10. Connection with the telephone, so as to make that instrument an

auxiliary in the transmission of permanent and invaluable records, instead of being the recipient of momentary and fleeting communication." Of the above fields of usefulness in which it was expected that the phonograph might be applied, only three have been commercially realized--namely, the reproduction of musical, including vaudeville or talking selections, for which purpose a very large proportion of the phonographs now made is used; the employment of the machine as a mechanical stenographer, which field has been taken up actively only within the past few years; and the utilization of the device for the teaching of languages, for which purpose it has been successfully employed, for example, by the International Correspondence Schools of Scranton, Pennsylvania, for several years. The other uses, however, which were early predicted for the phonograph have not as yet been worked out practically, although the time seems not far distant when its general utility will be widely enlarged. Both dolls and clocks have been made, but thus far the world has not taken them seriously. The original phonograph, as invented by Edison, remained in its crude and immature state for almost ten years--still the object of philosophical interest, and as a convenient text-book illustration of the effect of sound vibration. It continued to be a theme of curious interest to the imaginative, and the subject of much fiction, while its neglected commercial possibilities were still more or less vaguely referred to. During this period of arrested development, Edison was continuously working on the invention and commercial exploitation of the incandescent lamp. In 1887 his time was comparatively free, and the phonograph was then taken up with renewed energy, and the effort made to overcome its mechanical defects and to furnish a commercial instrument, so that its early promise might be realized. The important changes made from that time up to 1890 converted the phonograph from a scientific toy into a successful industrial apparatus. The idea of forming the record on tinfoil had been early abandoned, and in its stead was substituted a cylinder of wax-like material, in which the record was cut by a minute chisel-like gouging tool. Such a record or phonogram, as it was then called, could be removed from the machine or replaced at any time, many reproductions could be obtained without wearing out the record, and whenever desired the record could be shaved off by a turning-tool so as to present a fresh surface on which a new record could be formed, something like an ancient palimpsest. A wax cylinder having walls less than one-quarter of an inch in thickness could be used for receiving a large number of records, since the maximum depth of the record groove is hardly ever greater than one one-thousandth of an inch. Later on, and as the crowning achievement in the phonograph field, from a commercial point of view, came the duplication of records to the extent of many thousands from a single "master." This work was actively developed between the years 1890 and 1898, and its difficulties may be appreciated when the problem is stated; the copying from a single master of many millions of excessively minute sound-waves having a maximum width of one hundredth of an inch, and a maximum depth of one thousandth of an inch, or less than the thickness of a sheet of tissue-paper. Among the interesting developments of this process was the coating of the original or master record with a homogeneous film of gold so thin that three hundred thousand of these piled one on top of the other would present a thickness of only one inch! Another important change was in the nature of a reversal of the original arrangement, the cylinder or mandrel carrying the record being mounted in fixed bearings, and the recording or reproducing device being fed lengthwise, like the cutting-tool of a lathe, as the blank or record was rotated. It was early recognized that a single needle for forming the record and the reproduction therefrom was an undesirable arrangement, since the formation of the record required a very sharp cutting-tool, while satisfactory and repeated reproduction suggested the use of a stylus which would result in the minimum wear. After many experiments and the production of a number of types of machines, the present recorders and reproducers were evolved, the former consisting of a very small cylindrical gouging tool having a diameter of about forty thousandths of an inch, and the latter a ball or button-shaped stylus with a diameter of about thirty-five thousandths of an inch. By using an incisor of this sort, the record is formed of a series of connected gouges with rounded sides, varying in depth and width, and with which the reproducer automatically engages and maintains its engagement. Another difficulty encountered in the commercial development of the phonograph was the adjustment of the recording stylus so as to enter the wax-like surface to a very slight depth, and of the reproducer so as to engage exactly the record when formed. The earlier types of machines were provided with separate screws for effecting these adjustments; but considerable skill was required to obtain good results, and great difficulty was experienced in meeting the variations in the wax-like cylinders, due to the warping under atmospheric changes. Consequently, with the early types of commercial phonographs, it was first necessary to shave off the blank accurately before a record was formed thereon, in order that an absolutely true surface might be presented. To overcome these troubles, the very ingenious suggestion was then made and adopted, of connecting the recording and reproducing styluses to their respective diaphragms through the instrumentality of a compensating weight, which acted practically as a fixed support under the very rapid sound vibrations, but which yielded readily to distortions or variations in the wax-like cylinders. By reason of this improvement, it became possible to do away with all adjustments, the mass of the compensating weight causing the recorder to engage the blank automatically to the required depth, and to maintain the reproducing stylus always with the desired pressure on the record when formed. These automatic adjustments were maintained even though the blank or record might be so much out of true as an eighth of an inch, equal to more than two hundred times the maximum depth of the record groove. Another improvement that followed along the lines adopted by Edison for the commercial development of the phonograph was making the recording and reproducing styluses of sapphire, an extremely hard, non-oxidizable jewel, so that those tiny instruments would always retain their true form and effectively resist wear. Of course, in this work many other things were done that may still be found on the perfected phonograph as it stands to-day, and many other suggestions were made which were contemporaneously adopted, but which were later abandoned. For the curious-minded, reference is made to the records in the Patent Office, which will show that up to 1893 Edison had obtained upward of sixty-five patents in this art, from which his line of thought can be very closely traced. The phonograph of to-day, except for the perfection of its mechanical features, in its beauty of manufacture and design, and in small details, may be considered identical with the machine of 1889, with the exception that with the latter the rotation of the record cylinder was effected by an electric motor. Its essential use as then contemplated was as a substitute for stenographers, and the most extravagant fancies were indulged in as to utility in that field. To exploit the device commercially, the patents were sold to Philadelphia capitalists, who organized the North American Phonograph Company, through which leases for limited periods were granted to local companies doing business in special territories, generally within the confines of a single State. Under that plan, resembling the methods of 1878, the machines and blank cylinders were manufactured by the Edison Phonograph Works, which still retains its factories at Orange, New Jersey. The marketing enterprise was early doomed to failure, principally because the instruments were not well understood, and did not possess the necessary refinements that would fit them for the special field in which they were to be used. At first the instruments were leased; but it was found that the leases were seldom renewed. Efforts were then made to sell them, but the prices were high--from $100 to $150. In the midst of these difficulties, the chief promoter of the enterprise, Mr. Lippincott, died; and it was soon found that the roseate dreams of success entertained by the sanguine promoters were not to be realized. The North American Phonograph Company failed, its principal creditor being Mr. Edison, who, having acquired the assets of the defunct concern, organized the National Phonograph Company, to which he turned over the patents; and with characteristic energy he attempted again to build up a business with which his favorite and, to him, most interesting invention might be successfully identified. The National Phonograph Company from the very start determined to retire at least temporarily from the field of stenographic use, and to exploit the phonograph for musical purposes as a competitor of the music-box. Hence it was necessary that for such work the relatively heavy and expensive electric motor should be discarded, and a simple spring motor constructed with a sufficiently sensitive governor to permit accurate musical reproduction. Such a motor was designed, and is now used on all phonographs except on such special instruments as may be made with electric motors, as well as on the successful apparatus that has more recently been designed and introduced for stenographic use. Improved factory facilities were introduced; new tools were made, and various types of machines were designed so that phonographs can now be bought at prices ranging from $10 to $200. Even with the changes which were thus made in the two machines, the work of developing the business was slow, as a demand had to be created; and the early prejudice of the public against the phonograph, due to its failure as a stenographic apparatus, had to be overcome. The story of the phonograph as an industrial enterprise, from this point of departure, is itself full of interest, but embraces so many details that it is necessarily given in a separate later chapter. We must return to the days of 1878, when Edison, with at least three first-class inventions to his credit--the quadruplex, the carbon telephone, and the phonograph--had become a man of mark and a "world character." The invention of the phonograph was immediately followed, as usual, by the appearance of several other incidental and auxiliary devices, some patented, and others remaining simply the application of the principles of apparatus that had been worked out. One of these was the telephonograph, a combination of a telephone at a distant station with a phonograph. The diaphragm of the phonograph mouthpiece is actuated by an electromagnet in the same way as that of an ordinary telephone receiver, and in this manner a record of the message spoken from a distance can be obtained and turned into sound at will. Evidently such a process is reversible, and the phonograph can send a message to the distant receiver. This idea was brilliantly demonstrated in practice in February, 1889, by Mr. W. J. Hammer, one of Edison's earliest and most capable associates, who carried on telephonographic communication between New York and an audience in Philadelphia. The record made in New York on the Edison phonograph was repeated into an Edison carbon transmitter, sent over one hundred and three miles of circuit, including six miles of underground cable; received by an Edison motograph; repeated by that on to a phonograph; transferred from the phonograph to an Edison carbon transmitter, and by that delivered to the Edison motograph receiver in the enthusiastic lecture-hall, where every one could hear each sound and syllable distinctly. In real practice this spectacular playing with sound vibrations, as if they were lacrosse balls to toss around between the goals, could be materially simplified. The modern megaphone, now used universally in making announcements to large crowds, particularly at sporting events, is also due to this period as a perfection by Edison of many antecedent devices going back, perhaps, much further than the legendary funnels through which Alexander the Great is said to have sent commands to his outlying forces. The improved Edison megaphone for long-distance work comprised two horns of wood or metal about six feet long, tapering from a diameter of two feet six inches at the mouth to a small aperture provided with ear-tubes. These converging horns or funnels, with a large speaking-trumpet in between them, are mounted on a tripod, and the megaphone is complete. Conversation can be carried on with this megaphone at a distance of over two miles, as with a ship or the balloon. The modern megaphone now employs the receiver form thus introduced as its very effective transmitter, with which the old-fashioned speaking-trumpet cannot possibly compete; and the word "megaphone" is universally applied to the single, side-flaring horn. A further step in this line brought Edison to the "aerophone," around which the Figaro weaved its fanciful description. In the construction of the aerophone the same kind of tympanum is used as in the phonograph, but the imitation of the human voice, or the transmission of sound, is effected by the quick opening and closing of valves placed within a steam-whistle or an organ-pipe. The vibrations of the diaphragm communicated to the valves cause them to operate in synchronism, so that the vibrations are thrown upon the escaping air or steam; and the result is an instrument with a capacity of magnifying the sounds two hundred times, and of hurling them to great distances intelligibly, like a huge fog-siren, but with immense clearness and penetration. All this study of sound transmission over long distances without wires led up to the consideration and invention of pioneer apparatus for wireless telegraphy--but that also is another chapter. Yet one more ingenious device of this period must be noted--Edison's vocal engine, the patent application for which was executed in August, 1878, the patent being granted the following December. Reference to this by Edison himself has already been quoted. The "voice-engine," or "phonomotor," converts the vibrations of the voice or of music, acting on the diaphragm, into motion which is utilized to drive some secondary appliance, whether as a toy or for some useful purpose. Thus a man can actually talk a hole through a board. Somewhat weary of all this work and excitement, and not having enjoyed any cessation from toil, or period of rest, for ten years, Edison jumped eagerly at the opportunity afforded him in the summer of 1878 of making a westward trip. Just thirty years later, on a similar trip over the same ground, he jotted down for this volume some of his reminiscences. The lure of 1878 was the opportunity to try the ability of his delicate tasimeter during the total eclipse of the sun, July 29. His admiring friend, Prof. George F. Barker, of the University of Pennsylvania, with whom he had now been on terms of intimacy for some years, suggested the holiday, and was himself a member of the excursion party that made its rendezvous at Rawlins, Wyoming Territory. Edison had tested his tasimeter, and was satisfied that it would measure down to the millionth part of a degree Fahrenheit. It was just ten years since he had left the West in poverty and obscurity, a penniless operator in search of a job; but now he was a great inventor and famous, a welcome addition to the band of astronomers and physicists assembled to observe the eclipse and the corona. "There were astronomers from nearly every nation," says Mr. Edison. "We had a special car. The country at that time was rather new; game was in great abundance, and could be seen all day long from the car window, especially antelope. We arrived at Rawlins about 4 P.M. It had a small machine shop, and was the point where locomotives were changed for the next section. The hotel was a very small one, and by doubling up we were barely accommodated. My room-mate was Fox, the correspondent of the New York Herald. After we retired and were asleep a thundering knock on the door awakened us. Upon opening the door a tall, handsome man with flowing hair dressed in western style entered the room. His eyes were bloodshot, and he was somewhat inebriated. He introduced himself as 'Texas Jack'--Joe Chromondo--and said he wanted to see Edison, as he had read about me in the newspapers. Both Fox and I were rather scared, and didn't know what was to be the result of the interview. The landlord requested him not to make so much noise, and was thrown out into the hall. Jack explained that he had just come in with a party which had been hunting, and that he felt fine. He explained, also, that he was the boss pistol-shot of the West; that it was he who taught the celebrated Doctor Carver how to shoot. Then suddenly pointing to a weather-vane on the freight depot, he pulled out a Colt revolver and fired through the window, hitting the vane. The shot awakened all the people, and they rushed in to see who was killed. It was only after I told him I was tired and would see him in the morning that he left. Both Fox and I were so nervous we didn't sleep any that night. "We were told in the morning that Jack was a pretty good fellow, and was not one of the 'bad men,' of whom they had a good supply. They had one in the jail, and Fox and I went over to see him. A few days before he had held up a Union Pacific train and robbed all the passengers. In the jail also was a half-breed horse-thief. We interviewed the bad man through bars as big as railroad rails. He looked like a 'bad man.' The rim of his ear all around came to a sharp edge and was serrated. His eyes were nearly white, and appeared as if made of glass and set in wrong, like the life-size figures of Indians in the Smithsonian Institution. His face was also extremely irregular. He wouldn't answer a single question. I learned afterward that he got seven years in prison, while the horse-thief was hanged. As horses ran wild, and there was no protection, it meant death to steal one." This was one interlude among others. "The first thing the astronomers did was to determine with precision their exact locality upon the earth. A number of observations were made, and Watson, of Michigan University, with two others, worked all night computing, until they agreed. They said they were not in error more than one hundred feet, and that the station was twelve miles out of the position given on the maps. It seemed to take an immense amount of mathematics. I preserved one of the sheets, which looked like the time-table of a Chinese railroad. The instruments of the various parties were then set up in different parts of the little town, and got ready for the eclipse which was to occur in three or four days. Two days before the event we all got together, and obtaining an engine and car, went twelve miles farther west to visit the United States Government astronomers at a place called Separation, the apex of the Great Divide, where the waters run east to the Mississippi and west to the Pacific. Fox and I took our Winchester rifles with an idea of doing a little shooting. After calling on the Government people we started to interview the telegraph operator at this most lonely and desolate spot. After talking over old acquaintances I asked him if there was any game around. He said, 'Plenty of jack-rabbits.' These jack-rabbits are a very peculiar species. They have ears about six inches long and very slender legs, about three times as long as those of an ordinary rabbit, and travel at a great speed by a series of jumps, each about thirty feet long, as near as I could judge. The local people called them 'narrow-gauge mules.' Asking the operator the best direction, he pointed west, and noticing a rabbit in a clear space in the sage bushes, I said, 'There is one now.' I advanced cautiously to within one hundred feet and shot. The rabbit paid no attention. I then advanced to within ten feet and shot again--the rabbit was still immovable. On looking around, the whole crowd at the station were watching--and then I knew the rabbit was stuffed! However, we did shoot a number of live ones until Fox ran out of cartridges. On returning to the station I passed away the time shooting at cans set on a pile of tins. Finally the operator said to Fox: 'I have a fine Springfield musket, suppose you try it!' So Fox took the musket and fired. It knocked him nearly over. It seems that the musket had been run over by a handcar, which slightly bent the long barrel, but not sufficiently for an amateur like Fox to notice. After Fox had his shoulder treated with arnica at the Government hospital tent, we returned to Rawlins." The eclipse was, however, the prime consideration, and Edison followed the example of his colleagues in making ready. The place which he secured for setting up his tasimeter was an enclosure hardly suitable for the purpose, and he describes the results as follows: "I had my apparatus in a small yard enclosed by a board fence six feet high, at one end there was a house for hens. I noticed that they all went to roost just before totality. At the same time a slight wind arose, and at the moment of totality the atmosphere was filled with thistle-down and other light articles. I noticed one feather, whose weight was at least one hundred and fifty milligrams, rise perpendicularly to the top of the fence, where it floated away on the wind. My apparatus was entirely too sensitive, and I got no results." It was found that the heat from the corona of the sun was ten times the index capacity of the instrument; but this result did not leave the value of the device in doubt. The Scientific American remarked; "Seeing that the tasimeter is affected by a wider range of etheric undulations than the eye can take cognizance of, and is withal far more acutely sensitive, the probabilities are that it will open up hitherto inaccessible regions of space, and possibly extend the range of aerial knowledge as far beyond the limit obtained by the telescope as that is beyond the narrow reach of unaided vision." The eclipse over, Edison, with Professor Barker, Major Thornberg, several soldiers, and a number of railroad officials, went hunting about one hundred miles south of the railroad in the Ute country. A few months later the Major and thirty soldiers were ambushed near the spot at which the hunting-party had camped, and all were killed. Through an