Moby Dick; Or, The Whale by Herman Melville
CHAPTER 8. The Pulpit.
943 words | Chapter 13
I had not been seated very long ere a man of a certain venerable
robustness entered; immediately as the storm-pelted door flew back upon
admitting him, a quick regardful eyeing of him by all the congregation,
sufficiently attested that this fine old man was the chaplain. Yes, it
was the famous Father Mapple, so called by the whalemen, among whom he
was a very great favourite. He had been a sailor and a harpooneer in
his youth, but for many years past had dedicated his life to the
ministry. At the time I now write of, Father Mapple was in the hardy
winter of a healthy old age; that sort of old age which seems merging
into a second flowering youth, for among all the fissures of his
wrinkles, there shone certain mild gleams of a newly developing
bloom—the spring verdure peeping forth even beneath February’s snow. No
one having previously heard his history, could for the first time
behold Father Mapple without the utmost interest, because there were
certain engrafted clerical peculiarities about him, imputable to that
adventurous maritime life he had led. When he entered I observed that
he carried no umbrella, and certainly had not come in his carriage, for
his tarpaulin hat ran down with melting sleet, and his great pilot
cloth jacket seemed almost to drag him to the floor with the weight of
the water it had absorbed. However, hat and coat and overshoes were one
by one removed, and hung up in a little space in an adjacent corner;
when, arrayed in a decent suit, he quietly approached the pulpit.
Like most old fashioned pulpits, it was a very lofty one, and since a
regular stairs to such a height would, by its long angle with the
floor, seriously contract the already small area of the chapel, the
architect, it seemed, had acted upon the hint of Father Mapple, and
finished the pulpit without a stairs, substituting a perpendicular side
ladder, like those used in mounting a ship from a boat at sea. The wife
of a whaling captain had provided the chapel with a handsome pair of
red worsted man-ropes for this ladder, which, being itself nicely
headed, and stained with a mahogany colour, the whole contrivance,
considering what manner of chapel it was, seemed by no means in bad
taste. Halting for an instant at the foot of the ladder, and with both
hands grasping the ornamental knobs of the man-ropes, Father Mapple
cast a look upwards, and then with a truly sailor-like but still
reverential dexterity, hand over hand, mounted the steps as if
ascending the main-top of his vessel.
The perpendicular parts of this side ladder, as is usually the case
with swinging ones, were of cloth-covered rope, only the rounds were of
wood, so that at every step there was a joint. At my first glimpse of
the pulpit, it had not escaped me that however convenient for a ship,
these joints in the present instance seemed unnecessary. For I was not
prepared to see Father Mapple after gaining the height, slowly turn
round, and stooping over the pulpit, deliberately drag up the ladder
step by step, till the whole was deposited within, leaving him
impregnable in his little Quebec.
I pondered some time without fully comprehending the reason for this.
Father Mapple enjoyed such a wide reputation for sincerity and
sanctity, that I could not suspect him of courting notoriety by any
mere tricks of the stage. No, thought I, there must be some sober
reason for this thing; furthermore, it must symbolize something unseen.
Can it be, then, that by that act of physical isolation, he signifies
his spiritual withdrawal for the time, from all outward worldly ties
and connexions? Yes, for replenished with the meat and wine of the
word, to the faithful man of God, this pulpit, I see, is a
self-containing stronghold—a lofty Ehrenbreitstein, with a perennial
well of water within the walls.
But the side ladder was not the only strange feature of the place,
borrowed from the chaplain’s former sea-farings. Between the marble
cenotaphs on either hand of the pulpit, the wall which formed its back
was adorned with a large painting representing a gallant ship beating
against a terrible storm off a lee coast of black rocks and snowy
breakers. But high above the flying scud and dark-rolling clouds, there
floated a little isle of sunlight, from which beamed forth an angel’s
face; and this bright face shed a distinct spot of radiance upon the
ship’s tossed deck, something like that silver plate now inserted into
the Victory’s plank where Nelson fell. “Ah, noble ship,” the angel
seemed to say, “beat on, beat on, thou noble ship, and bear a hardy
helm; for lo! the sun is breaking through; the clouds are rolling
off—serenest azure is at hand.”
Nor was the pulpit itself without a trace of the same sea-taste that
had achieved the ladder and the picture. Its panelled front was in the
likeness of a ship’s bluff bows, and the Holy Bible rested on a
projecting piece of scroll work, fashioned after a ship’s fiddle-headed
beak.
What could be more full of meaning?—for the pulpit is ever this earth’s
foremost part; all the rest comes in its rear; the pulpit leads the
world. From thence it is the storm of God’s quick wrath is first
descried, and the bow must bear the earliest brunt. From thence it is
the God of breezes fair or foul is first invoked for favourable winds.
Yes, the world’s a ship on its passage out, and not a voyage complete;
and the pulpit is its prow.
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