Part 46

the ducks love, within, and he thought it likely that some would be along pretty soon. After he had lain still there about an hour he heard a low and seemingly very distant sound, but singularly grand and impressive, unlike any thing he had ever heard, gradually swelling and increasing as if it would have a universal and memorable ending, a sullen rush and roar, which seemed to him all at once like the sound of a vast body of fowl coming in to settle there, and, seizing his gun, he started up in haste and excited; but he found, to his surprise, that the whole body of the ice had started while he lay there, and drifted in to the shore, and the sound he had heard was made by its edge grating on the shore,—at first gently nibbled and crumbled off, but at length heaving up and scattering its wrecks along the island to a considerable height before it came to a stand still. At length the sun’s rays have attained the right angle, and warm winds blow up mist and rain and melt the snow banks, and the sun dispersing the mist smiles on a checkered landscape of russet and white smoking with incense, through which the traveller picks his way from islet to islet, cheered by the music of a thousand tinkling rills and rivulets whose veins are filled with the blood of winter which they are bearing off. Few phenomena gave me more delight than to observe the forms which thawing sand and clay assume in flowing down the sides of a deep cut on the railroad through which I passed on my way to the village, a phenomenon not very common on so large a scale, though the number of freshly exposed banks of the right material must have been greatly multiplied since railroads were invented. The material was sand of every degree of fineness and of various rich colors, commonly mixed with a little clay. When the frost comes out in the spring, and even in a thawing day in the winter, the sand begins to flow down the slopes like lava, sometimes bursting out through the snow and overflowing it where no sand was to be seen before. Innumerable little streams overlap and interlace one with another, exhibiting a sort of hybrid product, which obeys half way the law of currents, and half way that of vegetation. As it flows it takes the forms of sappy leaves or vines, making heaps of pulpy sprays a foot or more in depth, and resembling, as you look down on them, the laciniated, lobed, and imbricated thalluses of some lichens; or you are reminded of coral, of leopard’s paws or birds’ feet, of brains or lungs or bowels, and excrements of all kinds. It is a truly _grotesque_ vegetation, whose forms and color we see imitated in bronze, a sort of architectural foliage more ancient and typical than acanthus, chiccory, ivy, vine, or any vegetable leaves; destined perhaps, under some circumstances, to become a puzzle to future geologists. The whole cut impressed me as if it were a cave with its stalactites laid open to the light. The various shades of the sand are singularly rich and agreeable, embracing the different iron colors, brown, gray, yellowish, and reddish. When the flowing mass reaches the drain at the foot of the bank it spreads out flatter into _strands_, the separate streams losing their semi-cylindrical form and gradually becoming more flat and broad, running together as they are more moist, till they form an almost flat _sand_, still variously and beautifully shaded, but in which you can trace the original forms of vegetation; till at length, in the water itself, they are converted into _banks_, like those formed off the mouths of rivers, and the forms of vegetation are lost in the ripple marks on the bottom. The whole bank, which is from twenty to forty feet high, is sometimes overlaid with a mass of this kind of foliage, or sandy rupture, for a quarter of a mile on one or both sides, the produce of one spring day. What makes this sand foliage remarkable is its springing into existence thus suddenly. When I see on the one side the inert bank,—for the sun acts on one side first,—and on the other this luxuriant foliage, the creation of an hour, I am affected as if in a peculiar sense I stood in the laboratory of the Artist who made the world and me,—had come to where he was still at work, sporting on this bank, and with excess of energy strewing his fresh designs about. I feel as if I were nearer to the vitals of the globe, for this sandy overflow is something such a foliaceous mass as the vitals of the animal body. You find thus in the very sands an anticipation of the vegetable leaf. No wonder that the earth expresses itself outwardly in leaves, it so labors with the idea inwardly. The atoms have already learned this law, and are pregnant by it. The overhanging leaf sees here its prototype. _Internally_, whether in the globe or animal body, it is a moist thick _lobe_, a word especially applicable to the liver and lungs and the _leaves_ of fat, (?e?ß?, _labor_, _lapsus_, to flow or slip downward, a lapsing; ??ß??, _globus_, lobe, globe; also lap, flap, and many other words,) _externally_ a dry thin _leaf_, even as the _f_ and _v_ are a pressed and dried _b_. The radicals of _lobe_ are _lb_, the soft mass of the _b_ (single lobed, or B, double lobed,) with the liquid _l_ behind it pressing it forward. In globe, _glb_, the guttural _g_ adds to the meaning the capacity of the throat. The feathers and wings of birds are still drier and thinner leaves. Thus, also, you pass from the lumpish grub in the earth to the airy and fluttering butterfly. The very globe continually transcends and translates itself, and becomes winged in its orbit. Even ice begins with delicate crystal leaves, as if it had flowed into moulds which the fronds of water plants have impressed on the watery mirror. The whole tree itself is but one leaf, and rivers are still vaster leaves whose pulp is intervening earth, and towns and cities are the ova of insects in their axils. When the sun withdraws the sand ceases to flow, but in the morning the streams will start once more and branch and branch again into a myriad of others. You here see perchance how blood vessels are formed. If you look closely you observe that first there pushes forward from the thawing mass a stream of softened sand with a drop-like point, like the ball of the finger, feeling its way slowly and blindly downward, until at last with more heat and moisture, as the sun gets higher, the most fluid portion, in its effort to obey the law to which the most inert also yields, separates from the latter and forms for itself a meandering channel or artery within that, in which is seen a little silvery stream glancing like lightning from one stage of pulpy leaves or branches to another, and ever and anon swallowed up in the sand. It is wonderful how rapidly yet perfectly the sand organizes itself as it flows, using the best material its mass affords to form the sharp edges of its channel. Such are the sources of rivers. In the silicious matter which the water deposits is perhaps the bony system, and in the still finer soil and organic matter the fleshy fibre or cellular tissue. What is man but a mass of thawing clay? The ball of the human finger is but a drop congealed. The fingers and toes flow to their extent from the thawing mass of the body. Who knows what the human body would expand and flow out to under a more genial heaven? Is not the hand a spreading _palm_ leaf with its lobes and veins? The ear may be regarded, fancifully, as a lichen, _umbilicaria_, on the side of the head, with its lobe or drop. The lip—_labium_, from _labor_ (?)—laps or lapses from the sides of the cavernous mouth. The nose is a manifest congealed drop or stalactite. The chin is a still larger drop, the confluent dripping of the face. The cheeks are a slide from the brows into the valley of the face, opposed and diffused by the cheek bones. Each rounded lobe of the vegetable leaf, too, is a thick and now loitering drop, larger or smaller; the lobes are the fingers of the leaf; and as many lobes as it has, in so many directions it tends to flow, and more heat or other genial influences would have caused it to flow yet farther. Thus it seemed that this one hillside illustrated the principle of all the operations of Nature. The Maker of this earth but patented a leaf. What Champollion will decipher this hieroglyphic for us, that we may turn over a new leaf at last? This phenomenon is more exhilarating to me than the luxuriance and fertility of vineyards. True, it is somewhat excrementitious in its character, and there is no end to the heaps of liver lights and bowels, as if the globe were turned wrong side outward; but this suggests at least that Nature has some bowels, and there again is mother of humanity. This is the frost coming out of the ground; this is Spring. It precedes the green and flowery spring, as mythology precedes regular poetry. I know of nothing more purgative of winter fumes and indigestions. It convinces me that Earth is still in her swaddling clothes, and stretches forth baby fingers on every side. Fresh curls spring from the baldest brow. There is nothing inorganic. These foliaceous heaps lie along the bank like the slag of a furnace, showing that Nature is “in full blast” within. The earth is not a mere fragment of dead history, stratum upon stratum like the leaves of a book, to be studied by geologists and antiquaries chiefly, but living poetry like the leaves of a tree, which precede flowers and fruit,—not a fossil earth, but a living earth; compared with whose great central life all animal and vegetable life is merely parasitic. Its throes will heave our exuviæ from their graves. You may melt your metals and cast them into the most beautiful moulds you can; they will never excite me like the forms which this molten earth flows out into. And not only it, but the institutions upon it, are plastic like clay in the hands of the potter. Ere long, not only on these banks, but on every hill and plain and in every hollow, the frost comes out of the ground like a dormant quadruped from its burrow, and seeks the sea with music, or migrates to other climes in clouds. Thaw with his gentle persuasion is more powerful than Thor with his hammer. The one melts, the other but breaks in pieces. When the ground was partially bare of snow, and a few warm days had dried its surface somewhat, it was pleasant to compare the first tender signs of the infant year just peeping forth with the stately beauty of the withered vegetation which had withstood the winter,—life-everlasting, golden-rods, pinweeds, and graceful wild grasses, more obvious and interesting frequently than in summer even, as if their beauty was not ripe till then; even cotton-grass, cat-tails, mulleins, johnswort, hard-hack, meadow-sweet, and other strong stemmed plants, those unexhausted granaries which entertain the earliest birds,—decent weeds, at least, which widowed Nature wears. I am particularly attracted by the arching and sheaf-like top of the wool-grass; it brings back the summer to our winter memories, and is among the forms which art loves to copy, and which, in the vegetable kingdom, have the same relation to types already in the mind of man that astronomy has. It is an antique style older than Greek or Egyptian. Many of the phenomena of Winter are suggestive of an inexpressible tenderness and fragile delicacy. We are accustomed to hear this king described as a rude and boisterous tyrant; but with the gentleness of a lover he adorns the tresses of Summer. At the approach of spring the red-squirrels got under my house, two at a time, directly under my feet as I sat reading or writing, and kept up the queerest chuckling and chirruping and vocal pirouetting and gurgling sounds that ever were heard; and when I stamped they only chirrupe