History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2) by Walters et al.

3. (_a_) _Ex figlinis_ (vel _praedis_) _Caepionianis Plotiae

899 words  |  Chapter 147

Isauricae, fornace Peculiaris servi._ (_b_) _Opus doliare ex praedis duorum Augustorum nostrorum, figlinis Domitianis minoribus, Fulvi Primitivi._ During the greater part of the third century chronological indications are absent, but about the time of Diocletian the practice of signatures is revived. The inscriptions, however, differ now from the earlier ones, not only in the forms of the letters and of the stamp, but also in style; they are less regular in form, and present several peculiarities. The expressions _opus doliare_ and _ex figlinis_ are now no longer found, and in place of the latter _officina_ is invariable. Many of the _officinae_ are the same as in the former period, but new ones, such as the Britannica, Claudia, Gemella, and Jobia, occur, the latter with the _cognomen_ Diocletiana. _Officina_ is sometimes used twice over, for the pottery and for the workshop. In place of _praedia_ we have such expressions as _statio_, _rationes_, or _possessiones_. Formulae are introduced in an abbreviated form which give the method of administration or character of the estates: as R · S · P, _ratio summae patrimonii or privatae_; S · P · C, _stationis patrimonii Caesaris_; S · R for _summae rei or stationis Romanae_; S · P for _summae privatae_ or _stationis patrimonii_; S · R · F for _sacrae rationis fisci_; or simply S for _stationis_ or _summarum_.[2545] Apparently several _stationes_ might be united in one _officina_, or several _officinae_ in one _administratio_; the number of the _statio_ is given in some instances. The name of the _statio_ may be replaced by that of the potter; or merely the _administratio_ is given, as OFF · PRIVATA. Besides the names of master, lessee, and potter, that of the _negotiator_ is sometimes mentioned. We also find the _portus_ or depôt in which the _tegulae_ were stored for distribution, as PORTU LICINI,[2546] or the name of the building for which they were destined, as PORTVS AVGVSTI,[2547] CASTRIS PRAETORI(_s_) AVG(_usti_) N(_ostri_), HORREIS POSTVMIANIS.[2548] Some tiles dug up in Lambeth Hill, London, on the site of the Post Office, now in the British and Guildhall Museums,[2549] were impressed with the letters P · P · BR · LON or PR · BR · LON (Fig. 196), which have been interpreted as _publicani provinciae Britanniae Londinienses_.[2550] [Illustration: FIG. 196. INSCRIBED TILE FROM LONDON.] Tiles made for military purposes are exceedingly common in the later period, and the stamps probably had a double use. In the first place, they show that they were made by the soldiers, from which we learn that in the legions, as in a modern army, there were many men acquainted with handicrafts. Secondly, they prevented theft or removal of the tiles, and served as a “broad arrow” to denote public property. They are not, of course, found in Rome, where there was no necessity for the legions to make bricks or tiles; here the camp seems to have been supplied by private individuals. Of special interest are the inscriptions stamped on tiles which relate to the military divisions stationed throughout the provinces of the vast empire. These are found in soldiers’ graves (see above, p. 351), as well as in their camps and quarters; they contain the names and titles of the legions, and mark the extent of Roman conquest. Thus the route of the thirty legions through Germany has been traced; and in Britain an examination and comparison of such tiles shows the distribution of military force and the migrations of different legions from one quarter to another. The stamps are in the form of long labels (_tesserae_), circles, or crescents, occasionally surrounded by a wreath, or else in the shape of a foot, an ivy-leaf, or a vase; the letters are in relief, sharply impressed, as if from a metal die. The names and titles of the legions are given either in initials or in contractions, as LEG · II · P(_arthicae_), and so on (see above, p. 351); sometimes the potter’s name is added, with FIGVLVS or FECIT.[2551] The tiles of the first legion have been found at Mainz and Nimeguen; those of the second, or Parthian, at Darmstadt, Ems, Hooldorn, Caerleon, and the Lake of Nemi[2552]; of the third, in Scotland; of the fourth, at Mainz; of the fifth, in Scotland, and at Baden, Cleves, Xanten, and Nimeguen; of the sixth, at Nimeguen, Neuss, Aix-la-Chapelle, Darmstadt, and Windisch; the seventh, at Aix-la-Chapelle and Xanten; the eighth, at Mainz, Baden, and elsewhere; the ninth, at Baden and York; the tenth, at Nimeguen, Hooldorn, Vienna, and Jerusalem; the twentieth, at Chester[2553]; and so on down to the thirtieth.[2554] At Bonn tiles have been found of the _Legio Cisrhenana_ on the left bank of the Rhine, and of the _Legio Transrhenana_ on the right bank. Cohorts have also left their names on tiles: the second Asturian at Acsica on the Roman Wall[2555]; the fourth (_Breucorum_), at Huddersfield[2556]; the fourth Vindelician, at Frankfurt, Mainz, and Wiesbaden[2557]; the Ulpian Pannonian at Buda-Pesth.[2558] The _vexillationes_, whose main body was at Nimeguen, are similarly recorded; a British _vexillatio_ was attached to the army at Hooldorn[2559] and Nismes, and another to that of Lower Germany, as instanced by tiles inscribed VEX · EX · G · INF (_vexillatio exercitus Germaniae inferioris_), found at Utrecht and Nimeguen in the Netherlands, and at Xanten in Germany.[2560] Tiles of the British fleet, CL(_assis_) BR(_itannica_), have been found at Boulogne, Lympne, and Dover.[2561]

Chapters

1. Chapter 1 2. PART III 3. CHAPTER XII 4. CHAPTER XIII 5. CHAPTER XIV 6. CHAPTER XV 7. CHAPTER XVI 8. CHAPTER XVII 9. PART IV 10. CHAPTER XVIII 11. CHAPTER XIX 12. CHAPTER XX 13. Introduction of lamps at Rome—Sites where found—Principal 14. CHAPTER XXI 15. CHAPTER XXII 16. CHAPTER XXIII 17. 111. Gigantomachia, from Ionic vase _Mon. dell’ Inst._ 18. 112. Poseidon and Polybotes, from _Gerhard_ 19. 114. Hermes slaying Argos (vase at _Wiener Vorl._ 20. 115. Poseidon and Amphitrite _Ant. Denkm._ 21. 117. Aphrodite and her following Ἐφ. Ἀρχ. 22. 119. Hermes with Apollo’s oxen (in _Baumeister_ 23. 120. Dionysos with Satyrs and _Brit. Mus._ 24. 121. Maenad in frenzy (cup at _Baumeister_ 25. 122. Charon’s bark (lekythos at _Baumeister_ 26. 123. Thanatos and Hypnos with body _Brit. Mus._ 27. 126. Herakles bringing the boar to _Brit. Mus._ 28. 127. Apotheosis of Herakles (vase _Arch. Zeit._ 29. 129. Judgment of Paris (Hieron cup _Wiener Vorl._ 30. 132. Kroisos on the funeral pyre _Baumeister_ 31. 135. Athletes engaged in the _Brit. Mus._ 32. 136. Agricultural scenes _Baumeister_ 33. 137. Warrior arming; archers _Hoppin_ 34. 144. Maeander (Attic, about 480 35. 148. Spirals under handles 36. 151. Guilloche or plait-band 37. 155. Ivy-wreath (black-figure 38. 158. _Vallisneria spiralis_ 39. 160. Lotos-flowers and buds _Riegl_ 40. 161. Palmette-and lotos-pattern 41. 163. Chain of palmettes and lotos 42. 164. Palmettes and lotos under 43. 165. Palmette on neck of red-bodied 44. 166. Enclosed palmettes (R.F. 45. 168. Palmette under handles (South 46. 171. Facsimile of inscription on _Brit. Mus._ 47. 172. Facsimile of Dipylon _Ath. Mitth._ 48. 173. Scheme of alphabets on Greek 49. 174. Facsimile of inscription on _Roehl_ 50. 175. Facsimile of signatures on _Furtwaengler and 51. 176. Facsimile of signature of _Brit. Mus._ 52. 177. Figure with inscribed scroll 53. 178. Etruscan tomb with cinerary _Ann. dell’ Inst._ 54. 179. Villanuova cinerary urns from _Notizie_ 55. 180. Painted pithos from Cervetri _Gaz. Arch._ 56. 181. Canopic jar in bronze-plated _Mus. Ital._ 57. 183. Terracotta sarcophagus in _Dennis_ 58. 184. Painted terracotta slab in _Dennis_ 59. 190. Diagram of Roman wall- _Blümner_ 60. 192. Method of heating in Baths of _Middleton_ 61. 193. Flue-tile with ornamental 62. 195. Inscribed tile in Guildhall 63. 201. Terracotta coin-mould _Daremberg and 64. 214. Plan of kiln at Heiligenberg _Daremberg and 65. 215. Section of ditto _Daremberg and 66. 218. Arretine bowl in Boston: death _Philologus_ 67. 226. Vase of Banassac fabric from _Mus. Borb._ 68. 227. Medallion from vase of _Brit. Mus._ 69. 228. Medallion from vase: Atalanta _Gaz. Arch._ 70. 230. Roman mortarium from _Brit. Mus._ 71. PART III 72. CHAPTER XII 73. Chapter XV. will be discussed all such subjects as relate to the daily 74. episode most frequent is that of the =return of Hephaistos= in a 75. 1. Marsyas picks up the flutes dropped by Athena: Berlin 2418 = 76. 4. Marsyas performing: B.M. E 490; Reinach, i. 452 (Berlin 2950), i. 77. 5. Apollo performing: Jatta 1364 = _Él. Cér._ ii. 63; _Wiener Vorl._ 78. 6. Apollo victorious: Reinach, ii. 310; Petersburg 355 = Reinach, i. 79. 7. Condemnation of Marsyas: Naples 3231 = Reinach, i. 405; Reinach, 80. 8. Flaying of Marsyas: Naples 2991 = Reinach, i. 406 (a vase with 81. CHAPTER XIII 82. 1. Physical (Sun, Moon, Dawn, Winds, etc.). 2. Geographical 83. 7. Ethical ideas (Justice, Envy, Strife, etc.). 8. 84. CHAPTER XIV 85. introduction to Zeus by Athena, a scene common on both B.F. and R.F. 86. Book I. 187 ff. The dispute of Agamemnon and Achilles. 87. Book II. 50 ff. Agamemnon in council. 88. Book III. 259 ff. Priam setting out in his chariot. 89. Book V. 95–296. Combat of Diomedes and Pandaros (a reminiscence of). 90. Book VI. 215 ff. Diomedes and Glaukos exchanging arms. 91. Book VII. 162 ff. Combat of Ajax and Hector. 92. Book VIII. 89 ff. Combat of Hector and Diomedes. 93. Book IX. Achilles lying sick (apparently a _contaminatio_ or confusion 94. Book X. 330–461. Episode of Dolon; his capture by Odysseus. 95. Book XI. The fight at the ships. 96. Book XIV. Combat of Ajax and Aeneas (? l. 402 ff.). 97. Book XVI. 666 ff. Sarpedon carried off by Hypnos and Thanatos. 98. Book XVII. 60 ff. Combat of Menelaos and Euphorbos, and fight over his 99. Book XVIII. 367 ff. (1) Thetis in the smithy of Hephaistos. 100. Book XIX. 1–18. Thetis and the Nereids bringing the armour to Achilles. 101. Book XXI. 114 ff. Combat of Achilles and Lykaon. 102. Book XXII. 188 ff. Achilles pursuing Hector round the walls of Troy. 103. Book XXIII. 157 ff. Funeral games for Patroklos. 104. Book XXIV. 16 ff. Achilles dragging Hector’s body past the 105. Book II. 94 ff. Penelope at her loom. 106. Book III. 12 ff. Arrival of Telemachos at Nestor’s house in Pylos. 107. Book IV. 349 ff. The story of Menelaos’ interview with Proteus. 108. Book V. 228 ff. Odysseus navigating the sea on a raft. 109. Book VI. 126 ff. Nausikaa washing clothes. 110. Book IX. 345 ff. Odysseus offering wine to Polyphemos. 111. Book X. 210 ff. Odysseus and Kirke (see _J.H.S._ xiii. p. 82). 112. Book XI. 23 ff. Odysseus sacrificing before his visit to Hades. 113. Book XII. 164–200. Odysseus passing the Sirens. 114. Book XVIII. 35 ff. Odysseus and Iros. 115. Book XIX. 385 ff. Odysseus recognised by Eurykleia. 116. Book XXI. 393—XXII. 5 ff. The slaying of the suitors. 117. CHAPTER XV 118. 1. RELIGIOUS SUBJECTS 119. 2. FUNERAL SCENES 120. 3. THE DRAMA 121. 4. ATHLETICS AND SPORT 122. 5. TRADES AND OCCUPATIONS 123. 6. DAILY LIFE OF WOMEN 124. 7. MILITARY AND NAVAL SUBJECTS 125. 8. ORIENTALS AND BARBARIANS 126. 9. BANQUETS AND REVELS 127. 10. ANIMALS 128. 1. Runner with trainer: _Bourguignon Sale Cat._ 31. See on the 129. CHAPTER XVI 130. CHAPTER XVII 131. introduction into Greece at about 660 B.C. is fairly correct. The 132. PART IV 133. CHAPTER XVIII 134. introduction of the wheel into Etruria, but also the introduction of 135. introduction of the furnace; (3) by extensive imitation of Greek 136. 1. CAULDRON AND STAND OF RED WARE FROM FALERII; 2. PAINTED AMPHORA OF 137. Chapter III., regarding the use of clay in general in classical times. 138. 2. ETRUSCAN SARCOPHAGUS (THIRD CENT.) 139. Chapter VIII.). 140. CHAPTER XIX 141. 1. BRICKS AND TILES 142. 1. (_a_) With name of master only (either of _praedia_ or 143. 2. (_a_) Master and potter (often a slave): 144. 3. (_a_) Master, potter, and name of pottery: 145. 1. (_a_) _Ex praedis L. Memmi Rufi._ 146. 2. (_a_) _Ex figlinis_ (vel _praedis_) _Domitiae Lucillae, opus 147. 3. (_a_) _Ex figlinis_ (vel _praedis_) _Caepionianis Plotiae 148. 2. TERRACOTTA MURAL RELIEFS 149. 1. ZEUS AND THE CURETES; 2. DIONYSOS IN THE LIKNON-CRADLE (BRITISH 150. 1. ROMAN STATUES AND STATUETTES 151. Chapter III. when dealing with the Greek terracottas. Large figures 152. 2. GAULISH TERRACOTTAS 153. 3. MISCELLANEOUS USES OF TERRACOTTA 154. CHAPTER XX 155. Introduction of lamps at Rome—Sites where found—Principal 156. CHAPTER XXI 157. 1. INTRODUCTORY 158. 2. TECHNICAL PROCESSES 159. 1. Without glaze[3087]: 160. 2. With glaze[3088]: 161. 3. ROMAN POTTERY-FURNACES 162. 1. ITALY 163. 2. FRANCE 164. 3. GERMANY 165. 4. ENGLAND 166. 4. POTTERY IN LATIN LITERATURE; SHAPES AND USES 167. part 3, No. 10002. 168. CHAPTER XXII 169. CHAPTER XXIII 170. 1. GENERAL CHARACTERISTICS

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