The Palace and Park by Phillips, Forbes, Latham, Owen, Scharf, and Shenton

16. Labyrinthodon Pachygnathus.]

2845 words  |  Chapter 9

Proceeding round the Rosary to the right, we quit the mound at the second outlet, and journey along a path, on either side of which are flower-beds and groups of Rhododendrons and Azaleas. Bearing to the right we reach the basin of a fountain. Choosing the left-hand side of this basin, we turn into the broad walk which leads us by means of a flight of steps to the second terrace, crossing which we make our way by the steps to the upper terrace. At this point the visitor can either re-enter the Palace under the Central Transept, or by proceeding to the left-hand down the terrace, enter the south wing and pass down the colonnade to the Railway Station. THE CRYSTAL TOWERS. The high towers, of which there are two, one at each end of the building, have been erected for the purpose of raising the tanks from which the high jets of the great fountains in the lower basins are played, and are, with the exception of the tank and stays, constructed of cast iron. The foundation upon which this enormous mass of material rests, is necessarily very strong, and consists, in the first place, of a ring of concrete, sixty feet in external diameter, and three feet deep; upon this is built a circular wall of brick-work, laid in cement, fifty-six feet in diameter, and eighteen feet deep. This forms the bed on which rests the base pieces of the columns. The columns, 1 foot in diameter, and 24 in number, are placed in pairs, 4 feet apart, and are connected together by solid vertical girders or filling-in frames, each pair thus forming one continuous broad column, extending from the base to the bottom of the tank by which the tower is surmounted; the whole rising to a height of 202 feet. The space between each pair of columns (8 feet) is filled in with glazed sashes and face-work, corresponding with those in the building, and completing the shell of the tower. Behind these sashes, and spanning these spaces, extending from floor to floor, are series of round wrought-iron diagonal bracing, continued from the bottom to the top of the tower; and, under each of the ten landing-floors, is a strong horizontal bracing-plate, termed a diaphragm, forming, with the diagonal bracing above referred to, a system of vertical and horizontal trussing. Up the centre of each tower is carried a perpendicular brick shaft (the internal diameter of which is 7 ft. 9 in.), resting upon a separate foundation, and serving the double purpose of carrying off the smoke from the heating apparatus, from the boilers connected with the Machinery Department, the upper engine-house, and kitchen, and forming the core or spiral staircase by which the various floors, and gallery at the top of the tower, are reached. These floors arise at intervals of twenty feet from the level of the floor of the main building. The tank noticed above is of boiler-plate, and is formed of an inner and outer wall, the former of which encircles the chimney-shaft; the bottom, which is dome-shaped, is carried upon wrought-iron girders radiating from the chimney, and is secured to the tops of the external columns. This description will be more readily understood when the depths of the tank at its outer and inner walls are given. The former, or that resting upon the external columns, being 38 feet, while the latter, next the chimney-shaft, is about 26 feet. These tanks are calculated to hold, when filled, a body of water of the enormous weight of 1,576 tons, or a bulk of 57,228 cubic feet, equal to 357,675 gallons. The supply is forced from the upper reservoir by the same engines that raise the water to the lower water-tanks and the building; and the same pipes form also the means of conveying the water to the fountains. They are arranged within the outer columns, forming an interior circle, apparently of columns, but rendering in reality no assistance towards the stability of the structure. On a level with the base of the tank, projecting from the exterior of the tower, and carried on strong and elegant cast-iron brackets, is the gallery six feet in width, from the outer edge of which, on light iron columns, is carried the many-gabled conical Paxton roof which covers the tower. The total height of these stupendous edifices, from the ground line to the top ornaments on the roof, is 284 feet. From the same ground line to the floor of the projecting gallery is 214 feet, involving to the persevering visitor an ascent of no fewer than 400 steps, with only ten landings or rests on the floors previously mentioned. The reward in the prospect afforded will, however, amply repay the toil incurred, embracing as it does an horizon including part of six counties--viz., Middlesex, Kent, Essex, Bedfordshire, and Bucks--and including a panorama possessing, amongst other objects of interest, the Towers of London and Windsor, the woodlands of Essex, and the Downs of Epsom. The vision of the visitor from this height is also lifted over the grand plateau, or ridge, which separates the great lake with its antediluvian animals from the rest of the garden. These magnificent towers, each of which contains 800 tons of iron, were designed by Mr. Brunel. From the above simple statement it will be seen, that the arrangements for supplying the fountains with water are at once simple, complete, and based upon the most economical principles. The engine power employed is that of three hundred and twenty horses; the water itself is conveyed to and from the reservoirs in pipes varying from three feet to one inch in diameter; and the total weight of piping may be set down at 4000 tons, its length, roughly estimated, at ten miles. THE ARTESIAN WELL, AND THE WATER SUPPLY. In July, 1852, the supply of water for the fountains and other great works in connexion with the Crystal Palace, first seriously engaged the attention of the Directors. Various proposals were made, and suggestions offered: some were at once rejected; others, although not free from difficulties, were taken into consideration. The most feasible of these was that which involved the extension to Sydenham of the pipes of one of the nearest London water-work companies,--a measure that would at once secure a sufficient supply of tolerably good water. Against the proposition for sinking a well on the grounds, it was urged that the neighbourhood is almost destitute of water; that wells already excavated to the depth of two hundred feet had yielded but a small supply; and that even if a sufficient supply could be secured by digging, the water obtained could never be raised to the top of the hill. Acting, however, upon sound advice, and after due consideration, the company commenced the sinking of an artesian well at the foot of the hill on which the Palace stands, and after proceeding to a depth of 250 feet, their efforts were rewarded. In the present case, the water which appears in the well comes from a reservoir lying between the London clay and the greensand as its upper and lower envelopes. This reservoir is supplied by rain-water, which, percolating the London clay, sand, and chalk, and finding an impediment to its downward progress on reaching the greensand, flows into the space between the hard clay and greensand, as into a cistern. The process by which the reservoir is supplied is continuous, the water finding its way down to it as if by a series of small tubes, and pressing against the lower surface of the clay with a force which, if unresisted, would raise it to the level from which it descended. When the clay is pierced by the augur it is evident that this force is free to act, the resistance of the clay at the point where it is pierced being removed, and accordingly the water rises in the bore to the level from which it is supplied, and will continue to do so as long as the percolation lasts. The chief difficulty to be overcome was the great thickness of the substratum of chalk, which extends, probably, to a depth of about 1000 feet. The well, now completed, is a brick shaft 8¹⁄₂ feet in diameter, 247 feet deep, from whence an Artesian bore descends 328 feet, making the entire depth 575 feet. It is situated at the bottom of the Garden, near the Cricket Ground. An abundant supply of water having been brought to the foot of the hill from the well, and the supplies of a neighbouring water-company, it was necessary not only to raise it to the top, on a level with the building, but also to elevate it to a sufficient height for obtaining the requisite pressure for fountains to throw up water to heights varying from 5 to 280 feet. The following is a brief outline of the arrangements by which these objects are effected:-- Three reservoirs have been formed at different levels in the grounds, the lowest one being on the same level as the largest basins placed nearly at the base of the hill; the second or intermediate reservoir is higher up, and in a line with the basin in the central walk; whilst the third or upper reservoir stands on the top of the hill immediately adjoining the north end of the building. Next to the Artesian Well, an engine is placed which raises the water required to be permanently maintained in the reservoirs and in the basins of the fountains, and which supply or keep up the water that is lost by waste and evaporation. The reservoir on the summit of the hill contains the water required for the use of the building, and for the fountains throughout the grounds. Close to this reservoir is an engine-house, containing the steam-engines that raise part of the water into two large tanks erected on columns at the north end of the building close to the junction of the Sydenham and Dulwich roads. The columns, twenty-four in number, are of hollowed cast-iron, one foot in diameter. The central column, which is two feet in diameter, supporting a portion of the superincumbent weight, and making up the number, twenty-five, is the water-pipe, by which the tank is fed, and which forms also the conduit to the fountains in the building, and on the terraces. These two distinct actions of filling the tank and working the fountains proceed simultaneously through the same pipe. On the top of these columns are massive girders which support the plates, forming the bottom of the tank. The height from the stone curb of the reservoir to the bottom of the tank is 65 feet; the tanks are each 47 feet square by 15 feet deep, and capable of containing 207,000 gallons or about 900 tons of water. They supply also the water required in the building for the plants and kitchens, and charge the pipes provided against casualties from fire. The vast residue of the water in the great upper reservoir, in consequence of the sloping character of the ground, does not need any help from the engines, but flows direct to fountains on a lower level, and plays smaller jets. Through the same convenience, the waste water from the upper fountains is used a second time in the lower fountains. The central or intermediate reservoir collects the waste water from the displays which take place on ordinary days, and which include all the fountains, save the two largest, and the cascades. Attached to this reservoir are also engines which pump the water back to the upper reservoir. The lowest reservoir collects similarly the waste water from the displays which take place in the two largest fountains on the days of great exhibition, and its engines return the water at once to the top level. THE FOUNTAINS. The great system of fountains in the grounds of the Crystal Palace, though the most stupendous that the world has ever seen, is designed with an unity which greatly enhances, or rather fully displays, its unrivalled magnificence. The whole system is divided into two series, the upper and the lower. The upper series, which consists of the six basins adorning the long extent of the second terrace, with the great circular fountain in the centre, and the smaller ones on either side of it, in all, nine fountains, constitutes the display on ordinary occasions. Beyond these, as we advance down the central path, are the iron Water Temples, from which the water rushes down a series of twelve cascades, extending for a distance of 600 feet, till it falls over the stone arcade in the great fountain basins, forming a glittering cataract 120 feet broad, with a fall of thirty feet. The Water Temples with their cascades and falls, and the two great fountains into the basins of which they discharge, constitute the lower series, which is played only on grand occasions; but all are part of one design, and each one ministers to its completeness. Unlike most similar works, sculpture has not been used to enhance or obtain the effect desired. Under any circumstances, water, when thrown high into the air, assumes a graceful and beautiful appearance; no ungentle curves or distortions of form mar its expression of a natural beauty, which, though it may be the roaring grandeur of a mighty stream, or the gentle grace of the smallest jet, bears with it an unspeakable charm. In the Crystal Palace Fountains the designs are carried out by the water alone, and the sculptural ornamentation is confined to the margins of the basins, and, down the sides of the cascades, to some small ornamental bronze fountains of secondary importance. The first six fountains of the upper series which ornament the Italian Garden on the second terrace throw their highest jets to the height of 90 feet, the lower jets form graceful designs round the bases of these columns of water, and in other parts of the basins. It is so arranged that the waste water from these basins is again used for the lowest jets of the fountains which lie between these and the Water Temples, a rapid descent in the ground giving sufficient pressure for this purpose; the same is the case with the water flowing from these again, as it is once more used for the lower water designs in the great basins. The great circular fountain, which occupies the central position below the terraces, is the principal one of the upper series. Its highest columns, which rise in an imposing mass from a gigantic cradle formed by the water, attain the altitude of 150 feet. Rising from the surface around this, are single upright streams which beautifully fill in the design, throwing their spray to almost an equal height. The whole is surrounded by a delicate trellis of water, in which the jets appear to interlace with one another. On the right and left of this, but in lower positions, are two smaller circular fountains of great beauty, which, with those already described, complete the upper series. The largest circular basin is 196 feet in diameter. We now approach the two Water Temples which head the cascades on either side of the broad central walk. These Temples are octagonal in shape, with dome-shaped roofs, and are constructed of ornamental ironwork, gaily coloured and gilded. On the apex of each is a bronze figure, from beneath which the water, which is forced up the hollow columns, bursts in a glittering film till it falls over the roof and down the sides. The Temples are about 60 feet in height. The head or basin which surrounds each one, and from which the water flows down the cascades, is a parallelogram of 72 feet, with semicircular extensions in the two sides of 18 feet radius. Bronze fountains ornament each side of the cascades. The great fountains are the crowning effect of the whole system, and are the largest in the world. The basins, which are designed with a graceful and diversified outline, are 784 feet each in length, having a diameter in the semicircular centre portion of 468 feet. A great central column rises in each, streaming upward to the height of 280 feet when undisturbed by wind. These columns are each composed of 50 two-inch jets, which burst forth under a pressure on the mouth of the pipes of 262 lb. to the square inch. The design is carried out by an infinite variety of water display. The effect is gained by the water alone, which assumes many forms, from the giant and stately column, to the most delicate crystal tracery. When the whole system of fountains is displayed, no less than 11,788 jets are in operation, throwing 120,000 gallons per minute. A grand display usually consumes 6,000,000 gallons of water. These stupendous and magnificent works were designed by Sir Joseph Paxton, the engineering operations being executed by Mr. W. Shields, the resident engineer of the Company.

Chapters

1. Chapter 1 2. 5. POMPEIAN COURT; 3. PART I. 4. INTRODUCTION. 5. PART II. 6. INTRODUCTION TO THE FINE ARTS COURTS. 7. introduction of this faith was, unfortunately, accompanied with bitter 8. PART III. 9. 16. Labyrinthodon Pachygnathus.] 10. PART IV. 11. INTRODUCTION 54 12. INTRODUCTION 80 13. INTRODUCTION 134 14. INTRODUCTION 168 15. INTRODUCTION. 16. 2. ARCHILOCHUS. _Greek Poet._ 17. 3. ÆSOP. _Writer of Fables._ 18. 4. HOMER. _Great Epic Poet of Greece._ 19. 5. EPIMENIDIES. _Poet and Prophet of Crete._ 20. 6. ÆSCHYLUS. _Tragic Poet._ 21. 456. Aged 69.] 22. 7. SOPHOCLES. _Tragic Poet._ 23. 8. ÆSCHINES. _Greek Orator._ 24. 9. EURIPIDES. _Greek Poet._ 25. 10. ARATUS. _Astronomer._ 26. 11. BIAS. _Greek Philosopher._ 27. 12. THUCYDIDES. _Greek Historian._ 28. 13. SOCRATES. _Philosopher._ 29. 14. HIPPOCRATES. _Physician._ 30. 15. ISOCRATES. _Rhetorician._ 31. 16. PLATO. _Greek Philosopher._ 32. 17. ANTISTHENES. _Philosopher._ 33. 18. DIOGENES. _Philosopher._ 34. 19. DEMOSTHENES. _Greek Orator._ 35. 20. EPICURUS. _Philosopher._ 36. 270. Aged 72.] 37. 21. ZENO. _Founder of the Stoic Philosophy._ 38. 22. ALEXANDER THE THIRD, surnamed THE GREAT. _King of Macedonia_, B.C. 39. 23. PHOCION. _Athenian Statesman and General._ 40. 24. ALCIBIADES. _Athenian General._ 41. 25. MILTIADES. _Athenian General._ 42. 26. ASPASIA. 43. 27. PERICLES. _Athenian Statesman._ 44. 28. PISISTRATUS. _“Tyrant” of Athens._[30] 45. 29. PERIANDER. _“Tyrant” of Corinth._ 46. 30. LYCURGUS. _Lawgiver._ 47. 31. POSIDIPPUS. _Comic Poet._ 48. 32. MENANDER. _Comic Poet._ 49. 33. POSIDONIUS. _Greek Philosopher._ 50. 34. NUMA POMPILIUS. _Second King of Rome._ 51. 35. AUGUSTUS. _Roman Emperor_, B.C. 30-A.D. 14. 52. 36. NERO--CLAUDIUS CÆSAR DRUSUS. _Roman Emperor_, A.D. 54-68. 53. 39. GALBA--SERVIUS SULPICIUS. _Roman Emperor_, A.D. 68-69. 54. 40. CALIGULA. _Roman Emperor_, A.D. 37-41. 55. 41. VITELLIUS--AULUS. _Roman Emperor_, A.D. 69. 56. 42. NERVA--MARCUS COCCEIUS. _Roman Emperor_, A.D. 96-98. 57. 43. TITUS--FLAVIUS SABINUS VESPASIANUS. _Roman Emperor_, A.D. 79-81. 58. 44. DOMITIAN--TITUS FLAVIUS SABINUS. _Roman Emperor_, A.D. 81-96. 59. 45. TRAJAN--M. ULPIUS TRAJANUS. _Roman Emperor_, A.D. 98-117. 60. 46. HADRIAN--PUBLIUS ÆLIUS HADRIANUS. _Roman Emperor_, A.D. 117-138. 61. 47. ANTONINUS PIUS. _Roman Emperor_, A.D. 138-161. 62. 48. MARCUS AURELIUS ANTONINUS. _Roman Emperor_, A.D. 161-180. 63. 49. PERTINAX--PUBLIUS HELVIUS. _Roman Emperor_, A.D. 193. 64. 50. VERUS---LUCIUS AURELIUS. _Roman Emperor_, A.D. 161-169. 65. 51. ÆLIUS VERUS. _Adopted Emperor._ 66. 52. ANNIUS VERUS. _Roman Prince._ 67. 53. MARCUS GALERIUS ANTONINUS. _Roman Prince._ 68. 54. SEVERUS--LUCIUS SEPTIMIUS. _Roman Emperor_, A.D. 193-211. 69. 211. Aged 65.] 70. 55. GORDIANUS--MARCUS ANTONIUS, surnamed AFRICANUS. _Roman Emperor_, 71. 56. COMMODUS--LUCIUS AURELIUS. _Roman Emperor_, A.D. 180-192. 72. 57. MACRINUS--MARCUS OPILIUS. _Roman Emperor_, A.D. 217-218. 73. 58. PUPIENUS--MARCUS CLAUDIUS PUPIENUS MAXIMUS. _Roman Emperor_, A.D. 74. 59. MAXIMINUS--CAIUS JULIUS VERUS. _Roman Emperor_, A.D. 235-238. 75. 238. Aged 65.] 76. 60. CARACALLA. _Roman Emperor_, A.D. 211-217. 77. 61. GETA--PUBLIUS SEPTIMIUS. _Roman Emperor_, A.D. 211-212. 78. 62. GORDIANUS II.--MARCUS ANTONIUS. _Roman Emperor_, A.D. 238. 79. 63. DECIUS--CAIUS MESSIUS QUINTUS TRAJANUS. _Roman Emperor_, A.D. 80. 64. ALEXANDER SEVERUS--MARCUS AURELIUS. _Roman Emperor_, A.D. 222-235. 81. 65. HELIOGABALUS or ELAGABALUS--VARIUS AVITUS BASSIANUS. _Roman 82. 66. GALLIENUS--PUBLIUS LICINIUS VALERIANUS. _Roman Emperor_, A.D. 83. 67. GORDIANUS III. or PIUS--MARCUS ANTONIUS. _Roman Emperor_, A.D. 84. 68. CAIUS JULIUS VERUS MAXIMUS. _Roman Prince._ 85. 69. PHILIP THE YOUNGER.--MARCUS JULIUS PHILIPPUS II. _Roman Prince._ 86. 70. CARINUS--MARCUS AURELIUS. _Roman Emperor_, A.D. 283-285. 87. 71. JULIAN THE APOSTATE--FLAVIUS CLAUDIUS JULIANUS. _Roman Emperor_, 88. 72. DIOCLETIAN--CAIUS VALERIUS AURELIUS. _Roman Emperor_, A.D. 284-305. 89. 73. CONSTANTIUS CHLORUS--FLAVIUS VALERIUS. _Roman Emperor_, A.D. 90. 74. HOSTILIANUS. _Roman Emperor_, A.D. 251 or 252. 91. 75. VOLUSIANUS--CAIUS VIBIUS. _Roman Emperor_, A.D. 252-254. 92. 77. TRAJAN. _Roman Emperor._ 93. 79. ANTINOUS. _Bithynian youth._ 94. 85. ANTONINUS PIUS. _Roman Emperor._ 95. 86. AUGUSTUS. _Roman Emperor._ 96. 87. TIBERIUS. _Roman Emperor._ 97. 88. CLAUDIUS. _Roman Emperor._ 98. 89. HERENNIUS. _Roman Emperor_, A.D. 251. 99. 90. SCIPIO AFRICANUS. _Roman General._ 100. 91. JULIA MÆSA. _Roman Empress._ 101. 92. SABINA. 102. 93. LIVIA DRUSILLA. _Roman Empress._ 103. 96. AGRIPPINA--THE ELDER. 104. 97. AGRIPPINA THE YOUNGER. _Roman Empress._ 105. 98. VALERIA MESSALINA. _Roman Empress._ 106. 99. PLOTINA--POMPEIA. _Roman Empress._ 107. 100. MATIDIA. 108. 101. CRISPINA. 109. 102. MAMÆA--JULIA. _Roman Empress._ 110. 103. SALONINA--CORNELIA. _Roman Empress._ 111. 104. MARINIANA. 112. 105. FAUSTINA JUNIOR--ANNIA FAUSTINA. 113. 106. SABINA--POPPÆA. _Roman Empress._ 114. 107. LUCIUS JUNIUS BRUTUS. _Roman Consul._ 115. 108. MARCELLUS--M. CLAUDIUS. _Roman General._ 116. 109. SCIPIO--PUBLIUS CORNELIUS AFRICANUS MAJOR. _Roman General._ 117. 183. Aged 51.] 118. 110. CATO--MARCUS PORCIUS. _Roman Patriot and General._ 119. 111. JULIUS CÆSAR. _Roman Dictator._ 120. 112. MARCUS JUNIUS BRUTUS. _Roman General._ 121. 113. M. VIPSANIUS AGRIPPA. _Roman General._ 122. 114. NERO CLAUDIUS DRUSUS. _Roman General._ 123. 115. GERMANICUS CÆSAR. _Roman General._ 124. 116. CORBULO--CNEIUS DOMITIUS. _Roman General._ 125. 117. DECIMUS CLODIUS CEIONIUS SEPTIMIUS ALBINUS. _Roman General._ 126. 118. TERENCE--PUBLIUS TERENTIUS. _Latin Comic Poet._ 127. 119. QUINTUS HORTENSIUS. _Roman Orator._ 128. 120. CICERO--MARCUS TULLIUS. _Roman Orator._ 129. 121. VIRGIL--PUBLIUS VIRGILIUS MARO. _Latin Poet._ 130. 122. SENECA--LUCIUS ANNÆUS. _Philosopher._ 131. 68. Aged 66.] 132. 123. HADRIAN. _Roman Emperor._ 133. 124. LIVIA DRUSILLA. _Roman Empress._ 134. 125. JULIUS CÆSAR. _Roman Dictator._ 135. 126. SCIPIO AFRICANUS. _Roman General._ 136. 127. SCIPIO AFRICANUS. _Roman General._ 137. 128. DECIMUS CŒLIUS BALBINUS. _Roman Statesman and Emperor_, A.D. 238. 138. INTRODUCTION. 139. 129. NICCOLA PISANO. _Sculptor and Architect._ 140. 130. ANDREA DI CIONE, better known by his surname ORCAGNA or ORGAGNA. 141. 131. FILIPPO BRUNELLESCHI. _Sculptor and Architect._ 142. 132. LORENZO GHIBERTI, or LORENZO DI CIONE. _Sculptor._ 143. 133. DONATO DI NICCOLO DI BETTO BARDI; called by his contemporaries 144. 134. FRA ANGELICO DA FIESOLE; called also FRA GIOVANNI DA FIESOLE, and 145. 135. TOMMASO GUIDI, also called MASSACCIO. _Painter._ 146. 1443. Aged 41.] 147. 136. ANDREA MANTEGNA. _Painter and Engraver._ 148. 137. LUCA SIGNORELLI. _Painter._ 149. 138. FRANCESCO LAZZARI BRAMANTE. _Architect, Painter, Poet._ 150. 139. PIETRO PERUGINO, or PIETRO VANUCCI DELLA PIEVE. _Painter._ 151. 140. DOMENICO GHIRLANDAIO. _Painter._ 152. 141. LEONARDO DA VINCI. _Painter._ 153. 142. FRA BARTOLOMEO, or BACCIO DELLA PORTA. _Painter._ 154. 143. MICHAEL ANGELO BUONAROTTI. _Sculptor, Painter, Architect._ 155. 144. TITIAN, or, TIZIANO VECELLIO. _Painter._ 156. 145. BENVENUTO TISIO, commonly called GAROFALO. _Painter._ 157. 146. RAFFAELLE SANZIO, commonly called RAFFAELLE. _Painter._ 158. 147. MICHELE SANMICHELI. _Architect._ 159. 148. FRA SEBASTIANO DEL PIOMBO, sometimes called SEBASTIANO VENEZIANO. 160. 149. GIOVANNI DA UDINE, or GIOVANNI DI NANI. _Painter._ 161. 150. ANDREA DEL SARTO, or ANDREA VANNUCHI. _Painter._ 162. 151. MARCANTONIO RAIMONDI. _Engraver._ 163. 152. CORREGGIO, or ANTONIO ALLEGRI. _Painter._ 164. 153. POLIDORO CALDARE DA CARAVAGGIO. _Painter._ 165. 154. GIULIO ROMANO, or GIULIO PIPPI DE’ GIANNUZZI. _Architect and 166. 155. ANDREA PALLADIO. _Architect._ 167. 156. PAOLO CAGLIARI, called VERONESE. _Painter._ 168. 157. GIOVANNI PIERLUIGI, surnamed DI PALESTRINA. _Musical Composer._ 169. 158. ANNIBALE CARRACCI. _Painter._ 170. 159. DOMENICHINO, also called DOMENICO ZAMPIERI. _Painter._ 171. 160. PIETRO DI CORTONA, or PIETRO BERETTINI. _Painter._ 172. 161. ARCANGELO CORELLI. _Violinist and Composer._ 173. 162. LUDOVICO ANTONIO MURATORI. _Antiquary._ 174. 163. BENEDETTO MARCELLO. _Writer and Musician._ 175. 164. GIAMBATISTA PIRANESI. _Engraver._ 176. 165. GIOVANNI PAISIELLO. _Musical Composer._ 177. 166. NICCOLO ZINGARELLI. _Musician._ 178. 167. DOMENICO CIMAROSA. _Musical Composer._ 179. 168. ANTONIO CANOVA. _Sculptor._ 180. 169. GASPARO SPONTINI. _Musician._ 181. 170. NICCOLO PAGANINI. _Violinist._ 182. 171. MARIA FELICITAS MALIBRAN. _Actress._ 183. 172. GIULIA GRISI. _Italian Singer._ 184. 173. DANTE ALIGHIERI. _Poet._ 185. 174. FRANCESCO PETRARCA. _Poet._ 186. 175. GIACOMO SANAZZARO. _Poet._ 187. 176. LUIGI ARIOSTO. _Poet._ 188. 177. TORQUATO TASSO. _Poet._ 189. 178. PIETRO BONAVENTURA METASTASIO. _Poet._ 190. 179. CARLO GOLDONI. _Poet._ 191. 180. VITTORIO ALFIERI. _Poet._ 192. 181. ALESSANDRO GAVAZZI. _Monk and Orator._ 193. 182. CHRISTOPHER COLUMBUS. _The Discoverer of the New World._ 194. 183. NICCOLO MACHIAVELLI. _Political Writer and Historian._ 195. 184. ANNIBALE CARO. _Writer._ 196. 185. GALILEO GALILEI. _Philosopher._ 197. 187. COSMO DE’ MEDICI. _Merchant and Statesman._ 198. 188. BARTOLOMEO COLEONI. _Soldier of Fortune._ 199. 189. STEFANO GATTAMELATA. _Warrior._ 200. 190. GIOVANNI MEDICI, surnamed BANDINERI. _Italian Soldier._ 201. 191. FRANCESCO PICO DELLA MIRANDOLA. 202. 192. FRANÇOIS EUGÈNE OF SAVOY, called PRINCE EUGÈNE. _Military 203. 193. FRANCISCO XIMENEZ DE CISNEROS. _Cardinal and Regent of Spain._ 204. 194. CARLO REZZONICO, afterwards POPE CLEMENT XIII. _Pope._ 205. 195. CHARLES ALBERT. _King of Sardinia._ 206. INTRODUCTION. 207. 196. JEAN GOUJON. _Sculptor._ 208. 197. SIMON VOUET. _Painter._ 209. 198. NICOLAS POUSSIN. PAINTER. 210. 199. PIERRE MIGNARD. _Painter._ 211. 200. ANDRÉ LE NÔTRE. _Architect and Gardener._ 212. 201. EUSTACHE LE SUEUR. _Painter._ 213. 202. CHARLES LEBRUN. _Painter._ 214. 203. ANDRÉ FÉLIBIEN, SIEUR DES AVAUX ET DE JAVERCY. _Writer on Art._ 215. 204. JEAN MABILLON. _Antiquary._ 216. 205. JEAN BAPTISTE DE LULLY. _Violinist and Musical Composer._ 217. 206. ANTOINE COYSEVOX. _Sculptor._ 218. 207. JULES HARDOUIN MANSART. _Architect._ 219. 208. JACQUES GERMAIN SOUFFLOT. _Architect._ 220. 209. JACQUES LOUIS DAVID. _Painter._ 221. 210. CHARLES PERCIER. _Architect._ 222. 211. GIRODET-TRIOSON. _Painter._ 223. 212. FRANÇOIS GÉRARD. _Painter._ 224. 213. ANTOINE JEAN GROS. _Painter._ 225. 214. PIERRE NARCISSE GUÉRIN. _Painter._ 226. 215. COMTE D’ORSAY. 227. 216. MADEMOISELLE FELIX RACHEL. _Tragic Actress._ 228. 217. DIANE DE POITIERS. 229. 1531. At the age of 48 she became the favourite mistress of Henry II. of 230. 218. PIERRE CORNEILLE. _Dramatist._ 231. 219. JEAN DE ROTROU. _Dramatist._ 232. 220. JEAN DE LA FONTAINE. _Poet._ 233. 221. MOLIÈRE. _Dramatist._ 234. 222. THOMAS CORNEILLE. _Dramatist._ 235. 223. PHILIPPE QUINAULT. _Poet._ 236. 224. NICOLAS BOILEAU. _Poet and Satirist._ 237. 225. JEAN RACINE. _Dramatist._ 238. 226. JEAN FRANÇOIS REGNARD. _Dramatist._ 239. 227. CHARLES RIVIÈRE DUFRESNY. _Dramatist._ 240. 228. PROSPER JOLYOT DE CRÉBILLON. _Dramatic Author._ 241. 229. PHILIPPE NÉRICAULT DESTOUCHES. _Dramatist._ 242. 230. ALAIN RÉNÉ LE SAGE. _Novelist._ 243. 231. ALEXIS PIRON. _Poet._ 244. 232. PIERRE CLAUDE NIVELLE DE LA CHAUSSÉE. _Dramatist._ 245. 233. FRANÇOIS MARIE AROUET DE VOLTAIRE. _Historian, Poet, and Wit._ 246. 234. MICHEL JEAN SEDAINE. _Dramatist._ 247. 235. MARIE JEANNE VAUBERNIER, COMTESSE DU BARRY. 248. 236. MICHEL DE MONTAIGNE. _Essayist._ 249. 237. JACQUES AUGUSTE DE THOU. _Minister of State and Historian._ 250. 238. RÉNÉ DESCARTES. _Mathematician and Metaphysician._ 251. 1650. Aged 54.] 252. 239. ANTOINE ARNAULD. _Theologian and Controversialist._ 253. 240. SÉBASTIEN LE PRESTRE DE VAUBAN. _Engineer._ 254. 241. JOSEPH PITTON DE TOURNEFORT. _Botanist._ 255. 242. CHARLES ROLLIN. _Historian._ 256. 243. JEAN BAPTISTE ROUSSEAU. _Lyric Poet._ 257. 244. RÉNÉ ANTOINE FERCHAULT DE RÉAUMUR. _Chemist and Naturalist._ 258. 245. GEORGES LOUIS LE CLERC, COMTE DE BUFFON. _Naturalist._ 259. 246. CHARLES LINNÉ, known by his Latin name LINNÆUS. _Botanist._ 260. 247. JEAN JACQUES ROUSSEAU. _Philosopher and Writer._ 261. 248. JEAN PIERRE DUHAMEL. _Man of Science._ 262. 249. JOSEPH LOUIS LAGRANGE. _Astronomer._ 263. 250. JEAN FRANÇOIS GALAUP DE LA PÉROUSE. _Navigator._ 264. 251. JACQUES ÉTIENNE MONTGOLFIER. _Aëronaut, and Inventor of Balloons._ 265. 252. DOMINIQUE DENON. _Egyptian Traveller._ 266. 253. ANTOINE LAURENT DE JUSSIEU. _Botanist._ 267. 254. JEAN ANTOINE CHAPTAL. _Chemist._ 268. 255. BERNARD GERMAIN ÉTIENNE LACÉPÈDE, COMTE DE LA VILLE SUR ILLON. 269. 256. GEORGES LÉOPOLD CHRÊTIEN FRÉDÉRIC DAGOBERT CUVIER. _Naturalist._ 270. 257. PIERRE DE TERRAIL, SEIGNEUR DE BAYARD. _Warrior._ 271. 258. GASTON DE FOIX. _Warrior._ 272. 259. MICHEL DE L’HÔPITAL. _Chancellor of France._ 273. 260. GASPARD DE COLIGNY. _Marshal and Admiral._ 274. 261. PIERRE LAURENT BUIRETTE DE BELLOY. _Dramatist._[32] 275. 262. FRANÇOIS DE BONNE, DUC DE LESDIGUIÈRES. _Constable of France._ 276. 263. MAXIMILIEN DE BÉTHUNE, DUC DE SULLY. _Minister of State._ 277. 264. CLAUDE FABRI DE PEIRESC. _Patron of Science._ 278. 265. ABRAHAM DUQUESNE. _Vice Admiral of France._ 279. 266. HENRI DE LA TOUR D’AUVERGNE, VICOMTE DE TURENNE. _Marshal of 280. 267. EDOUARD COLBERT. _Minister of State._ 281. 268. LOUIS II. DE BOURBON, PRINCE DE CONDÉ, surnamed THE GREAT CONDÉ. 282. 269. HENRI FRANÇOIS D’AGUESSEAU. _Chancellor of France._ 283. 270. MAURICE, COMTE DE SAXE. _Marshal of France._ 284. 271. FRANÇOIS CHRISTOPHE KELLERMANN. _Marshal of France._ 285. 272. CHARLES FRANÇOIS DUMOURIEZ. _French General._ 286. 273. THÉOPHILE MALO DE LA TOUR D’AUVERGNE-CORRET. _Warrior._ 287. 274. PIERRE ALEXANDRE BERTHIER. _Marshal of France._ 288. 1815. Aged 62.] 289. 275. JEAN BAPTISTE KLEBER. _French General._ 290. 1800. Aged 46.] 291. 276. FRANÇOIS JOSEPH LEFEBVRE, DUC DE DANTZIC. _Marshal of France._ 292. 277. MARIE PAUL GILBERT MOTIER, MARQUIS DE LAFAYETTE. _French General._ 293. 278. PIERRE FRANÇOIS CHARLES AUGEREAU. _Marshal of France._ 294. 279. ANDRÉ MASSENA. _Marshal of France._ 295. 280. LAZARE HOCHE. _French General._ 296. 1797. Aged 29.] 297. 281. BESSIÈRES, JEAN BAPTISTE. _Duke of Istria. Marshal of France._ 298. 282. BARTHÉLÉMI CATHARINE JOUBERT. _French General._ 299. 1799. Aged 30.] 300. 283. LOUIS CHARLES ANTOINE DESAIX. _French General._ 301. 284. JEAN LANNES, DUC DE MONTEBELLO. _Marshal of France._ 302. 285. MICHEL NEY. _Marshal of France._ 303. 1815. Aged 46.] 304. 286. FRANÇOIS SÉVÉRIN DESGRAVIERS MARCEAU. _French General._ 305. 287. PIERRE JACQUES CAMBRONNE. _French General._ 306. 288. LOUIS NICOLAS DAVOUST, PRINCE D’ECKMUHL. _Marshal of France._ 307. 289. MAXIMILIEN SEBASTIEN FOY. _French General._ 308. 290. ANTOINE CHARLES LOUIS COLLINET DE LASALLE. _General of Cavalry._ 309. 291. CASIMIR PÉRIER. _Statesman._ 310. 292. CARDINAL RICHELIEU. _Minister of France._ 311. 293. CARDINAL MAZARIN. _Minister of France._ 312. 294. BLAISE PASCAL. _Theologian and Philosopher._ 313. 295. JACQUES BENIGNE BOSSUET. _Prelate of France._ 314. 296. FRANÇOIS DE SALIGNAC DE LAMOTTE FÉNÉLON. _Archbishop and Writer._ 315. 297. LOUIS XI. _King of France._ 316. 298. LOUIS XII. _King of France._ 317. 299. FRANCIS I. _King of France._ 318. 300. CHARLES V. _Emperor of Germany and King of Spain._ 319. 301. CHARLOTTE, or CARLOTA D’AVESNE, DUCHESS OF VALENTINO. 320. 302. HENRY II. _King of France._ 321. 303. CHARLES IX. _King of France._ 322. 304. HENRY III. _King of France._ 323. 305. HENRY IV. _King of France._ 324. 306. MARIE DE’ MEDICI. _Queen of France._ 325. 307. LOUIS XIII. _King of France._ 326. 308. LOUIS XIV. _King of France._ 327. 309. LOUIS XV. _King of France._ 328. 310. MARIE ANTOINETTE JOSÉPHINE JEANNE. _Queen of France._ 329. 311. NAPOLEON BUONAPARTE. _Emperor of France._ 330. 1815. The military prodigy of his age. His story reads like a romance of 331. 312. LOUIS PHILIPPE. _King of the French._ 332. INTRODUCTION. 333. 313. PETER PAUL RUBENS. _Painter._ 334. 1640. Aged 63.] 335. 314. GEORG FRIEDRICH HANDEL. _Musical Composer._ 336. 315. JOHAN JOACHIM WINCKELMANN. _Antiquary._ 337. 1768. Aged 51.] 338. 316. FRANZ JOSEPH HAYDN. _Musical Composer._ 339. 317. JOHANN WOLFGANG MOZART. _Musical Composer._ 340. 318. KARL FRIEDRICH ZELTER. _Musician._ 341. 319. JOHANN GOTTFRIED SCHADOW. _Sculptor._ 342. 320. ALBERT BARTHOLOMÄUS THORWALDSEN. _Sculptor._ 343. 321. LUDWIG VAN BEETHOVEN. _Musical Composer._ 344. 322. CHRISTIAN FRIEDRICH TIECK. _Sculptor._ 345. 323. CHRISTIAN RAUCH. _Sculptor._ 346. 324. KARL FRIEDRICH SCHINKEL. _Architect and Painter._ 347. 325. LEO VON KLENZE. _Architect._ 348. 326. PETER CORNELIUS. _Painter._ 349. 327. CHRISTOPH GLUCK. _Musician._ 350. 328. FRIEDRICH GÄRTNER. _Architect._ 351. 329. JULIUS SCHNORR. _Painter._ 352. 330. LUDOVIC SCHWANTHALER. _Sculptor._ 353. 331. FELIX MENDELSSOHN-BARTHOLDY. _Musician._ 354. 332. JOHANN HALBIG. _Sculptor._ 355. 333. MORITZ VON SCHWIND. _Painter._ 356. 334. FRIEDRICH GOTTLIEB KLOPSTOCK. _Epic and Lyric Poet._ 357. 1803. Aged 79.] 358. 335. GOTTHOLD EPHRAIM LESSING. _Man of Letters._ 359. 336. CHRISTOPH WIELAND. _Poet._ 360. 337. JOHANN WOLFGANG VON GOETHE. _Poet._ 361. 338. FRIEDRICH CHRISTOPH VON SCHILLER. _Poet._ 362. 339. LUDWIG TIECK. _Author._ 363. 340. BERTHOLD AUERBACH. _Poet and Novelist._ 364. 341. JOHANN GUTENBERG. _Inventor of Printing._ 365. 342. IMMANUEL KANT. _Metaphysician._ 366. 343. HEINRICH PESTALOZZI. _Educator._ 367. 344. FRIEDEICH HEINRICH JACOBI. _Philosopher and Poet._ 368. 345. ALBRECHT THAER. _Physician and Agriculturist._ 369. 1828. Aged 76.] 370. 346. SAMUEL HAHNEMANN. _Physician and Founder of Homœopathy._ 371. 347. HEINRICH WILHELM MATHIAS OLBERS. _Astronomer._ 372. 348. FRIEDRICH AUGUSTUS WOLF. _Philologist._ 373. 349. JOHANN GOTTLIEB FICHTE. _Philosopher and Metaphysician._ 374. 350. CHRISTOPH WILHELM HUFELAND. _Physician._ 375. 351. ALEXANDER VON HUMBOLDT. _Naturalist and Traveller._ 376. 352. GOTTFRIED HERMANN. _Philologist and Critic._ 377. 353. FRIEDRICH WILHELM JOSEPH VON SCHELLING. _Metaphysician._ 378. 354. JAN JACOB BERZELIUS. _Chemist._ 379. 355. SULPITZ VON BOISSERÉE. _Architect and Archæologist._ 380. 356. PETER KASPAR WILHELM BEUTH. _Member of the Council of State in 381. 357. KARL GUSTAV CARUS. _Physician and Anatomist._ 382. 358. KARL GUTZKOW. _Journalist and Dramatist._ 383. 359. HANS JOACHIM VON ZIETHEN. _Prussian General._ 384. 360. GEBHARDT LEBRECHT VON BLUCHER, PRINCE OF WAHLSTADT. _Prussian Field 385. 361. FRIEDRICH WILHELM BULOW. _Prussian General._ 386. 362. KARL BARON VON STEIN. _Prussian Minister of State._ 387. 363. GEBHARDT DAVID SCHARNHORST. _General._ 388. 364. YORCK, COUNT VON WARTENBURG. _Prussian Field Marshal._ 389. 365. FRIEDRICH HEINRICH VON NOLLENDORF. _Prussian Field-Marshal._ 390. 366. AUGUSTUS, COUNT HERDART DE GNEISENAU. _Field-Marshal._ 391. 1832. Aged 72.] 392. 367. KARL WILHELM BARON VON HUMBOLDT. _Statesman and Philologist._ 393. 368. HERMANN VON BOYEN. _Prussian Minister of War._ 394. 369. OTTO-FEODOR FREIHERR VON MANTEUFFEL. _Prussian Minister._ 395. 370. COUNT JOSEPH RADETZKY. _Austrian General._ 396. 371. MARTIN LUTHER. _The Great Reformer._ 397. 372. PHILIP MELANCTHON. _German Divine and Reformer._ 398. 373. FRIEDRICH ERNEST DANIEL SCHLEIERMACHER. _Theologian._ 399. 374. FREDERIC WILLIAM. _Elector of Brandenburg._ 400. 375. FREDERIC WILLIAM I. _King of Prussia._ 401. 376. FREDERIC II., SURNAMED THE GREAT. _King of Prussia._ 402. 377. FREDERIC LOUIS HENRY. _Prince of Prussia._ 403. 378. MAXIMILIAN JOSEPH I. _King of Bavaria._ 404. 379. FREDERIC WILLIAM III. _King of Prussia._ 405. 380. LOUIS FERDINAND. _Prince of Prussia._ 406. 381. LOUISA AUGUSTA WILHELMINA AMELIA. _Queen of Prussia._ 407. 382. LUDWIG I. _Ex-King of Bavaria._ 408. 383. LEOPOLD I. _King of the Belgians._ 409. 384. FREDERIC WILLIAM IV. _Reigning King of Prussia._ 410. 385. NICHOLAS PAULOVITCH. _Reigning Emperor of all the Russias._ 411. 386. ALEXANDRA. _Empress of Russia._ 412. 387. FRANCIS JOSEPH. _Reigning Emperor of Austria, and King of Hungary._ 413. INTRODUCTION. 414. 388. INIGO JONES. _Architect._ 415. 389. SIR CHRISTOPHER WREN. _Architect and Mathematician._ 416. 390. DAVID GARRICK. _Player and Dramatist._ 417. 391. HENRY FUSELI or FUESSLI. _Painter._ 418. 392. JAMES NORTHCOTE. _Painter._ 419. 393. JOHN RAPHAEL SMITH. _Engraver._ 420. 394. JOHN FLAXMAN. _Sculptor._ 421. 395. THOMAS STOTHARD. _Painter._ 422. 396. SIR THOMAS LAWRENCE. _Painter._ 423. 397. CHARLES KEMBLE. _Player._ 424. 398. FRANCIS CHANTREY. _Sculptor._ 425. 399. WILLIAM MULREADY. _Painter._ 426. 400. JOHN GIBSON. _Sculptor._ 427. 401. WILLIAM CHARLES MACREADY. _Player._ 428. 402. GEORGE CRUIKSHANK. _Caricaturist._ 429. 403. ROBERT VERNON. _Patron of Art._ 430. 404. FANNY BUTLER. _Actress._ 431. 405. ADELAIDE SARTORIS. _Vocalist._ 432. 406. GEOFFREY CHAUCER. _The Father of English Poetry._ 433. 407. WILLIAM SHAKSPEARE. _Poet._ 434. 1749. But in 1793, Malone officiously had it whitewashed, as it now 435. 408. JOHN MILTON. _Poet._ 436. 409. ALEXANDER POPE. _Poet._ 437. 410. OLIVER GOLDSMITH. _Poet and Man of Letters._ 438. 411. SAMUEL ROGERS. _Poet._ 439. 412. WILLIAM WORDSWORTH. _Poet._ 440. 413. SIR WALTER SCOTT. _Poet and Novelist._ 441. 414. ROBERT SOUTHEY. _Poet Laureate._ 442. 415. THOMAS CAMPBELL. _Poet._ 443. 416. THOMAS MOORE. _Poet._ 444. 417. JOHN WILSON. _Poet and Professor._ 445. 418. GEORGE NOEL GORDON, LORD BYRON. _Poet._ 446. 419. DOUGLAS JERROLD. _Writer._ 447. 420. FRANCIS BACON. _Chancellor of England, and Founder of the Inductive 448. 421. HUMPHREY CHETHAM. “_Dealer in Manchester Commodities._” 449. 422. JOHN LOCKE. _Philosopher._ 450. 423. SIR ISAAC NEWTON. ASTRONOMER AND PHILOSOPHER. 451. 424. BENJAMIN FRANKLIN. _Statesman and Philosopher._ 452. 1790. Aged 84.] 453. 425. SAMUEL JOHNSON. _Writer and Moralist._ 454. 426. ADAM SMITH. _Philosopher and Political Economist._ 455. 427. JOHN HUNTER. _Surgeon and Comparative Anatomist._ 456. 428. JAMES WATT. _Improver of the Steam-Engine._ 457. 429. SIR JAMES MACKINTOSH. _Historian and Metaphysician._ 458. 430. FRANCIS JEFFREY. _Critic and Essayist._ 459. 431. FRANCIS BAILY. _Astronomer._ 460. 432. WILLIAM YARRELL. _Naturalist._ 461. 433. GEORGE STEPHENSON. _Engineer._ 462. 434. WILLIAM FAIRBAIRN. _Millwright and Engineer._ 463. 435. SIR JOHN HERSCHELL. _Astronomer._ 464. 436. MICHAEL FARADAY. _Natural Philosopher._ 465. 437. WILLIAM WHEWELL. _Philosopher._ 466. 438. SIR HENRY THOMAS DE LA BECHE. _Geologist._ 467. 439. THOMAS CARLYLE. _Writer._ 468. 440. FREDERICK CARPENTER SKEY. _Surgeon._ 469. 441. RICHARD OWEN. _Naturalist._ 470. 442. BENJAMIN DISRAELI. _Writer and Politician._ 471. 443. THOMAS BRASSEY. _Railway Contractor._ 472. introduction of railways he has been the chief maker of the iron paths 473. 444. SAMUEL WARREN. _Lawyer and Writer._ 474. 445. EDWARD SHEPHERD CREASY. _Historical Writer._ 475. 446. JUDGE HALIBURTON. _Lawyer and Writer._ 476. 447. EDWARD FORBES. _Naturalist._ 477. 448. WILLIAM MURRAY, EARL OF MANSFIELD. _Lord Chief Justice._ 478. 449. WILLIAM PITT, EARL OF CHATHAM. _Statesman._ 479. 450. EDMUND BURKE. _Orator, Writer, Statesman._ 480. 451. GEORGE WASHINGTON. _First President of the United States._ 481. 452. CHARLES JAMES FOX. _Statesman._ 482. 453. JOHN PHILPOT CURRAN. _Lawyer._ 483. 454. LORD ELDON. _High Chancellor of England._ 484. 455. HORATIO NELSON. _Lord High Admiral._ 485. 456. WILLIAM PITT. _Statesman._ 486. 457. GENERAL JACKSON. _President of the United States._ 487. 1845. Aged 78.] 488. 458. HENRY WILLIAM PAGET, MARQUIS OF ANGLESEY. _English Field Marshal._ 489. 459. ARTHUR, DUKE OF WELLINGTON. _Soldier and Statesman._ 490. 460. JOHN QUINCY ADAMS. _President of the United States._ 491. 461. LORD MONTEAGLE. _English Peer._ 492. 462. WILLIAM HUSKISSON. _Statesman and Financier._ 493. 463. JOHN SINGLETON COPLEY, BARON LYNDHURST. _Ex-Chancellor of England._ 494. 1804. In 1826, Master of the Rolls; in 1827, Lord Chancellor. Has held 495. 464. LORD ASHBURTON. _English Peer._ 496. 465. DANIEL O’CONNELL. _Orator and Lawyer._ 497. 466. JOSEPH HUME. _Political Reformer._ 498. 467. HENRY, LORD BROUGHAM. _Lawyer, Statesman, Educator._ 499. 468. MARTIN VAN BUREN. _Ex-President of the United States._ 500. 469. JOHN CALDWELL CALHOUN. _American Statesman._ 501. 1850. Aged 68.] 502. 470. SIR FREDERICK POLLOCK. _Chief Baron of the Exchequer._ 503. 471. HENRY JOHN TEMPLE, VISCOUNT PALMERSTON. _Statesman._ 504. 1828. Foreign Secretary, with a slight interval of repose, from 1830 505. 472. SIR ROBERT PEEL. _Statesman._ 506. 473. SIR MICHAEL O’LOCHLEN. _Lawyer._ 507. 1688. A member of the Church of Rome, he owed his promotion to the 508. 474. LORD JOHN RUSSELL. _Statesman._ 509. 475. DAVID SALOMONS. _Alderman._ 510. 476. SIR WILLIAM FOLLETT. _Lawyer._ 511. 477. THE EARL OF DERBY. _Statesman._ 512. 478. GEORGE WILLIAM FREDERICK VILLIERS, EARL OF CLARENDON. _Statesman._ 513. 479. SIDNEY HERBERT. _Statesman._ 514. 480. LORD CANNING. _English Peer._ 515. 481. CARDINAL WOLSEY. _Minister of State._ 516. 482. CHARLES JAMES BLOMFIELD. _Bishop of London._ 517. 483. FATHER THEOBALD MATHEW. _Temperance Reformer._ 518. 484. CARDINAL WISEMAN. _Chief of the Romish Church in England._ 519. 485. EDWARD III. _King of England._ 520. 486. ELEANORA OF CASTILE. _Surnamed The Faithful. First Queen of Edward 521. 487. HENRY VII. _King of England._ 522. 488. ELIZABETH. _Queen of England._ 523. 489. EDWARD VI. _King of England._ 524. 490. MARY STUART. _Queen of Scots._ 525. 491. JAMES II. _King of England._ 526. 492. GEORGE III. _King of England._ 527. 493. GEORGE IV. _King of England._ 528. 494. WILLIAM IV. _King of England._ 529. 495. THE DUKE OF CAMBRIDGE. _Prince of England._ 530. 496. HER MAJESTY QUEEN VICTORIA. _Whom God Preserve!_ 531. 497. HIS ROYAL HIGHNESS PRINCE ALBERT. _Consort of Queen Victoria._ 532. PART I. 533. PART II. 534. PART I. 535. 1. Sometimes the enamel, and no more, is filed off. This enables the 536. 3. Sometimes they are filed down to the gums. 537. introduction a matter of state, and built a large house as a day-school. 538. 14. Heykoms, as far on the north-east as Natal. Now replaced by Amakosah 539. 1. The _Crees_; of which the _Skofi_ and _Sheshatapúsh_ of Labrador are 540. 2. The _Ojibways_; falling into-- 541. 3. The _Micmacs_ of New Brunswick, Gaspé, Nova Scotia, Cape Breton, and 542. 4. _Abnaki_ of Mayne, and the British frontier; represented at present 543. 6. The _Blackfoots_, consisting of the-- 544. 1. For the TIBETANS, &c., TURNER’s Embassy; Works on the Himalayas, by 545. 2. The Aborigines of India, by B. HODGSON; Papers in Asiatic Researches; 546. 5. JUKES’ Voyage of Fly; MCGILLIVRAY’s Voyage of Rattlesnake; The 547. 7. THE NEGROES, &c. Medical History of the Niger Expedition, by Dr. 548. 8. LICSHTENSTEIN’s Travels; GALTON in Journal of Geographical Society; 549. 13. NORTH AMERICAN INDIANS.--Archæologia Americana, Vol. ii.; 550. 14. Papers by Dr. KING on the Industrial and Intellectual character of 551. PART II. 552. INTRODUCTION 5 553. INTRODUCTION. 554. INTRODUCTION. 555. 1750. He commenced 12th November, 1738, by carrying on a kind of tunnel 556. 1750. It is still the only means of access to the most important 557. 1. HOUSE OF THE EMPEROR JOSEPH II. (1767-69), was a mansion of great 558. 2. HOUSE OF THE TRAGIC POET (1824-26) is called in the Museo Borbonico, 559. 3. HOUSE OF QUEEN CAROLINE (1813), now called that of Adonis, remarkable 560. 4. HOUSE OF THE MELEAGER OR APOLLO (1830-31), called also the House of 561. 5. HOUSE OF SALLUST (1809). Known also as the House of Actæon. The 562. 6. Two houses side by side, called from the features of their 563. 7. HOUSE OF THE COLOURED CAPITALS (1833-34). A very large house near the 564. 8. HOUSE OF THE DIOSCURI (1828-29). This beautiful mansion has been 565. 9. HOUSE OF THE FEMALE MUSICIAN (1847). Known by the Italian name _Della 566. 10. PLAN of some private dwellings copied from the celebrated fragments 567. 1. CUBICULUM. This small chamber has the walls totally black with a 568. 2. CUBICULUM. The next chamber, forming one corner of the quadrangle, 569. 3. CUBICULUM. The next room in order flanks a side entrance. It is white 570. 4. VESTIBULUM. The side entrance, light and narrow. The ceiling consists 571. 5. The ALA: here, of necessity, very shallow, but in many Pompeian 572. 6. The wall adjoining the Ala, and forming part of the Atrium, has been 573. 7. Next to this is the left-hand FAUCES or passage to the interior, and 574. 8. THE TABLINUM. 575. 9. _Left Wall._--The chief central picture is Perseus showing the head 576. 10. _Right Wall._--The opposite side has exactly the same decorations, 577. 11. The second FAUCES is precisely like the other. The broad black line 578. 12. Wall corresponding in position and decoration to No. 6. The central 579. 13. ALA. The general decoration of Ala corresponds with the opposite 580. 15. CUBICULUM or _cella familiaris_ as next the vestibule. This chamber 581. 16. CUBICULUM, occupying the corresponding angle to No. 2, also lighted 582. 17. CUBICULUM. A black chamber, corresponding to the one we first 583. 18. _Ambulatory, Ambulatio_, also called _Porticus_ by the Romans, and 584. 19. THALAMUS, an apartment next to the fauces, and entered by a door 585. 20. ŒCUS, so called from the Greek word signifying a house, was 586. 21. BATH, _Balneum_ or _Balineum_, a small chamber appropriately fitted 587. 23. _The end wall of the peristyle._ Its paintings are conspicuously 588. 24. CULINA. The apartment forming an angle of the peristyle was the 589. 26. TRICLINIUM, opposite the Œcus. Large panels, blue, black, and 590. 27. The WINTER TRICLINIUM. A large square room, corresponding to the 591. 229. These landscape views are all admirably engraved, in a faithful 592. 1746. A very beautiful little mosaic was inscribed with the name of 593. Book vii., Chap. 5.

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