Chapter 1

The Project Gutenberg eBook of Beowulf: An Anglo-Saxon Epic Poem This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Beowulf: An Anglo-Saxon Epic Poem Translator: J. Lesslie Hall Release date: July 19, 2005 [eBook #16328] Most recently updated: September 19, 2025 Language: English Other information and formats: www.gutenberg.org/ebooks/16328 Credits: David Starner, Dainis Millers and the Online Distributed Proofreading Team *** START OF THE PROJECT GUTENBERG EBOOK BEOWULF: AN ANGLO-SAXON EPIC POEM *** BEOWULF AN ANGLO-SAXON EPIC POEM _TRANSLATED FROM THE HEYNE-SOCIN TEXT_ BY JNO: LESSLIE HALL, Ph. D. (J.H.U.) Professor of English and History in The College of William and Mary D.C. HEATH & CO., PUBLISHERS BOSTON NEW YORK CHICAGO Entered according to Act of Congress, in the year 1892, by JNO: LESSLIE HALL, in the Office of the Librarian of Congress, at Washington. TO My Wife [v] CONTENTS. PAGE Preface vii Bibliography of Translations xi Glossary of Proper Names xiii List of Words and Phrases not in General Use xviii The Life and Death of Scyld (I.) 1 Scyld's Successors } (II.) 3 Hrothgar's Great Mead-Hall Grendel, the Murderer (III.) 5 Beowulf Goes to Hrothgar's Assistance (IV.) 8 The Geats Reach Heorot (V.) 10 Beowulf Introduces Himself at the Palace (VI.) 12 Hrothgar and Beowulf (VII.) 14 Hrothgar and Beowulf (continued) (VIII.) 17 Unferth Taunts Beowulf (IX.) 19 Beowulf Silences Unferth } (X.) 21 Glee is High All Sleep save One (XI.) 24 Grendel and Beowulf (XII.) 26 Grendel is Vanquished (XIII.) 28 Rejoicing of the Danes (XIV.) 30 Hrothgar's Gratitude (XV.) 33 Hrothgar Lavishes Gifts upon his Deliverer (XVI.) 35 Banquet (continued) } (XVII.) 37 The Scop's Song of Finn and Hnæf The Finn Episode (continued) } (XVIII.) 39 The Banquet Continues Beowulf Receives Further Honor (XIX.) 41 The Mother of Grendel (XX.) 44 Hrothgar's Account of the Monsters (XXI.) 46 Beowulf Seeks Grendel's Mother (XXII.) 48 Beowulf's Fight with Grendel's Mother (XXIII.) 51 Beowulf is Double-Conqueror (XXIV.) 53 [vi] Beowulf Brings his Trophies } (XXV.) 57 Hrothgar's Gratitude Hrothgar Moralizes } (XXVI.) 60 Rest after Labor Sorrow at Parting (XXVII.) 62 The Homeward Journey } (XXVIII.) 64 The Two Queens Beowulf and Higelac (XXIX.) 67 Beowulf Narrates his Adventures to Higelac (XXX.) 69 Gift-Giving is Mutual (XXXI.) 73 The Hoard and the Dragon (XXXII.) 75 Brave Though Aged } (XXXIII.) 78 Reminiscences Beowulf Seeks the Dragon } (XXXIV.) 81 Beowulf's Reminiscences Reminiscences (continued) } (XXXV.) 83 Beowulf's Last Battle Wiglaf the Trusty } (XXXVI.) 88 Beowulf is Deserted by Friends and by Sword The Fatal Struggle } (XXXVII.) 91 Beowulf's Last Moments Wiglaf Plunders the Dragon's Den } (XXXVIII.) 93 Beowulf's Death The Dead Foes } (XXXIX.) 95 Wiglaf's Bitter Taunts The Messenger of Death (XL.) 97 The Messenger's Retrospect (XLI.) 99 Wiglaf's Sad Story } (XLII.) 103 The Hoard Carried Off The Burning of Beowulf (XLIII.) 106 Addenda 109 [vii] PREFACE. The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. _Approximately_, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem. This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes. In order to please the larger class of readers, a regular cadence has been used, a measure which, while retaining the essential characteristics of the original, permits the reader to see ahead of him in reading. Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honored Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first _epic_? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called "the clanging tread of a warrior in mail"? [viii] Of all English translations of Beowulf, that of Professor Garnett alone gives any adequate idea of the chief characteristics of this great Teutonic epic. The measure used in the present translation is believed to be as near a reproduction of the original as modern English affords. The cadences closely resemble those used by Browning in some of his most striking poems. The four stresses of the Anglo-Saxon verse are retained, and as much thesis and anacrusis is allowed as is consistent with a regular cadence. Alliteration has been used to a large extent; but it was thought that modern ears would hardly tolerate it on every line. End-rhyme has been used occasionally; internal rhyme, sporadically. Both have some warrant in Anglo-Saxon poetry. (For end-rhyme, see 1_53, 1_54; for internal rhyme, 2_21, 6_40.) What Gummere[1] calls the "rime-giver" has been studiously kept; _viz._, the first accented syllable in the second half-verse always carries the alliteration; and the last accented syllable alliterates only sporadically. Alternate alliteration is occasionally used as in the original. (See 7_61, 8_5.) No two accented syllables have been brought together, except occasionally after a cæsural pause. (See 2_19 and 12_1.) Or, scientifically speaking, Sievers's C type has been avoided as not consonant with the plan of translation. Several of his types, however, constantly occur; _e.g._ A and a variant (/ x | / x) (/ x x | / x); B and a variant (x / | x / ) (x x / | x / ); a variant of D (/ x | / x x); E (/ x x | / ). Anacrusis gives further variety to the types used in the translation. The parallelisms of the original have been faithfully preserved. (_E.g._, 1_16 and 1_17: "Lord" and "Wielder of Glory"; 1_30, 1_31, 1_32; 2_12 and 2_13; 2_27 and 2_28; 3_5 and 3_6.) Occasionally, some loss has been sustained; but, on the other hand, a gain has here and there been made. The effort has been made to give a decided flavor of archaism to the translation. All words not in keeping with the spirit of the poem have been avoided. Again, though many archaic words have been used, there are none, it is believed, which are not found in standard modern poetry. [ix] With these preliminary remarks, it will not be amiss to give an outline of the story of the poem. _THE STORY._ _Hrothgar, king of the Danes, or Scyldings, builds a great mead-hall, or palace, in which he hopes to feast his liegemen and to give them presents. The joy of king and retainers is, however, of short duration. Grendel, the monster, is seized with hateful jealousy. He cannot brook the sounds of joyance that reach him down in his fen-dwelling near the hall. Oft and anon he goes to the joyous building, bent on direful mischief. Thane after thane is ruthlessly carried off and devoured, while no one is found strong enough and bold enough to cope with the monster. For twelve years he persecutes Hrothgar and his vassals._ _Over sea, a day's voyage off, Beowulf, of the Geats, nephew of Higelac, king of the Geats, hears of Grendel's doings and of Hrothgar's misery. He resolves to crush the fell monster and relieve the aged king. With fourteen chosen companions, he sets sail for Dane-land. Reaching that country, he soon persuades Hrothgar of his ability to help him. The hours that elapse before night are spent in beer-drinking and conversation. When Hrothgar's bedtime comes he leaves the hall in charge of Beowulf, telling him that never before has he given to another the absolute wardship of his palace. All retire to rest, Beowulf, as it were, sleeping upon his arms._ _Grendel comes, the great march-stepper, bearing God's anger. He seizes and kills one of the sleeping warriors. Then he advances towards Beowulf. A fierce and desperate hand-to-hand struggle ensues. No arms are used, both combatants trusting to strength and hand-grip. Beowulf tears Grendel's shoulder from its socket, and the monster retreats to his den, howling and yelling with agony and fury. The wound is fatal._ _The next morning, at early dawn, warriors in numbers flock to the hall Heorot, to hear the news. Joy is boundless. Glee runs high. Hrothgar and his retainers are lavish of gratitude and of gifts._ _Grendel's mother, however, comes the next night to avenge his death. She is furious and raging. While Beowulf is sleeping in a room somewhat apart [x] from the quarters of the other warriors, she seizes one of Hrothgar's favorite counsellors, and carries him off and devours him. Beowulf is called. Determined to leave Heorot entirely purified, he arms himself, and goes down to look for the female monster. After traveling through the waters many hours, he meets her near the sea-bottom. She drags him to her den. There he sees Grendel lying dead. After a desperate and almost fatal struggle with the woman, he slays her, and swims upward in triumph, taking with him Grendel's head._ _Joy is renewed at Heorot. Congratulations crowd upon the victor. Hrothgar literally pours treasures into the lap of Beowulf; and it is agreed among the vassals of the king that Beowulf will be their next liegelord._ _Beowulf leaves Dane-land. Hrothgar weeps and laments at his departure._ _When the hero arrives in his own land, Higelac treats him as a distinguished guest. He is the hero of the hour._ _Beowulf subsequently becomes king of his own people, the Geats. After he has been ruling for fifty years, his own neighborhood is wofully harried by a fire-spewing dragon. Beowulf determines to kill him. In the ensuing struggle both Beowulf and the dragon are slain. The grief of the Geats is inexpressible. They determine, however, to leave nothing undone to honor the memory of their lord. A great funeral-pyre is built, and his body is burnt. Then a memorial-barrow is made, visible from a great distance, that sailors afar may be constantly reminded of the prowess of the national hero of Geatland._ _The poem closes with a glowing tribute to his bravery, his gentleness, his goodness of heart, and his generosity._ * * * * * It is the devout desire of this translator to hasten the day when the story of Beowulf shall be as familiar to English-speaking peoples as that of the Iliad. Beowulf is our first great epic. It is an epitomized history of the life of the Teutonic races. It brings vividly before us our forefathers of pre-Alfredian eras, in their love of war, of sea, and of adventure. My special thanks are due to Professors Francis A. March and James A. Harrison, for advice, sympathy, and assistance. J.L. HALL. [xi] ABBREVIATIONS USED IN THE NOTES. B. = Bugge. C. = Cosijn. Gr. = Grein. Grdvtg. = Grundtvig. H. = Heyne. H. and S. = Harrison and Sharp. H.-So. = Heyne-Socin. K.= Kemble. Kl. = Kluge. M.= Müllenhoff. R. = Rieger. S. = Sievers. Sw. = Sweet. t.B. = ten Brink. Th. = Thorpe. W. = Wülcker. * * * * * BIBLIOGRAPHY OF TRANSLATIONS. ~Arnold, Thomas.~--Beowulf. A heroic poem of the eighth century. London,