Bible Myths and their Parallels in other Religions by T. W. Doane
CHAPTER XXXIX.
3523 words | Chapter 315
EXPLANATION.
After what we have seen concerning the numerous virgin-born, crucified
and resurrected Saviours, believed on in the Pagan world for so many
centuries before the time assigned for the birth of the Christian
Saviour, the questions naturally arise: were they real personages? did
they ever exist in the flesh? whence came these stories concerning them?
have they a foundation in truth, or are they simply creations of the
imagination?
The _historical_ theory--according to which _all_ the persons mentioned
in mythology were once real human beings, and the legends and fabulous
traditions relating to them were merely the additions and embellishments
of later times--which was so popular with scholars of the last century,
has been altogether abandoned.
Under the historical point of view the gods are mere deified mortals,
either heroes who have been deified after their death, or
Pontiff-chieftains who have passed themselves off for gods, and who, it
is gratuitously supposed, found people stupid enough to believe in their
pretended divinity. This was the manner in which, formerly, writers
explained the mythology of nations of antiquity; but a method that
pre-supposed an historical Crishna, an historical Osiris, an historical
Mithra, an historical Hercules, an historical Apollo, or an historical
Thor, was found untenable, and therefore, does not, at the present day,
stand in need of a refutation. As a writer of the early part of the
present century said:
"We shall never have an ancient history worthy of the perusal
of men of common sense, till we cease treating poems as
history, and send back such personages as Hercules, Theseus,
Bacchus, etc., to the heavens, whence their history is taken,
and whence they never descended to the earth."
The historical theory was succeeded by the _allegorical_ theory, which
supposes that all the myths of the ancients were _allegorical_ and
_symbolical_, and contain some moral, religious, or philosophical truth
or historical fact under the form of an allegory, which came in process
of time to be understood literally.
In the preceding pages we have spoken of the several virgin-born,
crucified and resurrected Saviours, as real personages. We have
attributed to these individuals words and acts, and have regarded the
words and acts recorded in the several sacred books from which we have
quoted, as said and done by them. But in doing this, we have simply used
the language of others. These gods and heroes were not real personages;
_they are merely personifications of the_ SUN. As Prof. Max Müller
observes in his Lectures on the Science of Religion:
"One of the earliest objects that would strike and stir the
mind of man, and for which a _sign_ or a _name_ would soon be
wanted, is surely the _Sun_.[467:1] It is very hard for us to
realize the feelings with which the first dwellers on the
earth looked upon the Sun, or to understand fully what they
meant by a morning prayer or a morning sacrifice. Perhaps
there are few people who have watched a sunrise more than once
or twice in their life; few people who have ever known the
meaning of a morning prayer, or a morning sacrifice. But think
of man at the very dawn of time. . . . think of the Sun
awakening the eyes of man from sleep, and his mind from
slumber! Was not the sunrise to him the first wonder, the
first beginning of all reflection, all thought, all
philosophy? Was it not to him the first revelation, the first
beginning of all trust, of all religion? . . . .
"Few nations only have preserved in their ancient poetry some
remnants of the natural awe with which the earlier dwellers on
the earth saw that brilliant being slowly rising from out of
the darkness of the night, raising itself by its own might
higher and higher, till it stood triumphant on the arch of
heaven, and then descended and sank down in its fiery glory
into the dark abyss of the heaving and hissing sea. In the
hymns of the _Veda_, the poet still wonders whether the Sun
will rise again; he asks how he can climb the vault of heaven?
why he does not fall back? why there is no dust on his path?
And when the rays of the morning rouse him from sleep and call
him back to new life, when he sees the Sun, as he says,
stretching out his golden arms to bless the world and rescue
it from the terror of darkness, he exclaims, 'Arise, our life,
our spirit has come back! the darkness is gone, the light
approaches.'"
Many years ago, the learned Sir William Jones said:
"We must not be surprised at finding, on a close examination,
that the characters of all the Pagan deities, male and female,
melt into each other, and at last into one or two; for it
seems as well founded opinion, that the whole crowd of gods
and goddesses of ancient Rome, and modern Varanes, mean only
the powers of nature, and principally those of the SUN,
expressed in a variety of ways, and by a multitude of fanciful
names."[467:2]
Since the first learned president of the Royal Asiatic Society paved
the way for the science of _comparative mythology_, much has been
learned on this subject, so that, as the Rev. George W. Cox remarks,
"recent discussions on the subject seem to justify the conviction that
the foundations of the science of _comparative mythology_ have been
firmly laid, and that its method is unassailable."[468:1]
If we wish to find the gods and goddesses of the ancestors of our race,
we must look to the sun, the moon, the stars, the sky, the earth, the
sea, the dawn, the clouds, the wind, &c., _which they personified and
worshiped_. That these have been the gods and goddesses of all nations
of antiquity, is an established fact.[468:2]
The words which had denoted the sun and moon would denote not merely
living things but living persons. From personification to deification
the steps would be but few; and the process of disintegration would at
once furnish the materials for a vast fabric of mythology. All the
expressions which had attached a living force to natural objects would
remain as the description of personal and anthropomorphous gods. Every
word would become an attribute, and all ideas, once grouped around a
simple object, would branch off into distinct personifications. The sun
had been the lord of light, the driver of the chariot of the day; he had
toiled and labored for the sons of men, and sunk down to rest, after a
hard battle, in the evening. But now the lord of light would be Phoibos
Apollon, while Helios would remain enthroned in his fiery chariot, and
his toils and labors and death-struggles would be transferred to
Hercules. The violet clouds which greet his rising and his setting would
now be represented by herds of cows which feed in earthly pastures.
There would be other expressions which would still remain as floating
phrases, not attached to any definite deities. These would gradually be
converted into incidents in the life of heroes, and be woven at length
into systematic narratives. Finally, these gods or heroes, and the
incidents of their mythical career, would receive each "a local
habitation and a name." _These would remain as genuine history, when the
origin and meaning of the words had been either wholly or in part
forgotten._
For the proofs of these assertions, the Vedic poems furnish indisputable
evidence, that such as this was the origin and growth of Greek and
Teutonic mythology. In these poems, the names of many, perhaps of most,
of the Greek gods, indicate natural objects which, if endued with life,
have not been reduced to human personality. In them Daphne is still
simply the morning twilight ushering in the splendor of the new born
sun; the cattle of Helios there are still the light-colored clouds which
the dawn leads out into the fields of the sky. There the idea of
Hercules has not been separated from the image of the toiling and
struggling sun, and the glory of the life-giving Helios has not been
transferred to the god of Delos and Pytho. In the Vedas the myths of
Endymion, of Kephalos and Prokris, Orpheus and Eurydike, are exhibited
in the form of detached mythical phrases, which furnished for each their
germ. The analysis may be extended indefinitely: but the conclusion can
only be, that in the Vedic language we have the foundation, not only of
the glowing legends of Hellas, but of the dark and sombre mythology of
the Scandinavian and the Teuton. Both alike have grown up chiefly from
names which have been grouped around the sun; but the former has been
grounded on those expressions which describe the recurrence of day and
night, the latter on the great tragedy of nature, in the alternation of
summer and winter.
Of this vast mass of solar myths, some have emerged into independent
legends, others have furnished the groundwork of whole epics, others
have remained simply as floating tales whose intrinsic beauty no poet
has wedded to his verse.[469:1]
"The results obtained from the examination of language in its several
forms leaves no room for doubt that the general system of mythology has
been traced to its fountain head. We can no longer shut our eyes to the
fact that there was a stage in the history of human speech, during which
all the abstract words in constant use among ourselves were utterly
unknown, when men had formed no notions of virtue or prudence, of
thought and intellect, of slavery or freedom, but spoke only of the man
who was strong, who could point the way to others and choose one thing
out of many, of the man who was not bound to any other and able to do as
he pleased.
"That even this stage was not the earliest in the history of language is
now a growing opinion among philologists; but for the _comparison_ of
legends current in different countries it is not necessary to carry the
search further back. Language without words denoting abstract qualities
implies a condition of thought in which men were only awakening to a
sense of the objects which surrounded them, and points to a time when
the world was to them full of strange sights and sounds, some beautiful,
some bewildering, some terrific, when, in short, they knew little of
themselves beyond the vague consciousness of their existence, and
nothing of the phenomena of the world without. _In such a state they
could but attribute to all that they saw or touched or heard, a life
which was like their own in its consciousness, its joys, and its
sufferings._ That power of sympathizing with nature which we are apt to
regard as the peculiar gift of the poet was then shared alike by all.
This sympathy was not the result of any effort, it was inseparably bound
up with the words which rose to their lips. It implied no special purity
of heart or mind; it pointed to no Arcadian paradise where shepherds
knew not how to wrong or oppress or torment each other. We say that the
morning light rests on the mountains; they said that the sun was
greeting his bride, as naturally as our own poet would speak of the
sunlight clasping the earth, or the moonbeams as kissing the sea.
"We have then before us a stage of language corresponding to a stage in
the history of the human mind _in which all sensible objects were
regarded as instinct with a conscious life_. The varying phases of that
life were therefore described as truthfully as they described their own
feelings or sufferings; and hence every phase became a picture. But so
long as the conditions of their life remained unchanged, they knew
perfectly what the picture meant, and ran no risk of confusing one with
another. Thus they had but to describe the things which they saw, felt,
or heard, in order to keep up an inexhaustible store of phrases
faithfully describing the facts of the world from their point of view.
This language was indeed the result of an observation not less keen than
that by which the inductive philosopher extorts the secrets of the
natural world. Nor was its range much narrower. Each object received its
own measure of attention, and no one phenomenon was so treated as to
leave no room for others in their turn. They could not fail to note the
changes of days and years, of growth and decay, of calm and storm; _but
the objects which so changed were to them living things, and the rising
and setting of the sun, the return of winter and summer, became a drama
in which the actors were their enemies or their friends_.
"That this is a strict statement of facts in the history of the human
mind, philology alone would abundantly prove; but not a few of these
phrases have come down to us in their earliest form, and point to the
long-buried stratum of language of which they are the fragments. _These
relics exhibit in their germs the myths which afterwards became the
legends of gods and heroes with human forms, and furnished the
groundwork of the epic poems, whether of the eastern or the western
world._
"The mythical or mythmaking language of mankind had no partialities; and
if the career of the _Sun_ occupies a large extent of the horizon, we
cannot fairly simulate ignorance of the cause. Men so placed would not
fail to put into words the thoughts or emotions roused in them by the
varying phases of that mighty world on which we, not less than they,
feel that our life depends, although we may know something more of its
nature.
"Thus grew up a multitude of expressions which described the sun as the
child of the night, as the destroyer of the darkness, as the lover of
the dawn and the dew--of phrases which would go on to speak of him as
killing the dew with his spears, and of forsaking the dawn as he rose in
the heaven. The feeling that the fruits of the earth were called forth
by his warmth would find utterance in words which spoke of him as the
friend and the benefactor of man; while the constant recurrence of his
work would lead them to describe him as a being constrained to toil for
others, as doomed to travel over many lands, and as finding everywhere
things on which he could bestow his love or which he might destroy by
his power. His journey, again, might be across cloudless skies, or amid
alternations of storm and calm; his light might break fitfully through
the clouds, or be hidden for many a weary hour, to burst forth at last
with dazzling splendor as he sank down in the western sky. He would thus
be described as facing many dangers and many enemies, none of whom,
however, may arrest his course; as sullen, or capricious, or resentful;
as grieving for the loss of the dawn whom he had loved, or as nursing
his great wrath and vowing a pitiless vengeance. Then as the veil was
rent at eventide, they would speak of the chief, who had long remained
still, girding on his armor; or of the wanderer throwing off his
disguise, and seizing his bow or spear to smite his enemies; of the
invincible warrior whose face gleams with the flush of victory when the
fight is over, as he greets the fair-haired Dawn who closes, as she had
begun, the day. To the wealth of images thus lavished on the daily life
and death of the Sun there would be no limit. He was the child of the
morning, or her husband, or her destroyer; he forsook her and he
returned to her, either in calm serenity or only to sink presently in
deeper gloom.
"So with other sights and sounds. The darkness of night brought with it
a feeling of vague horror and dread; the return of daylight cheered them
with a sense of unspeakable gladness; and thus the Sun who scattered
the black shade of night would be the mighty champion doing battle with
the biting snake which lurked in its dreary hiding-place. But as the Sun
accomplishes his journey day by day through the heaven, the character of
the seasons is changed. The buds and blossoms of spring-time expand in
the flowers and fruits of summer, and the leaves fall and wither on the
approach of winter. Thus the daughter of the earth would be spoken of as
dying or as dead, as severed from her mother for five or six weary
months, not to be restored to her again until the time for her return
from the dark land should once more arrive. But as no other power than
that of the Sun can recall vegetation to life, this child of the earth
would be represented as buried in a sleep from which the touch of the
Sun alone could arouse her, when he slays the frost and cold which lie
like snakes around her motionless form.
"_That these phrases would furnish the germs of myths or legends teeming
with human feeling, as soon as the meaning of the phrases were in part
or wholly forgotten, was as inevitable as that in the infancy of our
race men should attribute to all sensible objects the same kind of life
which they were conscious of possessing themselves._"
Let us compare the history of the _Saviour_ which we have already seen,
with that of the _Sun_, as it is found in the _Vedas_.
We can follow in the _Vedic_ hymns, step by step, the development which
changes the _Sun_ from a mere luminary into a "_Creator_,"
"_Preserver_," "_Ruler_," and "_Rewarder of the World_"--in fact, into a
_Divine or Supreme Being_.
The first step leads us from the mere light of the Sun to that light
which in the morning wakes man from sleep, and seems to give new life,
not only to man, but to the whole of nature. He who wakes us in the
morning, who recalls all nature to new life, is soon called "_The Giver
of Daily Life_."
Secondly, by another and bolder step, the Giver of Daily Light and Life
becomes the giver of light and life in general. _He who brings light and
life to-day, is the same who brought light and life on the first of
days._ As light is the beginning of the day, so light was the beginning
of creation, and the Sun, from being a mere light-bringer or life-giver,
becomes a Creator, and, if a Creator, then soon also a Ruler of the
World.
Thirdly, as driving away the dreaded darkness of the night, and likewise
as fertilizing the earth, the Sun is conceived as a "Defender" and kind
"Protector" of all living things.
Fourthly, the Sun sees everything, both that which is good and that
which is evil; and how natural therefore that the evil-doer should be
told that the sun sees what no human eye may have seen, and that the
innocent, when all other help fails him, should appeal to the sun to
attest his guiltlessness!
Let us examine now, says Prof. Müller, from whose work we have quoted
the above, a few passages (from the _Rig-Veda_) illustrating every one
of these perfectly natural transitions.
"In hymn vii. we find the Sun invoked as '_The Protector of
everything that moves or stands, of all that exists_.'"
"Frequent allusion is made to the Sun's power of seeing
everything. The stars flee before the all-seeing Sun, like
thieves (R. V. vii.). He sees the right and the wrong among
men (Ibid.). He who looks upon the world, knows also all the
thoughts in men (Ibid.)."
"As the Sun sees everything and knows everything, he is asked
to forget and forgive what he alone has seen and knows (R. V.
iv.)."
"The Sun is asked to drive away illness and bad dreams (R. V.
x.)."
"Having once, and more than once, been invoked as the
life-bringer, the Sun is also called the breath or life of all
that moves and rests (R. V. i.); and lastly, he becomes _the
maker of all things_, by whom all the worlds have been brought
together (R. V. x.), and . . . Lord of man and of all living
creatures."
"He is the God among gods (R. V. i.); he is the divine leader
of all the gods (R. V. viii.)."
"He alone rules the whole world (R. V. v.). The laws which he
has established are firm (R. V. iv.), and the other gods not
only praise him (R. V. vii.), but have to follow him as their
leader (R. V. v.)."[473:1]
That the history of _Christ_ Jesus, the Christian Saviour,--"the true
_Light_, which lighteth every man that cometh into the world,"[473:2]--is
simply the history of the _Sun_--the real Saviour of mankind--is
demonstrated beyond a doubt from the following indisputable facts:
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