6. Others as well as Plato have chosen an ideal Republic to be the

vehicle of thoughts which they could not definitely express, or which went beyond their own age. The classical writing which approaches most nearly to the Republic of Plato is the ‘De Republica’ of Cicero; but neither in this nor in any other of his dialogues does he rival the art of Plato. The manners are clumsy and inferior; the hand of the rhetorician is apparent at every turn. Yet noble sentiments are constantly recurring: the true note of Roman patriotism—‘We Romans are a great people’—resounds through the whole work. Like Socrates, Cicero turns away from the phenomena of the heavens to civil and political life. He would rather not discuss the ‘two Suns’ of which all Rome was talking, when he can converse about ‘the two nations in one’ which had divided Rome ever since the days of the Gracchi. Like Socrates again, speaking in the person of Scipio, he is afraid lest he should assume too much the character of a teacher, rather than of an equal who is discussing among friends the two sides of a question. He would confine the terms King or State to the rule of reason and justice, and he will not concede that title either to a democracy or to a monarchy. But under the rule of reason and justice he is willing to include the natural superior ruling over the natural inferior, which he compares to the soul ruling over the body. He prefers a mixture of forms of government to any single one. The two portraits of the just and the unjust, which occur in the second book of the Republic, are transferred to the state—Philus, one of the interlocutors, maintaining against his will the necessity of injustice as a principle of government, while the other, Laelius, supports the opposite thesis. His views of language and number are derived from Plato; like him he denounces the drama. He also declares that if his life were to be twice as long he would have no time to read the lyric poets. The picture of democracy is translated by him word for word, though he had hardly shown himself able to ‘carry the jest’ of Plato. He converts into a stately sentence the humorous fancy about the animals, who ‘are so imbued with the spirit of democracy that they make the passers-by get out of their way.’ His description of the tyrant is imitated from Plato, but is far inferior. The second book is historical, and claims for the Roman constitution (which is to him the ideal) a foundation of fact such as Plato probably intended to have given to the Republic in the Critias. His most remarkable imitation of Plato is the adaptation of the vision of Er, which is converted by Cicero into the ‘Somnium Scipionis’; he has ‘romanized’ the myth of the Republic, adding an argument for the immortality of the soul taken from the Phaedrus, and some other touches derived from the Phaedo and the Timaeus. Though a beautiful tale and containing splendid passages, the ‘Somnium Scipionis; is very inferior to the vision of Er; it is only a dream, and hardly allows the reader to suppose that the writer believes in his own creation. Whether his dialogues were framed on the model of the lost dialogues of Aristotle, as he himself tells us, or of Plato, to which they bear many superficial resemblances, he is still the Roman orator; he is not conversing, but making speeches, and is never able to mould the intractable Latin to the grace and ease of the Greek Platonic dialogue. But if he is defective in form, much more is he inferior to the Greek in matter; he nowhere in his philosophical writings leaves upon our minds the impression of an original thinker. Plato’s Republic has been said to be a church and not a state; and such an ideal of a city in the heavens has always hovered over the Christian world, and is embodied in St. Augustine’s ‘De Civitate Dei,’ which is suggested by the decay and fall of the Roman Empire, much in the same manner in which we may imagine the Republic of Plato to have been influenced by the decline of Greek politics in the writer’s own age. The difference is that in the time of Plato the degeneracy, though certain, was gradual and insensible: whereas the taking of Rome by the Goths stirred like an earthquake the age of St. Augustine. Men were inclined to believe that the overthrow of the city was to be ascribed to the anger felt by the old Roman deities at the neglect of their worship. St. Augustine maintains the opposite thesis; he argues that the destruction of the Roman Empire is due, not to the rise of Christianity, but to the vices of Paganism. He wanders over Roman history, and over Greek philosophy and mythology, and finds everywhere crime, impiety and falsehood. He compares the worst parts of the Gentile religions with the best elements of the faith of Christ. He shows nothing of the spirit which led others of the early Christian Fathers to recognize in the writings of the Greek philosophers the power of the divine truth. He traces the parallel of the kingdom of God, that is, the history of the Jews, contained in their scriptures, and of the kingdoms of the world, which are found in gentile writers, and pursues them both into an ideal future. It need hardly be remarked that his use both of Greek and of Roman historians and of the sacred writings of the Jews is wholly uncritical. The heathen mythology, the Sybilline oracles, the myths of Plato, the dreams of Neo-Platonists are equally regarded by him as matter of fact. He must be acknowledged to be a strictly polemical or controversial writer who makes the best of everything on one side and the worst of everything on the other. He has no sympathy with the old Roman life as Plato has with Greek life, nor has he any idea of the ecclesiastical kingdom which was to arise out of the ruins of the Roman empire. He is not blind to the defects of the Christian Church, and looks forward to a time when Christian and Pagan shall be alike brought before the judgment-seat, and the true City of God shall appear...The work of St. Augustine is a curious repertory of antiquarian learning and quotations, deeply penetrated with Christian ethics, but showing little power of reasoning, and a slender knowledge of the Greek literature and language. He was a great genius, and a noble character, yet hardly capable of feeling or understanding anything external to his own theology. Of all the ancient philosophers he is most attracted by Plato, though he is very slightly acquainted with his writings. He is inclined to believe that the idea of creation in the Timaeus is derived from the narrative in Genesis; and he is strangely taken with the coincidence (?) of Plato’s saying that ‘the philosopher is the lover of God,’ and the words of the Book of Exodus in which God reveals himself to Moses (Exod.) He dwells at length on miracles performed in his own day, of which the evidence is regarded by him as irresistible. He speaks in a very interesting manner of the beauty and utility of nature and of the human frame, which he conceives to afford a foretaste of the heavenly state and of the resurrection of the body. The book is not really what to most persons the title of it would imply, and belongs to an age which has passed away. But it contains many fine passages and thoughts which are for all time. The short treatise de Monarchia of Dante is by far the most remarkable of mediaeval ideals, and bears the impress of the great genius in whom Italy and the Middle Ages are so vividly reflected. It is the vision of an Universal Empire, which is supposed to be the natural and necessary government of the world, having a divine authority distinct from the Papacy, yet coextensive with it. It is not ‘the ghost of the dead Roman Empire sitting crowned upon the grave thereof,’ but the legitimate heir and successor of it, justified by the ancient virtues of the Romans and the beneficence of their rule. Their right to be the governors of the world is also confirmed by the testimony of miracles, and acknowledged by St. Paul when he appealed to Caesar, and even more emphatically by Christ Himself, Who could not have made atonement for the sins of men if He had not been condemned by a divinely authorized tribunal. The necessity for the establishment of an Universal Empire is proved partly by a priori arguments such as the unity of God and the unity of the family or nation; partly by perversions of Scripture and history, by false analogies of nature, by misapplied quotations from the classics, and by odd scraps and commonplaces of logic, showing a familiar but by no means exact knowledge of Aristotle (of Plato there is none). But a more convincing argument still is the miserable state of the world, which he touchingly describes. He sees no hope of happiness or peace for mankind until all nations of the earth are comprehended in a single empire. The whole treatise shows how deeply the idea of the Roman Empire was fixed in the minds of his contemporaries. Not much argument was needed to maintain the truth of a theory which to his own contemporaries seemed so natural and congenial. He speaks, or rather preaches, from the point of view, not of the ecclesiastic, but of the layman, although, as a good Catholic, he is willing to acknowledge that in certain respects the Empire must submit to the Church. The beginning and end of all his noble reflections and of his arguments, good and bad, is the aspiration ‘that in this little plot of earth belonging to mortal man life may pass in freedom and peace.’ So inextricably is his vision of the future bound up with the beliefs and circumstances of his own age. The ‘Utopia’ of Sir Thomas More is a surprising monument of his genius, and shows a reach of thought far beyond his contemporaries. The book was written by him at the age of about 34 or 35, and is full of the generous sentiments of youth. He brings the light of Plato to bear upon the miserable state of his own country. Living not long after the Wars of the Roses, and in the dregs of the Catholic Church in England, he is indignant at the corruption of the clergy, at the luxury of the nobility and gentry, at the sufferings of the poor, at the calamities caused by war. To the eye of More the whole world was in dissolution and decay; and side by side with the misery and oppression which he has described in the First Book of the Utopia, he places in the Second Book the ideal state which by the help of Plato he had constructed. The times were full of stir and intellectual interest. The distant murmur of the Reformation was beginning to be heard. To minds like More’s, Greek literature was a revelation: there had arisen an art of interpretation, and the New Testament was beginning to be understood as it had never been before, and has not often been since, in its natural sense. The life there depicted appeared to him wholly unlike that of Christian commonwealths, in which ‘he saw nothing but a certain conspiracy of rich men procuring their own commodities under the name and title of the Commonwealth.’ He thought that Christ, like Plato, ‘instituted all things common,’ for which reason, he tells us, the citizens of Utopia were the more willing to receive his doctrines (‘Howbeit, I think this was no small help and furtherance in the matter, that they heard us say that Christ instituted among his, all things common, and that the same community doth yet remain in the rightest Christian communities’ (Utopia).). The community of property is a fixed idea with him, though he is aware of the arguments which may be urged on the other side (‘These things (I say), when I consider with myself, I hold well with Plato, and do nothing marvel that he would make no laws for them that refused those laws, whereby all men should have and enjoy equal portions of riches and commodities. For the wise men did easily foresee this to be the one and only way to the wealth of a community, if equality of all things should be brought in and established’ (Utopia).). We wonder how in the reign of Henry VIII, though veiled in another language and published in a foreign country, such speculations could have been endured. He is gifted with far greater dramatic invention than any one who succeeded him, with the exception of Swift. In the art of feigning he is a worthy disciple of Plato. Like him, starting from a small portion of fact, he founds his tale with admirable skill on a few lines in the Latin narrative of the voyages of Amerigo Vespucci. He is very precise about dates and facts, and has the power of making us believe that the narrator of the tale must have been an eyewitness. We are fairly puzzled by his manner of mixing up real and imaginary persons; his boy John Clement and Peter Giles, citizen of Antwerp, with whom he disputes about the precise words which are supposed to have been used by the (imaginary) Portuguese traveller, Raphael Hythloday. ‘I have the more cause,’ says Hythloday, ‘to fear that my words shall not be believed, for that I know how difficultly and hardly I myself would have believed another man telling the same, if I had not myself seen it with mine own eyes.’ Or again: ‘If you had been with me in Utopia, and had presently seen their fashions and laws as I did which lived there five years and more, and would never have come thence, but only to make the new land known here,’ etc. More greatly regrets that he forgot to ask Hythloday in what part of the world Utopia is situated; he ‘would have spent no small sum of money rather than it should have escaped him,’ and he begs Peter Giles to see Hythloday or write to him and obtain an answer to the question. After this we are not surprised to hear that a Professor of Divinity (perhaps ‘a late famous vicar of Croydon in Surrey,’ as the translator thinks) is desirous of being sent thither as a missionary by the High Bishop, ‘yea, and that he may himself be made Bishop of Utopia, nothing doubting that he must obtain this Bishopric with suit; and he counteth that a godly suit which proceedeth not of the desire of honour or lucre, but only of a godly zeal.’ The design may have failed through the disappearance of Hythloday, concerning whom we have ‘very uncertain news’ after his departure. There is no doubt, however, that he had told More and Giles the exact situation of the island, but unfortunately at the same moment More’s attention, as he is reminded in a letter from Giles, was drawn off by a servant, and one of the company from a cold caught on shipboard coughed so loud as to prevent Giles from hearing. And ‘the secret has perished’ with him; to this day the place of Utopia remains unknown. The words of Phaedrus, ‘O Socrates, you can easily invent Egyptians or anything,’ are recalled to our mind as we read this lifelike fiction. Yet the greater merit of the work is not the admirable art, but the originality of thought. More is as free as Plato from the prejudices of his age, and far more tolerant. The Utopians do not allow him who believes not in the immortality of the soul to share in the administration of the state (Laws), ‘howbeit they put him to no punishment, because they be persuaded that it is in no man’s power to believe what he list’; and ‘no man is to be blamed for reasoning in support of his own religion (‘One of our company in my presence was sharply punished. He, as soon as he was baptised, began, against our wills, with more earnest affection than wisdom, to reason of Christ’s religion, and began to wax so hot in his matter, that he did not only prefer our religion before all other, but also did despise and condemn all other, calling them profane, and the followers of them wicked and devilish, and the children of everlasting damnation. When he had thus long reasoned the matter, they laid hold on him, accused him, and condemned him into exile, not as a despiser of religion, but as a seditious person and a raiser up of dissension among the people’).’ In the public services ‘no prayers be used, but such as every man may boldly pronounce without giving offence to any sect.’ He says significantly, ‘There be that give worship to a man that was once of excellent virtue or of famous glory, not only as God, but also the chiefest and highest God. But the most and the wisest part, rejecting all these, believe that there is a certain godly power unknown, far above the capacity and reach of man’s wit, dispersed throughout all the world, not in bigness, but in virtue and power. Him they call the Father of all. To Him alone they attribute the beginnings, the increasings, the proceedings, the changes, and the ends of all things. Neither give they any divine honours to any other than him.’ So far was More from sharing the popular beliefs of his time. Yet at the end he reminds us that he does not in all respects agree with the customs and opinions of the Utopians which he describes. And we should let him have the benefit of this saving clause, and not rudely withdraw the veil behind which he has been pleased to conceal himself. Nor is he less in advance of popular opinion in his political and moral speculations. He would like to bring military glory into contempt; he would set all sorts of idle people to profitable occupation, including in the same class, priests, women, noblemen, gentlemen, and ‘sturdy and valiant beggars,’ that the labour of all may be reduced to six hours a day. His dislike of capital punishment, and plans for the reformation of offenders; his detestation of priests and lawyers (Compare his satirical observation: ‘They (the Utopians) have priests of exceeding holiness, and therefore very few.); his remark that ‘although every one may hear of ravenous dogs and wolves and cruel man-eaters, it is not easy to find states that are well and wisely governed,’ are curiously at variance with the notions of his age and indeed with his own life. There are many points in which he shows a modern feeling and a prophetic insight like Plato. He is a sanitary reformer; he maintains that civilized states have a right to the soil of waste countries; he is inclined to the opinion which places happiness in virtuous pleasures, but herein, as he thinks, not disagreeing from those other philosophers who define virtue to be a life according to nature. He extends the idea of happiness so as to include the happiness of others; and he argues ingeniously, ‘All men agree that we ought to make others happy; but if others, how much more ourselves!’ And still he thinks that there may be a more excellent way, but to this no man’s reason can attain unless heaven should inspire him with a higher truth. His ceremonies before marriage; his humane proposal that war should be carried on by assassinating the leaders of the enemy, may be compared to some of the paradoxes of Plato. He has a charming fancy, like the affinities of Greeks and barbarians in the Timaeus, that the Utopians learnt the language of the Greeks with the more readiness because they were originally of the same race with them. He is penetrated with the spirit of Plato, and quotes or adapts many thoughts both from the Republic and from the Timaeus. He prefers public duties to private, and is somewhat impatient of the importunity of relations. His citizens have no silver or gold of their own, but are ready enough to pay them to their mercenaries. There is nothing of which he is more contemptuous than the love of money. Gold is used for fetters of criminals, and diamonds and pearls for children’s necklaces (When the ambassadors came arrayed in gold and peacocks’ feathers ‘to the eyes of all the Utopians except very few, which had been in other countries for some reasonable cause, all that gorgeousness of apparel seemed shameful and reproachful. In so much that they most reverently saluted the vilest and most abject of them for lords—passing over the ambassadors themselves without any honour, judging them by their wearing of golden chains to be bondmen. You should have seen children also, that had cast away their pearls and precious stones, when they saw the like sticking upon the ambassadors’ caps, dig and push their mothers under the sides, saying thus to them—“Look, though he were a little child still.” But the mother; yea and that also in good earnest: “Peace, son,” saith she, “I think he be some of the ambassadors’ fools.”’) Like Plato he is full of satirical reflections on governments and princes; on the state of the world and of knowledge. The hero of his discourse (Hythloday) is very unwilling to become a minister of state, considering that he would lose his independence and his advice would never be heeded (Compare an exquisite passage, of which the conclusion is as follows: ‘And verily it is naturally given...suppressed and ended.’) He ridicules the new logic of his time; the Utopians could never be made to understand the doctrine of Second Intentions (‘For they have not devised one of all those rules of restrictions, amplifications, and suppositions, very wittily invented in the small Logicals, which here our children in every place do learn. Furthermore, they were never yet able to find out the second intentions; insomuch that none of them all could ever see man himself in common, as they call him, though he be (as you know) bigger than was ever any giant, yea, and pointed to of us even with our finger.’) He is very severe on the sports of the gentry; the Utopians count ‘hunting the lowest, the vilest, and the most abject part of butchery.’ He quotes the words of the Republic in which the philosopher is described ‘standing out of the way under a wall until the driving storm of sleet and rain be overpast,’ which admit of a singular application to More’s own fate; although, writing twenty years before (about the year 1514), he can hardly be supposed to have foreseen this. There is no touch of satire which strikes deeper than his quiet remark that the greater part of the precepts of Christ are more at variance with the lives of ordinary Christians than the discourse of Utopia (‘And yet the most part of them is more dissident from the manners of the world now a days, than my communication was. But preachers, sly and wily men, following your counsel (as I suppose) because they saw men evil-willing to frame their manners to Christ’s rule, they have wrested and wried his doctrine, and, like a rule of lead, have applied it to men’s manners, that by some means at the least way, they might agree together.’) The ‘New Atlantis’ is only a fragment, and far inferior in merit to the ‘Utopia.’ The work is full of ingenuity, but wanting in creative fancy, and by no means impresses the reader with a sense of credibility. In some places Lord Bacon is characteristically different from Sir Thomas More, as, for example, in the external state which he attributes to the governor of Solomon’s House, whose dress he minutely describes, while to Sir Thomas More such trappings appear simple ridiculous. Yet, after this programme of dress, Bacon adds the beautiful trait, ‘that he had a look as though he pitied men.’ Several things are borrowed by him from the Timaeus; but he has injured the unity of style by adding thoughts and passages which are taken from the Hebrew Scriptures. The ‘City of the Sun’ written by Campanella (1568-1639), a Dominican friar, several years after the ‘New Atlantis’ of Bacon, has many resemblances to the Republic of Plato. The citizens have wives and children in common; their marriages are of the same temporary sort, and are arranged by the magistrates from time to time. They do not, however, adopt his system of lots, but bring together the best natures, male and female, ‘according to philosophical rules.’ The infants until two years of age are brought up by their mothers in public temples; and since individuals for the most part educate their children badly, at the beginning of their third year they are committed to the care of the State, and are taught at first, not out of books, but from paintings of all kinds, which are emblazoned on the walls of the city. The city has six interior circuits of walls, and an outer wall which is the seventh. On this outer wall are painted the figures of legislators and philosophers, and on each of the interior walls the symbols or forms of some one of the sciences are delineated. The women are, for the most part, trained, like the men, in warlike and other exercises; but they have two special occupations of their own. After a battle, they and the boys soothe and relieve the wounded warriors; also they encourage them with embraces and pleasant words. Some elements of the Christian or Catholic religion are preserved among them. The life of the Apostles is greatly admired by this people because they had all things in common; and the short prayer which Jesus Christ taught men is used in their worship. It is a duty of the chief magistrates to pardon sins, and therefore the whole people make secret confession of them to the magistrates, and they to their chief, who is a sort of Rector Metaphysicus; and by this means he is well informed of all that is going on in the minds of men. After confession, absolution is granted to the citizens collectively, but no one is mentioned by name. There also exists among them a practice of perpetual prayer, performed by a succession of priests, who change every hour. Their religion is a worship of God in Trinity, that is of Wisdom, Love and Power, but without any distinction of persons. They behold in the sun the reflection of His glory; mere graven images they reject, refusing to fall under the ‘tyranny’ of idolatry. Many details are given about their customs of eating and drinking, about their mode of dressing, their employments, their wars. Campanella looks forward to a new mode of education, which is to be a study of nature, and not of Aristotle. He would not have his citizens waste their time in the consideration of what he calls ‘the dead signs of things.’ He remarks that he who knows one science only, does not really know that one any more than the rest, and insists strongly on the necessity of a variety of knowledge. More scholars are turned out in the City of the Sun in one year than by contemporary methods in ten or fifteen. He evidently believes, like Bacon, that henceforward natural science will play a great part in education, a hope which seems hardly to have been realized, either in our own or in any former age; at any rate the fulfilment of it has been long deferred. There is a good deal of ingenuity and even originality in this work, and a most enlightened spirit pervades it. But it has little or no charm of style, and falls very far short of the ‘New Atlantis’ of Bacon, and still more of the ‘Utopia’ of Sir Thomas More. It is full of inconsistencies, and though borrowed from Plato, shows but a superficial acquaintance with his writings. It is a work such as one might expect to have been written by a philosopher and man of genius who was also a friar, and who had spent twenty-seven years of his life in a prison of the Inquisition. The most interesting feature of the book, common to Plato and Sir Thomas More, is the deep feeling which is shown by the writer, of the misery and ignorance prevailing among the lower classes in his own time. Campanella takes note of Aristotle’s answer to Plato’s community of property, that in a society where all things are common, no individual would have any motive to work (Arist. Pol.): he replies, that his citizens being happy and contented in themselves (they are required to work only four hours a day), will have greater regard for their fellows than exists among men at present. He thinks, like Plato, that if he abolishes private feelings and interests, a great public feeling will take their place. Other writings on ideal states, such as the ‘Oceana’ of Harrington, in which the Lord Archon, meaning Cromwell, is described, not as he was, but as he ought to have been; or the ‘Argenis’ of Barclay, which is an historical allegory of his own time, are too unlike Plato to be worth mentioning. More interesting than either of these, and far more Platonic in style and thought, is Sir John Eliot’s ‘Monarchy of Man,’ in which the prisoner of the Tower, no longer able ‘to be a politician in the land of his birth,’ turns away from politics to view ‘that other city which is within him,’ and finds on the very threshold of the grave that the secret of human happiness is the mastery of self. The change of government in the time of the English Commonwealth set men thinking about first principles, and gave rise to many works of this class...The great original genius of Swift owes nothing to Plato; nor is there any trace in the conversation or in the works of Dr. Johnson of any acquaintance with his writings. He probably would have refuted Plato without reading him, in the same fashion in which he supposed himself to have refuted Bishop Berkeley’s theory of the non-existence of matter. If we except the so-called English Platonists, or rather Neo-Platonists, who never understood their master, and the writings of Coleridge, who was to some extent a kindred spirit, Plato has left no permanent impression on English literature.