Anne of Green Gables by L. M. Montgomery

CHAPTER XXXVIII. The Bend in the Road

5803 words  |  Chapter 40

MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne’s heart. She had never seen Marilla sit limply inert like that. “Are you very tired, Marilla?” “Yes--no--I don’t know,” said Marilla wearily, looking up. “I suppose I am tired but I haven’t thought about it. It’s not that.” “Did you see the oculist? What did he say?” asked Anne anxiously. “Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I’m careful not to cry, and if I wear the glasses he’s given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don’t he says I’ll certainly be stone-blind in six months. Blind! Anne, just think of it!” For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: “Marilla, _don’t_ think of it. You know he has given you hope. If you are careful you won’t lose your sight altogether; and if his glasses cure your headaches it will be a great thing.” “I don’t call it much hope,” said Marilla bitterly. “What am I to live for if I can’t read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can’t help that when I get lonesome. But there, it’s no good talking about it. If you’ll get me a cup of tea I’ll be thankful. I’m about done out. Don’t say anything about this to any one for a spell yet, anyway. I can’t bear that folks should come here to question and sympathize and talk about it.” When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla’s face. “What did Mr. Sadler want, Marilla?” Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist’s prohibition and her voice broke as she said: “He heard that I was going to sell Green Gables and he wants to buy it.” “Buy it! Buy Green Gables?” Anne wondered if she had heard aright. “Oh, Marilla, you don’t mean to sell Green Gables!” “Anne, I don’t know what else is to be done. I’ve thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can’t. I may lose my sight altogether; and anyway I’ll not be fit to run things. Oh, I never thought I’d live to see the day when I’d have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there’s some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won’t bring much--it’s small and the buildings are old. But it’ll be enough for me to live on I reckon. I’m thankful you’re provided for with that scholarship, Anne. I’m sorry you won’t have a home to come to in your vacations, that’s all, but I suppose you’ll manage somehow.” Marilla broke down and wept bitterly. “You mustn’t sell Green Gables,” said Anne resolutely. “Oh, Anne, I wish I didn’t have to. But you can see for yourself. I can’t stay here alone. I’d go crazy with trouble and loneliness. And my sight would go--I know it would.” “You won’t have to stay here alone, Marilla. I’ll be with you. I’m not going to Redmond.” “Not going to Redmond!” Marilla lifted her worn face from her hands and looked at Anne. “Why, what do you mean?” “Just what I say. I’m not going to take the scholarship. I decided so the night after you came home from town. You surely don’t think I could leave you alone in your trouble, Marilla, after all you’ve done for me. I’ve been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won’t have any bother over that. And I’m going to teach. I’ve applied for the school here--but I don’t expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won’t be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We’ll keep a horse for that. Oh, I have it all planned out, Marilla. And I’ll read to you and keep you cheered up. You sha’n’t be dull or lonesome. And we’ll be real cozy and happy here together, you and I.” Marilla had listened like a woman in a dream. “Oh, Anne, I could get on real well if you were here, I know. But I can’t let you sacrifice yourself so for me. It would be terrible.” “Nonsense!” Anne laughed merrily. “There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I’m _not_ going to Redmond; and I _am_ going to stay here and teach. Don’t you worry about me a bit.” “But your ambitions--and--” “I’m just as ambitious as ever. Only, I’ve changed the object of my ambitions. I’m going to be a good teacher--and I’m going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I’ve dozens of plans, Marilla. I’ve been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen’s my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don’t know what lies around the bend, but I’m going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on.” “I don’t feel as if I ought to let you give it up,” said Marilla, referring to the scholarship. “But you can’t prevent me. I’m sixteen and a half, ‘obstinate as a mule,’ as Mrs. Lynde once told me,” laughed Anne. “Oh, Marilla, don’t you go pitying me. I don’t like to be pitied, and there is no need for it. I’m heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it.” “You blessed girl!” said Marilla, yielding. “I feel as if you’d given me new life. I guess I ought to stick out and make you go to college--but I know I can’t, so I ain’t going to try. I’ll make it up to you though, Anne.” When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla’s eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl’s eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. “I declare I’m getting glad to sit down. I’ve been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It’s a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you’ve given up your notion of going to college. I was real glad to hear it. You’ve got as much education now as a woman can be comfortable with. I don’t believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense.” “But I’m going to study Latin and Greek just the same, Mrs. Lynde,” said Anne laughing. “I’m going to take my Arts course right here at Green Gables, and study everything that I would at college.” Mrs. Lynde lifted her hands in holy horror. “Anne Shirley, you’ll kill yourself.” “Not a bit of it. I shall thrive on it. Oh, I’m not going to overdo things. As ‘Josiah Allen’s wife,’ says, I shall be ‘mejum’. But I’ll have lots of spare time in the long winter evenings, and I’ve no vocation for fancy work. I’m going to teach over at Carmody, you know.” “I don’t know it. I guess you’re going to teach right here in Avonlea. The trustees have decided to give you the school.” “Mrs. Lynde!” cried Anne, springing to her feet in her surprise. “Why, I thought they had promised it to Gilbert Blythe!” “So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that’s what. Real self-sacrificing, too, for he’ll have his board to pay at White Sands, and everybody knows he’s got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me.” “I don’t feel that I ought to take it,” murmured Anne. “I mean--I don’t think I ought to let Gilbert make such a sacrifice for--for me.” “I guess you can’t prevent him now. He’s signed papers with the White Sands trustees. So it wouldn’t do him any good now if you were to refuse. Of course you’ll take the school. You’ll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that’s what. There’s been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn’t their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?” “Diana is signaling for me to go over,” laughed Anne. “You know we keep up the old custom. Excuse me while I run over and see what she wants.” Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. “There’s a good deal of the child about her yet in some ways.” “There’s a good deal more of the woman about her in others,” retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla’s distinguishing characteristic. As Mrs. Lynde told her Thomas that night. “Marilla Cuthbert has got _mellow_. That’s what.” Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew’s grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--“a haunt of ancient peace.” There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne’s heart, and she gratefully opened the gates of her soul to it. “Dear old world,” she murmured, “you are very lovely, and I am glad to be alive in you.” Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. “Gilbert,” she said, with scarlet cheeks, “I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it.” Gilbert took the offered hand eagerly. “It wasn’t particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?” Anne laughed and tried unsuccessfully to withdraw her hand. “I forgave you that day by the pond landing, although I didn’t know it. What a stubborn little goose I was. I’ve been--I may as well make a complete confession--I’ve been sorry ever since.” “We are going to be the best of friends,” said Gilbert, jubilantly. “We were born to be good friends, Anne. You’ve thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren’t you? So am I. Come, I’m going to walk home with you.” Marilla looked curiously at Anne when the latter entered the kitchen. “Who was that came up the lane with you, Anne?” “Gilbert Blythe,” answered Anne, vexed to find herself blushing. “I met him on Barry’s hill.” “I didn’t think you and Gilbert Blythe were such good friends that you’d stand for half an hour at the gate talking to him,” said Marilla with a dry smile. “We haven’t been--we’ve been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years’ lost conversations to catch up with, Marilla.” Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana’s light gleamed through the old gap. Anne’s horizons had closed in since the night she had sat there after coming home from Queen’s; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! “‘God’s in his heaven, all’s right with the world,’” whispered Anne softly. *** END OF THE PROJECT GUTENBERG EBOOK ANNE OF GREEN GABLES *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Chapters

1. Chapter 1 2. CHAPTER XXXVIII The Bend in the Road 3. CHAPTER I. Mrs. Rachel Lynde Is Surprised 4. CHAPTER II. Matthew Cuthbert Is Surprised 5. CHAPTER III. Marilla Cuthbert Is Surprised 6. CHAPTER IV. Morning at Green Gables 7. CHAPTER V. Anne’s History 8. CHAPTER VI. Marilla Makes Up Her Mind 9. CHAPTER VII. Anne Says Her Prayers 10. CHAPTER VIII. Anne’s Bringing-up Is Begun 11. CHAPTER IX. Mrs. Rachel Lynde Is Properly Horrified 12. CHAPTER X. Anne’s Apology 13. CHAPTER XI. Anne’s Impressions of Sunday-school 14. CHAPTER XII. A Solemn Vow and Promise 15. CHAPTER XIII. The Delights of Anticipation 16. CHAPTER XIV. Anne’s Confession 17. CHAPTER XV. A Tempest in the School Teapot 18. CHAPTER XVI. Diana Is Invited to Tea with Tragic Results 19. CHAPTER XVII. A New Interest in Life 20. CHAPTER XVIII. Anne to the Rescue 21. CHAPTER XIX. A Concert, a Catastrophe, and a Confession 22. CHAPTER XX. A Good Imagination Gone Wrong 23. CHAPTER XXI. A New Departure in Flavorings 24. CHAPTER XXII. Anne Is Invited Out to Tea 25. CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor 26. CHAPTER XXIV. Miss Stacy and Her Pupils Get Up a Concert 27. CHAPTER XXV. Matthew Insists on Puffed Sleeves 28. CHAPTER XXVI. The Story Club Is Formed 29. CHAPTER XXVII. Vanity and Vexation of Spirit 30. CHAPTER XXVIII. An Unfortunate Lily Maid 31. CHAPTER XXIX. An Epoch in Anne’s Life 32. CHAPTER XXX. The Queen’s Class Is Organized 33. CHAPTER XXXI. Where the Brook and River Meet 34. CHAPTER XXXII. The Pass List Is Out 35. CHAPTER XXXIII. The Hotel Concert 36. CHAPTER XXXIV. A Queen’s Girl 37. CHAPTER XXXV. The Winter at Queen’s 38. CHAPTER XXXVI. The Glory and the Dream 39. CHAPTER XXXVII. The Reaper Whose Name Is Death 40. CHAPTER XXXVIII. The Bend in the Road

Reading Tips

Use arrow keys to navigate

Press 'N' for next chapter

Press 'P' for previous chapter