Olympic Victor Monuments and Greek Athletic Art by Walter Woodburn Hyde
3. Isokrates, son of Theodoros, of Athens. The pseudo-Plutarch mentions
1174 words | Chapter 185
a bronze statue of Isokrates, in the form of a παῖς κελητίζων, on the
Athenian Akropolis.[2563] As the orator was born in 436 B. C., his
youthful victory among the horse-racers must have occurred about 420 B.
C.
SUMMARY OF RESULTS.
We have found, then, from the literary sources examined, that there
are at least 44 Olympic victors, to whom a total of 47 monuments were
erected outside Olympia.[2564] These monuments were of various kinds—1
inscribed tablet, 1 Pindaric ode engrossed on a temple wall, 3 temples
or shrines, 37 statues (one of them apparently iconic), bronze horses
(? quadriga), and 4 dedications which are not further described. Thus
the bulk of these monuments, as of those at Olympia, consisted of
statues. Of the 29 monuments erected to 27 victors in the pre-Christian
centuries, 3 were dedicated in the seventh,[2565] 4 in the sixth,
13 (to 11 victors) in the fifth, 1 in the fifth or fourth, 6 in the
fourth,[2566] 1 in the fourth or third, and 1 in the third. There is
no record of such a dedication in the second and first centuries B.
C. Of the 14 monuments erected to 13 victors known to belong to the
post-Christian centuries, 4 (to 3 victors) belong to the first, 5 to
the second, 3 to the third and 2 to the fourth; 4 others were set up
to 4 victors whose dates can not be determined. Of other monuments
mentioned (though not included in our figures) 3 may or may not have
been erected to Olympic victors. We find that the greatest number of
dedications was made in the fifth century B. C., just as we found was
the case in regard to those at Olympia.[2567] Of these victors, 10 also
had monuments at Olympia. The total number of Olympic victor monuments,
therefore, at Olympia and elsewhere of which we have record, amounts to
302.[2568]
STATISTICS OF OLYMPIC VICTOR STATUARIES.
In conclusion, we shall briefly summarize the number and dates of the
sculptors of Olympic victor monuments who are known to us from all
sources.[2569] Pausanias names 52 such sculptors, who made 102 of the
192 monuments listed by him. Of the 42 “honor” statues erected in the
Altis to 35 men, Pausanias mentions only two sculptors, Lysippos, who
also appears among the victor statuaries, and Mikon of Syracuse, who
does not.[2570] Pliny names 24, or nearly one-half of the athlete
sculptors mentioned by Pausanias.[2571] No new name of an artist
appears either on the inscribed bases found at Olympia and referred
to the monuments recorded by Pausanias, or on the 63 bases discovered
there, which can not be so referred. Of the 52 sculptors known to us
from Pausanias and inscriptions, the dates can be assigned definitely
or approximately thus: of the seventh century B. C., none; of the
sixth century B. C., second half, 2; end, 2; of the end of the sixth
and beginning of the fifth centuries B. C., 1; of the fifth century B.
C., first half, 9; middle, 4; second half, 3; end, 2; of the fourth
century B. C., first half, 11; middle, 1; second half, 2; end, 3; of
the end of the fourth and beginning of the third centuries B. C., 3;
of the third century B. C., first half, 1; second half, 1; end, 2; of
the end of the third and beginning of the second centuries B. C., 1;
of the second century B. C., first half, 2. No sculptor is named who
lived certainly later than the second century B. C. In addition to
these results, 1 sculptor can be assigned only roughly to the period
subsequent to Alexander the Great, and the epoch of still another
can not be determined. Of the 37 statues listed above as erected to
Olympic victors outside Olympia—_i. e.>/i>, the major portion of the
whole number of 47 monuments of various sorts set up in honor of 44
victors—the names of only four artists are known. Three of these—Myron,
Pythagoras of Rhegion, and Lysippos—also worked at Olympia. The name,
therefore, of only one new sculptor, Kaphisias of Bœotia, who lived
in the fourth century B. C., can be added from this source, which makes
the grand total of victor statuaries known to us 53.
[Illustration: PLAN A
THE ALTIS AT OLYMPIA
IN THE GREEK PERIOD
(THIRD CENTURY B. C.)
Adapted from Doerpfeld
]
[Illustration: PLAN B
THE ALTIS AT OLYMPIA
IN THE ROMAN PERIOD
(SECOND CENTURY A. D.)
Adapted from Doerpfeld
]
FOOTNOTES:
[1] _Cf._ Gardiner, pp. 8-9.
[2] See _infra_, p. 228 and n. 2.
[3] _B. S. A._, XI, 1904-5, fig. 7 and pp. 12-14. The horse also
appears on clay documents from Knossos with royal chariots and also
on tombstones and fragmentary frescoes of Mycenæ; for the latter, see
_Arch. Eph._, 1887, Pl. XI. On the Libyan origin of the first horses
introduced into Greece, see W. Ridgeway, _The Origin and Influence of
the Thoroughbred Horse_, 1905, p. 480.
[4] See the bull depicted on a seal from Praisos, to be mentioned
below: Angelo Mosso, _The Palaces of Crete_, 1907, p. 218, fig. 98. The
Italian Mission found at Hagia Triada the bones of a gigantic bull, and
Mosso (_cf._ p. 216, n. 1) found the remains of one at Phaistos.
[5] _B. S. A._, VII, 1900-1, pp. 94 f. and VIII, 1901-2, p. 74; Mosso,
_op. cit._, pp. 216-218; H. R. Hall, _Anc. History of the Near East_,
1913, Pl. IV., 2; Mrs. R. C. Bosanquet, _Days in Attica_, 1914, Pl.
II; Richter, _Hbk. of the Classical Collection of the Metropolitan
Museum of Art_, 1917, p. 23, fig. 13. As Dr. Evans’ _Atlas_ has not
yet appeared, the plate in the text is taken from a watercolor by
Gilliéron, in the museum of Liverpool.
[6] It has often been pictured and described: _e. g._, Schliemann,
_Tiryns_, 1885, Pl. XIII; Schuchhardt, _Schliemann’s Excavations_,
1891, pp. 119 f. and fig. 111; Tsountas-Manatt, _The Mycenæan Age_,
1897, p. 51, fig. 12; Perrot-Chipiez, VI, p. 887, fig. 439; Mosso, _op.
cit._, p. 220, fig. 100; H. B. Walters, _The Art of the Greeks_, 1906,
Pl. LIX; Springer-Michaelis, p. 113, fig. 242; _Tiryns, Die Ergebn. d.
Ausgrab. d deutsch. Instituts in Athen_, II, 1912, Pl. XVIII.
[7] On analogy with the Knossos fresco this figure, because of its
white skin, should be that of a woman and not of a man, as the usual
color of the latter is red. However, the charioteers painted white on
frescoes discovered at Tiryns in 1910, which represent a boar hunt
(see Rodenwaldt, _A. M._, XXXVI, 1911, pp. 198 f. and fig. 2, p. 201,
restored; see also _Tiryns_, II, Pl. XII, in color) are regarded by
Hall as youths and not women. He remarks that in Egypt young princes,
who led the “sheltered life,” were often represented on monuments as
pale, though red was the more usual color: see Hall, _op. cit._, p. 58
and n. 1; _id._, _Aegean Archæology_, 1914, p. 190 and fig. 74 on p.
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