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The Lighter Classics in Music by David Ewen

1832. Hérold died of consumption in Paris on January 19, 1833 before

562 words  |  Chapter 33

reaching his forty-second birthday. About all that has survived from Hérold’s most famous opera, _Zampa_, is its overture, a semi-classical favorite everywhere. _Zampa_—libretto by Mélesville—was introduced at the Opéra-Comique in Paris on May 3, 1831. The hero, Zampa, is the leader of a band of pirates who invade an island. He meets Camille and compels her to desert her lover and marry him. During the marriage festivities the pirate leader mockingly tries to place a ring on the finger of a statue. The statue suddenly comes to life and brings Zampa to his doom by drowning. The overture opens with a robust subject for full orchestra (derived from the pirates’ chorus of the first act). A brief pause separates this section from a slower one in which timpani rolls and loud chords in the wind precede a stately melody for wind instruments. After some development, in which the mood becomes dramatic, two new subjects are heard: the first is a sensitive melody for clarinet against plucked strings, and the second is a soaring song for the violins. Jenö Hubay Jenö Hubay was born in Budapest, Hungary, on September 15, 1858. His father, a professor of the violin at the Budapest Conservatory, gave him his first violin lessons. Jenö made his public debut as violinist when he was eleven, then completed his violin studies with Joachim in Berlin and with Vieuxtemps in Belgium. In 1886 he was appointed professor of the violin at the Budapest Conservatory, and from 1919 to 1934 he was its director. Hubay was one of Europe’s most eminent violinists, violin teachers, and performers of chamber music, the last with the Hubay Quartet which he founded. He died in Vienna on March 12, 1937. Hubay was the composer of several operas, four symphonies, four violin concertos, and many pieces for the violin. He was at his best when he drew both his inspiration and materials from Hungarian folk music. Perhaps his best known work is a set of fourteen pieces for violin and orchestra collectively known as _Scènes de la Csárda_, or _Hungarian Czardas Scenes_. The czardas is a popular Hungarian folk dance in duple time characterized by quick syncopations, and exploiting alternating slow and rapid passages. These _Scènes_ are often presented as orchestral compositions. The fourth, _Hejre Kati_, is the most popular of the group, a piece of music electrifying for its rhythmic momentum. The second, known as _Hungarian Rhapsody_, and the fifth, _Waves of Balaton_, are also familiar. Besides their rhythmic vitality these compositions are of interest for their sensual melodies, and dramatic contrasts of tempo and mood. From Hubay’s most famous opera, _The Violin Maker of Cremona_, comes a sensitively lyrical “Intermezzo,” for orchestra. Hubay wrote this one-act opera in 1894, and it was introduced in Budapest the same year. The text by Francois Coppé and Henri Beauclair concerns a violin-making contest in Ferrari, Italy, in which the prize is the beautiful girl, Giannina. A hunchback, Filippo, makes the best violin, but he generously permits Giannina to marry Sandro, the man she really loves. A transcription of the “Intermezzo” for violin and piano is popular in the repertory and bears the title of the opera. The Intermezzo had also been adapted by Stoll as a composition for voice and orchestra under the name “Lonely Night.” Engelbert Humperdinck Engelbert Humperdinck was born in Sieburg, Germany, on September 1,
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1. Chapter 1 2. introduction, random phrases bring up the image of various attitudes and 3. 1884. He acquired his musical training in Prague and with Felix Mottl in 4. Introduction there appear fragments of the first dance; these same 5. 1894. He began his music study in Kansas City: piano with his mother; 6. 1803. As a young man he was sent to Paris to study medicine, but music 7. 1918. Early music study took place with private piano teachers, and 8. 1833. He was trained in the sciences, having attended the Academy of 9. introduction or coda, originated as a piece for piano duet: the 10. 1886. While attending the Royal Academy of Music in London, where he 11. 1899. He made his stage debut in 1911 in a fairy play, and for the next 12. 1884. In the compositions written in Rome under the provisions of the 13. 1836. After attending the Paris Conservatory from 1848 on, he became an 14. 1873. The plot revolves around a peasant boy whom a Marquis is trying to 15. episode depicts a pair of lovers in a secluded corner; the principal 16. 1931. He died in Worcester, England, on February 23, 1934. 17. 1902. The opening brisk, restless music is recalled after a full 18. 1916. He was graduated with honors from the National Conservatory in his 19. 1865. As a boy he studied music privately while attending a technical 20. 1612. During the struggle between Russia and Poland, Romanov becomes the 21. introduction, a vigorous Mazurka melody unfolds. This leads to a second 22. 1870. A prodigy pianist, he attended the Berlin High School for Music, 23. 1878. He came from a distinguished musical family. His uncles were Sam 24. 1875. The _Bacchanale_ takes place at the beginning of Act 3 in which a 25. 1872. After studying music with private teachers in New York, he 26. introduction, the cellos and violas in unison offer the strains of 27. 1734. After receiving some music instruction in his native town, he came 28. 1755. The general belief is that it was used by a certain Richard 29. introduction in which a stately idea is offered by the woodwind. In the 30. 1882. After receiving some piano instruction from his mother he was sent 31. introduction. The second, “The Cowherd’s Tune,” begins with a slow, 32. 1930. It is not quite clear who actually wrote this song. It was 33. 1832. Hérold died of consumption in Paris on January 19, 1833 before 34. 1854. He attended the Cologne Conservatory where his teachers included 35. episode in which is described the descent of the fairies who provide a 36. 1859. He was graduated from the St. Petersburg Conservatory in 1882 37. 1885. Precocious in music he completed a piano sonata when he was only 38. introduction and the coda came the succession of lilting, lovable, 39. 1895. The son of a choirmaster, he himself was a boy chorister, at the 40. 1809. His grandfather was the famous philosopher, Moses Mendelssohn; his 41. 1756. The son of Leopold, Kapellmeister at the court of the Salzburg 42. 1858. While studying medicine, he attended the Berlin High School for 43. 1920. Ochs died in Berlin on February 6, 1929. 44. 1834. For nine years he attended the Milan Conservatory where he wrote 45. 1916. He continued to develop his own personality, formulating his 46. 1900. It was a blood and thunder drama set in Rome at the turn of the 47. 1873. He attended the St. Petersburg Conservatory for three years, and 48. 1909. He also distinguished himself as a conductor, first at the Bolshoi 49. introduction are amplified and developed. A brilliant coda leads to the 50. 1829. He studied the piano with Alexandre Villoing after which, in 1839 51. episode now appears in woodwind and violins after which the folk song 52. 1897. In 1897 Sousa was a tourist in Italy when he heard the news that 53. 1899. A century was coming to an end, and with it an entire epoch. This 54. 1898. Between 1876 and 1881 he was principal of, and professor of 55. 1889. After the operatic pretension of the _Yeomen of the Guard_ which 56. 1887. Because the Murgatroyd family has persecuted witches, an evil 57. introduction after which comes the brisk melody for woodwind followed by 58. introduction—with forceful chords in full orchestra—leads to a beautiful 59. introduction. The second aria is Philine’s polonaise, “_Je suis 60. 1843. “The Flying Dutchman” is a ship on which the Dutchman must sail 61. 1896. After completing his music study at the Prague Conservatory, and 62. 1872. After attending the Royal College of Music, he studied composition 63. episode. A third popular orchestral excerpt from this opera is the 64. 1809. Little is known of his career beyond the fact that his music 65. 1901. Zeller died in Baden near Vienna on August 17, 1898.

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