Thus Spake Zarathustra: A Book for All and None by Friedrich Wilhelm Nietzsche
Chapter XXXV. The Sublime Ones.
226 words | Chapter 21
These belong to a type which Nietzsche did not altogether dislike, but
which he would fain have rendered more subtle and plastic. It is the
type that takes life and itself too seriously, that never surmounts the
camel-stage mentioned in the first discourse, and that is obdurately
sublime and earnest. To be able to smile while speaking of lofty things
and NOT TO BE OPPRESSED by them, is the secret of real greatness. He
whose hand trembles when it lays hold of a beautiful thing, has the
quality of reverence, without the artist’s unembarrassed friendship
with the beautiful. Hence the mistakes which have arisen in regard to
confounding Nietzsche with his extreme opposites the anarchists and
agitators. For what they dare to touch and break with the impudence
and irreverence of the unappreciative, he seems likewise to touch and
break,—but with other fingers—with the fingers of the loving and
unembarrassed artist who is on good terms with the beautiful and who
feels able to create it and to enhance it with his touch. The question
of taste plays an important part in Nietzsche’s philosophy, and verses
9, 10 of this discourse exactly state Nietzsche’s ultimate views on the
subject. In the “Spirit of Gravity”, he actually cries:—“Neither a good
nor a bad taste, but MY taste, of which I have no longer either shame or
secrecy.”
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