Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds

1536. Even when he seemed to favor a republican policy, he continued in

9517 words  |  Chapter 45

secret stanch to the family by whom he hoped to obtain honors and privileges in the state. Like all the Ottimati, so furiously abused by Pitti, Francesco Vettori found himself at last deceived in his expectations. To the Medici they sold the freedom of their native city, and in return for this unpatriotic loyalty they were condemned to exile, death, imprisonment, or frosty toleration by the prudent Cosimo. Two years after Cosimo had been made Duke, Vettori died, aged upwards of sixty, without having shared in the prosperity of the princes to whose service he had consecrated his life and for whose sake he had helped to enslave Florence. To respect this species of fidelity, or to feel any pity for the men who were so cruelly disappointed of their selfish expectations, is impossible. [1] Printed in _Arch. Stor. It._ Appendice No. 22, vol. vl. Francesco Vettori held offices of importance on various occasions in the Commonwealth of Florence. In 1520, for example, he entered the Signory; and in 1521 he was Gonfalonier of Justice. Many years of his life were spent on foreign missions, as ambassador to the Emperor Maximilian, resident ambassador at the Courts of Julius and Leo, ambassador together with Filippo Strozzi to the Court of Francis I., and orator at Rome on the election of Clement. He had therefore, like Machiavelli and Guicciardini, the best opportunities of forming a correct judgment of the men whose characters he weighed in his _Sommario_, and of obtaining a faithful account of the events which he related. He deserves a place upon the muster-roll of literary statesmen mentioned by me in chapter V.; nor should I have omitted him from the company of Segni and Varchi, had not his history been exclusively devoted to an earlier period than theirs. At the same time he was an intimate friend both of Guicciardini and Machiavelli. Some of the most precious compositions of the latter are letters addressed from Florence or San Casciano to Francesco Vettori, at the time when the ex-war-secretary was attempting to gain the favor of the Medici. The clairvoyance and acuteness, the cynical philosophy of life, the definite judgment of men, the clear comprehension of events, which we trace in Machiavelli, are to be found in Vettori. Vettori, however, had none of Machiavelli's genius. What he writes is, therefore, valuable as proving that the Machiavellian philosophy was not peculiar to that great man, but was shared by many inferior thinkers. Florentine culture at the end of the fifteenth century culminated in these statists of hard brain and stony hearts, who only saw the bad in human nature, but who were not led by cynicism or skepticism to lose their interest in the game of politics. In the dedication of the _Sommario della Storia d' Italia_ to Francesco Scarfi, Vettori says that he composed it at his villa, whither he retired in 1527. I do not purpose to extract portions of the historical narrative contained in this sketch; to do so indeed would be to transcribe the whole, so closely and succinctly is it written; but rather to quote the passages which throw a light upon the opinions of Machiavelli and Guicciardini, or confirm the views of men and morals adopted in my previous chapters. After touching on the sack of Prato and the consternation which ensued in Florence, Vettori describes the return of the Medici in 1512. Giuliano, the son of Lorenzo, was the first to appear: after him came the Cardinal Giovanni, and Giuliano's son Giulio.[1] The elder among their partisans persuaded them to call a Parlamento and assume the government in earnest. On September 16, accordingly, the Cardinal took possession of the palace, _fece pigliare il Palazzo_; the Signory summoned the people into the piazza--a mere matter of form; a Balia of forty men was appointed; the Gonfalonier Ridolfi resigned; and the city was reduced to the will and pleasure of the Cardinal de' Medici. Then reasons sons Vettori:[2] 'This was what is called an absolute tyranny; yet, speaking of the things of this world without prejudice and according to the truth, I say that if it were possible to institute republics like that imagined by Plato, or feigned to exist in Utopia by Thomas More, we might affirm they were not tyrannical governments: but all the commonwealths or kingdoms I have seen or read of, have, it seems to me, a savor of tyranny. Nor is it a matter for astonishment that parties and factions have often prevailed in Florence, and that one man has arisen to make himself the chief, when we reflect that the city is very populous, that many of the burghers desire to share in its advantages, and that there are few prizes to distribute: wherefore one party always must have the upper hand and enjoy the honors and benefits of the state, while the other stands by to watch the game.' He then proceeds to criticise France, where the nobles alone bear arms and pay no taxes, and where the administration of justice is slow and expensive; and Venice, where three thousand gentlemen keep more than 100,000 of the inhabitants below their feet, unhonored, powerless, unprivileged, oppressed. Having demonstrated the elements of tyranny and injustice both in a kingdom and a commonwealth reputed prosperous and free, he shows that, according to his own philosophy, no blame attaches to a burgher who succeeds in usurping the sole mastery of a free state, provided he rule wisely; for all kingdoms were originally founded either by force or by craft. 'We ought not therefore to call that private citizen a tyrant who has usurped the government of his state, if he be a good man; nor again to call a man the real lord of a city who, though he has the investiture of the Emperor, is bad and malevolent.' This critique of constitutions from the pen of a doctrinaire, who was also a man of experience, is interesting, partly for its positive frankness, and partly as showing what elementary notions still prevailed about the purposes of government. Vettori's ultimate criterion is the personal quality of the ambitious ruler. [1] Giovanni and Giulio were afterwards Leo X. and Clement VII. [2] P. 293. Passing to what he says about Leo X.,[1] it is worth while to note that he attributes his election chiefly to the impression produced upon the Cardinals by Alexander and Julius. 'During the reign of two fierce and powerful Pontiffs, Cardinals had been put to death, imprisoned, deprived of their property, exiled, and kept in continual alarm; and so great was the dread among them now of electing another such Pope, that they unanimously chose Giovanni de' Medici. Up to that time he had always shown himself liberal and easy, or, rather, prodigal in squandering the little that he owned; he had moreover managed so to dissemble as to acquire a reputation for most excellent habits of life.' Vettori adds that his power in Florence helped him, and that he owed much to the ability displayed by Bernardo da Bibbiena in winning votes. The joy of the Florentines at his election is attributed to mean motives: 'being all of them given over to commerce and gain, they thought they ought to get some profit from this Papacy.'[2] The government which Lorenzo, afterwards Duke of Urbino, now established in Florence is very favorably described by Vettori.[3] 'Lorenzo, though still a young man, applied himself with great attention to the business of the city, providing that equal justice should be administered to all, that the public moneys should be levied and spent with frugality, and that disputes should be settled to the satisfaction of all parties. His rule was tolerated, because, while the revenues were large and the expenses small, the citizens were not troubled with taxes; and this is the chief way to please a people, seeing their affection for a prince is measured by the good they get from him. Taking this opinion of Lorenzo, it is possible for Vettori in another place to say of him that 'he governed Florence like a citizen;'[4] and on the occasion of his death in 1520, he passes what amounts to a panegyric on his character. 'His death was a misfortune for Florence, which it would be difficult to describe. Though young, he had the qualities of virtuous maturity. He bore a real affection toward the citizens, was parsimonious of the moneys of the Commune, prodigal of his own; while a foe to vice, he was not too severe on those who erred. Though he began his military life at twenty-three, he always bore the cuirass of a man at arms upon his shoulders day and night on active service. He slept very little, was sober in his diet, temperate in love. The Florentines did not love him, because it is not possible for men used to freedom to love a ruler; but he, for his part, had not sought the office which was thrust upon him by the will of others. Madonna Alfonsina, his mother, brought unpopularity upon him; for she was avaricious, and the Florentines, who noticed every detail, thought her grasping: and though he wanted to restrain her, he found himself unable to do so through the high esteem in which he held her. Maddalena, his wife, died six days before him, after giving birth to a daughter Catherine.' This is the, no doubt, highly favorable portrait of the man to whom Machiavelli dedicated his _Principe_. The somewhat negative good qualities of Lorenzo, his prudence and parsimony, his freedom from despotic ambition, and dislike of dangerous service, combined with his deference to the powerful members of his own family, are very unlike Machiavelli's ideal of the founder of a state. Cesare Borgia was almost the exact opposite. The impression produced by Vettori's panegyric is further confirmed by what he says about Lorenzo's disinclination to undertake the Duchy of Urbino.[5] [1] P. 297. [2] P. 300. [3] Ibid. [4] P. 306. [5] P. 321. See too p. 307. But to return to the early days of Leo's pontificate. Vettori marks his interference in the affairs of Lucca as the first great mistake he made.[1] His advisers in Florence had not reflected 'what infamy it would bring upon the Pope in the opinion of all men, or what suspicion it would rouse among the princes, if in the first months of his power he were led to sanction an attack by the Florentines upon the Lucchese, their neighbors and allies. How too could the burghers of Florence, who had urged him to this step, remind the pontiff that he ought to moderate his desire of gaining dominion for the Church and for his kin, by the example of former Popes, all of whom, in the interest of their dependents, had acquired to their own dishonor with peril and expense what in a few days upon their death returned to the old and rightful owners?' The conduct of Leo with regard to Lucca, his policy in Florence, and the splendor maintained by his brother at Rome, did in fact rouse the jealousy of the Italian powers both great and small.[2] 'King Ferdinand remarked: If Giuliano has left Florence, he must be aiming at something better, which can be nothing but the realm of Naples. The Dukes of Milan, Ferrara, and Urbino said the same. The Sienese thought: If the pope allows the Florentines to attack Lucca, which is so strong, well furnished, and harmonious, far more will he consent to their encroaching upon us, who are weak, ill-provided, and at odds among ourselves. The Duke of Ferrara had further reasons for discontent in respect to Modena and Reggio.' Altogether, Leo began to lose credit. Secret alliances were formed against him by the della Rovere, the Baglioni, and the Petrucci; and though he took care to attend public services and to fast more than etiquette required, nobody believed in him. Vettori's comment reads like an echo of Machiavelli and Guicciardini.[3] 'Assuredly it is most difficult to combine temporal lordship with a reputation for religion: for they are two things which will not harmonize. He who well considers the law of the Gospel will observe that the pontiffs, though called Christ's Vicars, have originated a new religion unlike that of Christ except in name. His enjoins poverty; they desire riches. He preached humility; they follow after pride. He commanded obedience; they aim at universal sovereignty. I could enlarge upon their other vices; but it is enough to allude to these, without entering into inconvenient discourses.' While treating of the affairs of Urbino,[4] however, Vettori remarks that Leo could not have done otherwise than punish Francesco Maria della Rovere, if he wished to maintain the Papacy at the height of reputation to which it had been raised by his predecessors. [1] P. 301. [2] P. 303. [3] P. 304. [4] P. 319. In his general estimate of Leo, Vettori confirms all that we know about this Pope from other sources. He insists more perhaps than other historians upon the able diplomacy by which Lodovico Canossa, Bishop of Tricarico, made terms with Francis after Marignano,[1] and traces Leo's fatal alliance with Charles V. in 1520 to the influence of Jeronimo Adorno.[2] The secret springs of Leo's conduct, when he was vainly endeavoring to steer to his own profit between the great rivals for power in Europe, are exposed with admirable precision at both of these points. Of the prodigality which helped to ruin this Pope, and which made his two successors impotent, he speaks with sneering sarcasm. 'It was as easy for him to keep 1,000 ducats together as for a stone to fly into the air by its own weight.'[3] When the news of the capture of Milan reached him on November 27, 1520, Leo was at the Villa Magliana in the neighborhood of Rome.[4] Whether he took cold at a window, or whether his anxiety and jealousy disturbed his constitution, Vettori remains uncertain. At any rate, he was attacked with fever, returned to Rome, and died. 'It was said that his death was caused by poison; but these stories are always circulated about men of high estate, especially when they succumb to acute disease. Those, however, who knew the constitution and physical conformation of Leo, and his habits of life, will rather wonder that he lived so long.' After summing up the vicissitudes of his career and passing a critique upon his vacillating policy, Vettori resumes:[5] 'while on the one hand he would fain have never had one care to trouble him; on the other he was desirous of fame and sought to aggrandize his kindred. Fortune, to rid him of this ambition, removed his brother and his nephew in his lifetime. Lastly, when he had engaged in a war against the King of France, in which, if he won, he lost, and was going to meet obvious ruin, fortune removed him from the world so that he might not see his own mischance. In his pontificate at Rome there was no plague, no poverty, no war. Letters and the arts flourished, and the vices were also at their height. Alexander and Julius had been wont to seize the inheritance not only of the prelates but of every little priest or clerk who died in Rome. Leo abstained entirely from such practices. Therefore people came in crowds; and it may be said for certain that in the eight years of his papacy, the population of Rome increased by one third.' Vettori prudently refuses to sum up the good and bad of Leo's character in one decisive sentence. He notes, however, that he was blamed for not keeping to his word: 'it was a favorite expression with him, that princes ought to give such answers as would send petitioners away satisfied; accordingly he made so many promises; and fed people with such great expectations, that it became impossible to please them.' [1] P. 313. [2] P. 334. [3] P. 322. [4] P. 338. [5] P. 339. The election of Adrian is attributed by Vettori to the mutual hatred and jealousy of the Cardinals.[1] He ascribes the loss of Rhodes to the Pope's want of interest in great affairs, adds his testimony to his private excellence and public incapacity, and dismisses him without further notice.[2] [1] P. 341. [2] Pp. 343, 347. What he tells us about Clement is more interesting. In the dedication to the _Sommario_ he apologized in express terms for the high opinion recorded of this Pope. Yet the impression which he leaves upon our mind by what he writes is so unfavorable as to make it clear what Clement's foes habitually said against him. He remarks, as one excuse for his ill-success in office, that he succeeded to a Papacy ruined by the prodigality in war and peace of Leo.[1] As knight of Rhodes, as governor of Florence, and as Cardinal, Clement had shown himself an able man. Fortune heaped her favors on him then. As soon as he was made Pope, she veered round. 'From a puissant and respected Cardinal, he became a feeble and discredited Pope.' His first care was to provide for the government of Florence. In order to arrive at a decision, he asked council of the Florentine orators and four other noble burghers then in Rome, as to whether he could advantageously intrust the city to the Cardinal of Cortona in guardianship over Ippolito and Alessandro, the young bastards of the Medici.[2] 'All men nearly,' says Vettori, 'are flatterers, and say what they believe will please great folk, although they think the contrary. Of the thirteen whom the Pope consulted, ten advised him to send Ippolito to Florence under the guardianship of the Cardinal of Cortona.' The remaining three, who were Ruberto Acciajuoli, Lorenzo Strozzi, and Francesco Vettori, pointed out the impropriety of administering a free city through a priest who held his title from a subject town. They recommended the appointment of a Gonfalonier for one year, and so on, till a member of the Medicean family could take the lead. Clement, however, decided on the other course; and to this cause may be traced half the troubles of his reign. [1] P. 348. [2] P. 349. They were 14 and 13 years of age respectively. The greater part of what remains of the _Sommario_ is occupied with the wars and intrigues of Francis, Charles, and Clement. Vettori, it may be said in passing, records a very unfavorable opinion of the Marquis of Pescara, who was, he hints, guilty of first turning a favorable ear to Moroni's plot and then of discovering the whole to his master.[1] A few days after his breach of faith with the Milanese, he fell ill and died. 'He was a man whose military excellence cannot be denied; but proud beyond all measure, envious, ungrateful, avaricious, venomous, cruel, without religion or humanity, he was born to be the ruin of Italy; and it may be truly said that of the evil she has suffered and still suffers, a large part was caused by him.' [1] Pp. 358, 359. Of the breach of faith of Francis, after he had left his Spanish prison, Vettori speaks in terms of the very highest commendation.[1] His refusal to cede Burgundy to Charles was just and patriotic. That he broke his faith was no crime; for, though a man ought rather to die than forswear himself, yet his first duty is to God, his second to his country, Francis was clearly acting for the benefit of his kingdom; and had he not left his two sons as hostages in Spain? The whole defense is a good piece of specious pleading, and might be used to illustrate the chapter on the Faith of Princes in the _Principe_. [1] P. 362. By far the most striking passage in Vettori's _Sommario_ is the description of the march of Frundsberg's and De Bourbon's army upon Rome.[1] He makes it clear to what extent the calamity of the sack was due to the selfishness and cowardice of the Italian princes. First of all the Venetians refused to offer any obstacles before the passage of the Po, feeling that by doing so they might draw trouble on their own provinces. Then the Duke of Ferrara supplied the Lutherans with artillery, of which they hitherto had stood in need. The first use they made of their fire-arms was to shoot the best captain in Italy, Giovanni de' Medici of the Black Bands. The Duke of Urbino, the Marquis of Saluzzo, and Guido Rangoni watched them cross the river and proceed by easy stages through the district of Piacenza, 'following them like lacqueys waiting on their lords.' The same thing happened at Parma and Modena, while the Duke of Ferrara kept supplying the foreigners with food and money. Clement meanwhile was penniless in Rome. Rich as the city was, he had so utterly lost credit that he dared not ask for loans, and was so feeble that he could not rob. The Colonnesi, moreover, who had recently plundered the Vatican, kept him in a state of terror. As the invaders, now commanded by the Constable de Bourbon, approached Tuscany, the youth of Florence demanded to be armed in defense of their hearths and homes. The Cardinal of Cortona, fearing a popular rising, refused to grant their request. A riot broke out, and the Medici were threatened with expulsion: but by the aid of influential citizens a revolution was averted. The Constable, avoiding Florence and Siena, marched straight on Rome, still watched but unmolested by the armies of the League. He left his artillery on the road, and, as is well known, carried the walls of Rome by assault on the morning of May 3, dying himself at the moment of victory. From what has just been rapidly narrated, it will be seen how utterly abject was the whole of Italy at this moment, when a band of ruffians, headed by a rebel from his sovereign, in disobedience to the viceroy of the king he pretended to serve, was not only allowed but actually helped to traverse rivers, plains, and mountains, on their way to Rome. What happened after the capture of the Transteverine part of the city moves even deeper scorn. 'It still remained for the Imperial troops to enter the populous and wealthy quarters; and these they had to reach by one of three bridges. They numbered hardly more than 25,000 men, all told. In Rome were at least 30,000 men fit to bear arms between the ages of sixteen and fifty, and among them were many trained soldiers, besides crowds of Romans, swaggering braggarts used to daily quarrels, with beards upon their breasts. Nevertheless, it was found impossible to get 500 together in one band for the defense of one of the three bridges.' What immediately follows gives so striking a picture of the sack: that a translation of it will form a fit conclusion to this volume. 'The soldiers slew at pleasure; pillaged the houses of the middle classes and small folk, the palaces of the nobles, the convents of both sexes, and the churches. They made prisoners of men, women, and even of little children, without regard to age, or vows, or any other claim on pity. The slaughter was not great, for men rarely kill those who offer no resistance: but the booty was incalculable, in coin, jewels, gold and silver plate, clothes, tapestries, furniture, and goods of all descriptions. To this should be added the ransoms, which amounted to a sum that, if set down, would win no credence. Let any one consider through how many years the money of all Christendom had been flowing into Rome, and staying there in a great measure; let him remember the Cardinals, Bishops, Prelates, and public officers, the wealthy merchants, both Roman and foreign, selling at high prices, letting their houses at dear rents, and paying nothing in the way of taxes; let him call to mind the artisans, the poorer folk, the prostitutes; and he will judge that never was a city sacked of which the memory remains, whence greater store of treasure could be drawn. Though Rome has at other times been taken and pillaged, yet never before was it the Rome of our days. Moreover, the sack lasted so long that what might not perhaps have been discovered on the first day sooner or later came to light. This disaster was an example to the world that men proud, avaricious, envious, murderous, lustful, hypocritical, cannot long preserve their state. Nor can it be denied that the inhabitants of Rome, especially the Romans, were stained with all these vices, and with many greater.' [1] Pp. 372-82. INDEX A Abelard, 9. Adrian VI., 441. Agrippa quoted, 459. Ahmed, 589. Albigenses, 9. Aldi, the, 23. Aleander, 27. Alexander VI., 406, 407 _seq._., 603; death, 430 (see Papacy). Alfonso I. of Naples, 568. Alfonso II., 119, 572. Allegre, 418, Allegretti, works, 292; cited, 165; quoted, 616 America, effects of its discovery, 540. Ammanati, works, 489. Anjou, house of, transfers its claims to Sicily, 539. Appiani, 148. Ariosto, works, 119; cited, 413; quoted, 130 Aristotle, influence of his writings, 197; quoted, 234, 235. Art in Middle Age, 17; effect of religious conventionalism, 18; revolution made by Renaissance, 18, 19. Italian, inimical to ugliness, 490; flourishes under despots, 79. Ascham, R., quoted, 472. B Bacon, Francis, 26; Roger, 9, 10. Baglioni, 122, 148. Barbiano, 159. Bartoli, A., cited, 252. Beccadelli, 174. Bellini, works, 488. Bentivogli, 102, 115, 123. Bergamo, V. da, 618. Bernard, St., 13. Berni cited, 443. Bibbiena, 184; quoted, 190. Bible, discovery of the original, 20. Blood-madness, 109, 589 _seq._ Boccaccio, 11, 20. Boiado, 171. Bologna, 123, 617. Boniface VIII., 76. Borgia, Cesare, 117, 324, 345 _seq._, 426, 577; murders, 352. Borgia, Lucrezia, 419; character cleared of calumny, 420. Borgia, Roderigo (see Alexander VI). Boscoli, P. P., 466. Bracciolini, P., 274. Brantôme quoted, 117. Brescia, 615; Arnold of, 64. Browning, R., quoted, 13. Bruni, L., 274. Buonarottí, 491; works, 19. Burchard cited, 430, 431. Burckhardt cited, 428; quoted, 434. Burton, Robert, cited, 475. Bussolaro, J. del, 610. Byzantine empire, effect of its fall, 14 C Capistrano, G. da, 615. Capponi, P., 284, 563. Carducci, 284, 289; works, 293. Carmagnuola, F., 161. "Carmina Burana," 9. Carrara, 149. Carroccio, 58. Castiglione, works, 183, 457. Catholic Church (see Papacy). Support of Church required by good society, 455; philosophy and theology fused, 456; religion divorced from morality, 462, 493; influence of ancient literature, 464; æstheticism, 465; humanism antagonistic to Christianity, 493; its corruption, 448 _seq._; not universal, 470; immorality of priests, 458, 459; superstition, 466; relics, 461; sanctity of pope, 462; power of forms, 471; counter-reformation, 25; power of ecclesiastical eloquence, 491; revivals, 490, 606 _seq_.; indestructable vigor of religious faith, 469. Cellini, B., 104, 462, 492; memoirs, 325. Charles VIII. (see Italy, history), 540 _seq_.; escape, 580. Charles of Anjou, 75. Charles the Great, 50. Chivalry, 483. Christianity (see Catholic Church, Morals), influence in forming modern society, 7; how affected by Renaissance, 25. Clement VII., 443, 633. Colonnesi, 375. Columbus, 15. Comines cited, 416; quoted, 214, 475, 541, 553, 572, 578. Condottieri, 86, 113, 131, 156 _seq_.; 245, 361; character of warfare, 102, 363. Compagni, Dino, chronicle of, 262; its authenticity, 266 _seq_. Copernicus, 15. Corio, works, 292; quoted, 135, 143, 145, 152. 160, 385, 391, 392, 619. Coryat, T., quoted, 475. Croce, della, 614. Cromwell, 454. Cruelty (see Blood-madness), instances of, 151, 478, 571; of French, 557, 583; its use, 354. Crusades, 7. D Dante, political views, 261; works, 10, 11, 73, 260; quoted, 73, 76, 77, 133. Democratic idea, its gradual growth, 8. Dennistoun cited, 160. Descartes, 26. Djem, 415, 566, 576. Dürer, works, 490; cited, 475. E Erasmus, 24, 27. Este, house of, 395, 420; Nicolo, 168. F Fanfoni, P., cited, 263, 268. Feltre, V. da, 171, 176. Ferdinand of Arragon, 296, 358; of Naples, 570. Ferrara, 499, 617; court, 423. Ficino, 175, 456. Fiesole, G. da, Works, 488. Filelfo, 171; quoted, 381. Flora, Joachim of, 9. Florence, its constitution, 195, 201, 592, 596, 598; number of citizens, 598; parties, 211; perpetual flux, 221; government by merchants, 225; the "parlamento," 230; cause of failure of popular government, 231; population, 256; the "arti," 597; militia, its value, 601; Machiavelli's reforms, 312; revenues, 255; topography, 595; history (see Italy), rule of the Medici, 277, 305, 629, years 1527-31, 282; recovers liberty through the French, 560; occupation, 562; commonwealth, 282; divisions of popular party, 283; siege, 285; effect of Savonarola's prophecies, 290; Pazzi conspiracy, 398; final subjugation, 446; character of its historians, 248 _seq_., 274. Society, character of people, 600; their enlightenment and immorality, 504; absence of religious faith, 295; excess of intellectual mobility, 237; commercial character, 238; social life, 242. A city of intelligence, 232, 246. Fondulo, G., 463. Ford, J., cited, 477. Foscari, F., 215; quoted, 600. Francia, works, 489. Frattcelli, 9. Frederick I., 63. Frederick II., 10, 68, 105. Froben, J., 23. G Gambacorta, 147. Gemistos Plethon, 173. Genezzano, 506, 522. Genoa, 79; history, 201. Giacomini, 313. Giannotti cited, 217; quoted, 169, 196, 216, 238, 278, 280. Giotto, works, 488. Giovio, quoted, 249. God, medieval idea of, 16. Gonzaghi, 146. Government, Guicciardini's theories, 305. [See Machiavelli.] Graziani quoted, 614. Greek, knowledge of, in Renaissance, 182. Greene, R., quoted, 473. Gregorovius cited, 421, 430, 479,. Guarino, 171. Guarnieri, 158. Guelphs and Ghibeliines, 69, 206. Guicciardini, 278, 280, 285, 295, 482; works, 291, 294, 301 _seq_.; political theories analyzed, 304 _seq_.; quoted, 44, 91, 92, 119, 169, 223, 284, 404, 409, 412, 417, 431, 434, 451, 536. 541. 547, 549, 582, 583, 603. H Hawkwood, J., 113. Hegel quoted, 367. Hegel, C, cited, 252. Heribert, 58. Hildebrand, 59. Hirsch cited, 567. Hogarth, works, 490. Howell cited, 473. Hussites, 9. Hutten, 27. I Infessura, works, 292; cited, 405; quoted, 395, 404, 474, Innocent VIII., 403. Inquisition in Spain, 399. Inventions of Renaissance, 29. Italy, history (see Condottieri, Papacy), its character, 32; papacy and empire, 33, 41, 43, 94, 97, 99; variety of governments, 35, 43; their influence on national development, 44; politics, 36; invasions, 39; want of historical continuity, 41; the despotisms, 42; origin of modern history, 46; the Lombards, 48; Charles the Great, 51; Berengar, 52; Otho I., 52; growth of power of Church, 53; Frederick I., 63; Charles of Anjou, 75; convulsions of 14th century, 81; states of 15th century, 88; obstacles to unity, 89; to monarchy, 92; to federalism, 95; in time of Machiavelli, 365; policy of Lorenzo, 543; equilibrium destroyed, 545; French invasion, 549; character of their army, 565; league against them, 576; cause of their failure, 340; effect of their example, 583; on other nations, 585; Charles V., 98. Italians incapable of helping themselves, 586; responsible for their despots, 115; development precocious and unsound, 495; fatal effects of want of union, 538, 552. _The Republics_, character of their history, 33, 193; beginning of the power of the cities, 53; their origin, 54; count and bishop, 55; "people," 55; commune, 56; consuls, 56; effect of struggle of papacy and empire, 61; influence of latter, 198; Guelphs and Ghibeliines, 69, 80, 206; wars of cities, 62; Frederic I., 64; struggle with nobles, 66; the podesta, 67; "captain of the people," 71; the "arti," 72; distinction between parties, 74; not representative governments, 196; not democratic, 195; factions, 195, 210; small number of active citizens, 209; temporal character of alliances, 212. _The Despotisms_, 42, 76; their justification, 83; idea of liberty, 78; republican freedom unknown, 91; policy commercial, 85; taxation, 86; diplomacy substituted for warfare, 87; illegitimacy, 102; good government, 103; bad effect of their example, 104; courts, 106, 186; varieties of despotisms, 109; claims of despots due to force, not rank, 116; their democratic character, 117; uncertainty of tenure of power, 117, 129; domestic crime, 119; murders, 120; tastes and pursuits, 126; degeneracy of their houses, 126, 151; bad effects of rule, 130; centralizing tendencies, 131; cruelty, 151; absence of all morality, 168. _Society_. Why Italy took the lead in the Renaissance, 5; Italians gentle and humane, 478; not gluttons, 479; personal originality not discouraged, 488; Italy originates type of gentleman, 192; courtiers, idea of nobility, 186; community of interest with that of Roman Church, 470; immorality not great relatively, 487; superiority to their contemporaries, 489; purity of their art shows that heart of the people was not vitiated, 488; commercial integrity, 474; demoralization of society, 472; immorality came from above, 489; commonness of crime, 170, 480; exceptions to rule, 183; murders, 480; deficiency in sense of honor, 481; chastity in women, 486; unnatural passions, 477; charms of illicit love, 476; immoral literature, 475. Literature, early, 53. J Jews, expulsion from Spain, 400. Julia, daughter of Claudius, 22, 23. Julius II., 389, 406, 432 seq. L Lecce, Roberto da, 614. Leo X., 435, 630. Libraries of Renaissance, 21. Locke, J., 26. Lombards, 48 seq. London, mediæval, 137. Louis XII., 339. Luini, works, 489. Lungo, del, cited, 273. Luther, 26, 442, 454, 530. M Macaulay on the despots, 127, 320. Machiavelli, 232, 278, 308 seq.; property, 309; education, 310; political career, 311; cringing character, 317; intercourse with Cesare Borgia, 347; compared with Savonarola, 368; last years, 328; death, 333. Works, 76, 169, 203, 249, 332, 369, 457, 494; military system, 312; Art of War, 328; History, 331; The Prince, 319; object in writing it, 321; appeal to the Medici, 366; apology for the author, 367; morality of the work, 324-6; author's sincerity, 333; not the inventor of Machiavellianism, 335; it assumes Reparation of statecraft and morality, 335; an abstract of political expediency, 336; how permanently to assimilate provinces, 338; colonies, 338; founders of monarchies, 343; distinction between monarch and despot, 341; use of cruelty, 354; value of distrust, 358; military precautions, 360; the work condemned by the Inquisition, 336; opinion of it in France, 326; quoted, 45, 82, 84, 96, 98, 115, 116, 146, 152, 187, 202, 214, 215, 245, 325, 447, 450, 453, 460. Madonna, conventional idea of, 18. Malatesta, 172. Malespini, chronicle, 251. Mantegna, works, 489. Mantuanus, B., quoted, 394. Marlowe quoted, 336. Marston, cited, 473, 475. Massa, B. da, 611. Masuccio quoted, 458, 486. Matarazzo, works, 292; quoted, 583. Medici, their policy, 87, 90, 128, 155, 228, 230; expulsion, 222; connection with papacy, 404; services to literature, 600. Alessandro, 298; Cosimo, 300, 492; Lorenzo, 504, 628; death, 523; Piero, 558. Michelet quoted, 15, 585. Middle Age: mental condition, 6, 13; inaccessibility to mental ideas, 7; political character, 8; art, 17; scholarship, 20. Milan, 58; Visconti and Sforza, 154. Milman quoted, 530. Milton, 454. Mirandola, 171, 456, 520; quoted, 401, 511. Monaldeschi, L. B., 252. Montferrat, 146. Montone, B. da, 123, 159. Morals (see Italy, society; Papacy, court; Virtu;) in Cellini's memoirs, 325; sexual immorality,474; tyrannicide defended, 468. Müntz, E., cited, 384. Muzio quoted, 174. N Naples (see Italy), attraction for foreigners, 566; claims of house of Anjou, 539; flight of king, 574. Nardi, 278, 280, 290; works, 291; quoted, 292, 511, 534, 592. Nerli, 278, 290; works, 293 seq.; quoted, 328. Nicholas V., 378. Normans In Italy, 58. O Olgiati, 166. Orsini, 375. Otho 1., 52. P Pamponazzo, 456. Pandolfini, 239; works, 241. Papacy (see Catholic Church), "the ghost of the Roman empire," 6; church and state, 8; Charles the Great, 51; imperial nominees, 59; change in mode of election, 60; effect of crushing the Hohenstauffen, 101; nepotism, 114; authority in 14th century, 371, 375; secularization, 371, 375; temporal power, 376; its consolidation, 378; its extent, 434; persecution, 402; of Platonists, 417; its effect, 418; plan to transform Papacy to kingdom, 392; sale of pardons, 404, 439; no horror felt at election of Alexander VI., 410; Turks invited to Italy, 415, 551; censure of press, 416: alliance with France, 427, 566; political crimes of Alexander VI., 428; tide turns with Julius II., 433; reforms of Adrian VI., 441; moral advantage of sack of Rome, 445. Court, 372; its scandalous history, 390, 403, 411, 414, 420, 424, 439, 457; extravagance, 390, 436, 437; extortion, 437; monopolies, 394; nepotism, 419, 438; simony, 394, 405, 414; art patronage, 384, 401, 433, 436. Paterini, 9. Paul II., 383. Pazzi conspiracy, 396. Perrotti quoted, 179. Perugia, 612. Pescara, marquis of, 634. Petrarch, 11, 20; quoted, 250. Piccolomini (see Pius II.). Pisa, 342, 560. Pitti, 275, 280; works, 291, Pius II., 380. Poggio quoted, 187. Poliziano, 171, Poontano cited, 481. Printers of Renaissance, 23, Provence, civilization of, 9. Puritanism, 25, 37. R Raffaella quoted, 483. Raphael, works, 488. Reformation, 433; how affected by Renaissance, 27. Rembrandt, works, 490. Renaissance (see Middle Age), not synonymous with "revival of learning," 1; not completed, 2; extent of signification, 2-3; origin, 4; idea not separable from "Reformation," "Revolution," 5; effect on old beliefs, 14, 16; all its tendencies worldly, 455; restores double past, Christian and pagan, 506; obstacles in the way, 5; preparation, 9; opposition of the Church, 10; character of the men, 12; discoveries, 15; scholarship, 20; assimilation of paganism, 25; reaction against enlightenment, 25; inventions, 29. Reuchlin, 27. Reumont, A. von, cited, 212, 524. Ripamonti quoted, 163, 167. Robbia, works, 489. Romagna, 349. Romano, Ezzelino da, 69, 75, 106, 119; Giulio, works, 490. Rome (see Italy, Papacy), effect of its ruins, 253; appearance at time of French occupation, 564; early mediæval history, 47; opposition to Lombards, 49; government semi-independent of pope, 376; advantages derived from presence of papal court, 377; improvements under Nicholas V., 378; impunity of criminals, 405; factions destroyed, 413; rising of Colonnas, 443; sack, 444, 636; prostitutes, 474. Romeo and Juliet, 74, Rosellini, works, 489, Rosenbaum cited, 567. Royere, F. della (see Sixtus IV.); Francesco Maria, 393; Giuliano (see Julius II,); Pietro, 390. Rubens, works, 490. S Sadoleto, quoted, 446. Savelli, 375. Savonarola, 202, 221, 230, 277, 283, 290, 345, 368, 453, 454, 456, 491, 498 seq., 561, 622; poems, 502; settles in Florence, 504; portraits, 508; eloquence, 510; creed, 513; prophecies, 514; political career, 526; hatred of secular culture, 527; dares not break with Rome, 531; martyrdom, 533; works, 536; quoted, 128. Savoy, 146. Scala, della, family, 145, 258. Scheffer-Bolchorst cited, 252, 269. Segal, 278, 280, 289; works 292, seq. Sforza family, 131 seq.; their magnificience, 164; to be made kings of Lombardy, 392; Francesco, 153, 159 seq., 345; Galeazzo, 165; Ludovico, 543 seq. Shelley cited, 477. Siena, 207, 616. Sismondi quoted, 138, 144, 159, 226, 533. Sixtus IV., 388 seq., 502. Soderini, P., 289, 324. Spaniards, cruelty of, 478. Spinoza, 26. Stendhal cited, 482. Stephani, the, 23. Strozzi, Ercole, 423; F., 285. Swiss, 450. Syphilis, history of, 567. T Tasso, 486. Temporal Power (see Papacy). Tenda, Beatrice di, 152. Theodoric, 47. Theology, effect of Renaissance upon, 16. Tiraboschi, quoted, 173. Titian, works, 19 Torre, della, 132. Trinci, 122. U Urbino, dukes of, 174 seq., 393, 438. V Valois, Charles of, 76. Varani, 121. Varchi, 278, 290; works, 279, 303 seq.; quoted, 204, 244, 505. Venice, 79, 88, 91; an exception among the republics, 195, 214; constitution, 215; the Ten, 218; fascination exercised by government, 220; military system, 220; no initiative mining citizens, 233; compared with Sparta, 234; indifference to prosperity of Italy, 550. Vespusiano quoted, 174, 477, 612. Vettori, F., 624; works, 626. Vicenza, John of, 607. Villani, M., works, 251 seq., quoted, 128, 139. Villari, quoted, 195, 500. Vinci, da, 326, 548; works, 489. Virgil, 20. Virtu, 171, 337, 345, 484, 493. Visconti, family, 131 seq.; their realm falls to pieces, 150; Filippo, 152; Gisa, 141; Violante, 137. W Webster, J., quoted, 119, 557. Witchcraft persecutions, 402. Y Yriarte, quoted, 210, 217. *** END OF THE PROJECT GUTENBERG EBOOK RENAISSANCE IN ITALY, VOLUME 1 (OF 7) *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Chapters

1. Chapter 1 2. CHAPTER I. 3. CHAPTER II. 4. CHAPTER III. 5. CHAPTER IV. 6. CHAPTER V. 7. CHAPTER VI. 8. CHAPTER VII. 9. CHAPTER VIII. 10. CHAPTER IX. 11. CHAPTER X. 12. CHAPTER I. 13. CHAPTER II. 14. 1494. Up to that date the more recent wars of Italy had been principally 15. CHAPTER III. 16. 1465. In the disorganization caused by Charles VIII., Vidovero of 17. 316. Yet Giovio calls him a just and firm ruler, stained only with 18. CHAPTER IV. 19. 1536. Cosimo succeeded in the same year, and won the title of Grand 20. book iii. sections 20-22, and Nardi, book i. cap. 4, which give 21. CHAPTER V. 22. 4. _Die Chronik des Dino Compagni, Kritik der Hegelschen Schrift_, 23. 1251. See the discussion of this question, as also of the authorship 24. 1455. Their histories are composed in Latin, and savor much of the 25. 83. Compare p. 134): 'Esemplo a' dì nostri ne è grandissimo questa 26. part 2, p. 318. 27. 318. His _Ricordi Politici_ amply justify the second, though 28. 202. Guicciardini is discussing the appointment of Cosimo de' 29. introduction to Macaulay's Essay on Machiavelli, I need hardly enter in 30. CHAPTER VI. 31. CHAPTER VII. 32. chapter 17. 33. 1487. This led to Giovanni de' Medici receiving a Cardinal's hat at the 34. 1540. Giulio was released in 1559 and died, aged eighty-three, in 1561. 35. 1521. During the heyday of his splendor he spent 8,000 ducats monthly 36. CHAPTER VIII. 37. CHAPTER IX. 38. book ii., and the _Memoirs_ of De Comines. 39. 1573. Of the rest we hear only of prolonged torture before stupid and 40. CHAPTER X. 41. 1483. He was then aged only thirteen, and was still governed by his 42. 229. Read also the short account of the massacre of the Barons 43. 1527. The events of the Siege must have surprised Marco 44. 431. It is here worth noticing that Siena, the city of civil 45. 1536. Even when he seemed to favor a republican policy, he continued in

Reading Tips

Use arrow keys to navigate

Press 'N' for next chapter

Press 'P' for previous chapter