Rowlandson the Caricaturist; a Selection from His Works. Vol. 2 by Joseph Grego

1815. _The Grand Master, or Adventures of Qui Hi in Hindostan. A

3609 words  |  Chapter 166

Hudibrastic Poem in eight Cantos by Quiz. Illustrated with twenty-eight engravings by Rowlandson._ Plates dated October 1, 1815. (Quiz fecit, Rowlandson sc.) London: Printed by T. Tegg. The intention of this work seems an attempt to hold up the Governor-General (the Marquis of Hastings) to opprobrium, but whether deserved or not, Europeans have small chance of judging. Frontispiece.--A new Map of India from the latest authority. The Governor-General (Marquis of Hastings) and his Council (Imbecility) mounted on an Elephant. Tusks (marked Monopoly and Ambition) fettered by Restrictions (Board of Control and House of Commons) &c. Titlepage.--The End of the Pagoda Tree, and the ultimate fate of the Viceroy and his Council, &c. &c. A Scene in the Channel. The Modern Idol Juggernaut. Miseries of the First of the Month. The Burning System Illustrated. Missionary Influence, or how to make Converts. An Extraordinary Eclipse. Labour in vain, or his Reverence Confounded. Hindoo Prejudices. John Bull Converting the Indians. More Incantations, or a Journey to the Interior. (Nepaul War). Miseries in India. (Insects.) The Bear and Ragged Staff. (Viceroy and Council as Idols.) Hindoo Incantations. A View in Elephanta. [Illustration: HINDOO INCANTATIONS--A VIEW IN ELEPHANTA.] The Guide declar'd that often here, Things supernatural appear; To prove it he produc'd a book, From which Qui Hi a drawing took, Of which the modern true translation, Is simply 'Hindoo Incantation.' It states that _some one_, years ago, Had tried futurity to know, And he employed an old Hindoo, To get him but a single view Of future things--and lo! an hour Was fixed to show the Brahmin's pow'r, The place appointed was the spot Where Qui Hi and his friends had got, Under Great _Brahma's triple head_, That then struck unbelievers dead. The Brahmin, when the Ghurry's sound Told _one_, was with the idol found, Soliciting he would assert His power, and infidels convert. The stranger now approach'd the place, With terror pictur'd in his face. 'Infidel!' said the Brahmin, 'now I shall observe my sacred vow. Come hither, and you'll shortly see And tremble at _futurity_!' Seating the man, he now applies A magic glass before his eyes; When, lo! the Elephanta shook, And Brahma thus in thunder spoke-- 'Mark, reptile! the decrees of Fate, Which, _Brahma says_, he will complete: Till then your destiny await!' He said, and, with a stroke of thunder, The sacred temple bursts asunder; Seizes the caitiff by the hair, And hurls him headlong thro' the air. He tumbled down to whence he came, _Somewhere_ about the Hooghly stream. Phantasmagoria. A View in Elephanta. The Modern Phaeton, or the Hooghly in danger. Qui Hi arrives at the Bunder Head. Qui Hi in the Bombay Tavern. Pays a Nocturnal Visit to Dungaree. Attends General Koir Wig's Levee. Qui Hi's Introduction and cool Reception. Qui Hi shows off at the Bobbery Hunt. Qui Hi at Bobbery Hall. All alive in the Chokee. Last Visit from the Doctor's Assistant. Qui Hi's last March to Padree Burrows's Go Down. Strange Figures _near_ the Cave of Elephanta, 1814. _Auspicio Regis, et Senatus Angliæ._ _June 1, 1815._ _Naples and the Campagna Felice, in a series of letters (by Lewis Engelbach). With Illustrations by Rowlandson, &c._ 8vo. Published by R. Ackermann, 101 Strand. (Reprinted from Repository of Arts, 1810-13.) Frontispiece.--The Colonel (Don Luigi) awakened from a sleeping _tête-à-tête_ by a serenade from his fair, and lately unconscious, companion. Se tanto a me piace Si rara beltà; Io perdero la pace, Quando si sveglerà. If, while entranced in balmy rest, His charms can give such pain; When he awakes, my wounded breast Will ne'er know peace again. Don Luigi's baggage seized by four Lazzaroni. Ancient Greek Paintings from Herculaneum: Ariadne, Bacchante and Satyr, &c. Don Luigi meets Donna Anna in the Museum. Ancient Greek Paintings from Herculaneum: Centaurs, Chiron teaching Achilles to play the lyre, &c. Sleeping _tête-à-tête_ at a first visit of Don Luigi. Don Michele getting up the ship's side. Don Luigi's Ball. A Bacchanalian Scene at Don Luigi's Ball. Don Michele preparing for his Triumphal Expedition. The Letter Writer, Naples. _The Letter Writer._--'On our way to the mole we had some difficulty in passing through a crowd of people, who, with great eagerness, and with Neapolitan clamour, had assembled round a man, sitting with pen and ink before a frail table, busily employed in committing to paper the crude thoughts of a country clown in the attitude of dictating to him; for the noise was too loud to hear what was going forward. A board above the head of the engrosser proclaimed his calling: '_Qui si fanno memoriali, lettere, ed altre scritture, nel ottimo stilo moderno._' (Here are drawn up memorials, letters, and other writings, in the best modern style.) Ever eager to seize any opportunity of observing the manners and national character of a people whom I have every reason to think better of than some of our superficial magpie-tourists, I pressed forward to obtain a nearer view of the transactions of this universal secretary, when my companion, Don Michele, pulling me back by the skirt of my coat, begged I would not demean myself by thus mixing with the vulgar. * * * * * 'The composer of letters was just receiving from an elderly woman the sum of six _grani_ (about threepence) for an epistle he had indited to her son at _Bari_; after which a farmer, next in rotation, was admitted into presence. His business appeared to be on secret service, for the corresponding oracle politely requested some of the more curious auditors to step a little aside. At first, indeed, the farmer's instructions were conveyed in a whisper; but as a Neapolitan loves dearly to talk as loud as his lungs will let him, and to accompany his sermocinations with the most expressive gestures, it soon became less difficult to discover that the subject under present consideration was a horse which had been sold to a cavalry officer, and for which a balance was still owing; the prompt payment whereof was to be peremptorily insisted on by a respectful dun. As soon as a period was happily brought to paper, it was read over to the listening clodhopper, who, in a manner, beat time to the emphatic and rhythmical reading of the professor by periodical nods of the head, and at the end of the sentence expressed his astonishment at the sagacity with which his obscure ideas had been caught up and classified. This literary production, owing probably to the importance of the subject, was disposed of for the valuable consideration of eight _grani_ (fourpence), paper included; and its possessor, with inward satisfaction, left the oracular tripod, in order to make room for a Turkish captain of a _polacca_, whose literary necessities consisted in a memorial claiming the restitution of some goods illegally seized.... When the document was ready for signature, _Ibrahim Reis_, who could neither read nor write, was desired to make his _cross_ at foot, which he refused with religious abhorrence; but, dipping his little finger into the inkstand, imprinted on the paper a correct facsimile of the tortuous furrows of his cuticle by way of signet. To my great surprise, this state paper was valued at no more than one carlin (fivepence), although engrossed on a folio page and decorated with some fancifully flourished initials. [Illustration: THE LETTER-WRITER.] 'The Turk no sooner discharged his literary debt than a well-dressed young lass gained his place. (This interview is pictured forth in the artist's illustration.) The despatch, however, which was to be written for her, must have been on secret and confidential service, for the instructions she gave to the engrosser were communicated in so low a whisper that, from my observatory, the scene appeared one of purely pantomimical action. When I relate that the time employed by this universal author in the production of the farmer's dun and the Turk's memorial did not exceed half an hour, and that the contents, although somewhat fustian, were very much to the purpose, you will agree with me that Signor Bucatelli possessed talents far above his station. Indeed, Don Matteo assured me that he was as good a poet as an epistolary writer, and that his sonnets on any particular occasion, such as for a wedding, a birthday, &c., may be obtained on the shortest notice, and at equally reasonable rates; in short, that he could wield his pen on any subject whatsoever. 'To a publisher in England a man like Signor Bucatelli would be an invaluable treasure, a host within himself, by the versatility of his genius and the despatch of his literary labours: his charges of _authorship_, as you have seen, are consonant with the modesty of true genius. His elevated style of writing (truly _nel ottimo stilo moderno_) would soon render him a most popular author with us. I was just going to step down to give him the substance of a poetical epistle as a specimen of his abilities, when a little girl brought him a small dish of stewed Windsor beans, a large raw cucumber, and a crust of bread. This frugal fare, and a glass of iced water from the neighbouring stall, well calculated to preserve his intellectual powers unclogged, Don Matteo informed me, was the whole of his dinner; which, together with a cigar by way of dessert, interrupted his official duties for about half an hour, after which, if matters of pressing service remained to be despatched, he would resume his quill, and suspend his _siesta_, or afternoon nap, to a late hour of the day.' _Don Luigi's Ball._--Before leaving his apartments on the _Infrescata_ the writer was anxious, as a slight return for the kindness of his host and the hospitalities he had received in Naples, to give a dance to a few friends of his own and of his entertainer, his host and friend Don Michele undertaking the entire responsibilities of inviting the guests, ordering refreshments, decorating the chambers, and other preliminaries. '"First, as to the company," reports the Don, "there will be ten couples, besides our family and odd ones, if they all come, of which there is little doubt; and what is more, _gente di garbo_ (people of quality), such as you might suppose my friends to be. Three or four will come in their own carriages; and some of the lasses will show you what is called dancing at Naples. Care, too, has been taken that they should not want for good music; you will have, Signor Don Luigi, the first oboe of St. Carlo, two excellent violins, a flute, tenor, and violoncel; my son will play the tambarine." '"Six musicians, Don Michele, for this little dance! Why, that's out of all reason. Half the number----" '"Are _hired_; and the others, gentlemen high in the profession, who for _my_ sake have promised to assist as friends at your party. Money, of course, is out of the question. You see, good sir, Don Michele can command a thing or two. As many more would have come if I had asked them, but these will be sufficient to begin the evening with a little concert; my friend will give you a concerto on the oboe; one of the ladies will sing a _scena_ from an opera, to which we may add a duet or two; and at ten o'clock the dance shall begin. As to the refreshments, I have almost run my legs off to get you the rum (the ladies were to be treated with ice punch, as a rarity). Seventy ices are ordered, cakes and sweetmeats as you desired, and a friend of mine will lend us a dozen of wall chandeliers." These lights, connected with festoons of artificial flowers, and a number of pots of flowers exhaling their fragrance over the rooms, gave the place an elegant appearance. [Illustration: DON LUIGI'S BALL.] 'The musicians arrived in good time, and the company dropped in fast after eight o'clock. To receive such a number of strange faces appropriately was a most irksome task,' continues the writer; 'but it was alleviated by the sight of many a good-looking young lass, and two or three real beauties, and one especially, Donna Carlina. My English friends from the city, and the lieutenant and doctor from the frigate, likewise made their appearance in due time; and healthily as their countenances shone forth, and well-dressed as they were, they greatly eclipsed my Neapolitan bucks, and found much grace among the ladies. I could not help remarking the contrast of manners between two Christian countries. In a more northern latitude, persons coming to the party of a perfect stranger would have conducted themselves with that cautious, anti-social reserve which some people call good manners; some of the ladies would have sat down on their chairs as prim and as stiff as so many hop-poles, cast down their modest looks until spoken to by charity, and then rebuffed a second attempt by a monosyllabic reply, a "Yes, sir," an "Indeed, sir?" a "You are very good, sir," &c. Now I will just tell you how matters went on in the _Infrescata_. Monstrous bows and introductory compliments: this over, all these people seemed as though they had been twenty times in my company.' The Don describes the improvised introductory concert, at which nearly all the company assisted, the Neapolitans having a natural taste for melody, and most of them being fair musicians; the entertainer next gave orders to prepare for the dance, and to hand refreshments in the interval. 'My punch,' he continues, 'found much favour with all present, the ladies not excepted, who emptied their glasses as rapidly as if it had been lemonade. Although not dancing, I was fully employed in another way. With all our windows open, the strains of my numerous orchestra propagated their sound over the whole neighbourhood, some of whose inhabitants, impelled by the attraction of sweet sounds, could not resist favouring me with their company. The circumstance of their not being invited to the feast appeared to them a mere trifle not worthy of their attention; and an extraordinary celerity in decorating their exterior (which is all the essential part of a Neapolitan's full dress), would soon enable them to appear in company with Neapolitan decency. To my great surprise, therefore, Don Michele and I had to receive, from time to time, an influx of these unbidden guests, who in most submissive language begged a thousand pardons for their freedom and intrusion. As Don Michele, my master of the ceremonies, seemed to know them all, and, moreover, as I could neither help their coming, nor, when once arrived, turn them out, I thought it best to put a good face on the matter, and receive every one, especially the ladies, with a hearty welcome (as pictured forth in the plate), assigning them places in the adjoining room, where I contrived to form another set of dances; for the number of these parasitical guests soon grew nearly equal to that of my standard company. As my company were now capering away in two of my apartments, I blush to confess that my resolution to keep my toes in a state of quiet quiescence was shaken at last. I could have withstood the pressing solicitations of half-a-dozen of these exhilarated damsels, but for the irresistible temptation of their animated example, and of the excellent music. Fancy the loving smiles, the glistening eyes, the seducing attitudes of these pretty Neapolitan bacchantes, and then ask your conscience how long any Christian, were he even a Quaker or Moravian, could have stood proof against such attraction? The worst of the thing was, that having once broken my vow by dancing with Miss Carlina, a kind of rivalry ensued among the other ladies, most of whom now laid a successive claim to be led down a country dance by _il Signor Colonello_. 'In the course of these pedestrian evolutions I thought I observed in several of my fair partners, cheerful as they had been before, an unusual and extraordinary access of spirits and gaiety; which, with every allowance for the southern latitude and the ice punch (now administered to them the more frugally by reason of the unlooked-for increase in my numbers), I was at a loss to account for, till I saw my man Benedetto whisper something into Don Michele's ear, which the latter telegraphed into mine. 'But before I let you into this secret it is proper that, like a skilful general, I should in my report give a correct description of the localities of the field of battle. The kitchen belonging to my apartments is on the same floor with them, and in this particular the Neapolitan system of domestic architecture is not different from what you may have observed in a set of chambers, or in many old-fashioned mansions in England. Right opposite to the entrance of this kitchen of mine there is an elevated shelf, on which stand (I had better say _stood_) my three wine-bottles, of immense calibre; the first (having been emptied since my stay in the _Infrescata_) then, and now, containing from six to eight gallons of excellent atmospheric air (such as you breathe at this altitude); the second, of similar dimensions, about half full of delicious old _Pozzuoli_ wine; and the third, not less in size, brim-full of the like grape-juice, with its fluid oil-bung floating at the top. 'No sooner did one of the damsels espy the forbidden shelf than the assault thereon was a settled matter: _veni, vidi, bibi_, was the word; and my delicious _Pozzuoli_ wine fell an easy prey to their sacrilegious hands and palate. _Implentur veteris Bacchi_, or, in plain English, mesdames tippled till they had their fill, and what they left was very nearly finished by four or five half-starved footmen and other hall rabble in attendance on their worthy masters; for when Don Michele went into the kitchen he found but a small remnant in one of the bottles, which he secured in his own room. 'Inspired with the juice and further excited by the agitation of dancing, most of my fair guests became still more exhilarated; some grew ecstatically merry, and a few scarcely manageable. Surrounded by these voluptuous "bacchæ," I feared the fate of Orpheus. Their frolics, however, I must say to their credit, were chiefly levelled at Don Michele, probably because he had spoiled the continuation of their sport. The poor man had now to suffer all sorts of mischief for refusing to join in their revels, till at last, for the sake of peace, he consented to dance _one_ minuet, and no more. All was hushed in an instant, when he placed himself with his fortunate partner in the middle of the room, as stiff as buckram and as serious as if he were occupied with the solution of an algebraic problem. But no sooner had he performed the first step or two, than, in turning his body with grave elegance on the pivot of his toe, a pair of white silk garters were seen gracefully dangling down his back, and describing, at every turn of his automaton body, a variety of flowing irregular curves in the circumambient air. The merriment which this unusual sight occasioned, was in vain attempted to be stifled in a muttered titter; it soon burst out with increased violence, his wife not excepted, who heartily joined the general laugh, but informed her better half of the cause of the satisfaction he gave the company. When I learned the extent of the spoliation committed upon my bin, I did not so much regret the actual loss I thereby sustained, as apprehend some unpleasant scenes of interruption to our festivity and mirth from the excessive indulgence in the forbidden juice. However, whether it was owing to the excellence of the vintage, or to strength of constitution in the fair partakers, only one casualty occurred. 'The dawn of morn was the signal for the gradual separation of the company, from all of whom, whether of the establishment or extra guests, I had received in the course of the evening the most pressing requests to make their house my own; and to their credit I must say that, as far as I have yet had time or inclination to try the sincerity of their invitations, I have had no cause to regret my complaisance. 'When I relate that five leaden ice-moulds and eight of the confectioner's pewter spoons were missing, you will scarcely suppose that any of the good things, such as cakes, sweetmeats, &c., were suffered to remain on the sideboard at the departure of my guests. Whether this practice not to "leave a wreck behind" is as general here as in Malta, I am unable to decide. At the latter place, let the provision be ever so abundant, what the stomach cannot compass the pockets are sure to hold, and in stuffing those no great nicety is observed; so the article is portable at all, it finds its way into one or the other of the pedestrian saddle-bags as by instinct. I have been assured by one of our officers that, at a great fête which General Fox recently gave at Malta, one of the inhabitants (of sufficient rank to be of the party) very dexterously, and, as he fancied, unobserved, slipped a small pullet, wrapt in his pocket-handkerchief, into one of his side receptacles. Unfortunately, an officer near him, seeing the sleight-of-hand transaction, poured a dose of parsley and butter after it, saying very coolly, "Allow me, sir, to help you to a little sauce at the same time."'

Chapters

1. Chapter 1 2. 1800. _The Tuileries in Paris._--_Original Drawing._ 3. 1800. _Sterne, L. The Sentimental Journey._ With plates by Thomas 4. 1800. _Yorick feeling the Grisette's Pulse._ 8vo.--The interior of 5. 1800. _A Peep into Bethlehem._ 6. 1800. _Matrimonial Comforts._ No. 1, _The Dinner Spoil'd._ G. M. 7. 1800. _Matrimonial Comforts._ No. 2, _Late Hours_. Woodward del. Etched 8. 1800. _Matrimonial Comforts._ No. 3, _An Anonymous Letter_. Woodward 9. 1800. _Matrimonial Comforts._ No. 4, _A Return from a Walk_. Woodward 10. 1800. _Matrimonial Comforts._ No. 5, _Killing with Kindness_. Woodward 11. 1800. _Matrimonial Comforts._ No. 6, _A Fashionable Suit_. Woodward 12. 1800. _Matrimonial Comforts._ No. 7, _Washing Day_. Woodward del. 13. 1800. _Matrimonial Comforts._ No. 8, _A Curtain Lecture_. Woodward 14. 1800. _Remarks on a Tour to North and South Wales in the year 1797_, 15. 1801. _The Maiden's Prayer._ Woodward del., Rowlandson sculp. Published 16. 1801. _The Miser's Prayer._ Woodward del., Rowlandson sculp. Published 17. 1801. _The Lottery Office Keeper's Prayer._--This invocation is offered 18. 1801. _Rag Fair._ Published by R. Ackermann. 19. 1801. Four subjects on a sheet.--_Here's your potatoes, four full 20. 1802. _Hunt the Slipper, Pic-Nic Revels._ Rowlandson del. and publisher. 21. 1802. _Salt Water._ Published at 24 Lower Sackville Street.--A bathing 22. 1802. _Compendious Treatise on Modern Education._ By J. B. Willyams, 23. 1802. _Bardic Museum of Primitive British Literature, and other 24. 1804. _Theatrical Leap-frog._ Published by Ackermann, Strand.--The 25. 1804. _A New French Phantasmagoria._ (The date 1805 in one 26. 1804. _A Compendious Treatise of Modern Education_, in which the 27. 1805. _A Boarding School._--The droll scene our artist has 28. Book 7, chap. 14.--'The clock had now struck twelve, and every one in 29. 1806. _A Prize Fight._ 30. 1806. _View of the Interior of Simon Ward, alias St. Brewer's Church, 31. 1806. _A Monkey Merchant._ 32. introduction to the Miseries of Human Life. 33. 1807. _Miseries of the Country._ 'While on a visit to the hundreds of 34. 1808. _Chesterfield Travestie, or School for Modern Manners_, 35. 1. _How to keep up a conversation with yourself in the public 36. 2. _Notoriety._--A buck in a _Jean-de-Brie_. _Singularity._--An 37. 3. _The Art of Quizzing._--Three dandies are promenading arm-in-arm, 38. 1. Place your elbows on the table like a Church Warden at a parish 39. 2. Stretch your arms across the table to get at what best suits your 40. 4. Loll on two chairs while making use of your toothpick. 41. 1808. _A Lecture on Heads_, by G. A. Stevens,[9] with additions as 42. 1808. _British Sailor._ _Frenchman._ _Spaniard._ _Dutchman._ Four 43. 2. Exhibition Room, Somerset House. Great Room at the Royal Academy, 44. 5. The Asylum, or House of Refuge for Friendless and Deserted Girls, 45. 10. The Hall, Blue Coat School, during the orations on the grand 46. 13. British Institution, Pall Mall (late Alderman Boydell's 47. 26. Covent Garden Market. Westminster Election. Hustings in front of 48. 34. Exhibition of the Society of Painters in Water Colours, Old Bond 49. 35. Fire in London. (Albion Mills, Surrey side of Blackfriars Bridge; 50. 36. Fleet Prison (the Debtors' Prison, as rebuilt after the riots in 51. 41. Guildhall, Court of King's Bench. Examination of a Bankrupt 52. 43. The Hall, Heralds' Office, or the College of Arms, St. Benet's 53. 72. Society of Agriculture, Sackville Street, Piccadilly. (An 54. 104. A View of London and the Thames. Taken opposite the Adelphi. 55. 1. A old vixen is tormenting a pretty maid, who is in tears: 'Don't 56. 2. A family scene. 57. 3. A husband, with literary tastes, is vainly trying to interest his 58. 4. An old curmudgeon is seated in his armchair, a decanter of wine 59. 1809. _Disappointed Epicures._ Another version of _A Mad Dog in a 60. 1809. _A Mad Dog in a Dining-room, or Disappointed Epicures._--This 61. 1809. _Rowlandson's Caricatures upon the Delicate Investigation, or the 62. 1809. _A Plan for a General Reform._ Published by T. Tegg. 63. 1809. _Business and Pleasure._ Published by T. Tegg (292). 64. 1809. _A Bill of Fare for Bond Street Epicures._ Published by T. 65. 1809. _A Glee. How shall we Mortals Spend our Hours? In Love! in War! 66. 1809. _Rowlandson's Sketches from Nature._ Drawn and etched by 67. 1809. _Butler's Hudibras_, in three parts, written in the time of the 68. 2. Setting out. 69. 3. The Battle. 70. 4. The Knight and Ralpho consult the Gymnosophist. 71. 5. Sidrophel and Whacum consulting the firmament. 72. 1809. _Surprising Adventures Of the Renowned Baron Munchausen._ 73. 1809. _The Beauties of Sterne_; comprising his humorous and descriptive 74. 1809. _Poetical Magazine._ Dedicated to the lovers of the Muse by the 75. Introduction to _The Schoolmasters Tour_. Vol. 1.--'In the Tour, with 76. 8. Doctor Syntax disputing his Bill with the Landlady Aug. 1 " 77. 13. Doctor Syntax pursued by a Bull Oct. 1 " 78. 5. An illustration to 'Edwin and Matilda, or the Beach King.' 79. 7. Illustration to 'Edwin and Matilda' Jan. 1 " 80. 8. Doctor Syntax losing his money on the Raceground at 81. 13. Doctor Syntax made free of the Cellar April 1 " 82. 11. Doctor Syntax and the Dairymaid Oct. 1 " 83. 13. Doctor Syntax taking possession of his Living May 1 " 84. 1809. Beresford (James). _An Antidote to the Miseries of Human Life._ 85. 1809. _Rowlandson's Sketches from Nature._ Twelve views, drawn and 86. 1809. _The Art of Ingeniously Tormenting._ Republished by Tegg. Plates 87. 1809. _Annals of Sporting._ By Caleb Quizem, Esq., and his various 88. 1809. _The Trial of the Duke of York._ In 2 volumes. Published by T. 89. 1809. _Annals of Sporting._ By Caleb Quizem. Republished by Tegg. 90. Introduction. _Caleb Quizem, Esq._ Woodward del., Rowlandson sc. 91. 8. The Seizure. 92. 1. Mathematical Horsemanship.--Mr. Ralph Marrowbone, forming an obtuse 93. 1809. _Advice to Sportsmen_, selected from the notes of Marmaduke 94. 1809. _Advice to Sportsmen_, rural or metropolitan, noviciates or 95. 1809. _The Pleasures of Human Life._ By Hilari Benevolus & Co., with 96. 1809. _The Pleasures of Human Life._ Investigated cheerfully, 97. 1. Christopher Crabtree in the Suds. 2. Mr. Ego's marvellous 98. 3. Connoisseurs, or Portrait Collectors! 99. 1809. T. Smollett: _Miscellaneous Works_. Twenty-six illustrations by 100. 1809. _Gambado. An Academy for Grown Horsemen, &c._ 8vo. Published by 101. 1809. _Beauties of Tom Brown._ Frontispiece and illustrations by T. 102. 1809. _Scandal: Investigation of the Charges brought against H.R.H. the 103. introduction to the histrionic profession as an experiment towards 104. 1810. _Sports of a Country Fair._--The sport in this case is 105. 1810. _The Harmonic Society. 'The Assemblies of women are too 106. 1810. _The Sign of the Four Alls._--The four personages who constitute 107. 1810. _A Parody on Milton._ Published by T. Tegg. 108. 1810. S. Butler. _Hudibras._ With illustrations after W. Hogarth, 109. 1811. _The Huntsman Rising._ Republished. (See 1809.) Published by T. 110. 1811. _The Gamester Going to Bed._ Republished. (See 1809.) Published 111. 1811. _Twelfth Night Characters_, in twenty-four figures, by T. 112. 1811. _Royal Academy, Somerset House, London._ Rowlandson fecit.--The 113. 1811. _Miseries of Travelling. A Hailstorm._ Designed by H. Bunbury, 114. 1811. _A Tutor and his Pupil, travelling in France, arriving at a 115. 1811. _The Departure of La Fleur._ Vide _Sterne's 'Sentimental 116. 1811. _The Manager's Last Kick, or a New Way to Pay Old Debts._ 117. 1811. _Hiring a Servant._ Published by T. Tegg (124).--An elderly 118. 1811. _Anglers of 1811._ Designed by H. Bunbury, etched by T. 119. 1811. _Patience in a Punt._ Designed by H. Bunbury, etched by T. 120. 1811. _A Family Piece. (The Portrait Painter.)_ Designed by H. Bunbury, 121. 1811. _A Barber's Shop._ H. Bunbury del., Rowlandson sculp.--Two 122. 1818. The title given on the folio engraving is _Interior of a Barber's 123. 1811. _Chesterfield Burlesqued._ Published by T. Tegg. 12mo. (See 124. 1812. _Bitter Fare, or Sweeps Regaling._--As in the preceding 125. 1812. _The Successful Fortune-hunter (Bath Crescent), or Captain 126. 1812. _Hackney Assembly. 'The Graces, the Graces, remember the 127. 1812. _The Learned Scotchman, or Magistrate's Mistake._ Woodward del., 128. 1812. _Mock Turtle_ pictures a pair of elderly suitors cooing over a 129. 1812. _Off She Goes._ Rowlandson fecit. Published by T. Tegg.--An 130. 1812. _English Exhibitions in Paris, or French People astonished at our 131. 1812. _A Cat in Pattens._ Rowlandson invt.--Though thoroughly in 132. 1812. _Cornwall. An Overlooker._ 133. 1812. _A Cornish Waterfall._ 134. 1812. _A Watercourse._ 135. 1812. _Near Helston, Cornwall._ 136. 1812. _View of the Church and Village of St. Cue, Cornwall._ Published 137. 1812. _The Lion Rock, Cornwall._ 138. 1812. _A Cornish Road._ 139. 1812. _A Hill Side, Cornwall._ 140. 1812. _A Cornish View._ 141. Introduction to Courtship. 142. 1813. _Unloading a Waggon._ Published by T. Tegg (214). 143. 1813. _None but the Brave deserve the Fair._ Published by T. Tegg 144. 1810. The subject is treated allegorically by Rowlandson. _The Sun of 145. 1813. _The Quaker and the Commissioners of Excise._ Woodward del., 146. 1813. _Doctor Syntax, in the Middle of a Smoking Hot Political 147. 1813. _The Cobbler's Cure for a Scolding Wife._ Published by T. Tegg 148. 1813. _Hopes of the Family, or Miss Marrowfat at Home for the 149. 1813. Engelbach (Lewis). _Letters from Italy_, (_Repository of Arts_, 150. 1813. _Poetical Sketches of Scarborough._ Text signed 'J. P.' (J. B. 151. 2. _What I am--a snivelling wretch._--The general is seen in solitary 152. 3. _What I ought to be--hung for a fool._--The figure of Napoleon, with 153. 1814. _Portsmouth Point._ Published by T. Tegg (255).--The varied 154. 1815. _Vive le Roi! Vive l'Empereur! Vive le Diable! French Constancy 155. 1815. _R. Ackermann's Transparency on the Victory of Waterloo._--The 156. 3. For the murder of Palm, Hofer, &c., &c. 4. For the murder of the 157. 1815. _Measuring Substitutes for the Army of Reserve._--In 1815, owing 158. 1815. _A Journeyman Tailor._--A half-clad slave of the thimble is shown 159. 1815. _Neighbours._ Published by T. Tegg (235).--The wooden casements 160. 1815. _Virtue in Danger._ 161. 1815. _Accidents will Happen._--This, and the following subjects, to 162. 1815. _Sympathy._--This emotion is rendered in the feelings of a stern 163. 1815. _Despatch, or Jack preparing for Sea._--Jack Tar is making the 164. 1815. _Deadly Lively._--The coarse humours of a spirit-cellar are 165. 1815. (Officer.) _The Military Adventures of Johnny Newcome, with an 166. 1815. _The Grand Master, or Adventures of Qui Hi in Hindostan. A 167. 1815. _The Dance of Death._ With illustrations, 2 vols., royal 8vo. 168. 1816. The central point of the collection is the Emperor's travelling 169. 1816. _Bullock's London Museum, Piccadilly._[26]--'Mr. Bullock, having 170. 1816. _Lady Hamilton at Home, or a Neapolitan Ambassador._--The outline 171. 1816. _Relics of a Saint, by Ferdinand._ Frontispiece by Rowlandson, 172. 1816. _Rowlandson's World in Miniature, consisting of groups of 173. 1816. _The Relics of a Saint. A Right Merry Tale, by Ferdinand 174. 24. The Wedding. 175. 1. _Infancy._--The hero is introduced to the world as an infant. 176. 2. _Childhood._--The first tutor. 177. 3. _Boyhood._--The public school. 178. 4. _Youth._--An undergraduate at Oxford. 179. 5. _Foreign Tour._--Setting forth on his Continental travels. The 180. 6. _Foreign Tour._--Posting in France. 181. 7. _Foreign Tour._--A scene in the Palais-Royal. 182. 8. _The Return._--The traveller hurries home on the death of his 183. 9. _The Chase._--A fatal fall; his affianced bride is thrown and 184. 10. _Fashionable Life._--Plan for new buildings. The architect, &c. 185. 11. Coaching on Hounslow Heath. 186. 12. The Midnight Masquerade. 187. 13. The Billiard-table and its votaries. 188. 14. The Ring, Newmarket Heath. 189. 15. A Mistress _à la mode._ 190. 16. The Election: close of the poll: chairing the member. 191. 17. Imprisoned for debt, the hero resists the temptations held out by 192. 18. A change of circumstances: coming into an unexpected fortune, left 193. 19. A social gathering in the new mansion. Ladies and a musical 194. 20. The hero selects a wife. The nuptial ceremony. 195. 21. Dragging the lake. 196. 22. A case of poaching. Sir Henry is sitting as magistrate at Graceful 197. 23. Worshipping on the Sabbath. The Squire in his pew. 198. 24. Sir Henry, surrounded by his children and his friends, is 199. 1817. _Grotesque Drawing Book; the World in Miniature, consisting of 200. 1817. _Journal of Sentimental Travels in the Southern Provinces of 201. 1817. _World in Miniature._ Containing fifty-eight etchings. 4to. (See 202. 1817. _Pleasures of Human Life._ 203. 1818. _Wild Irish, or Paddy from Cork, with his coat buttoned behind._ 204. 1818. _The Adventures of Johnny Newcome in the Navy._ A Poem, in four 205. 1819. _Who killed Cock Robin? A Satirical Tragedy, or Hieroglyphic 206. 1819. _Female Intrepidity, or the Heroic Maiden._ (Chap-book) With a 207. 1820. _Rowlandson's Characteristic Sketches of the Lower Orders, 208. 1820. _The Second Tour of Doctor Syntax, in Search of Consolation._ 209. 1821. _Tricks on the Turf, or Settling how to Lose a Race._ Published 210. 1821. _Journal of Sentimental Travels in the Southern Provinces of 211. 1821. _Le Don Quichotte Romantique, ou Voyage du Docteur Syntaxe à 212. 1822. _The History of Johnny Quæ Genus; the little Foundling of the 213. Introduction to the history of _Quæ Genus_.--'The favour which has 214. 1822. _Rowlandson's Sketches from Nature._ 215. 1822. _The Third Tour of Doctor Syntax. In Search of a Wife._ Royal 216. 1822. _Die Reise des Doktor Syntax, um das Malerische aufzusuchen. Ein 217. 1822. _Crimes of the Clergy._ 8vo. Two plates by Thomas Rowlandson. 218. 1823. _Hot Goose, Cabbage, and Cucumbers._ 219. 1823. _The Three Tours of Doctor Syntax._ Pocket edition, 3 vols. 16mo. 220. 1823. _Oliver Goldsmith. The Vicar of Wakefield._ 8vo. Illustrated with 221. 1823. _C. M. Westmacott. The Spirit of the Public Journals for the 222. 1823. _The Toothache, or Torment and Torture._--The village 223. 1825. _Bernard Blackmantle. The Spirit of the Public Journals for 224. 1825. _Bernard Blackmantle_ (Charles Molloy Westmacott). _The English 225. 18. Sir Samuel House. Do. 226. 27. Charity Covereth a Multitude of Sins. H. Humphrey, 227. 4. The Fall of Dagon, or Rare News for Leadenhall 228. 7. The Loves of the Fox and the Badger, or the 229. 23. The Times, or a View of the Old House in Little 230. 24. A Sketch from Nature. 231. 7. Billy Lackbeard and Charley Blackbeard Playing 232. 31. The Hanoverian Horse and the British Lion. 233. 3. The Two Patriotic Duchesses on their Canvass. 234. 10. The Parody, or Mother Cole and Loader. (Vide 235. 12. The Devonshire, or most Approved Method of 236. 22. The Wit's Last Stake, or Cobbling Voters and 237. 29. Madame Blubber's Last Shift, or the Aerostatic 238. 30. Procession to the Hustings. 239. 4. _La Politesse Française_, or the English Ladies' Petition 240. 4. Wisdom Led by Virtue and Prudence to the 241. 11. A Coat of Arms. Dedicated to the newly-created 242. 12. A New Insect. A Buck. (It is not certain the 243. 18. The Westminster Deserter Drummed out of the 244. 18. Preceptor and Pupil-- 245. 25. Liberty and Fame Introducing Female Patriotism 246. 28. The Petitioning Candidate for Westminster-- 247. 25. Bookseller and Author. H. Wigstead del., S. Alken 248. 25. The Historian Animating the Mind of a Young 249. 25. A Peasant Playing the Flute. After J. Mortimer. 250. 10. Colonel Topham Endeavouring with his Squirt to 251. 10. Billingsgate. 252. 24. Mock Turtle. Pub. by S. W. Fores. 253. 7. Defeat of the High and Mighty Balissimo and his 254. 24. The Slang Society. 255. 11. Colonel Topham Endeavouring with his Squirt to 256. 30. Too Many for a Jew. S. Alken, Soho. 257. 5. Captain Epilogue (Cap. Topham) to the Wells 258. 30. The Sad Discovery, or the Graceless Apprentice. 259. 31. A French Family. (Rep. 1790.) 260. 21. Botheration. T. R. Alken. Dedicated to the 261. 21. The Loss of Eden, and Eden Lost. Gen. Arnold, 262. 26. English Travelling, or the First Stage from Dover. 263. 5. Box-Lobby Loungers. Desig. H. Wigstead. Pub. 264. 13. Love and Learning, or the Oxford Scholar. 265. 7. Captain Epilogue. (Repeated, with the addition of 266. 8. The Morning Dram. 267. 29. The Sorrows of Werter. 268. 1. The Dying Patient, or the Doctor's Last Fee. Pub. 269. 6. A Theatrical Chymist. (Holman _versus_ Topham.) 270. 6. A Box-Lobby Hero: the Branded Bully, or the Ass 271. 5. Slyboots. 272. 25. The Tythe Pig. 273. 20. A Visit to the Uncle. E. Jackson, Marylebone 274. 20. The Putney Disaster, or Symptoms of Ducking. 275. 1. Country Simplicity. 276. 11. Uncle George and Black Dick at their New Game 277. 18. Tragedy Spectators. Pub. by T. R. as the Act 278. 26. A Cribbage Party in St. Giles's disturbed by a press gang. 279. 18. A Travelling Knife-Grinder at a Cottage Door. 280. 29. Ague and Fever. Designed by James Dunthorne. 281. 22. Old Cantwell Canvassing for Lord Janus (Hood). 282. 25. Filial Piety. (P. W. and George III.) 283. 29. Lust and Avarice. Pub. by Wm. Rowlandson, 284. 29. A Touch at the Times. 285. 30. The Word-eater. (Fox.) (See 1786.) 286. 31. Blue and Buff Loyalty. (Dr. Munro.) 287. 28. Suitable Restrictions. (Traces of Rowlandson's 288. 30. The Propagation of a Truth. Long Slip. (13 289. 7. Britannia's Support, or the Conspirators Defeated. 290. 15. Going in State to the House of Peers, or a Piece 291. 7. The Irish Ambassadors Extraordinary: a Galantee 292. 10. Edward the Black Prince Receiving Homage. 293. 16. Do. do. Return, or Bulls 294. 4. The Rochester Address, or the Corporation going 295. 29. The Grand Procession to St. Paul's on St. George's 296. 23. An Antiquarian. Pub. by Wm. Holland, 50 Oxford 297. 24. Sergeant Recruiter. (Duc d'Orleans.) 298. 29. Mercury and his Advocates Defeated, or Vegetable 299. 10. Frog Hunting. 300. 1. Saloon at the Pavilion, Brighton. 301. 20. Four o'clock in the Country. Do. 302. 30. Toxophilites (large plate). Pub. by E. Harding. 303. 31. Sheets of picturesque etchings.--A Four in Hand. 304. 31. Sheets of picturesque etchings.--Huntsmen Visiting 305. 22. Bardolph Badgered, or the Portland Hunt. (? Row.) 306. 25. The Grand Battle between the famous English 307. 17. The Ghosts of Mirabeau and Dr. Price Appearing to 308. 18. A Little Tighter. Pub. by S. W. Fores. 309. 1. Damp Sheets. 310. 12. French Barracks. S. W. Fores. Aqua. T. Malton. 311. 1. The Bank. Pub. by T. Rowlandson, Strand. 312. 29. Six Stages of Mending a face. S. W. F. Dedicated 313. 11. Ditto. The Passengers from the Waggon Arriving 314. 5. Philosophy run Mad, or a Stupendous Monument 315. 5. Botheration. Dedicated to the Gentlemen of the 316. 5. The Hypochondriac. Desgd. by James Dunthorne. 317. 25. Benevolence. 318. 8. Reform Advised, Reform Begun, Reform Complete. 319. 25. Melopoyn (a distressed poet) and the Manager. 320. 17. Amputation. (1785.) Repub. S. W. F., 1793. 321. 1. Grog on Board.} 322. 17. St. James's, St. Giles's. (See 1792.) 323. 16. Comforts of High Living. Pub. by S. W. Fores, 324. 18. Village Cavalry Practising in a Farmyard. G. M. 325. 20. A Visit to the Uncle. S. W. F. Aqua. by F. Jukes. 326. 20. An Early Lesson of Marching. Woodward del. 327. 28. Bad News on the Stock Exchange. 328. 1. Companion view: Amsterdam. Rowlandson del., 329. 12. The Comforts of Bath. (12 plates.) 330. 1. Views of London, No. 4. Entrance of Oxford 331. 1. Views of London, No. 5. Entrance from Mile End, 332. 10. An Extraordinary Scene on the Road from London 333. 1. The Consequence of not Shifting the Leg. Pub. 334. 20. Admiral Nelson Recruiting with his Brave Tars 335. 4. 'Do you want any Brickdust?' 336. 10. An Artist Travelling in Wales. 337. 8. 'Hot Cross Buns--Two a Penny--Buns.' 338. 10. Borders for Rooms and Screens, slips. Woodward 339. 20. The Loyal Volunteers of London. 87 plates by T. 340. 20. Hungarian and Highland Broadsword Exercise. 341. 1. Waddling Out. Woodward invt. Pub. by R. 342. 10. Comforts of the City. A Good Speculation. Woodward 343. 12. Procession of a Country Corporation. 344. 3. Forget and Forgive, or Honest Jack Shaking Hands 345. 20. The Irish Baronet and his Nurse. Woodward del., 346. 28. A Note of Hand? 347. 1. March to the Camp. Pub. by T. Rowlandson, 1 348. 5. A Bankrupt Cart, or the Road to Ruin in the East. 349. 20. Washing Trotters. Hixon, 355, near Exeter 'Change, 350. 4. Admiration with Astonishment. Woodward del., 351. 20. Despair. Woodward del., Rowlandson fec. 352. 12. Hocus Pocus, or Searching for the Philosopher's 353. 1. Caricature Medallions for Screens. Pub. by R. 354. 20. Hearts for the Year 1800. Woodward inv., Rowlandson 355. 12. Melopoyn Haranguing the Prisoners in the Fleet. 356. 20. A Skipping Academy. G. M. Woodward inv., 357. 4. Pictures of Prejudice. Woodward del., Rowlandson 358. 26. A Sulky. Do. 359. 25. The Pleasures of Margate:-- 360. 20. Sailors Regaling. Pub. by T. Rowlandson, 1 James 361. 30. Gratification of the Senses _à la mode Française_. 362. 29. Grotesque Border for Rooms and Halls. Woodward 363. 8. A Curtain Lecture. 364. 12. London Outrider, or Brother Saddlebag. 365. 1. A Councillor. Pub. by S. W. Fores. 366. 1. The Union. Ackermann. 367. 15. Undertakers Regaling. Nixon del. Pub. by R. 368. 30. Single Combat in Moorfields, or Magnanimous 369. 10. The Old Maid's Prayer. 370. 3. Elegance. 4. Fancy. Do. do. 371. 4. The Widow's Prayer. 372. 20. The Toper's Mistake. G. M. Woodward inv. Pub. 373. 30. The Apothecary's Prayer. 374. 10. The Actress's Prayer. 375. 12. The Sailor's Prayer. 376. 20. The Publican's Prayer. 377. 1. A Woman of Fashion's Journal. 378. 28. Special Pleaders in the Court of Requests. (Roberts.) 379. 25. _La Fille mal Gardé_, or Jack in the Box. Williamson, 380. 1. Intrusion on Study, or the Painter Disturbed. 381. 18. The Corporal in Good Quarters. 382. 12. Ducking a Scold. 383. 10. Flags of Truth and Lies. Pub. by Ackermann. 384. 2. A French Ordinary. Fores. 385. 8. Light Infantry Volunteers on a March. Pub. by 386. 25. The Famous Coalheaver, Black Charley, Looking 387. 23. The Fifth Clause, or Effect of Example. Pub. by 388. 28. A Scotch Sarcophagus. Do. 389. 25. A Sailor's Will. Woodward inv., Rowlandson 390. 14. Recovery of a Dormant Title, or a Breeches Maker 391. 30. Raising the Wind. 392. 16. The Political Hydra. Wigstead. Orig. pub. Dec. 393. 18. Falstaff and his Followers Vindicating the Property 394. 20. A Cake in Danger. 395. 1. A Maiden Aunt Smelling Fire. Pub. by T. R., 396. 4. Daniel Lambert, the Wonderful Great Pumpkin of 397. 31. A Diving Machine on a New Construction. T. R., 398. 3. The Captain's Account Current of Charge and 399. 26. Mrs. Showell. The Woman who shows General 400. 28. At Home and Abroad! Abroad and at Home! T. 401. 24. A Nincompoop, or Henpecked Husband. Tegg, 402. 26. John Rosedale, Mariner. Exhibitor at the Hall of 403. 3. Scenes at Brighton, or the Miseries of Human 404. introduction to the Miseries of Human Life. 405. 6. The Holy Friar. Des. by Sir E. Bunbury, etd. by 406. 17. The Old Man of the Sea, Sticking to the Shoulders 407. 30. Song Headings, pub. by Tegg. Platonic Love. 408. 15. Song Headings, pub. by Tegg.--Murphy Delaney. 409. 18. A View on the Banks of the Thames. Pub. by T. 410. 9. Song Heading, pub. by Tegg. A Cure for Lying 411. 10. The Double Disaster, or New Cure for Love. 412. 14. Easter Monday, or Cockney Hunt. 413. 10. John Bull making Observations on the Comet. 414. 20. A Couple of Antiquities: My Aunt and My Uncle. 415. 21. Song Headings, pub. by Tegg. The Dog and the 416. 7. Tom Tack's Ghost. (Song and Heading.) Pub. 417. 16. Pl. 4. Suffering under the last symptoms of 418. 1. Description of a Boxing Match, June 9, 1806. 419. 21. Volunteer Wit, or not Enough for a Prime. Tegg. 420. 21. The Mother's Hope. Pub. by Tegg. 421. 4. Odd Fellows from Downing Street Complaining to 422. 30. Accommodation, or Lodgings to Let at Portsmouth. 423. 30. The Welsh Sailor's Mistake, or Tars in Conversation. 424. 10. Billingsgate at Bayonne, or the Imperial Dinner. 425. 12. The Corsican Spider in his Web. Woodward del. 426. 12. The Corsican Nurse Soothing the Infants of Spain. 427. 22. The Beast as Described in the Revelations, chap. 428. 21. King Joe's Retreat from Madrid. Tegg, 53. 429. 25. Behaviour at Table. Woodward del. 4 subjects. 430. 27. King Joe on his Spanish Donkey. Woodward del., 431. 12. The Political Butcher, or Spain Cutting up Buonaparte 432. 17. Prophecy explained:--'And there are seven Kings, 433. 20. Napoleon the Little in a Rage with his great 434. 24. A Hard Passage, or Boney Playing Bass on the 435. 25. King Joe and Co. making the most of their Time 436. 29. Nap and his Partner Joe. Row. Tegg, 60. 437. 25. A Bill of Fare for Bond Street Epicures. Woodward 438. 1. Doctor Gallipot. 'Throw Physic to the Dogs.' 439. 1. Wonderfully Mended. Shouldn't have Known you 440. 1. In Port and out of Port, or News from Portugal. 441. 19. The Progress of the Emperor Napoleon. Woodward 442. 1802. 12mo. 443. 15. The Old Woman's Complaint, or the Greek Alphabet. 444. 1. Mrs. Bundle in a Rage, or Too Late for the Stage. 445. 15. Dissolution of Partnership, or the Industrious 446. 20. The Ambassador of Morocco on a Special Mission. 447. 21. Days of Prosperity in Gloucester Place, or a Kept 448. 25. The York Magician Transforming a Footboy into 449. 26. The Bishop and his Clarke, or a Peep into Paradise. 450. 27. A Pilgrimage from Surrey to Gloucester Place, or 451. 4. Chelsea Parade, or a Croaking Member Surveying 452. 5. The Road to Preferment, through Clarke's Passage. 453. 7. The Triumvirate of Gloucester Place, or the Clarke, 454. 8. Yorkshire Hieroglyphics!! Plate 1. Tegg. 455. 11. Yorkshire Hieroglyphics. Plate Second. Tegg. 456. 12. The Statue to be Disposed of at Gloucester Place. 457. 13. A General Discharge, or the Darling Angel's 458. 15. The Champion of Oakhampton Attacking the Hydra 459. 24. The Resignation, or John Bull Overwhelmed with 460. 27. Frontispiece to Tegg's Complete Collection of Caricatures 461. 30. The York Dilly; or, the Triumph of Innocence. 462. 2. Mrs. Clarke's Farewell to her Audience. Tegg. 463. 4. Original Plan for a Popular Monument to be Erected 464. 5. A York Address to the Whale. Caught lately off 465. 11. The Modern Babel, or Giants Crushed by a Weight 466. 18. The Sick Lion and the Asses. Tegg. Duke of 467. 21. Comforts of Matrimony. A Good Toast. Reeve & 468. 21. Do. The Tables Turned. The Miseries of Wedlock. 469. 21. Burning the Books. Memoirs of Mrs. Clarke. 470. 22. A Piece-Offering. Memoirs, Life, Letters, &c., of 471. 29. O! you're a Devil, get along do! 472. 12. Boney's Broken Bridge. Tegg. 473. 14. More of the Clarke; or Fresh Accusations. Tegg, 474. 18. Amusement for the Recess; or the Devil to Pay 475. 24. The Tables are Turned; how are the Mighty Fallen. 476. 30. The Bill of Wrights; or, the Patriot Alarmed. 477. 31. The Huntsman Rising. The Gamester going to 478. 28. The Rising Sun; or a View of the Continent. 479. 4. Song by Commodore Curtis. Tune: 'Cease, Rude 480. 14. A Design for a Monument to be Erected in Commemoration 481. 27. This is the House that Jack Built. O. P. Riots, 482. 30. A Lump of Impertinence. Woodward del., Rowlandson 483. 25. A Bill of Fare for Bond Street Epicures. Pub. by 484. 25. Do. do do. 189. 485. 12. The Boxes!-- 486. 18. Joint Stock Street. Woodward del., Rowlandson 487. 23. A Peep at the Gas Lights in Pall Mall. Woodward 488. 24. The Bull and Mouth. Woodward and Rowlandson. 489. 1809. 12mo. 490. 12. Libel Hunters on the Look-out, or Daily Examiners 491. 26. The Boroughmongers Strangled in the Tower. 492. 5. A Bait for the Kiddies on the North Road, or that's 493. 10. Kissing for Love, or Captain Careless Shot Flying. 494. 10. Easterly Winds, or Scudding under Bare Poles. 495. 15. Three Weeks after Marriage, or the Great Little 496. 30. A Table d'Hôte, or French Ordinary in Paris. 497. 5. Boxing Match for 200 guineas between Dutch 498. 8. Smuggling In, or a College Trick. 499. 30. Dramatic Demireps at their Morning Rehearsal. 500. 25. Dropsy Courting Consumption. Rowlandson del. 501. 20. Medical Despatch, or Doctor Double-Dose Killing 502. 30. Doctor Drainbarrel conveyed Home in a Wheelbarrow, 503. 30. After Sweet Meat comes Sour Sauce, or Corporal 504. 28. College Pranks, or Crabbed Fellows Taught to 505. 16. The Gig Shop, or Kicking up a Breeze at Nell 506. 20. Pigeon-Hole, a Covent Garden Contrivance to 507. 26. A French Dentist Showing a Specimen of his Artificial 508. 2. Bacon-faced Fellows of Brazen-Nose Broken loose. 509. 28. Kitty Careless in Quod, or Waiting for Jew Bail. 510. 9. Boney the Second, or the Little Baboon Created 511. 10. A Picture of Misery. Tegg, 70.-- 512. 12. Puss in Boots, or General Junot taken by surprise. 513. 20. The Enraged Son of Mars and the Timid Tonson. 514. 24. Rural Sports. A Cat in a Bowl. No. 1. 515. 1. Touch for Touch, or a Female Physician in full 516. 16. The Bassoon, with a French Horn Accompaniment. 517. 31. The Gamester going to Bed. Pub. by T. R., 1 518. 30. Masquerading. Tegg, 84. 519. 20. Looking at the Comet till you get a Crick in the 520. 29. Rural Sports. A Milling Match: Cribb and 521. 2. John Bull at the Italian Opera. Des. and pub. 522. 3. Rural Sports; or a Cricket Match Extraordinary. 523. 10. Six Classes of that Noble and useful Animal, a 524. 10. Distillers Looking into their own Business. 525. 25. A Trip to Gretna Green. T. R., 1 James Street, 526. 31. Cloisters, Magdalen College, Oxford. 527. 15. A Milk Sop. Tegg, 125. 528. 12. A Portrait. Lord Petersham. Humphrey. 529. 10. Wet under Foot. Designed by an Amateur. 530. 26. A Portrait. Lord Pomfret. Humphrey. 531. 28. Plucking a Spooney. 532. 1. Description of a Boxing Match for 100 guineas a 533. 25. Land Stores. 534. 12. The Ducking Stool. (Republished.) (See April 535. 30. A Brace of Blackguards. 536. 14. Glow Worms. (See 1805.) Pub. by T. Rowlandson, 537. 14. Muck Worms. Do. 538. 15. The Secret History of Crim. Con. Plate I. T. 539. 15. Do. do. Plate II. Do. 540. 30. The Sweet Pea. Pub. by H. Humphrey, 27 St. 541. 30. Raising the Wind. Pub. by T. R., 1 James 542. 1. The Last Gasp, or Toadstools Mistaken for 543. 20. Humours of Houndsditch, or Mrs. Shevi in a Longing 544. 20. A Doleful Disaster; or, Miss Tubby Tatarmin's 545. 22. The Norwich Bull Feast, or Glory and Gluttony. 546. 25. A Long Pull, a Strong Pull, and a Pull All together. 547. 27. The Execution of Two Celebrated Enemies of Old 548. 30. Plump to the Devil we boldly Kicked both Nap 549. 10. The Mock Phoenix, or a Vain Attempt to Rise 550. 12. Friends and Foes, up he Goes! Sending the Corsican 551. 14. Political Chemist and German Retorts, or Dissolving 552. 14. Napoleon le Grand. 553. 30. How to Vault into the Saddle, or a new-invented 554. 1. Madame Véry, Restaurateur, Palais Royal, Paris. 555. 1. La Belle Limonadière au Café des Mille Colonnes. 556. 30. Quarter-day, or Clearing the Premises without 557. 14. Progress of Gallantry, or Stolen Kisses Sweetest. 558. 20. A Tailor's Wedding. Tegg, 315. 559. 2. Head Runner of Runaways from Leipzic Fair. R. 560. 12. The Devil's Darling. R. Ackermann. 561. 9. Blucher the Brave Extracting the Groan of Abdication 562. 12. Coming in at the Death of the Corsican Fox. 563. 12. Bloody Boney, the Carcase Butcher, left off Trade 564. 20. A Delicate Finish to a French (Corsican) Usurper. 565. 25. Nap. Dreading his Doleful Doom, or his Grand 566. 1. Boney Turned Moralist. What I was, what I am, 567. 15. Macassar Oil, or an Oily Puff for Soft Heads. 568. 20. Rural Sports, or a Pleasant Way of Making Hay. 569. 23. The Naumacia to commemorate a Peace. (Aquatic 570. 15. The Four Seasons of Love--Spring, Summer, 571. 20. Johanna Southcott the Prophetess Excommunicating 572. 1. Defrauding the Customs, or Shipping Goods not 573. 1. Hodge's Explanation of a Hundred Magistrates. 574. 13. A Lamentable Case of a Juryman. Tegg, 347. 575. 12. Scene in a New Pantomime to be Performed at the 576. 16. The Corsican and his Bloodhounds at the Window 577. 16. My Ass. Pub. by I. Sidebotham, 96 Strand. Desd. 578. 27. Transparency Exhibited at Ackermann's, in the 579. 28. A Rare Acquisition to the Royal Menagerie. A 580. 28. Boney's Trial, Sentence, and Dying-Speech, or 581. 1815. 8vo. 582. 1816. Frontispiece by Rowlandson. Pub. by T. 583. 19. An Old Poacher Caught in a Snare. R. inv. et sculp. 584. 1. Modish--Prudent. (Another version of the pair 585. 18. The Miller's Love. 586. 17. Erin-go-Bray. The Allied Republics of France 587. 20. Fast Day. Pub. by T. Rowlandson, 1 James 588. 30. Country Characters. Republished 1800. (See 589. 28. Sailor and Banker, or the Firm in Danger. (See 590. 21. Titlepage to series of twenty subjects. 591. 9. The Brave Tars of the 'Victory,' and the Remains 592. 11. The French Admiral on board the 'Euryalus.' 593. 20. A Brace of Brimstones. (See 'A Cake in Danger,' 594. 21. Connoisseurs. (A plagiarism.) Pub. by Reeve & 595. 28. A Visit to the Synagogue. 596. introduction fully explains: 'This second tour is, like the former 597. 1879. Also _The 'Fraser' Portraits. A Gallery of Illustrious Literary 598. Introduction, i. 162

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