The Stones of Venice, Volume 2 (of 3), by John Ruskin
6. Redundance.
4263 words | Chapter 24
These characters are here expressed as belonging to the building; as
belonging to the builder, they would be expressed thus:--1. Savageness,
or Rudeness. 2. Love of Change. 3. Love of Nature. 4. Disturbed
Imagination. 5, Obstinacy. 6. Generosity. And I repeat, that the
withdrawal of any one, or any two, will not at once destroy the Gothic
character of a building, but the removal of a majority of them will. I
shall proceed to examine them in their order.
§ VII. 1. SAVAGENESS. I am not sure when the word "Gothic" was first
generically applied to the architecture of the North; but I presume
that, whatever the date of its original usage, it was intended to imply
reproach, and express the barbaric character of the nations among whom
that architecture arose. It never implied that they were literally of
Gothic lineage, far less that their architecture had been originally
invented by the Goths themselves; but it did imply that they and their
buildings together exhibited a degree of sternness and rudeness, which,
in contradistinction to the character of Southern and Eastern nations,
appeared like a perpetual reflection of the contrast between the Goth
and the Roman in their first encounter. And when that fallen Roman, in
the utmost impotence of his luxury, and insolence of his guilt, became
the model for the imitation of civilized Europe, at the close of the
so-called Dark ages, the word Gothic became a term of unmitigated
contempt, not unmixed with aversion. From that contempt, by the exertion
of the antiquaries and architects of this century, Gothic architecture
has been sufficiently vindicated; and perhaps some among us, in our
admiration of the magnificent science of its structure, and sacredness
of its expression, might desire that the term of ancient reproach should
be withdrawn, and some other, of more apparent honorableness, adopted in
its place. There is no chance, as there is no need, of such a
substitution. As far as the epithet was used scornfully, it was used
falsely; but there is no reproach in the word, rightly understood; on
the contrary, there is a profound truth, which the instinct of mankind
almost unconsciously recognizes. It is true, greatly and deeply true,
that the architecture of the North is rude and wild; but it is not true,
that, for this reason, we are to condemn it, or despise. Far otherwise:
I believe it is in this very character that it deserves our profoundest
reverence.
§ VIII. The charts of the world which have been drawn up by modern
science have thrown into a narrow space the expression of a vast amount
of knowledge, but I have never yet seen any one pictorial enough to
enable the spectator to imagine the kind of contrast in physical
character which exists between Northern and Southern countries. We know
the differences in detail, but we have not that broad glance and grasp
which would enable us to feel them in their fulness. We know that
gentians grow on the Alps, and olives on the Apennines; but we do not
enough conceive for ourselves that variegated mosaic of the world's
surface which a bird sees in its migration, that difference between the
district of the gentian and of the olive which the stork and the swallow
see far off, as they lean upon the sirocco wind. Let us, for a moment,
try to raise ourselves even above the level of their flight, and imagine
the Mediterranean lying beneath us like an irregular lake, and all its
ancient promontories sleeping in the sun: here and there an angry spot
of thunder, a grey stain of storm, moving upon the burning field; and
here and there a fixed wreath of white volcano smoke, surrounded by its
circle of ashes; but for the most part a great peacefulness of light,
Syria and Greece, Italy and Spain, laid like pieces of a golden pavement
into the sea-blue, chased, as we stoop nearer to them, with bossy beaten
work of mountain chains, and glowing softly with terraced gardens, and
flowers heavy with frankincense, mixed among masses of laurel, and
orange and plumy palm, that abate with their grey-green shadows the
burning of the marble rocks, and of the ledges of porphyry sloping under
lucent sand. Then let us pass farther towards the north, until we see
the orient colors change gradually into a vast belt of rainy green,
where the pastures of Switzerland, and poplar valleys of France, and
dark forests of the Danube and Carpathians stretch from the mouths of
the Loire to those of the Volga, seen through clefts in grey swirls of
rain-cloud and flaky veils of the mist of the brooks, spreading low
along the pasture lands: and then, farther north still, to see the earth
heave into mighty masses of leaden rock and heathy moor, bordering with
a broad waste of gloomy purple that belt of field and wood, and
splintering into irregular and grisly islands amidst the northern seas,
beaten by storm and chilled by ice-drift, and tormented by furious
pulses of contending tide, until the roots of the last forests fail from
among the hill ravines, and the hunger of the north wind bites their
peaks into barrenness; and, at last, the wall of ice, durable like iron,
sets, deathlike, its white teeth against us out of the polar twilight.
And, having once traversed in thought its gradation of the zoned iris of
the earth in all its material vastness, let us go down nearer to it, and
watch the parallel change in the belt of animal life: the multitudes of
swift and brilliant creatures that glance in the air and sea, or tread
the sands of the southern zone; striped zebras and spotted leopards,
glistening serpents, and birds arrayed in purple and scarlet. Let us
contrast their delicacy and brilliancy of color, and swiftness of
motion, with the frost-cramped strength, and shaggy covering, and dusky
plumage of the northern tribes; contrast the Arabian horse with the
Shetland, the tiger and leopard with the wolf and bear, the antelope
with the elk, the bird of paradise with the osprey: and then,
submissively acknowledging the great laws by which the earth and all
that it bears are ruled throughout their being, let us not condemn, but
rejoice at the expression by man of his own rest in the statutes of the
lands that gave him birth. Let us watch him with reverence as he sets
side by side the burning gems, and smoothes with soft sculpture the
jasper pillars, that are to reflect a ceaseless sunshine, and rise into
a cloudless sky: but not with less reverence let us stand by him, when,
with rough strength and hurried stroke, he smites an uncouth animation
out of the rocks which he has torn from among the moss of the moorland,
and heaves into the darkened air the pile of iron buttress and rugged
wall, instinct with work of an imagination as wild and wayward as the
northern sea; creations of ungainly shape and rigid limb, but full of
wolfish life; fierce as the winds that beat, and changeful as the clouds
that shade them.
There is, I repeat, no degradation, no reproach in this, but all dignity
and honorableness; and we should err grievously in refusing either to
recognise as an essential character of the existing architecture of the
North, or to admit as a desirable character in that which it yet may be,
this wildness of thought, and roughness of work; this look of mountain
brotherhood between the cathedral and the Alp; this magnificence of
sturdy power, put forth only the more energetically because the fine
finger-touch was chilled away by the frosty wind, and the eye dimmed by
the moor-mist, or blinded by the hail; this outspeaking of the strong
spirit of men who may not gather redundant fruitage from the earth, nor
bask in dreamy benignity of sunshine, but must break the rock for bread,
and cleave the forest for fire, and show, even in what they did for
their delight, some of the hard habits of the arm and heart that grew on
them as they swung the axe or pressed the plough.
§ IX. If, however, the savageness of Gothic architecture, merely as an
expression of its origin among Northern nations, may be considered, in
some sort, a noble character, it possesses a higher nobility still, when
considered as an index, not of climate, but of religious principle.
In the 13th and 14th paragraphs of Chapter XXI. of the first volume of
this work, it was noticed that the systems of architectural ornament,
properly so called, might be divided into three:--1. Servile ornament,
in which the execution or power of the inferior workman is entirely
subjected to the intellect of the higher:--2. Constitutional ornament,
in which the executive inferior power is, to a certain point,
emancipated and independent, having a will of its own, yet confessing
its inferiority and rendering obedience to higher powers;--and 3.
Revolutionary ornament, in which no executive inferiority is admitted at
all. I must here explain the nature of these divisions at somewhat
greater length.
Of Servile ornament, the principal schools are the Greek, Ninevite, and
Egyptian; but their servility is of different kinds. The Greek
master-workman was far advanced in knowledge and power above the
Assyrian or Egyptian. Neither he nor those for whom he worked could
endure the appearance of imperfection in anything; and, therefore, what
ornament he appointed to be done by those beneath him was composed of
mere geometrical forms,--balls, ridges, and perfectly symmetrical
foliage,--which could be executed with absolute precision by line and
rule, and were as perfect in their way when completed, as his own figure
sculpture. The Assyrian and Egyptian, on the contrary, less cognizant of
accurate form in anything, were content to allow their figure sculpture
to be executed by inferior workmen, but lowered the method of its
treatment to a standard which every workman could reach, and then
trained him by discipline so rigid, that there was no chance of his
falling beneath the standard appointed. The Greek gave to the lower
workman no subject which he could not perfectly execute. The Assyrian
gave him subjects which he could only execute imperfectly, but fixed a
legal standard for his imperfection. The workman was, in both systems, a
slave.[56]
§ X. But in the mediæval, or especially Christian, system of ornament,
this slavery is done away with altogether; Christianity having
recognized, in small things as well as great, the individual value of
every soul. But it not only recognizes its value; it confesses its
imperfection, in only bestowing dignity upon the acknowledgment of
unworthiness. That admission of lost power and fallen nature, which the
Greek or Ninevite felt to be intensely painful, and, as far as might be,
altogether refused, the Christian makes daily and hourly, contemplating
the fact of it without fear, as tending, in the end, to God's greater
glory. Therefore, to every spirit which Christianity summons to her
service, her exhortation is: Do what you can, and confess frankly what
you are unable to do; neither let your effort be shortened for fear of
failure, nor your confession silenced for fear of shame. And it is,
perhaps, the principal admirableness of the Gothic schools of
architecture, that they thus receive the results of the labor of
inferior minds; and out of fragments full of imperfection, and betraying
that imperfection in every touch, indulgently raise up a stately and
unaccusable whole.
§ XI. But the modern English mind has this much in common with that of
the Greek, that it intensely desires, in all things, the utmost
completion or perfection compatible with their nature. This is a noble
character in the abstract, but becomes ignoble when it causes us to
forget the relative dignities of that nature itself, and to prefer the
perfectness of the lower nature to the imperfection of the higher; not
considering that as, judged by such a rule, all the brute animals would
be preferable to man, because more perfect in their functions and kind,
and yet are always held inferior to him, so also in the works of man,
those which are more perfect in their kind are always inferior to those
which are, in their nature, liable to more faults and shortcomings. For
the finer the nature, the more flaws it will show through the clearness
of it; and it is a law of this universe, that the best things shall be
seldomest seen in their best form. The wild grass grows well and
strongly, one year with another; but the wheat is, according to the
greater nobleness of its nature, liable to the bitterer blight. And
therefore, while in all things that we see, or do, we are to desire
perfection, and strive for it, we are nevertheless not to set the meaner
thing, in its narrow accomplishment, above the nobler thing, in its
mighty progress; not to esteem smooth minuteness above shattered
majesty; not to prefer mean victory to honorable defeat; not to lower
the level of our aim, that we may the more surely enjoy the complacency
of success. But, above all, in our dealings with the souls of other men,
we are to take care how we check, by severe requirement or narrow
caution, efforts which might otherwise lead to a noble issue; and, still
more, how we withhold our admiration from great excellences, because
they are mingled with rough faults. Now, in the make and nature of every
man, however rude or simple, whom we employ in manual labor, there are
some powers for better things: some tardy imagination, torpid capacity
of emotion, tottering steps of thought, there are, even at the worst;
and in most cases it is all our own fault that they _are_ tardy or
torpid. But they cannot be strengthened, unless we are content to take
them in their feebleness, and unless we prize and honor them in their
imperfection above the best and most perfect manual skill. And this is
what we have to do with all our laborers; to look for the _thoughtful_
part of them, and get that out of them, whatever we lose for it,
whatever faults and errors we are obliged to take with it. For the best
that is in them cannot manifest itself, but in company with much error.
Understand this clearly: You can teach a man to draw a straight line,
and to cut one; to strike a curved line, and to carve it; and to copy
and carve any number of given lines or forms, with admirable speed and
perfect precision; and you find his work perfect of its kind: but if you
ask him to think about any of those forms, to consider if he cannot find
any better in his own head, he stops; his execution becomes hesitating;
he thinks, and ten to one he thinks wrong; ten to one he makes a mistake
in the first touch he gives to his work as a thinking being. But you
have made a man of him for all that. He was only a machine before, an
animated tool.
§ XII. And observe, you are put to stern choice in this matter. You must
either made a tool of the creature, or a man of him. You cannot make
both. Men were not intended to work with the accuracy of tools, to be
precise and perfect in all their actions. If you will have that
precision out of them, and make their fingers measure degrees like
cog-wheels, and their arms strike curves like compasses, you must
unhumanize them. All the energy of their spirits must be given to make
cogs and compasses of themselves. All their attention and strength must
go to the accomplishment of the mean act. The eye of the soul must be
bent upon the finger-point, and the soul's force must fill all the
invisible nerves that guide it, ten hours a day, that it may not err
from its steely precision, and so soul and sight be worn away, and the
whole human being be lost at last--a heap of sawdust, so far as its
intellectual work in this world is concerned; saved only by its Heart,
which cannot go into the form of cogs and compasses, but expands, after
the ten hours are over, into fireside humanity. On the other hand, if
you will make a man of the working creature, you cannot make a tool. Let
him but begin to imagine, to think, to try to do anything worth doing;
and the engine-turned precision is lost at once. Out come all his
roughness, all his dulness, all his incapability; shame upon shame,
failure upon failure, pause after pause: but out comes the whole majesty
of him also; and we know the height of it only, when we see the clouds
settling upon him. And, whether the clouds be bright or dark, there will
be transfiguration behind and within them.
§ XIII. And now, reader, look round this English room of yours, about
which you have been proud so often, because the work of it was so good
and strong, and the ornaments of it so finished. Examine again all those
accurate mouldings, and perfect polishings, and unerring adjustments of
the seasoned wood and tempered steel. Many a time you have exulted over
them, and thought how great England was, because her slightest work was
done so thoroughly. Alas! if read rightly, these perfectnesses are signs
of a slavery in our England a thousand times more bitter and more
degrading than that of the scourged African, or helot Greek. Men may be
beaten, chained, tormented, yoked like cattle, slaughtered like summer
flies, and yet remain in one sense, and the best sense, free. But to
smother their souls within them, to blight and hew into rotting pollards
the suckling branches of their human intelligence, to make the flesh and
skin which, after the worm's work on it, is to see God, into leathern
thongs to yoke machinery with,--this it is to be slave-masters indeed;
and there might be more freedom in England, though her feudal lords'
lightest words were worth men's lives, and though the blood of the vexed
husbandman dropped in the furrows of her fields, than there is while
the animation of her multitudes is sent like fuel to feed the factory
smoke, and the strength of them is given daily to be wasted into the
fineness of a web, or racked into the exactness of a line.
§ XIV. And, on the other hand, go forth again to gaze upon the old
cathedral front, where you have smiled so often at the fantastic
ignorance of the old sculptors: examine once more those ugly goblins,
and formless monsters, and stern statues, anatomiless and rigid; but do
not mock at them, for they are signs of the life and liberty of every
workman who struck the stone; a freedom of thought, and rank in scale of
being, such as no laws, no charters, no charities can secure; but which
it must be the first aim of all Europe at this day to regain for her
children.
§ XV. Let me not be thought to speak wildly or extravagantly. It is
verily this degradation of the operative into a machine, which, more
than any other evil of the times, is leading the mass of the nations
everywhere into vain, incoherent, destructive struggling for a freedom
of which they cannot explain the nature to themselves. Their universal
outcry against wealth, and against nobility, is not forced from them
either by the pressure of famine, or the sting of mortified pride. These
do much, and have done much in all ages; but the foundations of society
were never yet shaken as they are at this day. It is not that men are
ill fed, but that they have no pleasure in the work by which they make
their bread, and therefore look to wealth as the only means of pleasure.
It is not that men are pained by the scorn of the upper classes, but
they cannot endure their own; for they feel that the kind of labor to
which they are condemned is verily a degrading one, and makes them less
than men. Never had the upper classes so much sympathy with the lower,
or charity for them, as they have at this day, and yet never were they
so much hated by them: for, of old, the separation between the noble and
the poor was merely a wall built by law; now it is a veritable
difference in level of standing, a precipice between upper and lower
grounds in the field of humanity and there is pestilential air at the
bottom of it. I know not if a day is ever to come when the nature of
right freedom will be understood, and when men will see that to obey
another man, to labor for him, yield reverence to him or to his place,
is not slavery. It is often the best kind of liberty,--liberty from
care. The man who says to one, Go, and he goeth, and to another, Come,
and he cometh, has, in most cases, more sense of restraint and
difficulty than the man who obeys him. The movements of the one are
hindered by the burden on his shoulder; of the other, by the bridle on
his lips: there is no way by which the burden may be lightened; but we
need not suffer from the bridle if we do not champ at it. To yield
reverence to another, to hold ourselves and our lives at his disposal,
is not slavery; often, it is the noblest state in which a man can live
in this world. There is, indeed, a reverence which is servile, that is
to say, irrational or selfish: but there is also noble reverence, that
is to say, reasonable and loving; and a man is never so noble as when he
is reverent in this kind; nay, even if the feeling pass the bounds of
mere reason, so that it be loving, a man is raised by it. Which had, in
reality, most of the serf nature in him,--the Irish peasant who was
lying in wait yesterday for his landlord, with his musket muzzle thrust
through the ragged hedge; or that old mountain servant, who, 200 years
ago, at Inverkeithing, gave up his own life and the lives of his seven
sons for his chief?[57]--and as each fell, calling forth his brother to
the death, "Another for Hector!" And therefore, in all ages and all
countries, reverence has been paid and sacrifice made by men to each
other, not only without complaint, but rejoicingly; and famine, and
peril, and sword, and all evil, and all shame, have been borne willingly
in the causes of masters and kings; for all these gifts of the heart
ennobled the men who gave, not less than the men who received them, and
nature prompted, and God rewarded the sacrifice. But to feel their souls
withering within them, unthanked, to find their whole being sunk into an
unrecognized abyss, to be counted off into a heap of mechanism,
numbered with its wheels, and weighed with its hammer strokes;--this
nature bade not,--this God blesses not,--this humanity for no long time
is able to endure.
§ XVI. We have much studied and much perfected, of late, the great
civilized invention of the division of labor; only we give it a false
name. It is not, truly speaking, the labor that is divided; but the
men:--Divided into mere segments of men--broken into small fragments and
crumbs of life; so that all the little piece of intelligence that is
left in a man is not enough to make a pin, or a nail, but exhausts
itself in making the point of a pin, or the head of a nail. Now it is a
good and desirable thing, truly, to make many pins in a day; but if we
could only see with what crystal sand their points were polished,--sand
of human soul, much to be magnified before it can be discerned for what
it is,--we should think there might be some loss in it also. And the
great cry that rises from all our manufacturing cities, louder than
their furnace blast, is all in very deed for this,--that we manufacture
everything there except men; we blanch cotton, and strengthen steel, and
refine sugar, and shape pottery; but to brighten, to strengthen, to
refine, or to form a single living spirit, never enters into our
estimate of advantages. And all the evil to which that cry is urging our
myriads can be met only in one way: not by teaching nor preaching, for
to teach them is but to show them their misery, and to preach to them,
if we do nothing more than preach, is to mock at it. It can be met only
by a right understanding, on the part of all classes, of what kinds of
labor are good for men, raising them, and making them happy; by a
determined sacrifice of such convenience, or beauty, or cheapness as is
to be got only by the degradation of the workman; and by equally
determined demand for the products and results of healthy and ennobling
labor.
§ XVII. And how, it will be asked, are these products to be recognized,
and this demand to be regulated? Easily: by the observance of three
broad and simple rules:
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