Malay Magic by Walter William Skeat

4. Personal Ceremonies and Charms

765 words  |  Chapter 72

Ceremonies and charms for protecting or rendering the person more attractive or formidable, form one of the largest, but not perhaps the most interesting or important division of the medicine-man's repertory. The following remarkable specimen of the charms belonging to the first of these classes was given me by 'Che `Abas of Klanang in Selangor, a Kelantan Malay:-- "If the corpse in the grave should speak, And address people on earth, May I be destroyed by any beast that has life, But if the corpse in the grave do not speak, And address people on earth, May I not be destroyed by any beast that has life, or by any foe or peril, or by any son of the human race. And if the chicken in the egg should crow, And call to chickens on earth, May I be destroyed by any beast that has life, But if the chicken in the egg do not crow," (etc. etc., as before.) As a general rule, however, this particular class of charms shows particularly strong traces of Arabic influence, most often, perhaps, taking the form of an injunction (addressed to Jins or Angels) to watch over the person of the petitioner. To rightly understand charms of the second class, which includes Bathing and Betel-charming charms, [584] we must have some idea of the Malay standard of beauty. This, I need hardly say, differs widely from that entertained by Europeans. In the case of manly beauty we should, perhaps, be able to acquiesce to some extent in the admiration which Malays express for "Brightness of Countenance" (chahia), which forms one of the chief objects of petition in almost every one of this class of charms; [585] but none of our modern Ganymedes would be likely to petition for a "voice like the voice of the Prophet David"; [586] or a "countenance like the countenance of the Prophet Joseph"; still less would he be likely to petition for a tongue "curled like a breaking wave," or "a magic serpent," or for teeth "like a herd of (black) elephants," or for lips "like a procession of ants." [587] Malay descriptions of female beauty are no less curious. The "brow" (of the Malay Helen, for whose sake a thousand desperate battles are fought in Malay romances) "is like the one-day-old moon," [588] her eyebrows resemble "pictured clouds," [589] and are "arched like the fighting-cock's (artificial) spur," [590] her cheek resembles "the sliced-off-cheek of a mango," [591] her nose "an opening jasmine bud," [592] her hair the "wavy blossom-shoots of the areca-palm," [593] slender [594] is her neck, "with a triple row of dimples," [595] her bosom ripening, [596] her waist "lissom as the stalk of a flower," [597] her head "of a perfect oval" (lit. bird's-egg-shaped), her fingers like the leafy "spears of lemon-grass," [598] or the "quills of the porcupine," [599] her eyes "like the splendour of the planet Venus," [600] and her lips "like the fissure of a pomegranate." [601] The following is a specimen of an invocation for beautifying the person which is supposed to be used by children:-- "The light of four Suns, five Moons, And the seven Stars be visible in my eye. The brightness of a shooting star be upon my chin, And that of the full moon be upon my brows. May my lips be like unto a string of ants, My teeth like to a herd of elephants, My tongue like a breaking wave, My voice like the voice of the Prophet David, My countenance like the countenance of the Prophet Joseph, My brightness like the brightness of the Prophet Muhammad, By virtue of my using this charm that was coeval with my birth, And by grace of 'There is no god but God,'" etc. When personal attractions begin to wane with the lapse of years, invocations are resorted to for the purpose of restoring the petitioner's lost youth. In one of the invocations referred to (which is said to have been used by the Princess of Mount Ophir, Tuan Putri Gunong Ledang, to secure perpetual youth), the petitioner boasts that he (or she) was "born under the Inverted Banyan Tree," and claims the granting of the boon applied for "by virtue of the use of the "Black Lenggundi Bush," which when it has died, returns to life again," [602] the idea being, no doubt, that a judicious use of black magic will enable the petitioner to "live backwards." The third class of invocations, for rendering the person formidable, belong rather to the chapter on war, under which heading they will be included.

Chapters

1. Chapter 1 2. CHAPTER I 3. CHAPTER II 4. CHAPTER III 5. CHAPTER IV 6. CHAPTER V 7. 2. Birds and Bird Charms 109 8. 4. Minerals and Mining Charms 250 9. 4. Fishing Ceremonies 306 10. CHAPTER VI 11. 12. Divination and the Black Art 532 12. 7. Heptacle on which the Seven-Square is based 558 13. 11. Fig. 1.--Bridal Bouquets 375 14. 12. Fig. 1.--Bridegroom's Headdress 378 15. 20. Fig. 1.--Musical Instruments 508 16. 23. Fig. 1.--Hanuman 516 17. 24. Fig. 1.--Weather Chart 544 18. 28. Fig. 1.--Wax Figures 570 19. CHAPTER I 20. CHAPTER II 21. 3. The two royal Swords; one on the right hand and one on the left 22. 4. The royal "Fringed" Umbrella (payong ubor-ubor), carried behind 23. 5. The royal "Cuspadore," carried behind the left-hand 24. 7. The eight royal tufted Lances (tombak bendrang or bandangan), 25. 6. The royal Ceiling-cloth and Hangings (tabir, langit-langit 26. 7. The "Moving Mountains" (gunong dua berangkat), perhaps the 27. 8. The royal Drums (gendang naubat); said to be "headed" with the 28. 9. The royal Trumpet (lempiri or | 29. 12. The royal rebab or Malay fiddle. 30. CHAPTER III 31. 1. Leaves of the grass called sambau dara, which is said to be the 32. 2. The leaves of the selaguri, which appears to be "a shrub or 33. 3. The leaves of the pulut-pulut (the exact identity of which I have 34. 4. The leaves of the gandarusa (Insticia gandarusa, L., Acanthaceæ), 35. 5. The leaves of the gandasuli (which I have not yet been able to 36. 7. The leaves of the lenjuang merah, or "the common red dracæna" 37. 8. The leaves of the sapenoh (unidentified), a plant with big round 38. 9. To the above list may be perhaps added the satawar, sitawar 39. 10. The satebal (Fagræa racemosa, Jack., Loganiaceæ). 40. CHAPTER IV 41. introduction to Muhammadan influences, the only ones of importance 42. CHAPTER V 43. 1. WIND AND WEATHER CHARMS 44. 2. BIRDS AND BIRD CHARMS 45. 1. BUILDING CEREMONIES AND CHARMS 46. 2. BEASTS AND BEAST CHARMS 47. 3. VEGETATION CHARMS 48. 8. The falling of the leaves in old trees. 49. 8. Wangkang. 50. 4. A plant of saffron (kunyit). 51. 12. A large iron nail. 52. 1. Sapenoh. 2. Sapanggil. 3. Jenjuang (or lenjuang) merah (the Red 53. 1. A strip of white cloth (folded up and lying at the bottom of 54. 7. Five cubits of red cloth by means of which the soul-basket was to 55. 1. Money, rice, salt, oil, tame animals, etc., were forbidden to 56. 4. The reapers, till the end of the reaping, were forbidden to let 57. 5. The light placed near the head of the Rice-child's bed might not 58. 1. A basket-work stand (one of those used for the cooking-pots, 59. 2. A bowl of water deposited upon this stand and intended "for the 60. 5. Six trodden-out rice "heads," a couple of which tied in a slip knot 61. 4. MINERALS AND MINING CHARMS 62. 1. PURIFICATION BY WATER 63. 2. THE SEA, RIVERS, AND STREAMS 64. 3. REPTILES AND REPTILE CHARMS 65. 4. FISHING CEREMONIES 66. 1. PRODUCTION OF FIRE 67. 2. FIRE CHARMS 68. CHAPTER VI 69. 1. BIRTH-SPIRITS 70. 2. BIRTH CEREMONIES 71. 3. ADOLESCENCE 72. 4. Personal Ceremonies and Charms 73. 5. BETROTHAL 74. 6. MARRIAGE 75. 7. FUNERALS [638] 76. 8. MEDICINE 77. 2. "Neutralisatory" Ceremonies for destroying the evil principle 78. 3. "Expulsory" Ceremonies (for the casting out of the evil 79. 4. "Revivificatory" Ceremonies (for recalling a sick person's soul, 80. 3. If the rice floats in a line across the sun's path (berator 81. 4. If you see a solitary grain travelling by itself (bersiar) 82. 5. If the parched rice travels towards the right of the jar the 83. 6. If it travels towards the left of the jar he will recover, 84. 7. If, however, it floats right underneath the candle it is 85. 1. If they take the shape either of a boat or a crocodile, this 86. 2. If they take a square shape, a tray of offerings (anchak) 87. 3. If they take the shape of a house, a 'state-hall' (balei) 88. 1. If the rice is lumped together (bulat or berlubok) it is a 89. 2. If it extends itself crosswise (panjang melintang) it is a 90. 3. If it takes the shape of a spirit-boat (lanchang) you must 91. 4. If it keeps travelling either to the left or the right, it is 92. 5. If it takes the shape of a crocodile, or anything of that sort, 93. 9. DANCES, SPORTS, AND GAMES 94. 6. Bidak, the Pawns. [707] 95. 1. In the game called sakopong all cards from two to six are cast 96. 2. Main chabut is a species of vingt-et-un, and is played with either 97. 2. Kachang di-rendang di-tugalkan, i.e. two aces; a very convenient 98. 3. Lunas sa-glabat, or sagaji ampat-b'las, i.e. angkong dengan daun 99. 5. Ace and two, which is the best of all. 100. 3. Daun tiga 'lei or Pakau is played here as follows:-- 101. 10. THEATRICAL EXHIBITIONS

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