The History of Modern Painting, Volume 2 (of 4) by Richard Muther

CHAPTER XVI

105 words  |  Chapter 3

THE DRAUGHTSMEN The general alienation of painting from the interests of life during the first half of the nineteenth century.--The draughtsmen and caricaturists the first who brought modern life into the sphere of art.--England: Gillray, Rowlandson, George Cruikshank, "Punch," John Leech, George du Maurier, Charles Keene.--Germany: Johann Adam Klein, Johann Christian Erhard, Ludwig Richter, Oscar Pletsch, Albert Hendschel, Eugen Neureuther, "Die Fliegende Blätter," Wilhelm Busch, Adolf Oberländer.--France: Louis Philibert Debucourt, Carle Vernet, Bosio, Henri Monnier, Honoré Daumier, Gavarni, Guys, Gustave Doré, Cham, Marcellin, Randon, Gill, Hadol, Draner, Léonce Petit, Grévin.--Need of a fresh discovery of the world by painters.--Incitement to this by the English 1