Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds
1536. Even when he seemed to favor a republican policy, he continued in
9517 words | Chapter 45
secret stanch to the family by whom he hoped to obtain honors and
privileges in the state. Like all the Ottimati, so furiously abused by
Pitti, Francesco Vettori found himself at last deceived in his
expectations. To the Medici they sold the freedom of their native city,
and in return for this unpatriotic loyalty they were condemned to exile,
death, imprisonment, or frosty toleration by the prudent Cosimo. Two
years after Cosimo had been made Duke, Vettori died, aged upwards of
sixty, without having shared in the prosperity of the princes to whose
service he had consecrated his life and for whose sake he had helped to
enslave Florence. To respect this species of fidelity, or to feel any
pity for the men who were so cruelly disappointed of their selfish
expectations, is impossible.
[1] Printed in _Arch. Stor. It._ Appendice No. 22, vol. vl.
Francesco Vettori held offices of importance on various occasions in the
Commonwealth of Florence. In 1520, for example, he entered the Signory;
and in 1521 he was Gonfalonier of Justice. Many years of his life were
spent on foreign missions, as ambassador to the Emperor Maximilian,
resident ambassador at the Courts of Julius and Leo, ambassador together
with Filippo Strozzi to the Court of Francis I., and orator at Rome on
the election of Clement. He had therefore, like Machiavelli and
Guicciardini, the best opportunities of forming a correct judgment of
the men whose characters he weighed in his _Sommario_, and of obtaining
a faithful account of the events which he related. He deserves a place
upon the muster-roll of literary statesmen mentioned by me in chapter
V.; nor should I have omitted him from the company of Segni and Varchi,
had not his history been exclusively devoted to an earlier period than
theirs. At the same time he was an intimate friend both of Guicciardini
and Machiavelli. Some of the most precious compositions of the latter
are letters addressed from Florence or San Casciano to Francesco
Vettori, at the time when the ex-war-secretary was attempting to gain
the favor of the Medici. The clairvoyance and acuteness, the cynical
philosophy of life, the definite judgment of men, the clear
comprehension of events, which we trace in Machiavelli, are to be found
in Vettori. Vettori, however, had none of Machiavelli's genius. What he
writes is, therefore, valuable as proving that the Machiavellian
philosophy was not peculiar to that great man, but was shared by many
inferior thinkers. Florentine culture at the end of the fifteenth
century culminated in these statists of hard brain and stony hearts, who
only saw the bad in human nature, but who were not led by cynicism or
skepticism to lose their interest in the game of politics.
In the dedication of the _Sommario della Storia d' Italia_ to Francesco
Scarfi, Vettori says that he composed it at his villa, whither he
retired in 1527. I do not purpose to extract portions of the historical
narrative contained in this sketch; to do so indeed would be to
transcribe the whole, so closely and succinctly is it written; but
rather to quote the passages which throw a light upon the opinions of
Machiavelli and Guicciardini, or confirm the views of men and morals
adopted in my previous chapters.
After touching on the sack of Prato and the consternation which ensued
in Florence, Vettori describes the return of the Medici in 1512.
Giuliano, the son of Lorenzo, was the first to appear: after him came
the Cardinal Giovanni, and Giuliano's son Giulio.[1] The elder among
their partisans persuaded them to call a Parlamento and assume the
government in earnest. On September 16, accordingly, the Cardinal took
possession of the palace, _fece pigliare il Palazzo_; the Signory
summoned the people into the piazza--a mere matter of form; a Balia of
forty men was appointed; the Gonfalonier Ridolfi resigned; and the city
was reduced to the will and pleasure of the Cardinal de' Medici. Then
reasons sons Vettori:[2] 'This was what is called an absolute tyranny;
yet, speaking of the things of this world without prejudice and
according to the truth, I say that if it were possible to institute
republics like that imagined by Plato, or feigned to exist in Utopia by
Thomas More, we might affirm they were not tyrannical governments: but
all the commonwealths or kingdoms I have seen or read of, have, it seems
to me, a savor of tyranny. Nor is it a matter for astonishment that
parties and factions have often prevailed in Florence, and that one man
has arisen to make himself the chief, when we reflect that the city is
very populous, that many of the burghers desire to share in its
advantages, and that there are few prizes to distribute: wherefore one
party always must have the upper hand and enjoy the honors and benefits
of the state, while the other stands by to watch the game.' He then
proceeds to criticise France, where the nobles alone bear arms and pay
no taxes, and where the administration of justice is slow and expensive;
and Venice, where three thousand gentlemen keep more than 100,000 of the
inhabitants below their feet, unhonored, powerless, unprivileged,
oppressed. Having demonstrated the elements of tyranny and injustice
both in a kingdom and a commonwealth reputed prosperous and free, he
shows that, according to his own philosophy, no blame attaches to a
burgher who succeeds in usurping the sole mastery of a free state,
provided he rule wisely; for all kingdoms were originally founded either
by force or by craft. 'We ought not therefore to call that private
citizen a tyrant who has usurped the government of his state, if he be a
good man; nor again to call a man the real lord of a city who, though he
has the investiture of the Emperor, is bad and malevolent.' This
critique of constitutions from the pen of a doctrinaire, who was also a
man of experience, is interesting, partly for its positive frankness,
and partly as showing what elementary notions still prevailed about the
purposes of government. Vettori's ultimate criterion is the personal
quality of the ambitious ruler.
[1] Giovanni and Giulio were afterwards Leo X. and Clement VII.
[2] P. 293.
Passing to what he says about Leo X.,[1] it is worth while to note that
he attributes his election chiefly to the impression produced upon the
Cardinals by Alexander and Julius. 'During the reign of two fierce and
powerful Pontiffs, Cardinals had been put to death, imprisoned, deprived
of their property, exiled, and kept in continual alarm; and so great was
the dread among them now of electing another such Pope, that they
unanimously chose Giovanni de' Medici. Up to that time he had always
shown himself liberal and easy, or, rather, prodigal in squandering the
little that he owned; he had moreover managed so to dissemble as to
acquire a reputation for most excellent habits of life.' Vettori adds
that his power in Florence helped him, and that he owed much to the
ability displayed by Bernardo da Bibbiena in winning votes. The joy of
the Florentines at his election is attributed to mean motives: 'being
all of them given over to commerce and gain, they thought they ought to
get some profit from this Papacy.'[2]
The government which Lorenzo, afterwards Duke of Urbino, now established
in Florence is very favorably described by Vettori.[3] 'Lorenzo, though
still a young man, applied himself with great attention to the business
of the city, providing that equal justice should be administered to all,
that the public moneys should be levied and spent with frugality, and
that disputes should be settled to the satisfaction of all parties. His
rule was tolerated, because, while the revenues were large and the
expenses small, the citizens were not troubled with taxes; and this is
the chief way to please a people, seeing their affection for a prince is
measured by the good they get from him. Taking this opinion of Lorenzo,
it is possible for Vettori in another place to say of him that 'he
governed Florence like a citizen;'[4] and on the occasion of his death
in 1520, he passes what amounts to a panegyric on his character. 'His
death was a misfortune for Florence, which it would be difficult to
describe. Though young, he had the qualities of virtuous maturity. He
bore a real affection toward the citizens, was parsimonious of the
moneys of the Commune, prodigal of his own; while a foe to vice, he was
not too severe on those who erred. Though he began his military life at
twenty-three, he always bore the cuirass of a man at arms upon his
shoulders day and night on active service. He slept very little, was
sober in his diet, temperate in love. The Florentines did not love him,
because it is not possible for men used to freedom to love a ruler; but
he, for his part, had not sought the office which was thrust upon him by
the will of others. Madonna Alfonsina, his mother, brought unpopularity
upon him; for she was avaricious, and the Florentines, who noticed every
detail, thought her grasping: and though he wanted to restrain her, he
found himself unable to do so through the high esteem in which he held
her. Maddalena, his wife, died six days before him, after giving birth
to a daughter Catherine.' This is the, no doubt, highly favorable
portrait of the man to whom Machiavelli dedicated his _Principe_. The
somewhat negative good qualities of Lorenzo, his prudence and parsimony,
his freedom from despotic ambition, and dislike of dangerous service,
combined with his deference to the powerful members of his own family,
are very unlike Machiavelli's ideal of the founder of a state. Cesare
Borgia was almost the exact opposite. The impression produced by
Vettori's panegyric is further confirmed by what he says about
Lorenzo's disinclination to undertake the Duchy of Urbino.[5]
[1] P. 297.
[2] P. 300.
[3] Ibid.
[4] P. 306.
[5] P. 321. See too p. 307.
But to return to the early days of Leo's pontificate. Vettori marks his
interference in the affairs of Lucca as the first great mistake he
made.[1] His advisers in Florence had not reflected 'what infamy it
would bring upon the Pope in the opinion of all men, or what suspicion
it would rouse among the princes, if in the first months of his power he
were led to sanction an attack by the Florentines upon the Lucchese,
their neighbors and allies. How too could the burghers of Florence, who
had urged him to this step, remind the pontiff that he ought to moderate
his desire of gaining dominion for the Church and for his kin, by the
example of former Popes, all of whom, in the interest of their
dependents, had acquired to their own dishonor with peril and expense
what in a few days upon their death returned to the old and rightful
owners?' The conduct of Leo with regard to Lucca, his policy in
Florence, and the splendor maintained by his brother at Rome, did in
fact rouse the jealousy of the Italian powers both great and small.[2]
'King Ferdinand remarked: If Giuliano has left Florence, he must be
aiming at something better, which can be nothing but the realm of
Naples. The Dukes of Milan, Ferrara, and Urbino said the same. The
Sienese thought: If the pope allows the Florentines to attack Lucca,
which is so strong, well furnished, and harmonious, far more will he
consent to their encroaching upon us, who are weak, ill-provided, and at
odds among ourselves. The Duke of Ferrara had further reasons for
discontent in respect to Modena and Reggio.' Altogether, Leo began to
lose credit. Secret alliances were formed against him by the della
Rovere, the Baglioni, and the Petrucci; and though he took care to
attend public services and to fast more than etiquette required, nobody
believed in him. Vettori's comment reads like an echo of Machiavelli and
Guicciardini.[3] 'Assuredly it is most difficult to combine temporal
lordship with a reputation for religion: for they are two things which
will not harmonize. He who well considers the law of the Gospel will
observe that the pontiffs, though called Christ's Vicars, have
originated a new religion unlike that of Christ except in name. His
enjoins poverty; they desire riches. He preached humility; they follow
after pride. He commanded obedience; they aim at universal sovereignty.
I could enlarge upon their other vices; but it is enough to allude to
these, without entering into inconvenient discourses.' While treating of
the affairs of Urbino,[4] however, Vettori remarks that Leo could not
have done otherwise than punish Francesco Maria della Rovere, if he
wished to maintain the Papacy at the height of reputation to which it
had been raised by his predecessors.
[1] P. 301.
[2] P. 303.
[3] P. 304.
[4] P. 319.
In his general estimate of Leo, Vettori confirms all that we know about
this Pope from other sources. He insists more perhaps than other
historians upon the able diplomacy by which Lodovico Canossa, Bishop of
Tricarico, made terms with Francis after Marignano,[1] and traces Leo's
fatal alliance with Charles V. in 1520 to the influence of Jeronimo
Adorno.[2] The secret springs of Leo's conduct, when he was vainly
endeavoring to steer to his own profit between the great rivals for
power in Europe, are exposed with admirable precision at both of these
points. Of the prodigality which helped to ruin this Pope, and which
made his two successors impotent, he speaks with sneering sarcasm. 'It
was as easy for him to keep 1,000 ducats together as for a stone to fly
into the air by its own weight.'[3] When the news of the capture of
Milan reached him on November 27, 1520, Leo was at the Villa Magliana in
the neighborhood of Rome.[4] Whether he took cold at a window, or
whether his anxiety and jealousy disturbed his constitution, Vettori
remains uncertain. At any rate, he was attacked with fever, returned to
Rome, and died. 'It was said that his death was caused by poison; but
these stories are always circulated about men of high estate, especially
when they succumb to acute disease. Those, however, who knew the
constitution and physical conformation of Leo, and his habits of life,
will rather wonder that he lived so long.' After summing up the
vicissitudes of his career and passing a critique upon his vacillating
policy, Vettori resumes:[5] 'while on the one hand he would fain have
never had one care to trouble him; on the other he was desirous of fame
and sought to aggrandize his kindred. Fortune, to rid him of this
ambition, removed his brother and his nephew in his lifetime. Lastly,
when he had engaged in a war against the King of France, in which, if he
won, he lost, and was going to meet obvious ruin, fortune removed him
from the world so that he might not see his own mischance. In his
pontificate at Rome there was no plague, no poverty, no war. Letters and
the arts flourished, and the vices were also at their height. Alexander
and Julius had been wont to seize the inheritance not only of the
prelates but of every little priest or clerk who died in Rome. Leo
abstained entirely from such practices. Therefore people came in crowds;
and it may be said for certain that in the eight years of his papacy,
the population of Rome increased by one third.' Vettori prudently
refuses to sum up the good and bad of Leo's character in one decisive
sentence. He notes, however, that he was blamed for not keeping to his
word: 'it was a favorite expression with him, that princes ought to give
such answers as would send petitioners away satisfied; accordingly he
made so many promises; and fed people with such great expectations, that
it became impossible to please them.'
[1] P. 313.
[2] P. 334.
[3] P. 322.
[4] P. 338.
[5] P. 339.
The election of Adrian is attributed by Vettori to the mutual hatred and
jealousy of the Cardinals.[1] He ascribes the loss of Rhodes to the
Pope's want of interest in great affairs, adds his testimony to his
private excellence and public incapacity, and dismisses him without
further notice.[2]
[1] P. 341.
[2] Pp. 343, 347.
What he tells us about Clement is more interesting. In the dedication to
the _Sommario_ he apologized in express terms for the high opinion
recorded of this Pope. Yet the impression which he leaves upon our mind
by what he writes is so unfavorable as to make it clear what Clement's
foes habitually said against him. He remarks, as one excuse for his
ill-success in office, that he succeeded to a Papacy ruined by the
prodigality in war and peace of Leo.[1] As knight of Rhodes, as governor
of Florence, and as Cardinal, Clement had shown himself an able man.
Fortune heaped her favors on him then. As soon as he was made Pope, she
veered round. 'From a puissant and respected Cardinal, he became a
feeble and discredited Pope.' His first care was to provide for the
government of Florence. In order to arrive at a decision, he asked
council of the Florentine orators and four other noble burghers then in
Rome, as to whether he could advantageously intrust the city to the
Cardinal of Cortona in guardianship over Ippolito and Alessandro, the
young bastards of the Medici.[2] 'All men nearly,' says Vettori, 'are
flatterers, and say what they believe will please great folk, although
they think the contrary. Of the thirteen whom the Pope consulted, ten
advised him to send Ippolito to Florence under the guardianship of the
Cardinal of Cortona.' The remaining three, who were Ruberto Acciajuoli,
Lorenzo Strozzi, and Francesco Vettori, pointed out the impropriety of
administering a free city through a priest who held his title from a
subject town. They recommended the appointment of a Gonfalonier for one
year, and so on, till a member of the Medicean family could take the
lead. Clement, however, decided on the other course; and to this cause
may be traced half the troubles of his reign.
[1] P. 348.
[2] P. 349. They were 14 and 13 years of age respectively.
The greater part of what remains of the _Sommario_ is occupied with the
wars and intrigues of Francis, Charles, and Clement. Vettori, it may be
said in passing, records a very unfavorable opinion of the Marquis of
Pescara, who was, he hints, guilty of first turning a favorable ear to
Moroni's plot and then of discovering the whole to his master.[1] A few
days after his breach of faith with the Milanese, he fell ill and died.
'He was a man whose military excellence cannot be denied; but proud
beyond all measure, envious, ungrateful, avaricious, venomous, cruel,
without religion or humanity, he was born to be the ruin of Italy; and
it may be truly said that of the evil she has suffered and still
suffers, a large part was caused by him.'
[1] Pp. 358, 359.
Of the breach of faith of Francis, after he had left his Spanish prison,
Vettori speaks in terms of the very highest commendation.[1] His refusal
to cede Burgundy to Charles was just and patriotic. That he broke his
faith was no crime; for, though a man ought rather to die than forswear
himself, yet his first duty is to God, his second to his country,
Francis was clearly acting for the benefit of his kingdom; and had he
not left his two sons as hostages in Spain? The whole defense is a good
piece of specious pleading, and might be used to illustrate the chapter
on the Faith of Princes in the _Principe_.
[1] P. 362.
By far the most striking passage in Vettori's _Sommario_ is the
description of the march of Frundsberg's and De Bourbon's army upon
Rome.[1] He makes it clear to what extent the calamity of the sack was
due to the selfishness and cowardice of the Italian princes. First of
all the Venetians refused to offer any obstacles before the passage of
the Po, feeling that by doing so they might draw trouble on their own
provinces. Then the Duke of Ferrara supplied the Lutherans with
artillery, of which they hitherto had stood in need. The first use they
made of their fire-arms was to shoot the best captain in Italy, Giovanni
de' Medici of the Black Bands. The Duke of Urbino, the Marquis of
Saluzzo, and Guido Rangoni watched them cross the river and proceed by
easy stages through the district of Piacenza, 'following them like
lacqueys waiting on their lords.' The same thing happened at Parma and
Modena, while the Duke of Ferrara kept supplying the foreigners with
food and money. Clement meanwhile was penniless in Rome. Rich as the
city was, he had so utterly lost credit that he dared not ask for loans,
and was so feeble that he could not rob. The Colonnesi, moreover, who
had recently plundered the Vatican, kept him in a state of terror. As
the invaders, now commanded by the Constable de Bourbon, approached
Tuscany, the youth of Florence demanded to be armed in defense of their
hearths and homes. The Cardinal of Cortona, fearing a popular rising,
refused to grant their request. A riot broke out, and the Medici were
threatened with expulsion: but by the aid of influential citizens a
revolution was averted. The Constable, avoiding Florence and Siena,
marched straight on Rome, still watched but unmolested by the armies of
the League. He left his artillery on the road, and, as is well known,
carried the walls of Rome by assault on the morning of May 3, dying
himself at the moment of victory. From what has just been rapidly
narrated, it will be seen how utterly abject was the whole of Italy at
this moment, when a band of ruffians, headed by a rebel from his
sovereign, in disobedience to the viceroy of the king he pretended to
serve, was not only allowed but actually helped to traverse rivers,
plains, and mountains, on their way to Rome. What happened after the
capture of the Transteverine part of the city moves even deeper scorn.
'It still remained for the Imperial troops to enter the populous and
wealthy quarters; and these they had to reach by one of three bridges.
They numbered hardly more than 25,000 men, all told. In Rome were at
least 30,000 men fit to bear arms between the ages of sixteen and fifty,
and among them were many trained soldiers, besides crowds of Romans,
swaggering braggarts used to daily quarrels, with beards upon their
breasts. Nevertheless, it was found impossible to get 500 together in
one band for the defense of one of the three bridges.' What immediately
follows gives so striking a picture of the sack: that a translation of
it will form a fit conclusion to this volume. 'The soldiers slew at
pleasure; pillaged the houses of the middle classes and small folk, the
palaces of the nobles, the convents of both sexes, and the churches.
They made prisoners of men, women, and even of little children, without
regard to age, or vows, or any other claim on pity. The slaughter was
not great, for men rarely kill those who offer no resistance: but the
booty was incalculable, in coin, jewels, gold and silver plate,
clothes, tapestries, furniture, and goods of all descriptions. To this
should be added the ransoms, which amounted to a sum that, if set down,
would win no credence. Let any one consider through how many years the
money of all Christendom had been flowing into Rome, and staying there
in a great measure; let him remember the Cardinals, Bishops, Prelates,
and public officers, the wealthy merchants, both Roman and foreign,
selling at high prices, letting their houses at dear rents, and paying
nothing in the way of taxes; let him call to mind the artisans, the
poorer folk, the prostitutes; and he will judge that never was a city
sacked of which the memory remains, whence greater store of treasure
could be drawn. Though Rome has at other times been taken and pillaged,
yet never before was it the Rome of our days. Moreover, the sack lasted
so long that what might not perhaps have been discovered on the first
day sooner or later came to light. This disaster was an example to the
world that men proud, avaricious, envious, murderous, lustful,
hypocritical, cannot long preserve their state. Nor can it be denied
that the inhabitants of Rome, especially the Romans, were stained with
all these vices, and with many greater.'
[1] Pp. 372-82.
INDEX
A
Abelard, 9.
Adrian VI., 441.
Agrippa quoted, 459.
Ahmed, 589.
Albigenses, 9.
Aldi, the, 23.
Aleander, 27.
Alexander VI., 406, 407 _seq._., 603;
death, 430 (see Papacy).
Alfonso I. of Naples, 568.
Alfonso II., 119, 572.
Allegre, 418,
Allegretti, works, 292;
cited, 165;
quoted, 616
America, effects of its discovery, 540.
Ammanati, works, 489.
Anjou, house of, transfers its claims to Sicily, 539.
Appiani, 148.
Ariosto, works, 119;
cited, 413;
quoted, 130
Aristotle, influence of his writings, 197;
quoted, 234, 235.
Art in Middle Age, 17;
effect of religious conventionalism, 18;
revolution made by Renaissance, 18, 19.
Italian, inimical to ugliness, 490;
flourishes under despots, 79.
Ascham, R., quoted, 472.
B
Bacon, Francis, 26;
Roger, 9, 10.
Baglioni, 122, 148.
Barbiano, 159.
Bartoli, A., cited, 252.
Beccadelli, 174.
Bellini, works, 488.
Bentivogli, 102, 115, 123.
Bergamo, V. da, 618.
Bernard, St., 13.
Berni cited, 443.
Bibbiena, 184;
quoted, 190.
Bible, discovery of the original, 20.
Blood-madness, 109, 589 _seq._
Boccaccio, 11, 20.
Boiado, 171.
Bologna, 123, 617.
Boniface VIII., 76.
Borgia, Cesare, 117, 324, 345 _seq._, 426, 577;
murders, 352.
Borgia, Lucrezia, 419;
character cleared of calumny, 420.
Borgia, Roderigo (see Alexander VI).
Boscoli, P. P., 466.
Bracciolini, P., 274.
Brantôme quoted, 117.
Brescia, 615;
Arnold of, 64.
Browning, R., quoted, 13.
Bruni, L., 274.
Buonarottí, 491;
works, 19.
Burchard cited, 430, 431.
Burckhardt cited, 428;
quoted, 434.
Burton, Robert, cited, 475.
Bussolaro, J. del, 610.
Byzantine empire, effect of its fall, 14
C
Capistrano, G. da, 615.
Capponi, P., 284, 563.
Carducci, 284, 289;
works, 293.
Carmagnuola, F., 161.
"Carmina Burana," 9.
Carrara, 149.
Carroccio, 58.
Castiglione, works, 183, 457.
Catholic Church (see Papacy).
Support of Church required by good society, 455;
philosophy and theology fused, 456;
religion divorced from morality, 462, 493;
influence of ancient literature, 464;
æstheticism, 465;
humanism antagonistic to Christianity, 493;
its corruption, 448 _seq._;
not universal, 470;
immorality of priests, 458, 459;
superstition, 466;
relics, 461;
sanctity of pope, 462;
power of forms, 471;
counter-reformation, 25;
power of ecclesiastical eloquence, 491;
revivals, 490, 606 _seq_.;
indestructable vigor of religious faith, 469.
Cellini, B., 104, 462, 492; memoirs, 325.
Charles VIII. (see Italy, history), 540 _seq_.;
escape, 580.
Charles of Anjou, 75.
Charles the Great, 50.
Chivalry, 483.
Christianity (see Catholic Church, Morals),
influence in forming modern society, 7;
how affected by Renaissance, 25.
Clement VII., 443, 633.
Colonnesi, 375.
Columbus, 15.
Comines cited, 416;
quoted, 214, 475, 541, 553, 572, 578.
Condottieri, 86, 113, 131, 156 _seq_.; 245, 361;
character of warfare, 102, 363.
Compagni, Dino, chronicle of, 262;
its authenticity, 266 _seq_.
Copernicus, 15.
Corio, works, 292;
quoted, 135, 143, 145, 152. 160, 385, 391, 392, 619.
Coryat, T., quoted, 475.
Croce, della, 614.
Cromwell, 454.
Cruelty (see Blood-madness),
instances of, 151, 478, 571;
of French, 557, 583;
its use, 354.
Crusades, 7.
D
Dante, political views, 261;
works, 10, 11, 73, 260;
quoted, 73, 76, 77, 133.
Democratic idea, its gradual growth, 8.
Dennistoun cited, 160.
Descartes, 26.
Djem, 415, 566, 576.
Dürer, works, 490;
cited, 475.
E
Erasmus, 24, 27.
Este, house of, 395, 420;
Nicolo, 168.
F
Fanfoni, P., cited, 263, 268.
Feltre, V. da, 171, 176.
Ferdinand of Arragon, 296, 358; of
Naples, 570.
Ferrara, 499, 617;
court, 423.
Ficino, 175, 456.
Fiesole, G. da, Works, 488.
Filelfo, 171;
quoted, 381.
Flora, Joachim of, 9.
Florence, its constitution, 195, 201, 592, 596, 598;
number of citizens, 598;
parties, 211;
perpetual flux, 221;
government by merchants, 225;
the "parlamento," 230;
cause of failure of popular government, 231;
population, 256;
the "arti," 597;
militia, its value, 601;
Machiavelli's reforms, 312;
revenues, 255;
topography, 595;
history (see Italy), rule of the Medici, 277, 305, 629,
years 1527-31, 282;
recovers liberty through the French, 560;
occupation, 562;
commonwealth, 282;
divisions of popular party, 283;
siege, 285;
effect of Savonarola's prophecies, 290;
Pazzi conspiracy, 398;
final subjugation, 446;
character of its historians, 248 _seq_., 274.
Society, character of people, 600;
their enlightenment and immorality, 504;
absence of religious faith, 295;
excess of intellectual mobility, 237;
commercial character, 238;
social life, 242.
A city of intelligence, 232, 246.
Fondulo, G., 463.
Ford, J., cited, 477.
Foscari, F., 215; quoted, 600.
Francia, works, 489.
Frattcelli, 9.
Frederick I., 63.
Frederick II., 10, 68, 105.
Froben, J., 23.
G
Gambacorta, 147.
Gemistos Plethon, 173.
Genezzano, 506, 522.
Genoa, 79; history, 201.
Giacomini, 313.
Giannotti cited, 217;
quoted, 169, 196, 216, 238, 278, 280.
Giotto, works, 488.
Giovio, quoted, 249.
God, medieval idea of, 16.
Gonzaghi, 146.
Government, Guicciardini's theories, 305. [See Machiavelli.]
Graziani quoted, 614.
Greek, knowledge of, in Renaissance, 182.
Greene, R., quoted, 473.
Gregorovius cited, 421, 430, 479,.
Guarino, 171.
Guarnieri, 158.
Guelphs and Ghibeliines, 69, 206.
Guicciardini, 278, 280, 285, 295, 482;
works, 291, 294, 301 _seq_.;
political theories analyzed, 304 _seq_.;
quoted, 44, 91, 92, 119, 169, 223,
284, 404, 409, 412, 417, 431, 434,
451, 536. 541. 547, 549, 582, 583,
603.
H
Hawkwood, J., 113.
Hegel quoted, 367.
Hegel, C, cited, 252.
Heribert, 58.
Hildebrand, 59.
Hirsch cited, 567.
Hogarth, works, 490.
Howell cited, 473.
Hussites, 9.
Hutten, 27.
I
Infessura, works, 292; cited, 405;
quoted, 395, 404, 474,
Innocent VIII., 403.
Inquisition in Spain, 399.
Inventions of Renaissance, 29.
Italy, history (see Condottieri, Papacy), its character, 32;
papacy and empire, 33, 41, 43, 94, 97, 99;
variety of governments, 35, 43;
their influence on national development, 44;
politics, 36;
invasions, 39;
want of historical continuity, 41;
the despotisms, 42;
origin of modern history, 46;
the Lombards, 48;
Charles the Great, 51;
Berengar, 52;
Otho I., 52;
growth of power of Church, 53;
Frederick I., 63;
Charles of Anjou, 75;
convulsions of 14th century, 81;
states of 15th century, 88;
obstacles to unity, 89;
to monarchy, 92;
to federalism, 95;
in time of Machiavelli, 365;
policy of Lorenzo, 543;
equilibrium destroyed, 545;
French invasion, 549;
character of their army, 565;
league against them, 576;
cause of their failure, 340;
effect of their example, 583;
on other nations, 585;
Charles V., 98.
Italians incapable of helping themselves, 586;
responsible for their despots, 115;
development precocious and unsound, 495;
fatal effects of want of union, 538, 552.
_The Republics_, character of their history, 33, 193;
beginning of the power of the cities, 53;
their origin, 54;
count and bishop, 55;
"people," 55;
commune, 56;
consuls, 56;
effect of struggle of papacy and empire, 61;
influence of latter, 198;
Guelphs and Ghibeliines, 69, 80, 206;
wars of cities, 62;
Frederic I., 64;
struggle with nobles, 66;
the podesta, 67;
"captain of the people," 71;
the "arti," 72;
distinction between parties, 74;
not representative governments, 196;
not democratic, 195;
factions, 195, 210;
small number of active citizens, 209;
temporal character of alliances, 212.
_The Despotisms_, 42, 76;
their justification, 83;
idea of liberty, 78;
republican freedom unknown, 91;
policy commercial, 85;
taxation, 86;
diplomacy substituted for warfare, 87;
illegitimacy, 102;
good government, 103;
bad effect of their example, 104;
courts, 106, 186;
varieties of despotisms, 109;
claims of despots due to force, not rank, 116;
their democratic character, 117;
uncertainty of tenure of power, 117, 129;
domestic crime, 119;
murders, 120;
tastes and pursuits, 126;
degeneracy of their houses, 126, 151;
bad effects of rule, 130;
centralizing tendencies, 131;
cruelty, 151;
absence of all morality, 168.
_Society_. Why Italy took the lead in the Renaissance, 5;
Italians gentle and humane, 478;
not gluttons, 479;
personal originality not discouraged, 488;
Italy originates type of gentleman, 192;
courtiers, idea of nobility, 186;
community of interest with that of Roman Church, 470;
immorality not great relatively, 487;
superiority to their contemporaries, 489;
purity of their art shows that heart of the people was not
vitiated, 488;
commercial integrity, 474;
demoralization of society, 472;
immorality came from above, 489;
commonness of crime, 170, 480;
exceptions to rule, 183;
murders, 480;
deficiency in sense of honor, 481;
chastity in women, 486;
unnatural passions, 477;
charms of illicit love, 476;
immoral literature, 475.
Literature, early, 53.
J
Jews, expulsion from Spain, 400.
Julia, daughter of Claudius, 22, 23.
Julius II., 389, 406, 432 seq.
L
Lecce, Roberto da, 614.
Leo X., 435, 630.
Libraries of Renaissance, 21.
Locke, J., 26.
Lombards, 48 seq.
London, mediæval, 137.
Louis XII., 339.
Luini, works, 489.
Lungo, del, cited, 273.
Luther, 26, 442, 454, 530.
M
Macaulay on the despots, 127, 320.
Machiavelli, 232, 278, 308 seq.;
property, 309;
education, 310;
political career, 311;
cringing character, 317;
intercourse with Cesare Borgia, 347;
compared with Savonarola, 368;
last years, 328;
death, 333.
Works, 76, 169, 203, 249, 332, 369, 457, 494;
military system, 312;
Art of War, 328;
History, 331;
The Prince, 319;
object in writing it, 321;
appeal to the Medici, 366;
apology for the author, 367;
morality of the work, 324-6;
author's sincerity, 333;
not the inventor of Machiavellianism, 335;
it assumes Reparation of statecraft and morality, 335;
an abstract of political expediency, 336;
how permanently to assimilate provinces, 338;
colonies, 338;
founders of monarchies, 343;
distinction between monarch and despot, 341;
use of cruelty, 354;
value of distrust, 358;
military precautions, 360;
the work condemned
by the Inquisition, 336;
opinion of it in France, 326;
quoted, 45, 82, 84, 96, 98, 115, 116, 146, 152, 187, 202, 214,
215, 245, 325, 447, 450, 453, 460.
Madonna, conventional idea of, 18.
Malatesta, 172.
Malespini, chronicle, 251.
Mantegna, works, 489.
Mantuanus, B., quoted, 394.
Marlowe quoted, 336.
Marston, cited, 473, 475.
Massa, B. da, 611.
Masuccio quoted, 458, 486.
Matarazzo, works, 292; quoted, 583.
Medici, their policy, 87, 90, 128, 155, 228, 230;
expulsion, 222;
connection with papacy, 404;
services to literature, 600.
Alessandro, 298;
Cosimo, 300, 492;
Lorenzo, 504, 628;
death, 523;
Piero, 558.
Michelet quoted, 15, 585.
Middle Age: mental condition, 6, 13;
inaccessibility to mental ideas, 7;
political character, 8;
art, 17;
scholarship, 20.
Milan, 58; Visconti and Sforza, 154.
Milman quoted, 530.
Milton, 454.
Mirandola, 171, 456, 520;
quoted, 401, 511.
Monaldeschi, L. B., 252.
Montferrat, 146.
Montone, B. da, 123, 159.
Morals (see Italy, society; Papacy, court; Virtu;) in Cellini's memoirs,
325;
sexual immorality,474;
tyrannicide defended, 468.
Müntz, E., cited, 384.
Muzio quoted, 174.
N
Naples (see Italy), attraction for foreigners, 566;
claims of house
of Anjou, 539;
flight of king, 574.
Nardi, 278, 280, 290;
works, 291;
quoted, 292, 511, 534, 592.
Nerli, 278, 290; works, 293 seq.;
quoted, 328.
Nicholas V., 378.
Normans In Italy, 58.
O
Olgiati, 166.
Orsini, 375.
Otho 1., 52.
P
Pamponazzo, 456.
Pandolfini, 239;
works, 241.
Papacy (see Catholic Church), "the ghost of the Roman empire," 6;
church and state, 8;
Charles the Great, 51;
imperial nominees, 59;
change in mode of election, 60;
effect of crushing the Hohenstauffen, 101;
nepotism, 114;
authority in 14th century, 371, 375;
secularization, 371, 375;
temporal power, 376; its consolidation, 378;
its extent, 434;
persecution, 402;
of Platonists, 417;
its effect, 418;
plan to transform Papacy to kingdom, 392;
sale of pardons, 404, 439;
no horror felt at election of Alexander VI., 410;
Turks invited to Italy, 415, 551;
censure of press, 416:
alliance with France, 427, 566;
political crimes of Alexander VI., 428;
tide turns with Julius II., 433;
reforms of Adrian VI., 441;
moral advantage of sack of Rome, 445.
Court, 372;
its scandalous history, 390, 403, 411, 414, 420, 424, 439, 457;
extravagance, 390, 436, 437;
extortion, 437;
monopolies, 394;
nepotism, 419, 438;
simony, 394, 405, 414;
art patronage, 384, 401, 433, 436.
Paterini, 9.
Paul II., 383.
Pazzi conspiracy, 396.
Perrotti quoted, 179.
Perugia, 612.
Pescara, marquis of, 634.
Petrarch, 11, 20; quoted, 250.
Piccolomini (see Pius II.).
Pisa, 342, 560.
Pitti, 275, 280; works, 291,
Pius II., 380.
Poggio quoted, 187.
Poliziano, 171,
Poontano cited, 481.
Printers of Renaissance, 23,
Provence, civilization of, 9.
Puritanism, 25, 37.
R
Raffaella quoted, 483.
Raphael, works, 488.
Reformation, 433;
how affected by Renaissance, 27.
Rembrandt, works, 490.
Renaissance (see Middle Age), not synonymous with "revival of
learning," 1;
not completed, 2;
extent of signification, 2-3;
origin, 4;
idea not separable from "Reformation," "Revolution," 5;
effect on old beliefs, 14, 16;
all its tendencies worldly, 455;
restores double past, Christian and pagan, 506;
obstacles in the way, 5;
preparation, 9;
opposition of the Church, 10;
character of the men, 12;
discoveries, 15;
scholarship, 20;
assimilation of paganism, 25;
reaction against enlightenment, 25;
inventions, 29.
Reuchlin, 27.
Reumont, A. von, cited, 212, 524.
Ripamonti quoted, 163, 167.
Robbia, works, 489.
Romagna, 349.
Romano, Ezzelino da, 69, 75, 106, 119;
Giulio, works, 490.
Rome (see Italy, Papacy), effect of its ruins, 253;
appearance at time of French occupation, 564;
early mediæval history, 47;
opposition to Lombards, 49;
government semi-independent of pope, 376;
advantages derived from presence of papal court, 377;
improvements under Nicholas V., 378;
impunity of criminals, 405;
factions destroyed, 413;
rising of Colonnas, 443;
sack, 444, 636;
prostitutes, 474.
Romeo and Juliet, 74,
Rosellini, works, 489,
Rosenbaum cited, 567.
Royere, F. della (see Sixtus IV.);
Francesco Maria, 393;
Giuliano (see Julius II,);
Pietro, 390.
Rubens, works, 490.
S
Sadoleto, quoted, 446.
Savelli, 375.
Savonarola, 202, 221, 230, 277, 283, 290, 345, 368, 453, 454, 456, 491,
498 seq., 561, 622;
poems, 502;
settles in Florence, 504;
portraits, 508;
eloquence, 510;
creed, 513;
prophecies, 514;
political career, 526;
hatred of secular culture, 527;
dares not break with Rome, 531;
martyrdom, 533;
works, 536;
quoted, 128.
Savoy, 146.
Scala, della, family, 145, 258.
Scheffer-Bolchorst cited, 252, 269.
Segal, 278, 280, 289;
works 292, seq.
Sforza family, 131 seq.;
their magnificience, 164;
to be made kings of Lombardy, 392;
Francesco, 153, 159 seq., 345;
Galeazzo, 165;
Ludovico, 543 seq.
Shelley cited, 477.
Siena, 207, 616.
Sismondi quoted, 138, 144, 159, 226, 533.
Sixtus IV., 388 seq., 502.
Soderini, P., 289, 324.
Spaniards, cruelty of, 478.
Spinoza, 26.
Stendhal cited, 482.
Stephani, the, 23.
Strozzi, Ercole, 423; F., 285.
Swiss, 450.
Syphilis, history of, 567.
T
Tasso, 486.
Temporal Power (see Papacy).
Tenda, Beatrice di, 152.
Theodoric, 47.
Theology, effect of Renaissance upon, 16.
Tiraboschi, quoted, 173.
Titian, works, 19
Torre, della, 132.
Trinci, 122.
U
Urbino, dukes of, 174 seq., 393, 438.
V
Valois, Charles of, 76.
Varani, 121.
Varchi, 278, 290;
works, 279, 303 seq.;
quoted, 204, 244, 505.
Venice, 79, 88, 91;
an exception
among the republics, 195, 214;
constitution, 215;
the Ten, 218;
fascination exercised by government, 220;
military system, 220;
no initiative mining citizens, 233;
compared with Sparta, 234;
indifference to prosperity of Italy, 550.
Vespusiano quoted, 174, 477, 612.
Vettori, F., 624; works, 626.
Vicenza, John of, 607.
Villani, M., works, 251 seq., quoted, 128, 139.
Villari, quoted, 195, 500.
Vinci, da, 326, 548;
works, 489.
Virgil, 20.
Virtu, 171, 337, 345, 484, 493.
Visconti, family, 131 seq.;
their realm falls to pieces, 150;
Filippo, 152;
Gisa, 141;
Violante, 137.
W
Webster, J., quoted, 119, 557.
Witchcraft persecutions, 402.
Y
Yriarte, quoted, 210, 217.
*** END OF THE PROJECT GUTENBERG EBOOK RENAISSANCE IN ITALY, VOLUME 1 (OF 7) ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
Reading Tips
Use arrow keys to navigate
Press 'N' for next chapter
Press 'P' for previous chapter