ (Kéler-Béla) “From the Land of the Sky-Blue Water” (Cadman) _From the Middle Ages_ (Glazunov) _Fruehlingsrauschen_ (Sinding), see _Rustle of Spring_ _Fruehlingsstimmen_ (Johann Strauss II), see _Voices of Spring_ _Funeral March_ (Chopin) _Furiant_ (Smetana) see _The Bartered Bride_ _La Gaieté parisienne_ (Offenbach-Rosenthal), see Offenbach Galops (Offenbach), see _La Grand Duchesse de Gerolstein_ _Gavotte_ (Gossec) _Gavotte_ (Thomas), see _Mignon_ _Gayane_: Suite (Khatchaturian) _La Gazza ladra_: Overture (Rossini) _German Dances_ (Beethoven) _German Dances_ (Haydn) _German Dances_ (Mozart) _German Dances_ (Schubert) “Get Me to the Church on Time” (Loewe), see _My Fair Lady_ “Getting to Know You” (Rodgers), see _The King and I_ “Giannina Mia” (Friml), see _The Firefly_ _Gingerbread Waltz_ (Humperdinck), see _Hansel and Gretel_ _La Gioconda_: Selections (Ponchielli) “The Girl at Maxim’s” (Lehár), see _The Merry Widow_ _The Girl With the Flaxen Hair_ (Debussy) _Giroflé-Girofla_: Selections (Lecocq) _Giselle_: Suite (Adam) _La Gitana_ (Kreisler) _Gitanerias_ (Lecuona) “_Gloire au grand Dieu vengeur_” (Meyerbeer), see _Les Huguenots_ “_Gloria all’ Egitto_” (Verdi), see _Aida_ “The Glow-Worm” (Lincke) “_Gluewuermchen_” (Lincke), see “The Glow-Worm” “God’s World” (Wolfe) “Goin’ to Heaven” (Wolfe) _Gold and Silver Waltzes_ (Lehár) _Golliwogg’s Cakewalk_ (Debussy), see _Children’s Corner_ _The Gondoliers_: Selections (Sullivan) “Goodbye, Forever” (Tosti), see “_Addio_” “Good Morning, Good Mother” (Sullivan), see _Iolanthe_ Gopak, from _The Fair at Sorochinsk_ (Mussorgsky), see Hopak “_Gott erhalte Franz den Kaiser_,” Austrian national anthem (Haydn) _Grafin Mariza_ (Kálmán), see _Countess Maritza_ _Der Graf von Luxemburg_ (Lehár), see _The Count of Luxembourg_ _Grand Canyon Suite_ (Grofé) Grand March, from _Aida_ (Verdi) _La Grand Pâque Russe_ (Rimsky-Korsakov), see _Russian Easter Overture_ _Greensleeves_ (Vaughan Williams), see _Fantasia on Greensleeves_ “_Gretchen am Spinnrade_” (Schubert) _G’schichten aus dem Wiener Wald_ (Johann Strauss II), see _Tales from the Vienna Woods_ _Guadalcanal March_ (Rodgers), see _Victory at Sea_ _Guillaume Tell_ (Rossini), see _William Tell_ _Guitarre_ (Moszkowski) _Gypsy Airs_ (Sarasate) _Gypsy Baron_: Selections (Johann Strauss II) _Gypsy Love_: Selections (Lehár) “Gypsy Love Song” (Herbert), see _The Fortune Teller_ _Gypsy Princess_: Selections (Kálmán) _Gypsy Rondo_ (Haydn) Habanera (Bizet), see _Carmen_ “_Hab ein blaues Himmelbett_” (Lehár), see _Frasquita Serenade_ “Hail the Bride of Seventeen Summers” (Sullivan), see _Ruddigore_ _Handel in the Strand_ (Grainger) “Hallelujah Chorus” from _Messiah_ (Handel) _Hansel and Gretel_: Overture and Selections (Humperdinck) “Happy Talk” (Rodgers), see _South Pacific_ “Hark, Hark, the Lark” (Schubert) _Harlequin Serenade_ (Drigo), see _Serenade_ _Harlequin Serenade_ (Leoncavallo), see “_O, Columbina!_”, _Pagliacci_ _Harmonica Player_ (Guion), see _Alley Tunes_ _Harmonious Blacksmith_ (Handel) _Havanaise_ (Saint-Saëns) “The Heart Bowed Down” (Balfe), see _The Bohemian Girl_ “Heather on the Hill” (Loewe), see _Brigadoon_ _Hebrew Melody_ (Achron) _Hebrides Overture_, (Mendelssohn), see _Fingal’s Cave_ _Hejre Kati_ (Hubay), see _Hungarian Czardas Scenes_ “Hello, Young Lovers” (Rodgers), see _The King and I_ _Henry VIII_: Dances (German) _Henry VIII_: Ballet Music (Saint-Saëns) “_Hereinspaziert_” from _Der Schatzmeister_ (Ziehrer) “Here’s a How-de-do” (Sullivan), see _The Mikado_ _Heroic Polonaise_ (Chopin) _Hesperus_ (Lumbye) _Hindu Chant_ (Rimsky-Korsakov) _His Lullaby_ (Bond) _Hoffballtanz_ (Lanner) _Hoffnungssterne_ (Kéler-Béla) _Holberg Suite_ (Grieg) _Holiday for Strings_ (Rose) _Holiday for Trombones_ (Rose) _Holiday Suite_ (Gould) _Holzschutanz_ (Lortzing), see _Clog Dance_, _Czar and Carpenter_ “Home on the Range” (Guion) Hopak, from _The Fair at Sorochinsk_ (Mussorgsky) _Hora staccato_ (Dinicu) “_Horch, horche die Lerche_” (Schubert), see “Hark, Hark, the Lark” _Horse and Buggy_ (Anderson) _Hudson River Suite_ (Grofé) _Les Huguenots_: Overture, Selections (Meyerbeer) _Humoresque_ (Dvořák) _Humoresque_ (Tchaikovsky) _Hungarian Comedy Overture_ (Kéler-Béla) _Hungarian Czardas Scenes_ (Hubay) _Hungarian Dances_ (Brahms) _Hungarian Rhapsody_ (Hubay), see _Hungarian Czardas Scenes_ _Hungarian Rhapsody No. 2_ (Liszt) _Hurrah-Sturm_ (Kéler-Béla) “Hymn to the Sun” (Rimsky-Korsakov), see _Le Coq d’or_ “I Am the Captain of the Pinafore” (Sullivan), see _Pinafore_ “I Am the Monarch of the Sea” (Sullivan), see _Pinafore_ “I Am Titania” (Thomas), see “_Je suis Titania_,” _Mignon_ “I Am the Very Pattern of a Modern Major General” (Sullivan), see _Pirates of Penzance_ “I Cannot Tell What This Love May Be” (Sullivan), see _Patience_ “_Ich bin die Christel von der Post_” (Zeller), see _Der Vogelhaendler_ “_Ich bin ein Zigeuenerkind_” (Lehár), see _Gypsy Love_ “_Ich hab’ kein Geld_” (Milloecker), see _The Beggar Student_ “_Ich knuepfte manche zarte Bande_” (Milloecker), see _The Beggar Student_ “_Ich setz den Fall_” (Milloecker), see _The Beggar Student_ “I Could Have Danced All Night” (Loewe), see _My Fair Lady_ “_Ideale_” (Tosti) “I Dream’d I Dwelt in Marble Halls” (Balfe), see _The Bohemian Girl_ “If I Loved You” (Rodgers), see _Carousel_ “If Somebody There Chanced to Be” (Sullivan), see _Ruddigore_ “If You Go In” (Sullivan), see _Iolanthe_ “If You’re Anxious For to Shine” (Sullivan), see _Patience_ “If You Want a Receipt” (Sullivan), see _Patience_ “If You Want to Know Who We Are” (Sullivan), see _The Mikado_ “I Got Plenty of Nuttin’” (Gershwin), see _Porgy and Bess_ “I Have a Song to Sing, O” (Sullivan) see _Yeomen of the Guard_ “I Have Dreamed” (Rodgers), see _The King and I_ “I Know a Youth Who Loves a Little Maid” (Sullivan), see _Ruddigore_ “_Il balen_” (Verdi), see _Il Trovatore_ “I’ll Follow My Secret Heart” (Coward), see _Conversation Piece_ “I Love You” (Wright and Forrest), see _Song of Norway_, Grieg “I Love You, Porgy,” (Gershwin), see _Porgy and Bess_ “I Love You, Truly” (Coward), see _Bitter Sweet_ “I’m Called Little Buttercup” (Sullivan), see _Pinafore_ “I’m Falling in Love With Someone” (Herbert), see _Naughty Marietta_ “I’m Gonna Wash That Man Right Outa My Hair” (Rodgers), see _South Pacific_ “I’m in Love with a Wonderful Guy” (Rodgers), see _South Pacific_ “_Im Prater bluehn wieder die Baeume_” (Stolz) _Impressions of Italy_ (Charpentier) _In a Chinese Garden_ (Ketelby) _In a Monastery Garden_ (Ketelby) _In a Persian Garden_ (Ketelby) _In Autumn_ (Grieg) “In Bygone Days” (Sullivan), see _Ruddigore_ _Indian Lament_ (Dvořák) “Indian Love Call” (Friml), see _Rose Marie_ _Indian Sketches_ (Gilbert) _Indian Summer_ (Herbert) _In Spring_ (Karl Goldmark) _Intermezzo_, from _Cavalleria Rusticana_ (Mascagni) _Intermezzo_, from _Goyescas_ (Granados) _Intermezzo_, from _Pagliacci_ (Leoncavallo) _Intermezzo_, from _The Violin Maker_ (Hubay) _Intermezzo_ (Tchaikovsky), see Suite for Orchestra, No. 1 _Intermezzos_ from _The Jewels of the Madonna_ (Wolf-Ferrari) _Interplay_ (Gould) “In the Autumn of Our Life” (Sullivan), see _Yeomen of the Guard_ _In the Hall of the Mountain King_ (Grieg), see _Peer Gynt Suite_, No. 1 _In the South_ (Elgar) _In the Steppes of Central Asia_ (Borodin) _Introduction and Rondo Capriccioso_ (Saint-Saëns) _Invitation to the Dance_ (Weber) _Iolanthe_: Selections (Sullivan) “I Once Was as Meek as a New Born Lamb” (Sullivan), see _Ruddigore_ _Irish Rhapsody_ (Herbert) _Irish Suite_ (Anderson) _Irish Tune from County Derry_: “Londonderry Air” (Grainger) “I Shipped, D’ye See, in a Revenue Sloop” (Sullivan) see _Ruddigore_ “Isle of Dreams” (Herbert) see _The Red Mill_ “Is Love a Boon?” (Sullivan), see _Yeomen of the Guard_ “I Stole the Princess” (Sullivan), see _The Gondoliers_ “It Ain’t Necessarily So” (Gershwin), see _Porgy and Bess_ _L’Italiana in Algeri_: Overture (Rossini) “Italian Street Song” (Herbert), see _Naughty Marietta_ “It is Not Love” (Sullivan), see _The Sorcerer_ “It’s a Windy Day on the Battery” (Romberg), see _Maytime_ “I’ve Done My Work” (Bond) “I’ve Got a Little List” (Sullivan), see _The Mikado_ “I’ve Grown Accustomed to Her Face” (Loewe), see _My Fair Lady_ “I Whistle a Happy Tune” (Rodgers), see _The King and I_ “_Ja, das alles auf Ehr_” (Johann Strauss II), see _Gypsy Baron_ _Jamaican Rumba_ (Benjamin) _Jazz Legato_ (Anderson) _Jazz Pizzicato_ (Anderson) “Jeanie With the Light Brown Hair” (Foster) _Jesu, Joy of Man’s Desiring_ (Bach) “_Je suis Titania_” (Thomas), see _Mignon_ _Jeux d’enfants_ (Bizet), see _Children’s Games_ “Jewel Song” (Gounod), see _Faust_ _Jewels of the Madonna_: Intermezzo, Dance of the Camorristi (Wolf-Ferrari) _Jewels from Cartier_ (Alter) _Jota aragonesa_ (Glinka) _Jota aragonesa_ (Sarasate) _Joyeuse marche_ (Chabrier) _Jubilee_ (Chadwick) _Jubilee Overture_ (Weber) “Jump Jim Crow” (Romberg), see _Maytime_ _June_ (Tchaikovsky), see _The Months_ “June Is Bustin’ Out All Over” (Rodgers), see _Carousel_ “Just a Wearyin’ for You” (Bond) “_Kaempfe nie mit Frauen_” (Zeller), see _Der Vogelhaendler_ _Kaiser March_ (Wagner) _Kaiserwaltz_ (Johann Strauss II), see _Emperor Waltz_ _Kamarinskaya_ (Glinka) _Kamenoi-Ostrow_ (Rubinstein) _Der Kanarienvogel_ (Mozart), see _German Dances_ “Kansas City” (Rodgers), see _Oklahoma!_ _Karelia Suite_ (Sibelius) _Katharine Menuetten_ (Haydn), see _Minutes_ _King Frederick VII Homage March_ (Lumbye) _La Kermesse_ (Gounod), see _Faust_ _Kettenbruecken_ (Johann Strauss I) _Khovantschina_: Dances of Persian Slaves, Prelude to Act 1, and Entr’acte (Mussorgsky) _The King and I_: Selections (Rodgers) _King Cotton_ (Sousa) “Kiss Me Again” (Herbert), see _Mlle. Modiste_ _Kiss Me Kate_: Selections (Porter) “_Klaenge der Heimat_” (Johann Strauss II), see _Die Fledermaus_ _Eine kleine Nachtmusik_ (Mozart) _Knightsbridge March_ (Coates), see _London Suite_ “Knowest Thou the Land” (Thomas), see “_Connais-tu le pays?_”, _Mignon_ “_Komm, komm, Held meiner Traeume_” (Straus), see “My Hero,” _The Chocolate Soldier_ _Komm suesser Tod_ (Bach), see _Come, Sweet Death_ _Kommt ein Vogel_, Variations (Ochs) _Das Land des Laechelns_ (Lehár), see _The Land of Smiles_ _The Land of Smiles_: Selections (Lehár) _Die Landestreicher_: Selections (Ziehrer) _Laendler_ (Schubert) _Largo_, from the _New World Symphony_ (Dvořák) _Largo_, from _Xerxes_ (Handel) “Largo al factotum” (Rossini), see _The Barber of Seville_ _Latin-American Symphonette_ (Gould) “Laughing Song” (Johann Strauss II), see “_Mein Herr, Marquis,_” _Die Fledermaus_ “The Law is the True Embodiment” (Sullivan), see _Iolanthe_ “_Lebe wohl, mein flandrisch’ Maedchen_” (Lortzing), see _Czar and Carpenter_ _Légende_ (Wieniawski) _Leichte Cavallerie_ Overture (Suppé), see _Light Cavalry_ _Der Leiermann_ (Mozart), see _German Dances_ _Les Préludes_ (Liszt) “Letter Song” (Straus), see _The Chocolate Soldier_ “_Libiamo, libiamo_,” or “_Brindisi_” (Verdi), see _La Traviata_ “_Lieber Freund, man greift nicht_” (Lehár), see _Count of Luxembourg_ _Liebesfreud_ (Kreisler) _Liebesleid_ (Kreisler) “_Liebeslied_” (Weill), see _The Three-Penny Opera_ _Liebestraum_ (Liszt) _A Life for the Tsar_: Overture, Mazurka and Waltz (Glinka) “Life’s Garden” (Bond) _Light Cavalry Overture_ (Suppé) “_Der Lindenbaum_” (Schubert) _Lohengrin_: Prelude to Acts 1 and 3, Wedding March (Wagner) _London Suite_ (Coates) “Londonderry Air (Grainger),” see _Irish Tune from County Derry_ “Lonely Hearts” (Romberg), see _Blossom Time_ “The Lord’s Prayer” (Malotte) _Lorelei Rheinsklaenge_ (Johann Strauss I) “The Lost Chord” (Sullivan) _Lotus Land_ (Scott) “Loudly Let the Trumpet Bray” (Sullivan), see _Iolanthe_ _Love for Three Oranges_: March (Prokofiev) “Love is a Firefly” (Friml), see _The Firefly_ “Love is a Plaintive Song” (Sullivan), see _Patience_ “Lover Come Back to Me” (Romberg), see _The New Moon_ “Love Song” (Weill), see _The Three-Penny Opera_ _Lucia di Lammermoor_: Selections (Donizetti) _Lullaby_ (Khatchaturian), see _Gayane_ _Die lustige Witwe_ (Lehár), see _The Merry Widow_ _Lyric Suite_ (Grieg) “Mack the Knife” (Weill), see _The Three-Penny Opera_ _Madama Butterfly_: Selections (Puccini) “_Madre pietosa_” (Verdi), see _La Forza del destino_ “Mad Scene” (Donizetti), see _Lucia di Lammermoor_ “_Maedel klein, Maedel fein_” (Lehár), see _The Count of Luxembourg_ “The Magnet and the Churn” (Sullivan), see _Patience_ “A Maiden Fair to See” (Sullivan), see _Pinafore_ “_Die Majistaet wird anerkannt_” (Johann Strauss II), see _Die Fledermaus_ _Malambo_ (Ginastera), see Dances from _Estancia_ _Malagueña_ (Lecuona) _Malagueña_, from _Boabdil_ (Moszkowski) _Malagueña_ (Sarasate) _Manhattan Masquerade_ (Alter) _Manhattan Moonlight_ (Alter) _Manhattan Serenade_ (Alter) Manon: Gavotte, Minuet (Massenet) “A Man Who Would Woo a Fair Maid” (Sullivan), see _Yeomen of the Guard_ “Many a New Day” (Rodgers), see _Oklahoma!_ March, from _Tannhaeuser_ (Wagner) _March of the Gladiators_ (Fučík) _March of the Little Fauns_ (Pierné) _March of the Little Lead Soldiers_ (Pierné) _March of the Royal Siamese Children_ (Rodgers), see _The King and I_ _March of the Smugglers_ (Bizet), see _Carmen_ March of the Toys (Herbert), see _Babes in Toyland_ _Marche miniature_ (Tchaikovsky), see _Suite for Orchestra, No. 1_ _Marche Slav_ (Tchaikovsky) “_Marechiare_” (Tosti) _Marienklaenge_ (Josef Strauss) _Mark Twain: A Portrait for Orchestra_ (Kern) _Masaniello_ (Auber), see _The Mute of Portici_ _Masquerade_ (Khatchaturian) “Massa’s in De Cold, Cold Ground” (Foster) _The Mastersingers_: “Prize Song” (Wagner) _Matinées musicales_ (Rossini-Britten), see Rossini “_Mattinata_” (Tosti) _Maytime_: Selections (Romberg) _Mazurka_ (Delibes), see _Coppélia_ _Mazurka_ (Glinka), see _A Life for the Tsar_ Mazurkas (Chopin) _Meditation_, from _Thaïs_ (Massenet) “_Mein Herr, Marquis_” (Johann Strauss II), see _Die Fledermaus_ _Die Meistersinger_ (Wagner), see _The Mastersingers_ _Mélodie_ (Tchaikovsky) _Melody in F_ (Rubinstein) _Menuet à l’antique_ (Paderewski), see _Minuet_ _Merrie England_: Selections (German) _Merrymaker’s Dance_ (German), see _Nell Gwynn_ _The Merry Widow_: Selections (Lehár) _The Merry Widow Waltz_: “_S’fuersten Geigen_” (Lehár), see _The Merry Widow_ _The Merry Wives of Windsor_: Overture, Selections (Nicolai) _Mexican Rhapsody_ (McBride) “_Mi chiamano Mimi_” (Puccini), see _La Bohème_ _Midsommarvaka_ (Alfvén), see _Midsummer Vigil_ _A Midsummer Night’s Dream_, Suite (Mendelssohn) _Midsummer Vigil_ (Alfvén) “Mighty Lak’ a Rose” (Nevin) _Mignon_: Overture, Selections (Thomas) _The Mikado_: Selections (Sullivan) _Military Polonaise_ (Chopin) _Miniature Overture_ (Tchaikovsky), see _Nutcracker Suite_ _Minstrel Show_ (Gould) _Minuet in G_ (Beethoven) _Minuet_ (Boccherini) _Minuet_ (Bolzoni) _Minuet_ (Kreisler) _Minuet_, from _Don Giovanni_ (Mozart) _Minuet_, from _The Tales of Hoffmann_ (Offenbach) _Minuet_ (Paderewski) _Minuet_, from _Rigoletto_ (Verdi) _Minuet of the Will’o-the-Wisp_ (Berlioz), see _The Damnation of Faust_ Minuets (Haydn) Minuets (Mozart) _Minute Waltz_ (Chopin) _Mlle. Modiste_: Selections (Herbert) _Mireille_: Overture (Gounod) “_Miserere_” (Verdi), see “_Ah, che la morte ognora_,” _Il Trovatore_ _Mississippi Suite_ (Grofé) _The Moldau_, or _Vltava_ (Smetana) _Molly on the Shore_ (Grainger) “_Mon coeur s’ouvre à ta voix_” (Saint-Saëns), see _Samson and Delilah_ _Mon rêve_ (Waldteufel) _The Months_ (Tchaikovsky) “Moonbeams” (Herbert), see _The Red Mill_ _Moonlight Sonata_ (Beethoven) _Moorish Rhapsody_ (Humperdinck) _Morgenblaetter_ (Johann Strauss II), see _Morning Journals_ “_Morgenlich leuchtend_” (Wagner), see “Prize Song,” _The Mastersingers_ “Moritat” (Weill), see _The Three-Penny Opera_ _Morning_ (Grieg), see _Peer Gynt_, Suite No. 1 “Morning” (Speaks) _Morning Journals_ (Johann Strauss II) _Morning, Noon, and Night in Vienna_ (Suppé) _Morris Dance_ (German), see _Henry VIII_ _La Muette de Portici_ (Auber), see _The Mute of Portici_ _Musetta’s Waltz_ (Puccini), see _La Bohème_ _The Music Box_ (Liadov) _Music of the Spheres_ (Josef Strauss), see _Sphaerenklaenge_ _The Mute of Portici_: Overture (Auber) “My Boy You May Take it From Me” (Sullivan), see _Ruddigore_ _My Fair Lady_: Selections (Loewe) “My Heart at Your Sweet Voice” (Saint-Saëns), see _Samson and Delilah_ “My Hero” (Straus), see _The Chocolate Soldier_ “My Ideal” (Tosti), see “_Ideale_” “My Man’s Gone Now” (Gershwin), see _Porgy and Bess_ “My Object All Sublime” (Sullivan), see _The Mikado_ “My Old Kentucky Home” (Foster) _Naïla Waltz_ (Delibes) _Narcissus_, from _Water Scenes_ (Nevin) _Naughty Marietta_: Selections (Herbert) _Navarra_ (Albéniz) “’Neath the Southern Moon” (Herbert), see _Naughty Marietta_ _Negro Heaven_ (Cesana) _Negro Rhapsody_ (Rubin Goldmark) _Nell Gwynn_: Dances (German) _New Moon_: Selections (Romberg) “The Nightingale” (Sullivan), see _Patience_ “The Nightingale Song” (Zeller), see “_Wie mein Ahn’l zwanzig Jahr_,” _Der Vogelhaendler_ _Nocturne_ (Borodin) _Nocturne in E-flat_ (Chopin) _Nocturne_ (Mendelssohn), see _A Midsummer Night’s Dream_, Suite “_Noël_,” or “_Cantique de Noël_” (Adam) “None But the Lonely Heart” (Tchaikovsky) “_Non la sospiri la nostra casetta_” (Puccini), see _Tosca_ _Norma_: Overture, “_Casta Diva_” (Bellini) _North American Square Dances_ (Benjamin) _Norwegian Dances_ (Grieg) _Norwegian Rhapsody_ (Lalo) _Nutcracker Suite_, or _Casse-noisette_ (Tchaikovsky) “_O beau pays de la Touraine_” (Meyerbeer), see _Les Huguenots_ “_Obéissons quand leur voix appelle_” (Massenet), see _Manon_ _Der Obersteiger_: Selections (Zeller) “_O, Columbina!_,” Harlequin’s Serenade (Leoncavallo), _Pagliacci_ “Ode to the Evening Star” (Wagner), see “_O du, mein holder Abendstern_,” _Tannhaeuser_ _Of Thee I Sing_ (Gershwin) “Oh Foolish Fay” (Sullivan), see _Iolanthe_ “Oh, Is There Not One Maiden Breast?” (Sullivan), see _Pirates of Penzance_ “Oh a Private Buffoon is a Light-Hearted Loon” (Sullivan), see _Yeomen of the Guard_ “Oh, Leave Me Not to Pine” (Sullivan), see _Pirates of Penzance_ “Oh My Name is John Wellington Wells” (Sullivan), see _The Sorcerer_ “Oh, Susanna!” (Foster) “Oh, Thoughtless Crew” (Sullivan), see _Yeomen of the Guard_ “Oh, What a Beautiful Mornin’” (Rodgers), see _Oklahoma!_ _Oklahoma!_: Selections (Rodgers) “Ol’ Black Joe” (Foster) “Old Folks at Home,” or “Swanee River” (Foster) _The Old Refrain_ (Kreisler) “Ol’ Man River” (Kern), see _Show Boat_ “_O Lola Bianca_” (Mascagni), see _Cavalleria Rusticana_ “_O Mimi, tu più_” (Puccini), see _La Bohème_ _Omphale’s Spinning Wheel_ (Saint-Saëns), see _Le Rouet d’Omphale_ “One Kiss” (Romberg), see _The New Moon_ “Only a Rose” (Friml), see _The Vagabond King_ “Only Make Believe” (Kern), see _Show Boat_ “On the Day that I Was Wedded” (Sullivan), see _The Gondoliers_ _On the Campus_ (Goldman) _On the Farm_ (Goldman) _On the Mall_ (Goldman) “On the Road to Mandalay” (Speaks) “On the Street Where You Live” (Loewe), see _My Fair Lady_ _On the Trail_ (Grofé), see _Grand Canyon Suite_ “Onward Christian Soldiers” (Sullivan) “On Wings of Song” (Mendelssohn) “_O Patria mia_” (Verdi), see _Aida_ “_O Paradiso!_” (Meyerbeer), see _L’Africaine_ _The Organgrinder_ (Mozart), see _German Dances_ _Orientale_ (Cui) _Orphée aux enfers_ (Offenbach), see _Orpheus in the Underworld_ _Orpheus in the Underworld_: Selections (Offenbach) “_O Sancta justa_” (Lortzing), see _Czar and Carpenter_ “_O soave fanciulla_” (Puccini), see _La Bohème_ “_O terra addio_” (Verdi), see _Aida_ “Our Great Mikado” (Sullivan), see _The Mikado_ “Out of My Dreams” (Rodgers), see _Oklahoma!_ _Ouverture solennelle_ (Glazunov) _Overture 1812_ (Tchaikovsky) “_Pace e gioia sia con voi_” (Rossini), see _The Barber of Seville_ _Pagliacci_: Selections (Leoncavallo) “Painted Emblems of a Race” (Sullivan), see _Ruddigore_ “_La Paloma_” (Yradier) _Pan-Americana_ (Herbert) “A Paradox, a Most Ingenious Paradox” (Sullivan), see _Pirates of Penzance_ “_Parigi, o cara_” (Verdi), see _La Traviata_ _Passacaglia on Green Bushes_ (Grainger) _Pastoral Dance_ (German), see _Henry VIII_ _Patience_: Selections (Sullivan) _Les Patineurs_ (Waldteufel), see _The Skaters_ _La Patrie_ (Bizet) _Pavane_ (Fauré) _Pavane_ (German), see _Romeo and Juliet_ _Pavane_ (Gould), see _American Symphonette No. 2_ _Pavane pour une Infante défunte_ (Ravel) _Peer Gynt_, Suites Nos. 1 and 2 (Grieg) “People Will Say We’re in Love” (Rodgers), see _Oklahoma!_ _Perpetual Motion_ (Johann Strauss II) “_Pescator, affond a l’esca_” (Ponchielli), see _La Gioconda_ _Die Pesther_ (Lanner) _Peter and the Wolf_ (Prokofiev) _Petite suite_ (Debussy) _Phèdre Overture_ (Massenet) “_Piccolo, piccolo, tsin, tsin, tsin_” (Straus), see _A Waltz Dream_ _Picturesque Scenes_ (Massenet) _Piemonte_ (Sinigaglia) _Pinafore_: Selections (Sullivan) _Pique Dame Overture_ (Suppé) _Pirates of Penzance_: Selections (Sullivan) _Pizzicato Polka_ (Johann Strauss II) “_Plaisir d’amour_” (Martini) “Play Gypsies, Dance Gypsies” (Kálmán), see _Countess Maritza_ _Plink, Plank, Plunk_ (Anderson) “_Plus blanche que la blanche hermine_” (Meyerbeer) see _Les Huguenots_ _Poet and Peasant Overture_ (Suppé) _Polichinelle_ (Kreisler) _Polka_ (Smetana), see _The Bartered Bride_ _Polka and Fugue_, from _Schwanda_ (Weinberger) _Polonaise_, from Boris Godunov (Mussorgsky) _Polonaise_, from Eugene Onegin (Tchaikovsky) _Polonaises_ (Chopin) _Polonaise brilliante_ (Wieniawski) _Polovtsian Dances_, from _Prince Igor_ (Borodin) _Pomp and Circumstance_ (Elgar) _Pop Goes the Weasel_ (Caillet) _Porgy and Bess_: Selections (Gershwin) _Portrait of a Frontier Town_ (Gillis) _Poupée valsante_ (Poldini) “Pour, Oh, Pour the Pirate Sherry” (Sullivan), see _Pirates of Penzance_ _Praeludium_ (Järnefelt) _Praeludium and Allegro_ (Kreisler) _Praise Be to God_ (Bach) _La Précieuse_ (Kreisler) _Prelude in E major_ (Bach) _Prelude in A major_ (Chopin) _Prelude and Fugue on Dixie_ (Weinberger) _Prelude and Waltz_ (Addinsell) Preludes (Chopin) Preludes (Gershwin) Preludes (Rachmaninoff) “Prithee, Pretty Maiden” (Sullivan), see _Patience_ “Prize Song” from _The Mastersingers_ (Wagner) _Le Prophète_: Coronation March, Prelude to Act 3 (Meyerbeer) _Punchinello_ (Herbert) “A Puzzlement” (Rodgers), see _The King and I_ “_Quando m’en vo’ soletto_,” Musetta’s Waltz (Puccini), see _La Bohème_ Quartet, from _Rigoletto_ (Verdi), see “_Bella figlia dell’ amore_” _Queen of Spades Overture_ (Suppé), see _Pique Dame Overture_ “_Questa o quella_” (Verdi), see _Rigoletto_ _Radetzky March_ (Johann Strauss I) _Railway Galop_ (Lumbye) _Raindrop Etude_ (Chopin) _Rakóczy March_ (Berlioz), see _The Damnation of Faust_ _Raymond Overture_ (Thomas) _Raymonda_: Suite (Glazunov) “_Recondita armonia_” (Puccini), see _Tosca_ _The Red Mill_: Selections (Herbert) _The Red Poppy_: Selections (Glière) _Rêve angelique_ (Rubinstein), see _Kamenoi-Ostrow_ _Rêverie_ (Debussy) _Revolutionary Etude_ (Chopin) _Rhapsody in Blue_ (Gershwin) _Rienzi_: Overture (Wagner) _Rigoletto_: Selections (Verdi) “_Rimpianto_” (Toselli), see “_Serenata_” “Rising Early in the Morning” (Sullivan), see _Gondoliers_ “_Ritorna vincitor_” (Verdi), see _Aida_ _Ritual Fire Dance_ (Falla) _Le Roi l’a dit_: Overture (Delibes) _Romance_ (Drdla) Romances (Beethoven) _Romance in E-flat_ (Rubinstein) _Romance in F minor_ (Tchaikovsky) Romances (Sibelius) _Die Romantiker_ (Lanner) _Romeo and Juliet_: Waltz (Gounod) _Rondalla aragonesa_ (Granados), see _Spanish Dances_ _Rondino_ (Kreisler) “The Rosary” (Nevin) _Rosamunde_: Overture, Ballet Music (Schubert) _Rose Marie_: Selections (Friml) _Rosen aus dem Sueden_ (Johann Strauss II), see _Roses from the South_ “Roses are in Bloom” (Bond) _Roses from the South_ (Johann Strauss II) _Le Rouet d’Omphale_ (Saint-Saëns) _Ruddigore_: Selections (Sullivan) _Rumanian Rhapsodies_, Nos. 1 and 2 (Enesco) _Rumba_ (McDonald) _Ruslan and Ludmilla_: Overture (Glinka) _Russian Easter Overture_ (Rimsky-Korsakov) _Russian Sailors’ Dance_ (Glière), see _The Red Poppy_ _Rustle of Spring_ (Sinding) _Rustic Dance_ (German), see _As You Like It_ _Rustic March_ (Grieg), see _Lyric Suite_ _Rustic Wedding Symphony_ (Karl Goldmark) _Ruy Blas Overture_ (Mendelssohn) _Saber Dance_ (Khatchaturian), see _Gayane_ “Saber Song” (Romberg), see _Desert Song_ “Sailors’ Chorus” (Wagner), see “_Steuermann! lass die Wacht_,” _The Flying Dutchman_ _Sakuntala Overture_ (Karl Goldmark) _Salut d’amour_ (Elgar) _Samson and Delilah_: Selections (Saint-Saëns) “_Samt und seide_” from _Der Fremdenfuehrer_ (Ziehrer) _Saraband_ (Anderson) _Sari_: Selections (Kálmán) _La Scala di Seta_: Overture (Rossini) _Scarf Dance_ (Chaminade) _Scenario_ (Kern) _Scènes alsaciennes_ (Massenet), see _Alsatian Scenes_ _Scènes de ballet_ (Glazunov) _Scènes pittoresques_ (Massenet), see _Picturesque Scenes_ “_Schafe koennen sicher weiden_” (Bach), see _The Wise Virgins_ _Schatz_, Waltzes (Johann Strauss II), see _Gypsy Baron_ “_Schau mir nur recht ins Gesicht_” (Zeller), see _Der Vogelhaendler_ _Scheherazade_ (Rimsky-Korsakov) _Scherzo_ (Kreisler) _Scherzo_ (Mendelssohn), see _A Midsummer Night’s Dream_, Suite _Die Schlittenfahrt_ (Mozart), see _German Dances_ _Die Schoenbrunner_ (Lanner) _Die schoene Galatea_ (Suppé), see _The Beautiful Galathea_ _Schoen Rosmarin_ (Kreisler) _School of Dancing_ (Boccherini-Françaix), see Boccherini _Scuola di Ballo_ (Boccherini-Françaix), see _School of Dancing_, Boccherini “_Scuoti quella fronda di ciliegio_” (Puccini), see _Madama Butterfly_ _The Seasons_: Suite (Glazunov) _Second Rhapsody_ (Gershwin) _Secrets of Suzanne_: Overture (Wolf-Ferrari) “_Segreto_” (Tosti) “_Seguidille_” (Bizet), see _Carmen_ “_Sei gepreissen, du lauschige Nacht_” (Ziehrer), see _Die Landestreicher_ “_Sei nicht bos, es kann nicht sein_” (Zeller), see _Der Obersteiger_ _Semiramide_: Overture (Rossini) _Semper fideles_ (Sousa) “_Sempre libera_” (Verdi), see _La Traviata_ _Serenade_ (Drigo) _Serenade in A_ (Drdla) _Serenade_ (Romberg), see _Blossom Time_, _The Student Prince_ _Serenade_ (Schubert), see _Staendchen_ _Sérénade espagnole_ (Chaminade) _Serenade for Strings_ (Tchaikovsky) _Sérénade mélancolique_ (Tchaikovsky) _Serenata_, “_Rimpianot_” (Toselli) _La Serenata_ (Tosti) _Sevillañas_ (Albéniz) Sextet from Lucia di Lammermoor (Donizetti), see “_Chi mi frena_” “_S’fuersten Geigen, Lippen schweigen_” (Lehár), see _The Merry Widow_ “Shall We Dance?” (Rodgers), see _The King and I_ _Shepherd’s Dance_ (German), see _Henry VIII_ _Shepherd’s Hey_ (Grainger) _Shepherd’s Madrigal_ (Kreisler) “Shepherd’s Song” (Offenbach), see _La Belle Hélène_ “Short’nin’ Bread” (Wolfe) _Show Boat_: Selections (Kern) “_Siboney_,” or “_Canto Siboney_” (Lecuona) _Siciliano_ (Bach) _Sicilienne_ (Fauré) _Sicilienne et Rigaudon_ (Kreisler) _Side Street in Gotham_ (Alter) “Sighing Softly to the River” (Sullivan), see _Pirates of Penzance_ _Si j’etais roi_ (Adam), see _If I Were King_ “Silvered is the Raven Hair” (Sullivan), see _Patience_ “_Si può_” (Leoncavallo), see _Pagliacci_ _Les Sirènes_ (Waldteufel) “Sir Rupert Murgatroyd” (Sullivan), see _Ruddigore_ _The Skaters_ (Waldteufel) _Slaughter on Tenth Avenue_ (Rodgers) _Slavonic Dances_ (Dvořák) _Slavonic Fantasia_ (Kreisler) _Sleigh Bells_ (Anderson) _The Sleighride_ (Mozart), see _German Dances_ “_So elend und treu_” (Johann Strauss II), see _Gypsy Baron_ “Softly as in a Morning Sunrise” (Romberg), see _The New Moon_ _Soirées de Vienne_ (Schubert-Liszt), see Schubert _Soirées musicales_ (Rossini-Britten), see Rossini “So in Love” (Porter), see _Kiss Me Kate_ “Soldiers’ Chorus” (Gounod), see _Faust_ “Soldiers’ Chorus” (Verdi), see “_Squilli, echeggi la tromba guerriera_,” _Il Trovatore_ _Solitude_ (Tchaikovsky) “Solveig’s Song” (Grieg), see _Peer Gynt_, Suite No. 2 “Some Enchanted Evening” (Rodgers), see _South Pacific_ _Song of India_ (Rimsky-Korsakov), see _Hindu Chant_ “Song of Love” (Romberg), see _Blossom Time_ _Song of Norway_ (Wright and Forrest), see Grieg “Song of the Vagabond” (Friml), see _The Vagabond King_ _Song Without Words, Chanson sans paroles_ (Tchaikovsky) “Songs My Mother Taught Me” (Dvořák) “_Sonst spielt ich mit Zepter_” (Lortzing), see _Czar and Carpenter_ “Soon as We May” (Sullivan), see _Iolanthe_ _Sophie_ (Lumbye) “Sorry Her Lot” (Sullivan), see _Pinafore_ _South Pacific_: Selections (Rodgers) _Southern Nights_ (Guion) _Souvenir_ (Drdla) _Souvenirs of Moscow_ (Wieniawski) _Spanish Caprice_ (Rimsky-Korsakov) _Spanish Dance No. 1_ (Falla) _Spanish Dances_ (Granados) _Spanish Dances_ (Moszkowski) _Spanish Dances_ (Sarasate) _Sphaerenklaenge_ (Josef Strauss) _Spinning Song_ (Mendelssohn) _Spring Song_ (Mendelssohn) “_Squilli, echeggi la tromba guerriera_,” or “Soldiers’ Chorus” (Verdi), see _Il Trovatore_ “_Staendchen_” (Schubert) _Stars and Stripes Forever_ (Sousa) _Stephen Foster Suite_ (Dubensky) “_Steuermann! lass die Wacht_” (Wagner), see _The Flying Dutchman_ “Stout-Hearted Men” (Romberg), see _The New Moon_ “Strange Adventure” (Sullivan), see _Yeomen of the Guard_ “Strange Music” (Wright and Forrest), see _Song of Norway_, Grieg “_Stride la vampa_” (Verdi), see _Il Trovatore_ “_Stridono lassu_,” “Bird Song” (Leoncavallo), see _Pagliacci_ “Strike Up the Band” (Gershwin) _Student Prince_: Selections (Romberg) _Stuff in G_ (McBride) “_Suicidio!_” (Ponchielli), see _La Gioconda_ _Suite algérienne_ (Saint-Saëns) Suite for Orchestra, Nos. 1 and 3 (Tchaikovsky) _Suite of Serenades_ (Herbert) _Suite pastorale_ (Chabrier) _Suite romantique_ (Herbert) “_Summ und brumm_” (Wagner), see _The Flying Dutchman_ _Summer Day_ (Prokofiev) “Summertime” (Gershwin), see _Porgy and Bess_ “The Sun Whose Rays” (Sullivan), see _The Mikado_ “The Surrey With the Fringe on Top” (Rodgers), see _Oklahoma!_ _Swallows from Austria_ (Josef Strauss), see _Dorfschwalben aus Oesterreich_ _The Swan_ (Saint-Saëns) “Swanee River,” or “Old Folks at Home” (Foster) _Swing Sextet_ (Cesana) _Swing Stuff_ (McBride) _Les Sylphides_ (Chopin-Rosenthal), see Chopin _Sylvia_: Suite (Delibes) “Sylvia” (Speaks) “Sympathy” (Friml), see _The Firefly_ “Sympathy” (Straus), see _The Chocolate Soldier_ _Symphonic Picture_ (Gershwin-Bennett), see _Porgy and Bess_, Gershwin _Symphony in D_, “Dodgers” (Bennett) _Symphony No. 5½_ (Gillis) _Syncopated Clock_ (Anderson) “_Tacea la notte placide_” (Verdi), see _Il Trovatore_ “Take a Pair of Sparkling Eyes” (Sullivan), see _Gondoliers_ _Tales from the Vienna Woods_ (Johann Strauss II) _Tales of Hoffmann_: Barcarolle, Minuet, and Waltz (Offenbach) _Tambourin Chinois_ (Kreisler) _Tango in D major_ (Albéniz) _Tannhaeuser_: Overture, Selections (Wagner) _Tannhaeuser’s Pilgrimage_ (Wagner), see Prelude to Act 3, _Tannhaeuser_ _Te Deum_ (Puccini), see _Tosca_ “Tell Me Daisy” (Romberg), see _Blossom Time_ _Tempo di minuetto_ (Kreisler) _Thaïs: Meditations_ (Massenet) “Then You’ll Remember Me” (Balfe), see _The Bohemian Girl_ “There Grew a Little Flower” (Sullivan), see _Ruddigore_ “There Is Nothing Like a Dame” (Rodgers), see _South Pacific_ “There’s a Boat That’s Leavin’ Soon for New York” (Gershwin), see _Porgy and Bess_ “There Was a Time” (Sullivan), see _Gondoliers_ “Thine Alone” (Herbert) “Thine Is My Heart Alone” (Lehár), see _The Land of Smiles_ “This is a Real Nice Clambake” (Rodgers), see _Carousel_ “Thou the Tree, and I the Flower” (Sullivan), see _Iolanthe_ _The Three Bears_ (Coates) _The Three Elizabeths_ (Coates) “Three Little Maids” (Sullivan), see _The Mikado_ _The Three-Penny Opera_: Selections (Weill) _The Thunderer_ (Sousa) _The Thunderstorm_ (Mozart), see _Country Dances_ “This Nearly Was Mine” (Rodgers), see _Carousel_ “Time Was When Love and I Were Acquainted” (Sullivan), see _Sorcerer_ “Tit Willow” (Sullivan), see _The Mikado_ _To a Water Lily_ (MacDowell) _To a Wild Rose_ (MacDowell) “_Der Tod und das Maedchen_” (Schubert) _Torch Dance No. 1_ (Meyerbeer) _Toujours ou jamais_ (Waldteufel) “_Traeume_” (Wagner) “_Traft ihr Das Schiff_” (Wagner), see _The Flying Dutchman_ “_Trauet nie dem Blossen schein_” (Zeller), see _Der Obersteiger_ _La Traviata_: Prelude to Acts 1 and 3, Selections (Verdi) _Trepak_ (Tchaikovsky), see _Nutcracker Suite_ “The Trout” (Schubert), see “_Die Forelle_” _Triumphant Entry of the Boyars_ (Halvorsen) _Troïka_, or _Troïka en Traneaux_ (Tchaikovsky), see _The Months_ _Il Trovatore_: Selections (Verdi) _The Trumpeter’s Holiday_ (Anderson) “The Two Grenadiers” (Schumann), see “_Die beiden Grenadiere_” _Through the Looking Glass_ (Taylor) “_Treulich gefuert_” (Wagner), see _Lohengrin_ _Tubby the Tuba_ (Kleinsinger) _Turkey in the Straw_ (Guion) _Turkish March_ (Beethoven) _Turkish March_ (Mozart) “Tu, tu piccolo idio” (Puccini), see _Madama Butterfly_ “Twenty Lovesick Maidens We” (Sullivan), see _Patience_ _Two Elegiac Melodies_ (Grieg) “Two Hearts in Three-Quarters Time” (Stolz) _Two Northern Melodies_ (Grieg) _The Typewriter_ (Anderson) “_Un bel di_” (Puccini), see _Madama Butterfly_ “_Una furtiva lagrima_” (Donizetti), see _L’Elisir d’amore_ “_Una voce poco fa_” (Rossini), see _The Barber of Seville_ “_Un nenn’ mein Lieb’ dich_” (Lehár), see _Gypsy Love_ _The Vagabond King_: Selections (Friml) _Valse bluette_ (Drigo) _Valse de concert_, Nos. 1 and 2 (Glazunov) _Valse de la poupée_ (Delibes), see _Coppélia_ _Valse mélancolique_ (Tchaikovsky), see Suite for Orchestra, No. 3 _Valses nobles_ (Schubert) _Valses sentimentales_ (Schubert) _Valse triste_ (Sibelius) _Valsette_ (Borowski) _Variations on I Got Rhythm_ (Gershwin) _Variations on Kommt ein Vogel_ (Ochs) _Variations on a Theme by Jerome Kern_ (Kern-Bennett), see Kern “_Vedi! le fosche_” or “Anvil Chorus” (Verdi), see _Il Trovatore_ _I Vespri siciliani_, or _Les Vêpres siciliennes_: Overture (Verdi) “_Vesti la giubba_” (Leoncavallo), see _Pagliacci_ _Victory at Sea_ (Rodgers) “_Viene la sera_” (Puccini), see _Madama Butterfly_ “_Vieni amor mio_” (Verdi), see _Aida_ _Vienna Blood_ (Johann Strauss II) “_Vilia_” (Lehár), see _The Merry Widow_ _Violetta_ (Waldteufel) “_Vissi d’arte_” (Puccini), see _Tosca_ _Vltava_ (Smetana), see _The Moldau_ _Vocalise_ (Rachmaninoff) _Der Vogelhaendler_: Selections (Zeller) _Voices of Spring_ (Johann Strauss II) “_Voi lo sapete_” (Mascagni), see _Cavalleria Rusticana_ “_Vorrei morire_” (Tosti) _Walpurgis Night_, Ballet Music (Gounod), see _Faust_ _Waltz in A-flat_ (Brahms) _Waltz in C-sharp minor_ (Chopin) _Waltz_ (Glinka), see _A Life for the Tsar_ _Waltz_ (Offenbach), see _Tales of Hoffmann_ _Waltz_, from _Eugene Onegin_ (Tchaikovsky) _Waltz_, from _Serenade for Strings_ (Tchaikovsky) _Waltz_, from _Sleeping Beauty_ (Tchaikovsky) _Waltz_, from _Swan Lake_ (Tchaikovsky) Waltzes (Chopin) Waltzes (Schubert) _Waltz of the Flowers_, from _Loreley_ (Catalani) _Waltz of the Flowers_ (Tchaikovsky), see _Nutcracker Suite_ _A Waltz Dream_: Selections (Straus) “_Waltz Huguette_” (Friml), see _The Vagabond King_ _Ein Walzertraum_ (Straus), see _A Waltz Dream_ _The Waltzing Cat_ (Anderson) “Wanting You” (Romberg), see _The New Moon_ “A Wandering Minstrel I” (Sullivan), see _The Mikado_ _War March of the Priests_ (Mendelssohn) _Warsaw Concerto_ (Addinsell) _Washington Post_ (Sousa) _Water Music_ (Handel) _Water Scenes_ (Nevin) _Waves of the Balaton_ (Hubay), see _Hungarian Czardas Scenes_ _Waves of the Danube_ (Ivanovici) _Wedding March_ (Mendelssohn), see _A Midsummer Night’s Dream_, Suite _Wedding March_ (Wagner), see _Lohengrin_ _Wein, Weib, Gesang_ (Johann Strauss II), see _Wine, Women, and Song_ “_Im weissen Roessl_” (Benatzky), see _The White Horse Inn_ “We Kiss in the Shadow” (Rodgers), see _The King and I_ _Welsh Rhapsody_ (German) _Die Werber_ (Lanner) “We’re Called Gondolieri” (Sullivan), see _The Gondoliers_ “Were I Thy Bride” (Sullivan), see _Yeomen of the Guard_ “Were Thine That Special Face” (Porter), see _Kiss Me Kate_ “Were You Not to Ko-Ko Plighted” (Sullivan), see _The Mikado_ “We Sail the Ocean Blue” (Sullivan), see _Pinafore_ “What God Hath Done Is Rightly Done” (Bach), see _The Wise Virgins_ “When a Felon’s Not Engaged in his Employment” (Sullivan), see _Pirates of Penzance_ “When All Night Long a Chap Remains” (Sullivan), see _Iolanthe_ “When a Maiden Loves” (Sullivan), see _Yeomen of the Guard_ “When a Merry Maiden Marries” (Sullivan), see _The Gondoliers_ “When a Wooer Goes a-Wooing” (Sullivan), see _Yeomen of the Guard_ “When Britain Really Ruled the Waves” (Sullivan), see _Iolanthe_ “When I Go Out of Doors” (Sullivan), see _Patience_ “When I Was a Lad” (Sullivan), see _Pinafore_ “When I Went to the Bar” (Sullivan), see _Iolanthe_ “When Johnny Comes Marching Home” (Gould), see _The American Salute_ “When the Foeman Bares His Steel” (Sullivan), see _Pirates of Penzance_ “When the Night Wind Howls” (Sullivan), see _Ruddigore_ “Where the Buds are Blossoming” (Sullivan), see _Ruddigore_ _The White Horse Inn_: Selections (Stolz) “_Wiegenlied_” (Brahms), see “Cradle Song” “_Wie mein Ahn’l zwanzig Jahr_,” the “Nightingale Song” (Zeller), see _Der Vogelhaendler_ _Wiener Buerger_ (Ziehrer) _Wiener Maedchen_ (Ziehrer) _Wild Horsemen_ (Schumann) _William Tell_: Overture (Rossini) _Wine, Women and Song_ (Johann Strauss II) “Wintergreen for President” (Gershwin), see _Of Thee I Sing_ _The Wise Virgins_ (Bach-Walton), see Bach “With a Little Bit of Luck” (Loewe), see _My Fair Lady_ “A Woman is a Sometime Thing” (Gershwin), see _Porgy and Bess_ _Woodland Dance_ (German), see _As You Like It_ _Woodland Fancies_ (Herbert) “_Wunderbar_” (Porter), see _Kiss Me Kate_ “Why Do I Love You?” (Kern), see _Show Boat_ _Yankee Doodle Went to Town_ (Gould) _Yeomen of the Guard_: Selections (Sullivan) “You’ll Never Walk Alone” (Rodgers), see _Carousel_ “Younger than Springtime” (Rodgers), see _South Pacific_ _Youthful Suite_ (Grainger) _Zampa_: Overture (Hérold) _Zapatadeo_ (Sarasate) _Zar und Zimmermann_ (Lortzing), see _Czar and Carpenter_ “_Zigeuener_” (Coward), see _Bitter Sweet_ _Zigeunerbaron_ (Johann Strauss II), see _Gypsy Baron_ _Zigeuenerliebe_ (Lehár), see _Gypsy Love_ _Die Zirkusprinzessin_ (Kálmán), see _The Circus Princess_ “_Zitti, Zitti, piano, piano_” (Rossini), see _The Barber of Seville_ “_Zorike, kehre zurueck_” (Lehár), see _Gypsy Love_ “_Zuhaelterballade_” (Weill), see “The Bully’s Ballad,” _The Three-Penny Opera_ “_Zwei Herzen in drei-viertel Takt_” (Stolz), see _Two Hearts in Three-Quarter Time_ Ewen’s LIGHTER CLASSICS IN MUSIC by DAVID EWEN In one brilliant volume, David Ewen offers a classic in musical literature. Here are the treasured semi-classical works of two continents—enduring, always alive—analyzed by a famed authority, acclaimed as “music’s interpreter to the American people.” A must for the music lover THE LIGHTER CLASSICS IN MUSIC is the first reference book of its kind in any language. Here is the music of Victor Herbert, Eric Coates, Jacques Offenbach, Johann Strauss and Franz Lehár. This is the music of the salon, café-house, pop concert, and operetta theatre. THE LIGHTER CLASSICS IN MUSIC is also the story of the spontaneity and creative invention of popular contemporary composers; Duke Ellington (“Black, Brown, and Beige”), Morton Gould (“Yankee Doodle Went To Town”), George Gershwin. These favorites are universally loved; their long life-span is assured. There is still a third story—a story of the genius of classical masters who have produced works whose popular interest and subtle freshness compels an immediate emotional impact. Beethoven, Mozart, Haydn, Brahms, Chopin, Schubert—all have brought forth wonderlands of sound to delight the senses. The author needs no introduction to music afficionados. MUSIC FOR MILLIONS went through six printings in as many years. A revised, up-dated edition, EWEN’S MUSICAL MASTERWORKS, was soon demanded and brought about. On the whimsical side, illustrator A. Birnbaum and Mr. Ewen put their heads together and came up with LISTEN TO THE MOCKING WORDS, a medley of anecdotes about music and musicians. Now Mr. Ewen turns a brilliant musical literacy and easy, non-pompous style exclusively to the lighter classics. Here are the lives of 187 composers; over 1000 perceptive analyses of musical masterpieces in the lighter style prefaced by biographical sketches. An easy-to-use alphabetical listing of the lighter classics makes it easy to get the specific information you need. THE LIGHTER CLASSICS IN MUSIC is an enduring book to be cherished by the concertgoer, record collector, musician, instructor, historian—all music lovers who know the universal sounds of music in the lighter style. Transcriber’s Notes —Silently corrected a few typos; did not modernize spelling. —Retained publication information from the printed edition: this eBook is public-domain in the country of publication. —In the text versions only, text in italics is delimited by _underscores_. *** END OF THE PROJECT GUTENBERG EBOOK THE LIGHTER CLASSICS IN MUSIC *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. 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