The History of Modern Painting, Volume 2 (of 4) by Richard Muther
CHAPTER XXII
141 words | Chapter 9
THE VILLAGE TALE
Germany: Louis Knaus, Benjamin Vautier, Franz Defregger, Mathias
Schmidt, Alois Gabl, Eduard Kurzbauer, Hugo Kauffmann, Wilhelm
Riefstahl.--The Comedy of Monks: Eduard Grützner.--Tales of the
Exchange and the Manufactory: Ludwig Bokelmann, Ferdinand
Brütt.--Germany begins to transmit the principles of _genre_
painting to other countries.--France: Gustave Brion, Charles
Marchal, Jules Breton.--Norway and Sweden stand in union with
Düsseldorf: Karl D'Uncker, Wilhelm Wallander, Anders Koskull,
Kilian Zoll, Peter Eskilson, August Jernberg, Ferdinand Fagerlin,
V. Stoltenberg-Lerche, Hans Dahl.--Hungary fructified by Munich:
Ludwig Ebner, Paul Boehm, Otto von Baditz, Koloman Déry, Julius
Aggházi, Alexander Bihari, Ignaz Ruskovics, Johann Jankó, Tihamér
Margitay, Paul Vagó, Arpad Fessty, Otto Koroknyai, D.
Skuteczky.--Difference between these pictures and those of the old
Dutch masters.--From Hogarth to Knaus.--Why Hogarth succumbed, and
_genre_ painting had to become painting pure and simple.--This new
basis of art created by the landscapists 194
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