Cranford by Elizabeth Cleghorn Gaskell
CHAPTER XVI.
5864 words | Chapter 19
PEACE TO CRANFORD
IT was not surprising that Mr Peter became such a favourite at Cranford.
The ladies vied with each other who should admire him most; and no
wonder, for their quiet lives were astonishingly stirred up by the
arrival from India—especially as the person arrived told more wonderful
stories than Sindbad the Sailor; and, as Miss Pole said, was quite as
good as an Arabian Night any evening. For my own part, I had vibrated
all my life between Drumble and Cranford, and I thought it was quite
possible that all Mr Peter’s stories might be true, although wonderful;
but when I found that, if we swallowed an anecdote of tolerable
magnitude one week, we had the dose considerably increased the next, I
began to have my doubts; especially as I noticed that when his sister
was present the accounts of Indian life were comparatively tame; not
that she knew more than we did, perhaps less. I noticed also that when
the rector came to call, Mr Peter talked in a different way about the
countries he had been in. But I don’t think the ladies in Cranford
would have considered him such a wonderful traveller if they had only
heard him talk in the quiet way he did to him. They liked him the
better, indeed, for being what they called “so very Oriental.”
One day, at a select party in his honour, which Miss Pole gave, and from
which, as Mrs Jamieson honoured it with her presence, and had even
offered to send Mr Mulliner to wait, Mr and Mrs Hoggins and Mrs
Fitz-Adam were necessarily excluded—one day at Miss Pole’s, Mr Peter
said he was tired of sitting upright against the hard-backed uneasy
chairs, and asked if he might not indulge himself in sitting
cross-legged. Miss Pole’s consent was eagerly given, and down he went
with the utmost gravity. But when Miss Pole asked me, in an audible
whisper, “if he did not remind me of the Father of the Faithful?” I
could not help thinking of poor Simon Jones, the lame tailor, and while
Mrs Jamieson slowly commented on the elegance and convenience of the
attitude, I remembered how we had all followed that lady’s lead in
condemning Mr Hoggins for vulgarity because he simply crossed his legs
as he sat still on his chair. Many of Mr Peter’s ways of eating were a
little strange amongst such ladies as Miss Pole, and Miss Matty, and Mrs
Jamieson, especially when I recollected the untasted green peas and
two-pronged forks at poor Mr Holbrook’s dinner.
The mention of that gentleman’s name recalls to my mind a conversation
between Mr Peter and Miss Matty one evening in the summer after he
returned to Cranford. The day had been very hot, and Miss Matty had
been much oppressed by the weather, in the heat of which her brother
revelled. I remember that she had been unable to nurse Martha’s baby,
which had become her favourite employment of late, and which was as much
at home in her arms as in its mother’s, as long as it remained a
light-weight, portable by one so fragile as Miss Matty. This day to
which I refer, Miss Matty had seemed more than usually feeble and
languid, and only revived when the sun went down, and her sofa was
wheeled to the open window, through which, although it looked into the
principal street of Cranford, the fragrant smell of the neighbouring
hayfields came in every now and then, borne by the soft breezes that
stirred the dull air of the summer twilight, and then died away. The
silence of the sultry atmosphere was lost in the murmuring noises which
came in from many an open window and door; even the children were abroad
in the street, late as it was (between ten and eleven), enjoying the
game of play for which they had not had spirits during the heat of the
day. It was a source of satisfaction to Miss Matty to see how few
candles were lighted, even in the apartments of those houses from which
issued the greatest signs of life. Mr Peter, Miss Matty, and I had all
been quiet, each with a separate reverie, for some little time, when Mr
Peter broke in—
“Do you know, little Matty, I could have sworn you were on the high road
to matrimony when I left England that last time! If anybody had told me
you would have lived and died an old maid then, I should have laughed in
their faces.”
Miss Matty made no reply, and I tried in vain to think of some subject
which should effectually turn the conversation; but I was very stupid;
and before I spoke he went on—
“It was Holbrook, that fine manly fellow who lived at Woodley, that I
used to think would carry off my little Matty. You would not think it
now, I dare say, Mary; but this sister of mine was once a very pretty
girl—at least, I thought so, and so I’ve a notion did poor Holbrook.
What business had he to die before I came home to thank him for all his
kindness to a good-for-nothing cub as I was? It was that that made me
first think he cared for you; for in all our fishing expeditions it was
Matty, Matty, we talked about. Poor Deborah! What a lecture she read
me on having asked him home to lunch one day, when she had seen the
Arley carriage in the town, and thought that my lady might call. Well,
that’s long years ago; more than half a life-time, and yet it seems like
yesterday! I don’t know a fellow I should have liked better as a
brother-in-law. You must have played your cards badly, my little Matty,
somehow or another—wanted your brother to be a good go-between, eh,
little one?” said he, putting out his hand to take hold of hers as she
lay on the sofa. “Why, what’s this? you’re shivering and shaking,
Matty, with that confounded open window. Shut it, Mary, this minute!”
I did so, and then stooped down to kiss Miss Matty, and see if she
really were chilled. She caught at my hand, and gave it a hard
squeeze—but unconsciously, I think—for in a minute or two she spoke to
us quite in her usual voice, and smiled our uneasiness away, although
she patiently submitted to the prescriptions we enforced of a warm bed
and a glass of weak negus. I was to leave Cranford the next day, and
before I went I saw that all the effects of the open window had quite
vanished. I had superintended most of the alterations necessary in the
house and household during the latter weeks of my stay. The shop was
once more a parlour: the empty resounding rooms again furnished up to
the very garrets.
There had been some talk of establishing Martha and Jem in another
house, but Miss Matty would not hear of this. Indeed, I never saw her
so much roused as when Miss Pole had assumed it to be the most desirable
arrangement. As long as Martha would remain with Miss Matty, Miss Matty
was only too thankful to have her about her; yes, and Jem too, who was a
very pleasant man to have in the house, for she never saw him from
week’s end to week’s end. And as for the probable children, if they
would all turn out such little darlings as her god-daughter, Matilda,
she should not mind the number, if Martha didn’t. Besides, the next was
to be called Deborah—a point which Miss Matty had reluctantly yielded to
Martha’s stubborn determination that her first-born was to be Matilda.
So Miss Pole had to lower her colours, and even her voice, as she said
to me that, as Mr and Mrs Hearn were still to go on living in the same
house with Miss Matty, we had certainly done a wise thing in hiring
Martha’s niece as an auxiliary.
I left Miss Matty and Mr Peter most comfortable and contented; the only
subject for regret to the tender heart of the one, and the social
friendly nature of the other, being the unfortunate quarrel between Mrs
Jamieson and the plebeian Hogginses and their following. In joke, I
prophesied one day that this would only last until Mrs Jamieson or Mr
Mulliner were ill, in which case they would only be too glad to be
friends with Mr Hoggins; but Miss Matty did not like my looking forward
to anything like illness in so light a manner, and before the year was
out all had come round in a far more satisfactory way.
I received two Cranford letters on one auspicious October morning. Both
Miss Pole and Miss Matty wrote to ask me to come over and meet the
Gordons, who had returned to England alive and well with their two
children, now almost grown up. Dear Jessie Brown had kept her old kind
nature, although she had changed her name and station; and she wrote to
say that she and Major Gordon expected to be in Cranford on the
fourteenth, and she hoped and begged to be remembered to Mrs Jamieson
(named first, as became her honourable station), Miss Pole and Miss
Matty—could she ever forget their kindness to her poor father and
sister?—Mrs Forrester, Mr Hoggins (and here again came in an allusion to
kindness shown to the dead long ago), his new wife, who as such must
allow Mrs Gordon to desire to make her acquaintance, and who was,
moreover, an old Scotch friend of her husband’s. In short, every one
was named, from the rector—who had been appointed to Cranford in the
interim between Captain Brown’s death and Miss Jessie’s marriage, and
was now associated with the latter event—down to Miss Betty Barker. All
were asked to the luncheon; all except Mrs Fitz-Adam, who had come to
live in Cranford since Miss Jessie Brown’s days, and whom I found rather
moping on account of the omission. People wondered at Miss Betty
Barker’s being included in the honourable list; but, then, as Miss Pole
said, we must remember the disregard of the genteel proprieties of life
in which the poor captain had educated his girls, and for his sake we
swallowed our pride. Indeed, Mrs Jamieson rather took it as a
compliment, as putting Miss Betty (formerly _her_ maid) on a level with
“those Hogginses.”
But when I arrived in Cranford, nothing was as yet ascertained of Mrs
Jamieson’s own intentions; would the honourable lady go, or would she
not? Mr Peter declared that she should and she would; Miss Pole shook
her head and desponded. But Mr Peter was a man of resources. In the
first place, he persuaded Miss Matty to write to Mrs Gordon, and to tell
her of Mrs Fitz-Adam’s existence, and to beg that one so kind, and
cordial, and generous, might be included in the pleasant invitation. An
answer came back by return of post, with a pretty little note for Mrs
Fitz-Adam, and a request that Miss Matty would deliver it herself and
explain the previous omission. Mrs Fitz-Adam was as pleased as could
be, and thanked Miss Matty over and over again. Mr Peter had said,
“Leave Mrs Jamieson to me;” so we did; especially as we knew nothing
that we could do to alter her determination if once formed.
I did not know, nor did Miss Matty, how things were going on, until Miss
Pole asked me, just the day before Mrs Gordon came, if I thought there
was anything between Mr Peter and Mrs Jamieson in the matrimonial line,
for that Mrs Jamieson was really going to the lunch at the “George.”
She had sent Mr Mulliner down to desire that there might be a footstool
put to the warmest seat in the room, as she meant to come, and knew that
their chairs were very high. Miss Pole had picked this piece of news
up, and from it she conjectured all sorts of things, and bemoaned yet
more. “If Peter should marry, what would become of poor dear Miss Matty?
And Mrs Jamieson, of all people!” Miss Pole seemed to think there were
other ladies in Cranford who would have done more credit to his choice,
and I think she must have had someone who was unmarried in her head, for
she kept saying, “It was so wanting in delicacy in a widow to think of
such a thing.”
When I got back to Miss Matty’s I really did begin to think that Mr
Peter might be thinking of Mrs Jamieson for a wife, and I was as unhappy
as Miss Pole about it. He had the proof sheet of a great placard in his
hand. “Signor Brunoni, Magician to the King of Delhi, the Rajah of
Oude, and the great Lama of Thibet,” &c. &c., was going to “perform in
Cranford for one night only,” the very next night; and Miss Matty,
exultant, showed me a letter from the Gordons, promising to remain over
this gaiety, which Miss Matty said was entirely Peter’s doing. He had
written to ask the signor to come, and was to be at all the expenses of
the affair. Tickets were to be sent gratis to as many as the room would
hold. In short, Miss Matty was charmed with the plan, and said that
to-morrow Cranford would remind her of the Preston Guild, to which she
had been in her youth—a luncheon at the “George,” with the dear Gordons,
and the signor in the Assembly Room in the evening. But I—I looked only
at the fatal words:—
“_Under the Patronage of the_ HONOURABLE MRS JAMIESON.”
She, then, was chosen to preside over this entertainment of Mr Peter’s;
she was perhaps going to displace my dear Miss Matty in his heart, and
make her life lonely once more! I could not look forward to the morrow
with any pleasure; and every innocent anticipation of Miss Matty’s only
served to add to my annoyance.
So, angry and irritated, and exaggerating every little incident which
could add to my irritation, I went on till we were all assembled in the
great parlour at the “George.” Major and Mrs Gordon and pretty Flora
and Mr Ludovic were all as bright and handsome and friendly as could be;
but I could hardly attend to them for watching Mr Peter, and I saw that
Miss Pole was equally busy. I had never seen Mrs Jamieson so roused and
animated before; her face looked full of interest in what Mr Peter was
saying. I drew near to listen. My relief was great when I caught that
his words were not words of love, but that, for all his grave face, he
was at his old tricks. He was telling her of his travels in India, and
describing the wonderful height of the Himalaya mountains: one touch
after another added to their size, and each exceeded the former in
absurdity; but Mrs Jamieson really enjoyed all in perfect good faith. I
suppose she required strong stimulants to excite her to come out of her
apathy. Mr Peter wound up his account by saying that, of course, at
that altitude there were none of the animals to be found that existed in
the lower regions; the game,—everything was different. Firing one day
at some flying creature, he was very much dismayed when it fell, to find
that he had shot a cherubim! Mr Peter caught my eye at this moment, and
gave me such a funny twinkle, that I felt sure he had no thoughts of Mrs
Jamieson as a wife from that time. She looked uncomfortably amazed—
“But, Mr Peter, shooting a cherubim—don’t you think—I am afraid that was
sacrilege!”
Mr Peter composed his countenance in a moment, and appeared shocked at
the idea, which, as he said truly enough, was now presented to him for
the first time; but then Mrs Jamieson must remember that he had been
living for a long time among savages—all of whom were heathens—some of
them, he was afraid, were downright Dissenters. Then, seeing Miss Matty
draw near, he hastily changed the conversation, and after a little
while, turning to me, he said, “Don’t be shocked, prim little Mary, at
all my wonderful stories. I consider Mrs Jamieson fair game, and
besides I am bent on propitiating her, and the first step towards it is
keeping her well awake. I bribed her here by asking her to let me have
her name as patroness for my poor conjuror this evening; and I don’t
want to give her time enough to get up her rancour against the
Hogginses, who are just coming in. I want everybody to be friends, for
it harasses Matty so much to hear of these quarrels. I shall go at it
again by-and-by, so you need not look shocked. I intend to enter the
Assembly Room to-night with Mrs Jamieson on one side, and my lady, Mrs
Hoggins, on the other. You see if I don’t.”
Somehow or another he did; and fairly got them into conversation
together. Major and Mrs Gordon helped at the good work with their
perfect ignorance of any existing coolness between any of the
inhabitants of Cranford.
Ever since that day there has been the old friendly sociability in
Cranford society; which I am thankful for, because of my dear Miss
Matty’s love of peace and kindliness. We all love Miss Matty, and I
somehow think we are all of us better when she is near us.
* * * * *
PRINTED BY
TURNBULL AND SPEARS,
EDINBURGH
*** END OF THE PROJECT GUTENBERG EBOOK CRANFORD ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
Reading Tips
Use arrow keys to navigate
Press 'N' for next chapter
Press 'P' for previous chapter