A guide book of art, architecture, and historic interests in Pennsylvania

1897. In KREAMER is the old brick hotel used for special sessions of

5067 words  |  Chapter 20

court before 1855, for cases in immediate neighborhood; a short distance in the field stands the old block house, erected before 1781, where white settlers gathered in defense against Indians. One mile farther west, in 1781, Indians killed five members of the Stock family. Ten miles west from Selinsgrove is MIDDLEBURG, county seat; 498 feet above sea level; population 984; laid out in 1800. In Glendale Cemetery is grave of Hon. George Kreamer, nephew of Governor Snyder, and member of the Legislature, 1812-13; member of Congress, 1823-27; also grave of Captain Frederick Evans, member of State Legislature, 1810-11, a defender of Fort McHenry, Baltimore, where, in 1814, the “Star-Spangled Banner” was written by Francis Scott Key. On the banks of Stump’s Run is shaft monument to soldiers and sailors of this country who fought in the different wars; erected in 1904, by county commissioners; Soldiers’ Memorial Building, open to the public, is near the Lutheran Church; it was dedicated 1908; interior lined with marble, names of all soldiers and sailors of Snyder County are preserved within its walls, John F. Stetler, architect. Wooden bridge across Middle Creek, in good repair, is said to have been built in 1808 by John Aurand. Two miles west of town are the Hassinger Lutheran Churches, General Council east, present building erected in 1871, third on original site, first building in 1785; a split occurred, and the General Synod members built, in 1782, a quarter mile west; present church, in 1915. Almost due south is PAXTONVILLE, 510 feet above sea level; has wooden bridge over Middle Creek, built in 1851, John Bilger, builder; and ruins of Beaver blast furnace, once busiest industry in Middle Creek Valley, erected by Hon. Ner Middleswarth, the Kern Brothers and John C. Wilson, 1848-56; it was operated until 1866, power secured from a 200-foot head of water, running over two overshot wheels, one over the other. Westward is farm of Ner Feese on which gold and silver were discovered. BEAVERTOWN; population 525; 651 feet; originally Swifttown, named for John Swift, who had the land patented in 1760; was residence of Hon. Ner Middleswarth from 1792; he was reëlected thirteen times member of Legislature, twice speaker of the House--in 1828 and 1836; member of Congress, 1853-55; his last public service was that of associate judge. BEAVER SPRINGS, elevation 591 feet, laid out in 1806, early chief industry, ore mines. Scenic beauty from Shade Mountain, a long ridge, summit near Beaver Springs, 1672 feet above sea level. MCCLURE, six miles west, is where folding houses are manufactured; the largest ever made was produced here, and shipped to South America. [Illustration: CAMERON COUNTY] LXVI CAMERON COUNTY Formed March 29, 1860; named in honor of Hon. Simon Cameron, state senator at that time. Situated among the spurs of the Alleghenies, altitude varies from 794 feet to 2100 feet above sea level. The Sinnemahoning Creek and its tributaries drain three quarters of the county into the Susquehanna; along these waters, roads were cut and towns built for the extensive early lumbering and tanning operations; primeval forests of hemlock, oak, cherry, elm, and some of the finest white pine in the state. Beds of coal and fire clay still await development. Salt spring and a mineral spring of rare medicinal value are near SIZERVILLE. The county is now largely given up to the manufacture of high explosives, nitro-gelatine, smokeless powder, gun cotton, picric acid; in 1915 there was a merger of four powder companies who created a plant of vast proportions, over one hundred buildings, extending from the edge of Emporium, for over a mile, along the banks of Driftwood Creek. EMPORIUM, county seat; population 3036; incorporated 1861; altitude 1031 feet above sea level; first settled in 1811, as Shippen, name changed through deference to an old tradition; in 1785, an agent of the Holland Land Company, owning large territories in Pennsylvania and New York, removed the bark from a tree where the town now stands, and carved the word, “Emporium.” A typical mountain town, the streets follow the winding way of Driftwood Stream, or climb the mountain side where magnificent views of scenic grandeur await the beholder. Best architecture, the Episcopal Church, brown stone, English chapel design, Cram & Ferguson, of Boston, architects, built in 1901; other denominations have modern brick buildings. The large brick courthouse, built, 1890, is in a park on the hillside, overlooking the town; in the grounds is monument to soldiers of the Civil War. CAMERON, in 1889, one hundred coke ovens, “beehive” design, were built here to coke the coal in the near-by hills, for the blast furnace at Emporium; now abandoned, and today mountain wild flowers blossom along the row of silent hearths. STERLING RUN; in this quaint village belongs the honor of the first church in the county, Presbyterian, “The Pine Street Church,” erected in 1826, so-called in consequence of the old Pine Street Church, Philadelphia, contributing funds to pay the workmen and buy the windows; the lumber and much of the construction being donated by the pioneers; built of hewn pine logs, chinked with plaster of moss and mud, and fastened with hand-wrought nails, this little chapel endures, while those who shaped it sleep in the little churchyard at its threshold. DRIFTWOOD, near the “Crescent,” a half moon shaped mountain forming sides of the valley for nearly three points of the compass; claims the first settlement by white man within the county, in 1804; in the center of the village, facing the Sinnemahoning Creek, is the “Bucktail” Monument, in memory of Cameron’s sons who fought for the Union, erected by the state in 1908, inscription, “From this town, on April 27, 1861, the Cameron, Elk and McKean County Rifles, under leadership of Thomas L. Kane, afterwards Commanding Officer of the Regiment, later a Major-General, embarked on four rafts for Harrisburg, where they were mustered into the service of the State, and formed the nucleus, about which the Bucktail Regiment of the Pennsylvania Reserve Corps was organized; which during its time of service, was almost continuously attached to the army of the Potomac.” SINNEMAHONING (Stony-lick), site of an Indian village called “The Lodge,” the battle ground of Peter Grove, famous Indian fighter, a picturesquely beautiful spot. Here were born the beautiful Clafflin sisters, Lady Cook (Tennesee Clafflin), and Mrs. Martin Woodhull (Victoria Clafflin), now a wealthy philanthropist in England; their father, Buckman Clafflin, a pioneer, opened the first store in the county in 1829. [Illustration: LACKAWANNA COUNTY] LXVII LACKAWANNA COUNTY Formed August 13, 1878; named for the great Lackawanna coal basin; an Indian word, signifying “The Forks of a Stream.” Chief industry, anthracite coal mining, confined to the long-depressed trough forming the Lackawanna Valley and to the mountains bordering it on both sides, with Bald Mountain, in Lackawanna Range, 2250 feet high, and Big Stoney among the Moosic Mountains, 2230 feet. Originally settled by Connecticut people who disputed the right of Pennsylvania to jurisdiction; life and growth have been the result of the coal-mining industry, which brought into it large numbers of Welsh, Irish, German, English, and Scotch, whose descendants dominate the region; latterly have come Polish, Slavs, Italians, and Lithuanians, a heterogeneous but rapidly assimilating mining population. The mining of anthracite coal began at Carbondale in the early twenties; the old No. 1 plane is marked with monument and tablets; coal was taken over the Moosic Mountains to Honesdale, Wayne County, by steep inclined planes, up which the loaded cars were drawn by ropes or cables, and the empty cars let down; thence by canal to Roundout, on the Hudson; on the levels, between planes, cars were drawn by horses; later a descending grade was given to the tracks over which the cars ran by gravity; a similar gravity railroad near Scranton, carried coal to the Delaware & Hudson Canal at Hawley, below Honesdale, both now abandoned for steam roads. The country northwest has well-cultivated farm lands; that, southeast, blends with the Pocono Highlands, is wild and picturesque; an almost unbroken wilderness for thirty miles, excepting along the line of the Delaware, Lackawanna & Western Railroad; on both sides of this road are good highways; the main road, the whole length of the valley, is exceptionally fine. The road from Gouldsboro Station was built by Jay Gould, 1855, when he was interested with Mr. Pratt in a tannery at Gouldsboro (now Thornhurst). At Carbondale, crossing Moosic Mountains, is road to Honesdale, following the line of the old Delaware & Hudson gravity road; at Dundaff, about five miles north of Carbondale, this road runs along the edge of Crystal Lake, near are the Twin Knobs of Elk Hill, about 2500 feet high. A point of geologic interest is the Archbald Pot Hole, said to be largest of the kind in this country; a cylindrical hole twenty feet deep, by thirty feet wide, eroded in the ice age through the overlying rocks down to the coal measures. SCRANTON, county seat, population 137,783; laid out on site of an Indian village, Muncy Tribe; began as an iron town; iron in large quantities was found in the hills three miles south of the city, and a suitable quality of limestone was also supposed to exist there; but the coal business superseded; the old ore mine, and abandoned road to furnaces at Scranton, are of historic and picturesque interest. The courthouse, on Washington Avenue near center of town, stands in a square of ground, Romanesque, West Mountain stone, built 1881-84, architect, S. G. Perry. St. Luke’s Protestant Episcopal Church. Wyoming Avenue near Linden Street, Gothic, West Mountain stone, built 1866-71, architect, R. M. Upjohn, New York; contains Tiffany mosaic panel, back of font, “Baptism of Christ,” also Tiffany window in chancel, “The Ascension.” St. Peter’s Cathedral, at corner of Wyoming Avenue and Linden, Italian Renaissance, brick, built, 1866, architect, Joel Amsden; remodeled 1883 by Durand, Philadelphia. Administration Building of the International Correspondence Schools, Wyoming Avenue between Vine and Mulberry Streets, Gothic, West Mountain stone, built in 1898; architect, W. Scott Collins; window by Kenyon Cox, made in 1898, “Science Instructing Industry.” The Scranton Public Library (Albright Memorial) is placed as an accent of beauty, corner of Washington Avenue and Vine Street, French chateau style, fifteenth and sixteenth centuries, after Cluny Museum, Paris; gray Indiana limestone and brown Madina stone laid in coursed ashlar, built in 1893; architects, Green & Wicks, Buffalo, New York; contains portraits of Joseph J. Albright, painted in 1902, artist, Bayard Henry Tyler; and of John J. Albright, artist, Chartrain, France; stained glass windows are illustrative of celebrated book bindings in the past; a marble mosaic floor is in the entrance hall. Second Presbyterian Church, Jefferson Avenue between Vine and Mulberry Streets, Romanesque; West, Mountain stone, built 1885; has Tiffany windows, “Charity” and “Hope.” Madison Avenue Synagogue, near Vine Street; Byzantine, West Mountain stone, built 1902, architect, George W. Kramer, New York. First Presbyterian Church, corner of Madison Avenue and Olive Street, perpendicular Gothic, Indiana limestone; built 1903, architect, Holden, New York; windows by John La Farge, “The Woman at the Well”; and by Tiffany, “The Ascension”; Tiffany mosaic, “Pentecost.” Immanuel Baptist Church, corner of Jefferson Avenue and Mulberry Street, Gothic, Hummelstown redstone, built 1909, architect, Edward Langley, Scranton. Elm Park Church, corner of Linden and Jefferson Streets, Romanesque, West Mountain stone, built 1892, architect, George W. Kramer. Lackawanna Railroad Station, Lackawanna and Jefferson Avenues, Renaissance, Indiana limestone, granite base, built 1909, architects, Kenneth Murchison, New York, and Edward Langley; has interior finishings of Grueby tiles; and mosaic mural panels of views along the Lackawanna Railroad. The Everhart Museum of Natural History, Science and Art, in Nay Aug Park, south end of Milberry Street, given by the late Dr. I. F. Everhart, and sustained by generous endowment; Renaissance, terra-cotta, built 1908, architects, Blackwood & Nelson; contains also the Hollister collection of Indian curios. Much natural beauty centers about the water supply system of the Scranton Gas and Water Company, which has over ten miles of fine driveways, including the road to top of Mount Anonymous, overlooking the lake; and Long Swamp Drive and roads up about Scrub Oak Mountain. BOOKS USED AS REFERENCE, AND CONTRIBUTED ARTICLES American Art Annual F. N. Levy. Annals J. F. Watson Automobile Blue Book Colonial Doorways A. H. Wharton Early Pietists J. Sachse Fairmount Park C. S. Keyser Forges and Furnaces Colonial Dames Guide Book to Historic Germantown C. F. Jenkins Hikes for Boy Scouts of America Charles D. Hart Historic Excursions J. Campbell History of Pennsylvania Egle Indian Trails G. P. Donehoo List of Sites William J. Campbell Music F. I. Brock Our Philadelphia J. and E. R. Pennell Pennsylvania Primer Barr Ferree Philadelphia Sharf & Westcott Philadelphia Firsts W. I. Rutter, Jr. Philadelphia Streets J. Jackson Population U. S. Census for 1920 Story of Philadelphia L. J. Rhoads The Keystone Pennypacker United States Baedeker Washington’s Itinerary William S. Baker Many County Histories and Historic Reports. *** END OF THE PROJECT GUTENBERG EBOOK A GUIDE BOOK OF ART, ARCHITECTURE, AND HISTORIC INTERESTS IN PENNSYLVANIA *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Reading Tips

Use arrow keys to navigate

Press 'N' for next chapter

Press 'P' for previous chapter