The History of Modern Painting, Volume 2 (of 4) by Richard Muther
CHAPTER XVI
105 words | Chapter 3
THE DRAUGHTSMEN
The general alienation of painting from the interests of life
during the first half of the nineteenth century.--The draughtsmen
and caricaturists the first who brought modern life into the
sphere of art.--England: Gillray, Rowlandson, George Cruikshank,
"Punch," John Leech, George du Maurier, Charles Keene.--Germany:
Johann Adam Klein, Johann Christian Erhard, Ludwig Richter, Oscar
Pletsch, Albert Hendschel, Eugen Neureuther, "Die Fliegende
Blätter," Wilhelm Busch, Adolf Oberländer.--France: Louis
Philibert Debucourt, Carle Vernet, Bosio, Henri Monnier, Honoré
Daumier, Gavarni, Guys, Gustave Doré, Cham, Marcellin, Randon,
Gill, Hadol, Draner, Léonce Petit, Grévin.--Need of a fresh
discovery of the world by painters.--Incitement to this by the
English 1
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