The Notebooks of Leonardo Da Vinci — Complete by da Vinci Leonardo

12. [Footnote: _Sco Lorenzo_. A church at Milan, see pp. 39,

2025 words  |  Chapter 48

40 and 50.] *13. 24. [Footnote: _Gruppi_. See Vol. I p. 355, No. 600, note 9.] *16. [Footnote: The _Portinari_ were one of the great merchant- families of Florence.] 1450. Giuliano Condi[*1],--Tomaso Ridolf1,-- Tomaso Paganelli,--Nicolo delNero,--Simone Zasti,--Nasi,--the heir of Lionardo Manelli, --Guglielmo di Ser Martino,--Bartolomeo del Tovaglia,--Andrea Arrigucci,-- Nicolo Capponi,--Giovanni Portinari. [Footnote: I. _Guiliano Gondi_. Ser Piero da Vinci, Leonardo's father, lived till 1480, in a house belonging to Giuliano Gondi. In 1498 this was pulled down to make room for the fine Palazzo built on the Piazza San Firenze by Giuliano di San Gallo, which still exists. In the _Riassunto del Catasto di Ser Piero da Vinci_, 1480, Leonardo is not mentioned; it is evident therefore that he was living elsewhere. It may be noticed incidentally that in the _Catasto di Giuliano Gondi_ of the same year the following mention is made of his four eldest sons: _Lionardo mio figliuolo d'eta d'anni 29, non fa nulla, Giovambatista d'eta d'anni 28 in Ghostantinopoli, Billichozo d'eta d'anni 24 a Napoli, Simone d'eta d'anni 23 in Ungheria. He himself was a merchant of gold filigree (_facciamo lavorare una bottegha d'arte di seta ... facciamo un pocho di trafico a Napoli_}, As he was 59 years old in 1480, he certainly would not have been alive at the time of Leonardo's death. But Leonardo must have been on intimate terms with the family till the end of his life, for in a letter dated June 1. 1519, in which Fr. Melzi, writing from Amboise, announces Leonardo's death to Giuliano da Vinci at Florence (see p. 284), he says at the end "_Datemene risposta per i Gondi_" (see UZIELLI, _Ricerche_, passim). Most of the other names on the list are those of well-known Florentine families.] 1451. Pandolfino. 1452. Vespuccio will give me a book of Geometry. [Footnote: See No. 844, note, p. 130.] 1453. Marcantonio Colonna at Santi Apostoli. [Footnote: In July 1506 Pope Julius II gave Donna Lucrezia della Rovere, the daughter of his sister Lucchina, in marriage to the youthful Marcantonio Colonna, who, like his brothers Prospero and Fabrizio, became one of the most famous Captains of his family. He gave to him Frascati and made him a present of the palazzo he had built, when Cardinal, near the church of Santi Apostoli which is now known as the Palazzo Colonna (see GREGOROVIUS, _Gesch. der Stadt Rom._ Vol. VIII, book XIV I, 3. And COPPI, _Mem. Colonnesi p. 251).] 1454. A box, a cage,-- A square, to make the bird [Footnote 2: Vasari states that Leonardo invented mechanical birds which moved through the air. Compare No. 703.],-- Pandolfino's book, mortar [?],-- Small knives, Venieri for the *1454. [Footnote: Much of No. 1444 is repeated in this memorandum.] *Pen for ruling, stone,--star,-- To have the vest dyed, Alfieri's tazza,-- The Libraries, the book on celestial phenomena,-- Lactantius of the go to the house of Daldi,-- the Pazzi, Book from Maestro small box,-- Paolo Infermieri,-- Boots, shoes and small gimlet,-- hose, Lac, .......,-- An apprentice for .....,-- models, Grammar of Lo-the amount of the renzo de' Medici,... Giovanni del Sodo ..... for...,--the broken Sansovino, the.... Piero di Cosino [Footnote 16: _Pier di Cosimo_ the well known Florentine painter 1462-1521. See VASARI, _Vite_ (Vol. IV, p. 134 ed. Sansoni 1880) about Leonardo's influence on Piero di Cosimo's style of painting.], the wings,-- Filippo and Lorenzo [Footnote 17: _Filippo e Lorenzo_; probably the painters Filippino Lippi and Lorenzo di Credi. L. di Credi's pictures and Vasari's history of that painter bear ample evidence to his intimate relations with Leonardo.],--A ruler-,-- Spectacles,--to do the..... again,--To- maso's book,--Michelagnolo's chain,--The multiplication of roots,--Of the bow and strinch,--The map of the world from Benci,-- Socks,--The clothes from the custom-house officier,--Cordova leather,--Market books, --waters of Cronaca,--waters of Tanaglino..., --the caps,--Rosso's mirror; to see him make it,--1/3 of which I have 5/6,--on the celestial phenomena, by Aristotle [Footnote 36: _Meteora_. See No. 1448, 25.],--boxes of Lorenzo di Pier Francesco [Footnote 37: _Lorenzo di Pier Francesco_ and his brother _Giovanni_ were a lateral branch of the _Medici_ family and changed their name for that of Popolani.],--Maestro Piero of the Borgo,--To have my book bound,--Show the book to Serigatto,-- and get the rule of the clock [Footnote 41: Possibly this refers to the clock on the tower of the Palazzo Vecchio at Florence. In February 1512 it had been repaired, and so arranged as to indicate the hours after the French manner (twelve hours a. m. and as many p. m.).],-- ring,--nutmeg,--gum,--the square,--Giovan' Batista at the piazza, de' Mozzi,--Giovanni Benci has my book and jaspers,--brass for the spectacles. 1455. Search in Florence for...... *7. 36. _Meteora_. See No. 1448, 25. 1456. Bernardo da Ponte ... Val di Lugano ... many veins for anatomical demonstration. [Footnote: This fragmentary note is written on the margin of a drawing of two legs.] 1457. Paolo of Tavechia, to see the marks in the German stones. [Footnote: This note occurs on a pen and ink drawing made by Leonardo as a sketch for the celebrated large cartoon in the possession of the Royal Academy of Arts, in London. This cartoon is commonly supposed to be identical with that described and lauded by Vasari, which was exhibited in Florence at the time and which now seems to be lost. Mr. Alfred Marks, of Long Ditton, in his valuable paper (read before the Royal Soc. of Literature, June 28, 1882) "On the St. Anne of Leonardo da Vinci", has adduced proof that the cartoon now in the Royal Academy was executed earlier at Milan. The note here given, which is written on the sheet containing the study for the said cartoon, has evidently no reference to the drawing on which it is written but is obviously of the same date. Though I have not any opening here for discussing this question of the cartoon, it seemed to me important to point out that the character of the writing in this note does not confirm the opinion hitherto held that the Royal Academy cartoon was the one described by Vasari, but, on the contrary, supports the hypothesis put forward by Mr. Marks.] Notes on pupils (1458-1468.) 1458. Giacomo came to live with me on St.-Mary Magdalen's[*1] day, 1490, aged 10 years. The second day I had two shirts cut out for him, a pair of hose, and a jerkin, and when I put aside some money to pay for these things he stole 4 _lire_ the money out of the purse; and I could never make him confess, though I was quite certain of the fact.--Thief, liar, obstinate, glutton. The day after, I went to sup with Giacomo Andrea, and the said Giacomo supped for two and did mischief for four; for he brake 3 cruets, spilled the wine, and after this came to sup where I.... Item: on the 7th day of September he stole a silver point of the value of 22 soldi from Marco [Footnote 6: _Marco_, probably Leonardo's pupil Marco d'Oggionno; 1470 is supposed to be the date of his birth and 1540 of his death. _Che stava con meco._ We may infer from this that he left the master shortly after this, his term of study having perhaps expired.] who was living with me, 4 _lire_ this being of silver; and he took it from his studio, and when the said Marco had searched for it a long while he found it hidden in the said Giacomo's box 4 _lire_. [Footnote: _Il di della Maddalena._ July 22.] Item: on the 26th January following, I, being in the house of Messer Galeazzo da San Severino [Footnote 9: Galeazza. See No. 718 note.], was arranging the festival for his jousting, and certain footmen having undressed to try on some costumes of wild men for the said festival, Giacomo went to the purse of one of them which lay on the bed with other clothes, 2 lire 4 S, and took out such money as was in it. Item: when I was in the same house, Maestro Agostino da Pavia gave to me a Turkish hide to have 2 lire. a pair of short boots made of it; this Giacomo stole it of me within a month and sold it to a cobbler for 20 soldi, with which money, by his own confession, he bought anise comfits. Item: again, on the 2nd April, Giovan Antonio [Footnote 16:Giovan Antonio, probably Beltraffio, 1467 to 1516.] having left a silver point on a drawing of his, Giacomo stole it, and this was of the value of 24 soldi 1 lira 4 S. The first year- A cloak, 2 lire, 6 shirts, 4 lire, 3 jerkins, 6 lire, 4 pairs of hose, 7 lire 8 soldi, 1 lined doublet, 5 lire, 24 pairs of shoes, 6 lire 5 soldi, A cap, l lira, laces, 1 lira. [Footnote: Leonardo here gives a detailed account not only of the loss he and others incurred through Giacomo but of the wild tricks of the youth, and we may therefore assume that the note was not made merely as a record for his own use, but as a report to be forwarded to the lad's father or other responsible guardian.] S.K.M. III. Ia] 1459. On the last day but one of September; Thursday the 27th day of September Maestro Tommaso came back and worked for himself until the last day but one of February. On the 18th day of March, 1493, Giulio, a German, came to live with me,--Lucia, Piero, Leonardo. On the 6th day of October. 1460. 1493. On the 1st day of November we settled accounts. Giulio had to pay 4 months; and Maestro Tommaso 9 months; Maestro Tommaso afterwards made 6 candlesticks, 10 days' work; Giulio some fire-tongs 15 days work. Then he worked for himself till the 27th May, and worked for me at a lever till the 18th July; then for himself till the 7th of August, and for one day, on the fifteenth, for a lady. Then again for me at 2 locks until the 20th of August. 1461. On the 23rd day of August, 12 lire from Pulisona. On the 14th of March 1494, Galeazzo came to live with me, agreeing to pay 5 lire a month for his cost paying on the l4th day of each month. His father gave me 2 Rhenish florins. On the l4th of July, I had from Galeazze 2 Rhenish florins. 1462. On the l5th day of September Giulio began the lock of my studio 1494. 1463. Saturday morning the 3rd of August 1504 Jacopo the German came to live with me in the house, and agreed with me that I should charge him a carlino a day. 1464. 1511. On the 26th of September Antonio broke his leg; he must rest 40 days. [Footnote: This note refers possibly to Beltraffio.] 1465. I left Milan for Rome on the 24th day of September, 1513, with Giovanni [*2], Francesco di Melzi [*3], Salai, Lorenzo and il Fanfoia. 1466. On the 3rd day of January. Benedetto carne on the 17th of October; he stayed with me two months and 13 days of last year [*4], in which time he earned 38 lire, 18 soldi and 8 dinari; he had of this 26 lire and 8 soldi, and there remains to be paid for the past year 12 lire 10 soldi. Giodatti (?) came on the 8th day of September, at 4 soldi a month, and stayed with me 3 months and 24 days, and earned 59 lire 14 soldi and 8 dinari; he has had 43 lire, 4 soldi, there remains to pay 16 lire, 10 soldi and 8 dinari. Benedetto, 24 grossoni. 1467. Gian Maria 4, Benedetto 4, Gian Pietro [*5] 3, Salai 3, Bartolomeo 3, Gherardo 4. *1465. 2. _Giovan;_ it is not likely that Leonardo should have called Giovan' Antonio Beltraffio at one time Giovanni, as in this note and another time Antonio, as in No. 1464 while in No. 1458 l. 16 we find _Giovan'Antonio_, and in No. 1436, l.6 _Beltraffio_. Possibly the Giovanni here spoken of is Leonardo's less known pupil Giovan Pietrino (see No. 1467, 5).

Chapters

1. Chapter 1 2. 2. _addi 22 di marzo 1508_. The Christian era was computed in 3. 3. _racolto tratto di molte carte le quali io ho qui copiate_. We 4. INTRODUCTION. 5. INTRODUCTION. 6. INTRODUCTION. 7. INTRODUCTION. 8. INTRODUCTION TO PERSPECTIVE:--THAT IS OF THE FUNCTION OF THE EYE. 9. INTRODUCTION. 10. 4. This diagram below should end at _a n_ 4 8. [4]That portion of 11. 307. OF PAINTING. 12. 1480. On the same leaf there is a drawing in red chalk of two 13. Part I of the _Nuovo Giornale Botanico Italiano_, by Prof. G. 14. 3. The first five lines of the text are written below the diagram 15. 1. 2. C. A. 157a; 463a has the similar heading: '_del cressciere 16. 3. The MS. Leic. being written about the year 1510 or later, it does 17. 6. _fregalo bene con un panno_. He reads _pane_ for _panno_ and 18. 7. _colla stecca po laua_. He reads "_polacca_" = "_avec le couteau 19. 1506. (See Milanesi's note to Vasari pp. 43--45 Vol. IV ed. 1880.) 20. 1. _Incominciai_. We have no other information as to the two 21. 1. A drawing in silver point on brown toned paper of a woman's head 22. 2. A study of drapery for the left leg of the same figure, done with 23. 3. A study in red chalk for the bust of the Infant Christ--No. 3 in 24. 4. A silver-point study on greenish paper, for the head of John the 25. 361. G. Govi remarks on these ornaments (_Saggio_ p. 22): "_Codesti 26. 1881. But the coincidence is probably accidental.] 27. 1492. Leonardo's opinions as to the shortcomings of plastic works 28. 12. The meaning of _orreve_ is unknown.] 29. 1. That which gets wet increases in proportion to the moisture it 30. 2. And a wet object shrinks, while drying, in proportion to the 31. introduction to Astronomy (see Nos._ 867 _and_ 877_). Some of the 32. 897. _He does not go into any theory of the motions of the planets; 33. 1600. _As LIBRI pointed out_ (Histoire des Sciences mathematiques 34. INTRODUCTION. 35. Book 15 of matters worn away by water. 36. Book 9, of accidental risings of water. 37. Book 9 of the meeting of rivers and their flow and ebb. The cause is 38. Book 9, of the meeting of rivers and of their ebb and flow. The 39. 1339. All the foregoing chapters are from Manuscripts of about 1510. 40. 1. _Diodario._ This word is not to be found in any Italian 41. 7. _Citta de Calindra (Chalindra)_. The position of this city is so 42. 8. _I_ corni del gra mote Tauro. Compare the sketches PI. 43. 7. _vicini ai nostri confini_. Dr. M. JORDAN has already published 44. BOOK 43. OF THE MOVEMENT OF AIR ENCLOSED IN WATER. 45. 1536. A. Percy neither does mention any eruptions of Etna during the 46. 1473. [Footnote: *W. An. I. 1368. 1369. This date is on a drawing of 47. 11. 13. [Footnote: _Brera_, now _Palazzo delle Scienze ed Arti. 48. 12. [Footnote: _Sco Lorenzo_. A church at Milan, see pp. 39, 49. 2. 3. _Francesco de' Melzi_ is often mentioned, see 50. 4. _Lorenzo_. See No. 1351, l. 10 (p. 408). Amoretti 51. 1466. This seems to be an account for two assistants. 52. 1467. 5. See No. 1465, 2. 53. 1476. BRUNET, _Manuel du libraire_ (IV, p. 97) 54. 1476. Where Leonardo found the statement that 55. 10. Compare No. 1475.] 56. 1. 8II in all 57. 450. Of these I gave 2 the same day to

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